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B-Sides

Full company profile

uuid0009k42

Namestring
B-Sides
Websiteurl
b-sides.tv
Company typeenum
Private
Founded yearint
2012
Descriptiontext

B-Sides is a privately held, San Francisco-based digital music media publication that has been actively producing editorial content since 2012, covering new music, emerging artists, and live music experiences. The platform's core product is its website (b-sides.tv), which publishes news, artist interviews, album reviews, and photo reviews of concerts and major US music festivals such as Bonnaroo, Governors Ball, Austin City Limits, Outside Lands, and Lollapalooza. In 2022 the company extended into audio with the 'B-Sides with Pete Mar' podcast, distributed on Apple Podcasts and Spotify, and it has built a multi-channel social presence across Twitter/X, TikTok, Instagram, YouTube, and Facebook, plus RSS-based content syndication partnerships with Rolling Stone, Pitchfork, and Dancing Astronaut.

The platform is built on a standard WordPress content management system with multimedia hosting for video interviews, photo galleries, and podcast distribution, and it does not expose any public API or SDK. The company is led by CEO Eric Berglund and co-founder Stacy Daily and operates with a small editorial team of 11-50 employees. There are no patents, certifications, awards, or disclosed funding rounds in the input data, and ownership structure is not publicly documented.

B-Sides monetizes exclusively through advertising: third-party display ads on the website and potentially podcast sponsorships on the 'B-Sides with Pete Mar' audio feed. All editorial content is free to consumers, there is no subscription tier, no paywall, and no e-commerce. The target audience is a single horizontal persona — music enthusiasts and concert-goers, primarily in the US but with organic global reach through digital channels to audiences in the UK, Ireland, Australia, New Zealand, Canada, Denmark, Sweden, and Japan. The business is therefore best characterized as a lean, ad-supported, lifestyle digital media outlet rather than a venture-backed growth company.

Short descriptiontext

B-Sides is a San Francisco-based music media platform publishing free editorial coverage of emerging artists, concert photo reviews, and video interviews. Operating since 2012, it monetizes through display advertising and distributes content via its website, a podcast, and major social channels.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
1–10
akta.pro rankint
HeadquartersSan Francisco, United States
HQ citystring
San Francisco
HQ countrystring
United States
HQ regionstring
North America
Markets served

Serves global market

Keyword5 values
music journalism, concert reviews, artist interviews, music podcast, festival coverage
Industry1 code
1Podcast Networks & Studio Platforms
CodeMPAIADACPrimaryYes
NAICS code2 codes
  • Broadcasting and Content Providers516
  • Motion Picture and Sound Recording Industries512
SIC code2 codes
  • Services-Motion Picture & Video Tape Production7812
  • Television Broadcasting Stations4833
Product category
Music Media & Entertainment
GTM motion1 record

Each record includes

Type, Description, Source

Revenue model1 record
1Advertising
TypeAdvertising
Description

The website displays third-party advertising including display ads and sponsored content sections, generating revenue from ad impressions and potentially podcast sponsorships.

b-sides.tv
Marketing channels8 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels4 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components4 values
Personnel, Marketing or Sales, Operations, Technology or R&D
GTM typeB2C
B2C
Offering typeDigital Commerce or Conte…
Digital Commerce or Content
Core offering1 text field

B-Sides is a digital music media publication that produces and distributes original editorial content covering new music, emerging artists, and live music experiences. It publishes photo reviews, concert reviews, video interviews, and news articles on its website, and distributes a podcast ("B-Sides with Pete Mar") through Apple Podcasts, Spotify, and YouTube. The content is free to consumers and monetized through advertising.

Differentiator
Functional benefit
Problem solved
Product overview1 text field

B-Sides is a music media platform operated as a single unified digital publication. The platform delivers original editorial content including music news, artist interviews (video and text), concert photo reviews, album reviews, and festival coverage. The site also features an embedded podcast 'B-Sides with Pete Mar' available on Apple Podcasts and Spotify, and curates a Top 40 New Releases feed integrating Rolling Stone and Pitchfork content.

Product and service2 records
1B-Sides Music Media Platform
CategoryMusic Media
2B-Sides with Pete Mar Podcast
CategoryMusic Podcast
Scale indicator1 record

Each record includes

Type, Value, Description, Source

Recent move5 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight3 records

Each record includes

Type, Description

Peers10 records
1Pitchfork
TypeDirect peer
Description

Leading independent music publication covering album reviews, artist interviews, and festival coverage. Pitchfork is the most direct editorial peer to B-Sides in the emerging/indie music media space, with overlapping audience and category coverage.

TypeDirect peer
Description

Independent music blog and media outlet focused on emerging artists, mp3 downloads historically, and music news. Closely comparable to B-Sides in scope (emerging artists, music journalism, festival coverage) and audience (indie/alternative music fans).

TypeDirect peer
Description

Digital media outlet with strong emphasis on music news, artist interviews, and festival coverage alongside broader culture. Comparable to B-Sides through overlapping music editorial focus, video interviews, and concert/festival reviews.

4The FADER
TypeDirect peer
Description

Music and culture magazine covering emerging artists, fashion, and live music experiences. Direct peer in the indie music editorial space, with overlapping emphasis on emerging talent discovery and festival/concert photography.

TypeDirect peer
Description

Independent music publication covering indie, punk, and alternative music with strong live show reviews and concert coverage. Comparable to B-Sides in editorial depth on live music, photo reviews, and emerging artist discovery.

TypeDirect peer
Description

Music and entertainment publication featuring album reviews, artist interviews, and festival coverage. Directly comparable to B-Sides in editorial scope, audience (music enthusiasts), and ad-supported digital media model.

TypeBroad incumbent
Description

Iconic mainstream music and culture publication covering established and emerging artists, festivals (Bonnaroo, Coachella), and music journalism. B-Sides even integrates Rolling Stone RSS content, highlighting its role as a broad incumbent that overlaps with but dwarfs B-Sides' editorial scope.

TypeBroad incumbent
Description

Global music and entertainment publication covering indie, rock, and pop with strong festival coverage and emerging artist features. Comparable as a larger incumbent music media brand with overlapping coverage of festivals and emerging artists, but with much broader geographic reach.

TypeBroad incumbent
Description

Music media platform owned by Universal Music Group offering editorial coverage, artist interviews, and festival content. Broad incumbent in the music media space with overlapping artist-discovery editorial, though label-affiliated and significantly larger scale than B-Sides.

TypeEmerging player
Description

Digital music publication covering electronic/dance music news, artist interviews, and festival coverage. B-Sides even integrates Dancing Astronaut RSS feeds, indicating overlap as a similarly-sized emerging music media outlet with comparable editorial niche focus.

Market position
Strengths4 records

Each record includes

Headline, Details, Source

Weaknesses4 records

Each record includes

Headline, Details, Source

Competitive moat3 records

Each record includes

Type, Details

Key highlights5 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Segment1 record

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile1 record

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles2 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

B-Sides

Music Media & Entertainmentb-sides.tv

B-Sides is a San Francisco-based music media platform publishing free editorial coverage of emerging artists, concert photo reviews, and video interviews. Operating since 2012, it monetizes through display advertising and distributes content via its website, a podcast, and major social channels.

What B-Sides does

B-Sides is a privately held, San Francisco-based digital music media publication that has been actively producing editorial content since 2012, covering new music, emerging artists, and live music experiences. The platform's core product is its website (b-sides.tv), which publishes news, artist interviews, album reviews, and photo reviews of concerts and major US music festivals such as Bonnaroo, Governors Ball, Austin City Limits, Outside Lands, and Lollapalooza. In 2022 the company extended into audio with the 'B-Sides with Pete Mar' podcast, distributed on Apple Podcasts and Spotify, and it has built a multi-channel social presence across Twitter/X, TikTok, Instagram, YouTube, and Facebook, plus RSS-based content syndication partnerships with Rolling Stone, Pitchfork, and Dancing Astronaut.

The platform is built on a standard WordPress content management system with multimedia hosting for video interviews, photo galleries, and podcast distribution, and it does not expose any public API or SDK. The company is led by CEO Eric Berglund and co-founder Stacy Daily and operates with a small editorial team of 11-50 employees. There are no patents, certifications, awards, or disclosed funding rounds in the input data, and ownership structure is not publicly documented.

B-Sides monetizes exclusively through advertising: third-party display ads on the website and potentially podcast sponsorships on the 'B-Sides with Pete Mar' audio feed. All editorial content is free to consumers, there is no subscription tier, no paywall, and no e-commerce. The target audience is a single horizontal persona — music enthusiasts and concert-goers, primarily in the US but with organic global reach through digital channels to audiences in the UK, Ireland, Australia, New Zealand, Canada, Denmark, Sweden, and Japan. The business is therefore best characterized as a lean, ad-supported, lifestyle digital media outlet rather than a venture-backed growth company.

B-Sides firmographics

Firmographics
Name
B-Sides
Website
https://b-sides.tv
Company type
Private
Founded year
2012
Operating status
Operating
Headcount range
1–10 employees
Short description
B-Sides is a San Francisco-based music media platform publishing free editorial coverage of emerging artists, concert photo reviews, and video interviews. Operating since 2012, it monetizes through display advertising and distributes content via its website, a podcast, and major social channels.
Ownership category
akta.pro rank

B-Sides industry classification

Industry
Product category
Music Media & Entertainment
NAICS
Broadcasting and Content Providers (516), Motion Picture and Sound Recording Industries (512)
SIC
Services-Motion Picture & Video Tape Production (7812), Television Broadcasting Stations (4833)
akta.pro primary industry
Podcast Networks & Studio Platforms (MPAIADAC)

Keywords

  • Music journalism
  • Concert reviews
  • Artist interviews
  • Music podcast
  • Festival coverage

Where B-Sides is headquartered

Location

Headquarters

HQ city
San Francisco
HQ country
United States
HQ region
North America

Markets served

B-Sides business model

Business model
GTM type
B2C
Offering type
Digital Commerce or Content
Cost components
Personnel, Marketing or Sales, Operations, Technology or R&D

Revenue model

  1. Advertising: The website displays third-party advertising including display ads and sponsored content sections, generating revenue from ad impressions and potentially podcast sponsorships.

Go-to-market motion1 record

Distribution channels4 records

Marketing channels8 records

B-Sides product offering

Product offering

Core offering

B-Sides is a digital music media publication that produces and distributes original editorial content covering new music, emerging artists, and live music experiences. It publishes photo reviews, concert reviews, video interviews, and news articles on its website, and distributes a podcast ("B-Sides with Pete Mar") through Apple Podcasts, Spotify, and YouTube. The content is free to consumers and monetized through advertising.

Product overview

B-Sides is a music media platform operated as a single unified digital publication. The platform delivers original editorial content including music news, artist interviews (video and text), concert photo reviews, album reviews, and festival coverage. The site also features an embedded podcast 'B-Sides with Pete Mar' available on Apple Podcasts and Spotify, and curates a Top 40 New Releases feed integrating Rolling Stone and Pitchfork content.

Differentiator

Problem solved

Functional benefit

Products and services

  • B-Sides Music Media Platform
  • B-Sides with Pete Mar Podcast

Companies that use B-Sides

Customer profile

Segments1 record

Ideal customer profiles1 record

B-Sides technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

B-Sides partnerships and signals

Strategic signal

Scale indicators1 record

Recent moves5 records

Expansion highlights3 records

B-Sides competitors and assessment

Company assessment

Direct peers

  • Pitchfork: Leading independent music publication covering album reviews, artist interviews, and festival coverage. Pitchfork is the most direct editorial peer to B-Sides in the emerging/indie music media space, with overlapping audience and category coverage.
  • Stereogum: Independent music blog and media outlet focused on emerging artists, mp3 downloads historically, and music news. Closely comparable to B-Sides in scope (emerging artists, music journalism, festival coverage) and audience (indie/alternative music fans).
  • Paste Magazine: Digital media outlet with strong emphasis on music news, artist interviews, and festival coverage alongside broader culture. Comparable to B-Sides through overlapping music editorial focus, video interviews, and concert/festival reviews.
  • The FADER: Music and culture magazine covering emerging artists, fashion, and live music experiences. Direct peer in the indie music editorial space, with overlapping emphasis on emerging talent discovery and festival/concert photography.
  • BrooklynVegan: Independent music publication covering indie, punk, and alternative music with strong live show reviews and concert coverage. Comparable to B-Sides in editorial depth on live music, photo reviews, and emerging artist discovery.
  • Consequence of Sound (Consequence): Music and entertainment publication featuring album reviews, artist interviews, and festival coverage. Directly comparable to B-Sides in editorial scope, audience (music enthusiasts), and ad-supported digital media model.

Broad incumbents

  • Rolling Stone: Iconic mainstream music and culture publication covering established and emerging artists, festivals (Bonnaroo, Coachella), and music journalism. B-Sides even integrates Rolling Stone RSS content, highlighting its role as a broad incumbent that overlaps with but dwarfs B-Sides' editorial scope.
  • NME (NME.com): Global music and entertainment publication covering indie, rock, and pop with strong festival coverage and emerging artist features. Comparable as a larger incumbent music media brand with overlapping coverage of festivals and emerging artists, but with much broader geographic reach.
  • uDiscover Music (Universal Music): Music media platform owned by Universal Music Group offering editorial coverage, artist interviews, and festival content. Broad incumbent in the music media space with overlapping artist-discovery editorial, though label-affiliated and significantly larger scale than B-Sides.

Emerging players

  • Dancing Astronaut: Digital music publication covering electronic/dance music news, artist interviews, and festival coverage. B-Sides even integrates Dancing Astronaut RSS feeds, indicating overlap as a similarly-sized emerging music media outlet with comparable editorial niche focus.

Market position

Strengths4 records

Weaknesses4 records

Competitive moat3 records

Key highlights5 records

Customer concentration

B-Sides social profiles

Digital presence

B-Sides financial estimates

Financial estimate

Revenue estimate

Valuation estimate

B-Sides leadership team

Management profile

Number of profiles

Profiles2 records

B-Sides funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

B-Sides M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about B-Sides

What does B-Sides do?

B-Sides is a digital music media publication that produces and distributes original editorial content covering new music, emerging artists, and live music experiences. It publishes photo reviews, concert reviews, video interviews, and news articles on its website, and distributes a podcast ("B-Sides with Pete Mar") through Apple Podcasts, Spotify, and YouTube. The content is free to consumers and monetized through advertising.

Is B-Sides a public or private company?

B-Sides is a private company. It is classified as unknown and is currently operating.

When was B-Sides founded?

B-Sides was founded in 2012. It employs 1 to 10 people.

Where is B-Sides based?

B-Sides is headquartered in San Francisco, United States, in the North America region.

How does B-Sides make money?

One revenue line is on record: advertising.

Who are B-Sides's main competitors?

Direct peers on record are Pitchfork, Stereogum, Paste Magazine, The FADER, BrooklynVegan and Consequence of Sound (Consequence). Broad incumbents are Rolling Stone, NME (NME.com) and uDiscover Music (Universal Music). Dancing Astronaut is listed as an emerging player.

Does B-Sides have an API?

No public API is recorded for B-Sides.

What industry is B-Sides in?

B-Sides's product category is Music Media & Entertainment. Its primary akta.pro industry code is MPAIADAC, Podcast Networks & Studio Platforms. Its NAICS code is 516 and its SIC code is 7812.

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