Dangerous Music
Dangerous Music designs and hand-builds premium analog and hybrid professional audio hardware—analog summing mixers, monitor controllers, D/A and A/D converters, EQs, and dynamics—used by recording, mixing, mastering, and immersive audio engineers worldwide, sold exclusively through a global authorized dealer network.
- Company typePrivate
- Founded2001
- HeadquartersEdmeston, United States
- Headcount1–10
- GTM typeB2B
- OfferingHardware or Manufacturing
What Dangerous Music does
Dangerous Music Inc. is a privately held U.S. professional audio equipment manufacturer, incorporated in New York (headquartered at 701 S Mountain Rd, New City, NY) with its website administered from Edmeston, NY. Founded by equipment designer Chris Muth, the company designs and hand-builds a portfolio of analog and hybrid studio hardware including analog summing mixers (2-BUS+, 2-BUS-XT, D-BOX+), reference monitor controllers (MONITOR, MONITOR-ST, MONITOR-SR), D/A and A/D converters (CONVERT-2, CONVERT-8, CONVERT-AD+), shelf-style equalizers (BAX EQ, BAX 500), a stereo compressor with Smart Dyn, an analog mid-side processor (S&M), a recallable patchbay (LIAISON), and a mastering system (MASTER). The technology centers on Chris Muth's proprietary analog circuit designs—relay-based stepped attenuators, custom transformer-less topologies, proprietary summing bus architectures, and sophisticated clocking for D/A conversion—built with audiophile-grade components in the USA, with benchmarked measurements (e.g., MONITOR THD 0.003%, crosstalk -113dB at 1kHz) that the company surfaces publicly.
The company makes money by selling this professional hardware at premium, quote-based prices exclusively through a global authorized dealer network, supplemented by a separate online storefront (dangerousmusicshop.com) for parts, accessories, and branded merchandise, and by software plugin versions (CONVERT-AD+ Plugin, BAX EQ Plugin) of its hardware converters and EQs. Go-to-market is consultative and channel-partner-led: prospective buyers are routed from dangerousmusic.com via a 'Find A Dealer' portal, while enterprise studio builds are managed through scheduled phone/Zoom sales calls; the company also maintains presence at NAMM and Superbooth trade shows and operates a content engine (Sylvia's Producers Lounge, articles, product tutorials) as the primary top-of-funnel acquisition channel.
The customer base is concentrated in professional recording, mixing, mastering, and immersive audio facilities worldwide, with named endorsements and testimonials from Grammy-tier practitioners (Chris Lord-Alge, Andrew Scheps, Just Blaze, Piper Payne, Matt Wallace, Edgar Winter, Colin Leonard, Dave McNair) and recognition including a TEC Award and Electronic Musician Editor's Choice Award. The business has remained founder-owned with no venture, growth, or private equity investment disclosed in the available data, and operates with a reported headcount of 1-10 employees while supporting a globally distributed product line.
Dangerous Music firmographics
Firmographics- Name
- Dangerous Music
- Legal name
- Dangerous Music Inc.
- Website
- https://dangerousmusic.com
- Company type
- Private
- Founded year
- 2001
- Operating status
- Operating
- Headcount range
- 1–10 employees
- Short description
- Dangerous Music designs and hand-builds premium analog and hybrid professional audio hardware—analog summing mixers, monitor controllers, D/A and A/D converters, EQs, and dynamics—used by recording, mixing, mastering, and immersive audio engineers worldwide, sold exclusively through a global authorized dealer network.
- Ownership category
- akta.pro rank
Dangerous Music industry classification
Industry- Product category
- Professional Audio Hardware
- NAICS
- Audio and Video Equipment Manufacturing (33431), Audio and Video Equipment Manufacturing (3343)
- akta.pro primary industry
- Pro Audio Equipment (Mics, Interfaces, Mixers, Studio Monitors) (MPAIAJAB)
- akta.pro secondary industry
- Audio Plugins & Virtual Instruments (VST/AU/AAX) (MPAIAIAB)
Keywords
Where Dangerous Music is headquartered
LocationHeadquarters
- HQ city
- Edmeston
- HQ country
- United States
- HQ region
- North America
Offices1 record
Markets served
Dangerous Music business model
Business model- GTM type
- B2B
- Offering type
- Hardware or Manufacturing
- Cost components
- Supply Chain, Personnel, Technology or R&D, Operations, Marketing or Sales
Revenue model
- Professional Audio Hardware Sales: Dangerous Music generates revenue primarily through the sale of high-end analog audio hardware products including summing mixers (2-BUS+, 2-BUS-XT), equalizers (BAX EQ, BAX 500), compressors, digital-to-analog converters (CONVERT-2, CONVERT-8, CONVERT-AD+), monitor controllers (MONITOR, MONITOR-ST, MONITOR-SR), and accessories (LIAISON patchbay, SUM & MINUS, SOURCE DAC). All core hardware is sold exclusively through an authorized dealer network at premium price points reflecting professional-grade build quality and audio performance.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| One time/ perpetual license | Pay-as-you-go | No public pricing — all hardware sold through authorized dealers with quote-based pricing |
Go-to-market motion1 record
Distribution channels3 records
Marketing channels7 records
Dangerous Music product offering
Product offeringCore offering
Dangerous Music designs, engineers, and hand-builds high-end professional audio hardware—including analog summing mixers, monitor controllers, D/A and A/D converters, equalizers, dynamics processors, and patchbays—for recording studios, mixing engineers, and mastering facilities. Products are built in the USA using proprietary analog circuit designs by Chris Muth, and are sold exclusively through a global network of authorized dealers at consultative, quote-based pricing under the "Sacrifice Nothing®" philosophy.
Product overview
Dangerous Music is a professional audio equipment manufacturer offering a comprehensive ecosystem of analog mixing, mastering, and monitoring products. The portfolio centers on analog summing mixers (2-BUS+, 2-BUS, 2-BUS LT), monitor controllers (MONITOR-ST, MONITOR-SR, MONITOR, D-BOX+), and D/A converters (CONVERT-2, CONVERT-8, CONVERT-AD+). Supporting products include the BAX EQ equalizer, COMPRESSOR dynamics processor, LIAISON patchbay, MASTER mastering system, and SUM & MINUS mid-side processor. The ecosystem is designed for seamless interoperability—D-BOX+ serves as an all-in-one studio centerpiece combining summing and monitoring, while expandable systems like MONITOR-ST can add digital inputs via the A.S.S. (Additional Switching System) with DAC modules. Legacy products include retired models like the original D-BOX (2019), with current production focused on the + series and advanced converter line. The company also offers software plugins replicating their hardware converters and EQs.
Differentiator
Problem solved
Functional benefit
Products and services
- 2-BUS+ 16-channel analog summing mixer for DAW stems, providing enhanced headroom, dimensionality, and stereo imaging versus in-the-box mixing.
- 2-BUS-XT Analog summing mixer extending the 2-BUS platform for professional DAW mix environments.
- BAX EQ Baxandall-style shelving equalizer with high-pass and low-pass filters for broad, musical tone shaping at the mix bus, drum bus, and individual channels.
- BAX 500 Single-slot 500-series version of the BAX EQ, offering the same broad-curve Baxandall tone shaping in a 500-series module format.
- COMPRESSOR Studio dynamics processor featuring Smart Dyn (a limiter with fast release) for transparent compression while preserving stereo image and channel separation.
- CONVERT-2 2-channel D/A converter with sophisticated clocking and Analog Devices DAC components, designed for reference-grade stereo monitoring and conversion.
- CONVERT-8 Multi-channel D/A converter with word clock and comprehensive digital input options, intended for studio monitoring and surround setups.
- CONVERT-AD+ Stereo analog-to-digital converter designed for exceptional clarity and dynamic range when capturing analog signals into the DAW.
- D-BOX+ Studio monitor controller and summing mixer combining 8 channels of analog summing, reference-grade D/A conversion, talkback, dual headphone amps, and speaker switching in a single rack unit.
- LIAISON Recallable analog patchbay system for instant recall of routing configurations, supporting seamless session management in studios.
- MASTER Comprehensive mastering system integrating monitor control, summing, and insert processing for dedicated mastering workflows; found in many of the world's top mastering facilities.
- MONITOR-SR Surround monitor controller supporting immersive audio formats up to 7.1 and 10.2, with comprehensive bass management, subwoofer integration, and speaker switching.
- MONITOR-ST Remote-controlled stereo monitor controller with stepped attenuator volume control and multiple analog and digital inputs, for mastering and mixing studios.
- SOURCE Desktop D/A converter featuring a Burr Brown PCM1789PW DAC, 8x upsampling, and a powerful headphone amplifier for critical listening.
- SUM & MINUS Analog mid-side (sum-and-difference) processor that disassembles stereo signals into Mid and Sides components for independent processing of the stereo field.
- ADDITIONAL SWITCHING SYSTEM (A.S.S.) Rack-mount digital input expansion system that adds DAC-ST or DAC-SR modules to MONITOR-ST or MONITOR-SR for additional digital input switching.
- BAX EQ Plugin Software (plugin) version of the BAX EQ, offering the same Baxandall tone-shaping curves in an in-the-box DAW plugin format.
- CONVERT-AD+ Plugin Certified software (plugin) version of the CONVERT-AD+ A/D converter, replicating the hardware's conversion character in a DAW plugin format.
Quantifiable outcome
- D-BOX summing section crosstalk: < -97dB; THD+N: < 0.003%; noise floor: < -89dBu total energy in audio band
- +3 more outcomes
Companies that use Dangerous Music
Customer profileNamed customers15 records
Segments5 records
Ideal customer profiles3 records
Dangerous Music technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration8 records
Feature7 records
Dangerous Music partnerships and signals
Strategic signalScale indicators2 records
Recent moves6 records
Expansion highlights5 records
Dangerous Music competitors and assessment
Company assessmentDirect peers
- Crane Song: Crane Song designs high-end pro audio hardware including the HEDD quantum AD/DA converter and Solaris summing mixer, directly competing with Dangerous Music's CONVERT and 2-BUS+ product families.
- Empirical Labs: Empirical Labs builds professional audio processors including the Distressor compressor and Lil FrEQ EQ used in mixing and mastering — comparable to Dangerous Music's COMPRESSOR and BAX EQ products.
- Solid State Logic (SSL): SSL manufactures high-end analog summing mixers, bus compressors, and monitor controllers used in professional mixing and mastering studios. Direct competitor to Dangerous Music's 2-BUS+ and COMPRESSOR lines.
- Antelope Audio: Antelope Audio manufactures professional AD/DA converters, master clocks, and monitor controllers with proprietary clocking technology — overlapping with Dangerous Music's CONVERT and MONITOR product lines.
- Universal Audio: Universal Audio produces professional audio hardware (Apollo interfaces, UAD accelerator products) and a deep plugin catalog — directly overlapping Dangerous Music's hardware-plus-plugin strategy in monitoring and conversion.
- Manley Labs: Manley Labs builds hand-built pro audio hardware including EQs, compressors, and converters targeting mastering and mixing engineers — directly comparable to Dangerous Music's pro-audio analog product line.
- Prism Sound: Prism Sound produces reference-grade AD/DA converters (Atlas, Lyra, Titan) used in mastering and mixing facilities. Comparable to Dangerous Music's CONVERT-2, CONVERT-8, and CONVERT-AD+ lines.
- Rupert Neve Designs: Founded by the legendary console designer, RND builds high-end analog summing, preamps, and EQ hardware for professional studios — closely comparable to Dangerous Music's hand-built analog circuit philosophy.
- Lavry Engineering: Lavry Engineering manufactures high-end professional AD/DA converters favored by mastering engineers — directly cited by Dangerous Music customers as a benchmark for the MONITOR's integrated DAC.
- API Audio: API manufactures professional-grade analog consoles, EQs, and summing mixers used in major studios worldwide. Comparable to Dangerous Music in studio-channel analog processing and brand positioning.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat5 records
Key risks5 records
Key highlights7 records
Customer concentration
Dangerous Music social profiles
Digital presenceDangerous Music financial estimates
Financial estimateRevenue estimate
Valuation estimate
Dangerous Music leadership team
Management profileNumber of profiles
Profiles1 record
Dangerous Music funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Dangerous Music M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Dangerous Music
What does Dangerous Music do?
Dangerous Music designs, engineers, and hand-builds high-end professional audio hardware—including analog summing mixers, monitor controllers, D/A and A/D converters, equalizers, dynamics processors, and patchbays—for recording studios, mixing engineers, and mastering facilities. Products are built in the USA using proprietary analog circuit designs by Chris Muth, and are sold exclusively through a global network of authorized dealers at consultative, quote-based pricing under the "Sacrifice Nothing®" philosophy.
Is Dangerous Music a public or private company?
Dangerous Music is a private company. It is classified as founder individual operated bootstrapped and is currently operating.
When was Dangerous Music founded?
Dangerous Music was founded in 2001. It employs 1 to 10 people.
Where is Dangerous Music based?
Dangerous Music is headquartered in Edmeston, United States, in the North America region.
How does Dangerous Music make money?
One revenue line is on record: professional Audio Hardware Sales.
Who are Dangerous Music's main competitors?
Direct peers on record are Crane Song, Empirical Labs, Solid State Logic (SSL), Antelope Audio, Universal Audio, Manley Labs, Prism Sound, Rupert Neve Designs, Lavry Engineering and API Audio.
Does Dangerous Music have an API?
No public API is recorded for Dangerous Music.
What industry is Dangerous Music in?
Dangerous Music's product category is Professional Audio Hardware. Its primary akta.pro industry code is MPAIAJAB, Pro Audio Equipment (Mics, Interfaces, Mixers, Studio Monitors), with a secondary code of MPAIAIAB, Audio Plugins & Virtual Instruments (VST/AU/AAX). Its NAICS code is 33431.