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The Film Foundation

Full company profile

uuid000e21e

Namestring
The Film Foundation
Legal namestring
The Film Foundation, Inc.
Company typeenum
Private
Founded yearint
1990
Descriptiontext

The Film Foundation is a 501(c)(3) nonprofit organization founded in 1990 and led by Martin Scorsese alongside a board of nineteen renowned filmmakers, including Steven Spielberg, Francis Ford Coppola, George Lucas, Christopher Nolan, and Clint Eastwood. Headquartered in Los Angeles with a New York office, the foundation operates with a small paid staff (4-7 per one source; firmographic estimate 11-50) and works in partnership with major film archives, studios, and cultural institutions to preserve and restore motion picture history, having supported the restoration of over 1,100 films to date. Its core technical capabilities include 2K and 4K digital restoration alongside traditional photochemical processes, delivered primarily through its flagship laboratory partner Cineteca di Bologna/L'Immagine Ritrovata.

The foundation's programmatic portfolio spans five pillars: the Film Preservation Program (restoration of classic and endangered films), the World Cinema Project (72 restored films from 34 countries launched in 2007), The Story of Movies (a free film-literacy curriculum used by nearly 150,000 educators at over 45,000 U.S. schools), the Artists Rights Education and Legal Defense Fund (advocacy against unauthorized alteration of films), and the African Film Heritage Project (launched 2017 with FEPACI and UNESCO). Restored titles reach global audiences through the festival circuit (Cannes Classics, Il Cinema Ritrovato), museum screenings (Academy Museum, MoMA), and home-video distribution via the Criterion Collection and Janus Films.

The organization's revenue model is donation-driven: individual contributions through tiered giving ($50-$1,000) and the "1 Frame, 1 Dollar" project-specific campaign, supplemented by exhibition rental income for World Cinema Project titles and grants from partners such as the George Harrison Material World Foundation and the Golden Globe Foundation. Go-to-market relies on earned media through high-profile filmmaker advocacy, festival visibility, newsletter communications, and organic social channels rather than paid advertising. Annual Reports have been published continuously from 2015 through 2024.

Short descriptiontext

The Film Foundation is a 501(c)(3) nonprofit founded in 1990 and led by Martin Scorsese that restores endangered films, educates students on cinema, and advocates for filmmakers' rights. It serves global archives, festivals, museums, and over 150,000 educators across 45,000+ schools.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
11–50
akta.pro rankint
HeadquartersLos Angeles, United States
HQ citystring
Los Angeles
HQ countrystring
United States
HQ regionstring
North America
Markets served

Serves global market

Offices2 records

Each record includes

City, Country, Type, Description, Source

Keyword5 values
film preservation services, film restoration services, cultural heritage nonprofit, world cinema preservation, artists rights advocacy
Industry8 codes
1Digital Restoration & Remastering (4K/8K Scan, Image Stabilization, Dirt/Scratch Removal)
CodeMPADAMABPrimaryYes
2Archival Preservation & Conservation (Handling, Storage, Environmental Controls)
CodeMPADAMAFPrimaryNo
3Format Migration & Media Refresh (Tape-to-File, File-to-File, LTO Refresh)
CodeMPADAMAHPrimaryNo
4Color Restoration & Grading for Legacy Content (HDR/SDR Remaster)
CodeMPADAMACPrimaryNo
5Access & Distribution for Archives (Restored Masters, DCP Creation, Screening Deliverables)
CodeMPADAMAJPrimaryNo
6Archival Research, Rights & Provenance Services (Clearance, Chain-of-Custody)
CodeMPADAMAIPrimaryNo
7Public Media Archives, Libraries & Content Preservation
CodeMPABADALPrimaryNo
8Media Arts & Film/Photography Nonprofits
CodeBPAGAHAJPrimaryNo
NAICS code1 code
  • Libraries and Archives519210
SIC code1 code
  • Services-Allied To Motion Picture Distribution7829
Product category
Film Preservation Services
GTM motion3 records

Each record includes

Type, Description, Source

Revenue model2 records
1Donations and Charitable Contributions
TypeGrants Donations
Description

The Film Foundation is a 501(c)(3) non-profit organization. Revenue is generated through charitable donations from individuals and organizations. The foundation offers '1 Frame, 1 Dollar' donations where supporters can contribute $1 per frame for specific restoration projects, as well as general donations at levels of $1,000, $500, $250, $100, and $50.

film-foundation.org
2Exhibition Rental of Restored Films
TypeLicensing Royalties
Description

The World Cinema Project makes restored films available for exhibition rental by educational institutions, festivals, and museums worldwide. Films restored under various programs (World Cinema Project, Hobson/Lucas Family Foundation, etc.) are booked through the foundation's platform.

film-foundation.org
Marketing channels8 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels6 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components4 values
Personnel, Operations, Technology or R&D, Marketing or Sales
Pricing details4 tiers
11 Frame, 1 Dollar donation program
ModelDonation/ grant-fundedBilling cadenceOne-time
Notes

Donors can choose from current restoration projects and donate $1 per frame they wish to help restore. Example projects listed include Daybreak (1948), Film No. 16 (1967), The Rat (1925), What Price Glory (1926), Guest in the House (1944), Lorna Doone (1922), and Wavelength (1967).

film-foundation.org
2General donation levels
ModelDonation/ grant-fundedBilling cadenceOne-time
Notes

Donation levels available: $1,000, $500, $250, $100, $50, or custom amount (minimum $25).

film-foundation.org
3Black and white feature film restoration
ModelOtherBilling cadenceMulti-year contract
Notes

Generally $50,000-$250,000 for black and white feature film with sound. Color feature restoration costs range from $80,000-$450,000 using traditional photochemical process, to several hundred thousand dollars for 2K or 4K digital restoration.

film-foundation.org
4The Story of Movies curriculum - free for educators
ModelFreemiumBilling cadenceFree
Notes

All curriculum units distributed completely free of charge to educators. No cost for Teacher's Guides and Student Activity booklets available for download at storyofmovies.org.

film-foundation.org
GTM typeB2B and B2C
B2B and B2C
Offering typeServices
Services
Brand1 of 6 records shown
1World Cinema Project
Description

Preserving, restoring, and distributing films from around the world. To date, 72 films from 34 countries have been restored and shared with a global audience.

film-foundation.org
+5 more records
Core offering1 text field

The Film Foundation funds, manages, and delivers film preservation and restoration in partnership with archives, studios, and laboratories, supporting over 1,100 restored films to date. It complements preservation work with the World Cinema Project (72 films from 34 countries), a free K-12 film literacy curriculum, artist rights advocacy and legal defense, and DIY preservation guidance for independent and digital filmmakers.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 of 4 values shown
  • Over 1,100 films restored with foundation support
+3 more records
Product overview1 text field

The Film Foundation is a nonprofit organization offering a portfolio of film preservation, restoration, and educational programs. Its core offerings include the Film Preservation Program (restoring films with over 1,100 restored to date), the World Cinema Project (focused on international cinema with 72 films from 34 countries), The Story of Movies educational curriculum, DIY Preservation resources, and the Artists Rights advocacy program. These programs work together to protect motion picture history, restore endangered films from around the world, educate young people about cinema, and advocate for filmmakers' rights.

Product and service7 records
1Film Preservation Program
CategoryFilm Preservation
Description

Funds and manages preservation and restoration of cinema films in partnership with archives, studios, and laboratories, ensuring their survival for future generations. The foundation has helped restore over 1,100 films to date. For film archives, studios, and cultural institutions.

2World Cinema Project
CategoryFilm Preservation
Description

A program created by Martin Scorsese in 2007 to preserve, restore, and provide access to films from around the world. Has restored 72 films from 34 countries, with a focus on regions lacking preservation resources. Titles are available for exhibition rental.

3The Story of Movies
CategoryEducational Curriculum
Description

A free educational curriculum teaching middle and high school students the language of cinema. Developed by filmmakers and educators to help students understand film as an artistic, cultural, and historical document. Used by nearly 150,000 educators at over 45,000 schools. Includes new curriculum "Portraits of America: Democracy on Film."

4DIY Preservation
CategoryEducational Resource
Description

Provides best practices guidelines, do-it-yourself recommendations, and resources for independent filmmakers, documentarians, and artists working with film and digital formats to preserve their work.

5Artists Rights Education and Legal Defense Fund
CategoryAdvocacy Program
Description

An initiative dedicated to protecting filmmakers' rights, preventing unethical altering of films, and ensuring artists' original visions are honored. Operates under the Directors Guild of America umbrella and includes the John Huston Award for Artists Rights.

6African Film Heritage Project
CategoryFilm Preservation
Description

A collaborative initiative launched in 2017 with FEPACI and UNESCO, in partnership with Cineteca di Bologna, to locate, restore, and disseminate African cinema heritage that is at risk of being lost.

7Restoration Screening Room Archive
CategoryDigital Archive
Description

An online archive of monthly restoration screening events, showcasing restored films available for viewing and education.

Scale indicator7 records

Each record includes

Type, Value, Description, Source

Partnership18 partners
1Pan African Federation of Filmmakers (FEPACI)
Strategic tierFlagshipTypeStrategic or Co-development PartnerAnnounced on2017-01-01
Description

The African Film Heritage Project was launched in 2017 in partnership with FEPACI and UNESCO, in collaboration with Cineteca di Bologna, to preserve the legacy of African cinema.

film-foundation.org
Strategic tierCoreTypeChannel Partner/ Reseller/ Distributor
Description

Partnership for distribution of World Cinema Project restorations on home video and streaming platforms. Many WCP films are released through Criterion's collection, providing global access to restored world cinema.

Strategic tierCoreTypeStrategic or Co-development Partner
Description

The foundation is aligned with the DGA, whose President and Secretary-Treasurer also serve on the board. The Artists Rights Education and Legal Defense Fund operates under the DGA umbrella. DGA consolidated with The Film Foundation in 2002.

Strategic tierKeyTypeGTM or Marketing Partner
Description

TCM is a partner in The Film Foundation's work, supporting restoration efforts and film programming visibility.

Strategic tierFlagshipTypeTechnology or Integration
Description

Primary restoration laboratory partner for The Film Foundation's World Cinema Project and numerous other restorations. L'Immagine Ritrovata is a world-renowned film restoration facility in Bologna, Italy.

6Academy Film Archive
Strategic tierCoreTypeTechnology or Integration
Description

Archive partner for film preservation and restoration. Collaborates on restoring films including The Red Shoes, Wanda, Once Upon a Time in America, and many others.

film-foundation.org
Strategic tierCoreTypeTechnology or Integration
Description

Archive partner for preservation and restoration of classic films including Abraham Lincoln (1930), Winchester '73, and Destry Rides Again.

Strategic tierCoreTypeTechnology or Integration
Description

Archive partner for film preservation including I Know Where I'm Going! and A Brighter Summer Day. BFI National Archive collaborates on multiple restorations.

Strategic tierCoreTypeTechnology or Integration
Description

Archive partner for preservation including Eraserhead restoration and reference prints. Library of Congress Packard Campus serves as a model for archival storage standards.

Strategic tierCoreTypeTechnology or Integration
Description

Archive partner and participant in NFPF Avant-Garde Masters Grant program administered with The Film Foundation.

Strategic tierKeyTypeChannel Partner/ Reseller/ Distributor
Description

Distribution partner for restored World Cinema Project and other films. Janus Films has been a long-standing partner in bringing classic films to modern audiences.

Strategic tierKeyTypeTechnology or Integration
Description

Studio partner for film preservation and restoration of classic films in the Sony Pictures collection.

Strategic tierFlagshipTypeStrategic or Co-development Partner
Description

UNESCO is a key partner in the African Film Heritage Project, supporting the location, restoration, and dissemination of African cinema heritage.

14National Film Archive of India (NFAI)
Strategic tierKeyTypeTechnology or Integration
Description

Source archive for Indian film restoration projects including Amma Ariyan (1986). The Film Heritage Foundation collaborates with NFAI on restoring Indian classics.

film-foundation.org
Strategic tierKeyTypeStrategic or Co-development Partner
Description

India's Film Heritage Foundation works with The Film Foundation's World Cinema Project on restoring Indian films. Has successfully placed Indian films at Cannes Classics for five consecutive years (2022-2026).

Strategic tierKeyTypeStrategic or Co-development Partner
Description

The Film Noir Foundation, led by Eddie Muller and Alan K. Rode, partners with The Film Foundation for film noir preservation work, including restorations screened at Noir City Hollywood and the Arthur Lyons Film Noir Festival.

Strategic tierKeyTypeTechnology or Integration
Description

Paramount partners with the Film Noir Foundation and The Film Foundation for classic film noir restorations.

Strategic tierMinorTypeGTM or Marketing Partner
Description

Edutopia, the George Lucas Educational Foundation, is a partner organization providing educational outreach support for The Story of Movies curriculum.

Recent move6 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight6 records

Each record includes

Type, Description

Peers10 records
1National Film Preservation Foundation (NFPF)
TypeDirect peer
Description

The U.S. congressionally-chartered nonprofit that funds preservation of orphaned and endangered American films; most direct U.S. peer to The Film Foundation and frequent co-funder on projects including the Avant-Garde Masters grants.

TypeDirect peer
Description

India-based nonprofit founded by Shivendra Singh Dungarpur dedicated to film conservation and restoration; a regional peer that collaborates with The Film Foundation on World Cinema Project Indian restorations and Cannes Classics placements.

TypeDirect peer
Description

World-renowned Italian film archive and restoration laboratory that serves as The Film Foundation's primary technical restoration partner on the World Cinema Project and African Film Heritage Project; a close operational peer executing restorations at scale.

4Academy Film Archive
TypeDirect peer
Description

The Academy of Motion Picture Arts and Sciences' film archive, which preserves Academy-awarded and historically significant films; a long-standing archive partner that co-stewards preservation of titles like The Red Shoes and Once Upon a Time in America.

TypeDirect peer
Description

The U.K.'s national film archive, a major international preservation institution collaborating with The Film Foundation on restorations such as A Brighter Summer Day and I Know Where I'm Going!, and a peer in operating large-scale archive and restoration programs.

TypeDirect peer
Description

One of the world's largest film archives, based in Paris, with active preservation, restoration, exhibition, and educational programming comparable in scope to The Film Foundation's portfolio.

TypeDirect peer
Description

New York-based nonprofit film archive dedicated to the preservation and exhibition of avant-garde cinema; co-participant with TFF in the NFPF Avant-Garde Masters grant program and a peer in preservation-focused programming.

TypeDirect peer
Description

The U.S. national audiovisual conservation facility, which preserves the nation's film heritage and serves as both an archive partner and reference model for TFF's preservation work, including the Eraserhead restoration.

TypeEmerging player
Description

Smaller nonprofit focused on film noir preservation that partners with The Film Foundation and studios like Paramount on targeted restorations, screening them at Noir City festivals; a thematic peer with overlapping but narrower scope.

TypeOthers
Description

Labor organization whose umbrella consolidates the Artists Rights Education and Legal Defense Fund; governance-linked peer and operational home for the foundation's artists-rights advocacy work rather than a direct preservation competitor.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat5 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights7 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers10 records

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment5 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile5 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Feature5 records

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles4 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

The Film Foundation

Film Preservation Servicesfilm-foundation.org

The Film Foundation is a 501(c)(3) nonprofit founded in 1990 and led by Martin Scorsese that restores endangered films, educates students on cinema, and advocates for filmmakers' rights. It serves global archives, festivals, museums, and over 150,000 educators across 45,000+ schools.

What The Film Foundation does

The Film Foundation is a 501(c)(3) nonprofit organization founded in 1990 and led by Martin Scorsese alongside a board of nineteen renowned filmmakers, including Steven Spielberg, Francis Ford Coppola, George Lucas, Christopher Nolan, and Clint Eastwood. Headquartered in Los Angeles with a New York office, the foundation operates with a small paid staff (4-7 per one source; firmographic estimate 11-50) and works in partnership with major film archives, studios, and cultural institutions to preserve and restore motion picture history, having supported the restoration of over 1,100 films to date. Its core technical capabilities include 2K and 4K digital restoration alongside traditional photochemical processes, delivered primarily through its flagship laboratory partner Cineteca di Bologna/L'Immagine Ritrovata.

The foundation's programmatic portfolio spans five pillars: the Film Preservation Program (restoration of classic and endangered films), the World Cinema Project (72 restored films from 34 countries launched in 2007), The Story of Movies (a free film-literacy curriculum used by nearly 150,000 educators at over 45,000 U.S. schools), the Artists Rights Education and Legal Defense Fund (advocacy against unauthorized alteration of films), and the African Film Heritage Project (launched 2017 with FEPACI and UNESCO). Restored titles reach global audiences through the festival circuit (Cannes Classics, Il Cinema Ritrovato), museum screenings (Academy Museum, MoMA), and home-video distribution via the Criterion Collection and Janus Films.

The organization's revenue model is donation-driven: individual contributions through tiered giving ($50-$1,000) and the "1 Frame, 1 Dollar" project-specific campaign, supplemented by exhibition rental income for World Cinema Project titles and grants from partners such as the George Harrison Material World Foundation and the Golden Globe Foundation. Go-to-market relies on earned media through high-profile filmmaker advocacy, festival visibility, newsletter communications, and organic social channels rather than paid advertising. Annual Reports have been published continuously from 2015 through 2024.

The Film Foundation firmographics

Firmographics
Name
The Film Foundation
Legal name
The Film Foundation, Inc.
Website
https://film-foundation.org
Company type
Private
Founded year
1990
Operating status
Operating
Headcount range
11–50 employees
Short description
The Film Foundation is a 501(c)(3) nonprofit founded in 1990 and led by Martin Scorsese that restores endangered films, educates students on cinema, and advocates for filmmakers' rights. It serves global archives, festivals, museums, and over 150,000 educators across 45,000+ schools.
Ownership category
akta.pro rank

The Film Foundation industry classification

Industry
Product category
Film Preservation Services
NAICS
Libraries and Archives (519210)
SIC
Services-Allied To Motion Picture Distribution (7829)
akta.pro primary industry
Digital Restoration & Remastering (4K/8K Scan, Image Stabilization, Dirt/Scratch Removal) (MPADAMAB)
akta.pro secondary industries
Archival Preservation & Conservation (Handling, Storage, Environmental Controls) (MPADAMAF), Format Migration & Media Refresh (Tape-to-File, File-to-File, LTO Refresh) (MPADAMAH), Color Restoration & Grading for Legacy Content (HDR/SDR Remaster) (MPADAMAC), Access & Distribution for Archives (Restored Masters, DCP Creation, Screening Deliverables) (MPADAMAJ), Archival Research, Rights & Provenance Services (Clearance, Chain-of-Custody) (MPADAMAI), Public Media Archives, Libraries & Content Preservation (MPABADAL), Media Arts & Film/Photography Nonprofits (BPAGAHAJ)

Keywords

  • Film preservation services
  • Film restoration services
  • Cultural heritage nonprofit
  • World cinema preservation
  • Artists rights advocacy

Where The Film Foundation is headquartered

Location

Headquarters

HQ city
Los Angeles
HQ country
United States
HQ region
North America

Offices2 records

Markets served

The Film Foundation business model

Business model
GTM type
B2B and B2C
Offering type
Services
Cost components
Personnel, Operations, Technology or R&D, Marketing or Sales

Revenue model

  1. Donations and Charitable Contributions: The Film Foundation is a 501(c)(3) non-profit organization. Revenue is generated through charitable donations from individuals and organizations. The foundation offers '1 Frame, 1 Dollar' donations where supporters can contribute $1 per frame for specific restoration projects, as well as general donations at levels of $1,000, $500, $250, $100, and $50.
  2. Exhibition Rental of Restored Films: The World Cinema Project makes restored films available for exhibition rental by educational institutions, festivals, and museums worldwide. Films restored under various programs (World Cinema Project, Hobson/Lucas Family Foundation, etc.) are booked through the foundation's platform.

Pricing tiers

ModelBillingPrice
Donation/ grant-fundedOne-time1 Frame, 1 Dollar donation program
Donation/ grant-fundedOne-timeGeneral donation levels
OtherMulti-year contractBlack and white feature film restoration
FreemiumFreeThe Story of Movies curriculum - free for educators

Go-to-market motion3 records

Distribution channels6 records

Marketing channels8 records

The Film Foundation product offering

Product offering

Core offering

The Film Foundation funds, manages, and delivers film preservation and restoration in partnership with archives, studios, and laboratories, supporting over 1,100 restored films to date. It complements preservation work with the World Cinema Project (72 films from 34 countries), a free K-12 film literacy curriculum, artist rights advocacy and legal defense, and DIY preservation guidance for independent and digital filmmakers.

Product overview

The Film Foundation is a nonprofit organization offering a portfolio of film preservation, restoration, and educational programs. Its core offerings include the Film Preservation Program (restoring films with over 1,100 restored to date), the World Cinema Project (focused on international cinema with 72 films from 34 countries), The Story of Movies educational curriculum, DIY Preservation resources, and the Artists Rights advocacy program. These programs work together to protect motion picture history, restore endangered films from around the world, educate young people about cinema, and advocate for filmmakers' rights.

Differentiator

Problem solved

Functional benefit

Brands

  • World Cinema Project: Preserving, restoring, and distributing films from around the world. To date, 72 films from 34 countries have been restored and shared with a global audience.
  • The Story of Movies
  • Artists Rights Education and Legal Defense Fund
  • African Film Heritage Project
  • DIY Preservation
  • Restoration Screening Room Archive

Products and services

  • Film Preservation Program Funds and manages preservation and restoration of cinema films in partnership with archives, studios, and laboratories, ensuring their survival for future generations. The foundation has helped restore over 1,100 films to date. For film archives, studios, and cultural institutions.
  • World Cinema Project A program created by Martin Scorsese in 2007 to preserve, restore, and provide access to films from around the world. Has restored 72 films from 34 countries, with a focus on regions lacking preservation resources. Titles are available for exhibition rental.
  • The Story of Movies A free educational curriculum teaching middle and high school students the language of cinema. Developed by filmmakers and educators to help students understand film as an artistic, cultural, and historical document. Used by nearly 150,000 educators at over 45,000 schools. Includes new curriculum "Portraits of America: Democracy on Film."
  • DIY Preservation Provides best practices guidelines, do-it-yourself recommendations, and resources for independent filmmakers, documentarians, and artists working with film and digital formats to preserve their work.
  • Artists Rights Education and Legal Defense Fund An initiative dedicated to protecting filmmakers' rights, preventing unethical altering of films, and ensuring artists' original visions are honored. Operates under the Directors Guild of America umbrella and includes the John Huston Award for Artists Rights.
  • African Film Heritage Project A collaborative initiative launched in 2017 with FEPACI and UNESCO, in partnership with Cineteca di Bologna, to locate, restore, and disseminate African cinema heritage that is at risk of being lost.
  • Restoration Screening Room Archive An online archive of monthly restoration screening events, showcasing restored films available for viewing and education.

Quantifiable outcome

  • Over 1,100 films restored with foundation support
  • +3 more outcomes

Companies that use The Film Foundation

Customer profile

Named customers10 records

Segments5 records

Ideal customer profiles5 records

The Film Foundation technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Feature5 records

The Film Foundation partnerships and signals

Strategic signal

Partnerships

18 partnerships are on record, tiered flagship, core, key and minor.

  • Pan African Federation of Filmmakers (FEPACI)flagshipStrategic or Co-development Partner · 1 January 2017The African Film Heritage Project was launched in 2017 in partnership with FEPACI and UNESCO, in collaboration with Cineteca di Bologna, to preserve the legacy of African cinema.
  • Criterion CollectioncoreChannel Partner/ Reseller/ DistributorPartnership for distribution of World Cinema Project restorations on home video and streaming platforms. Many WCP films are released through Criterion's collection, providing global access to restored world cinema.
  • Directors Guild of America (DGA)coreStrategic or Co-development PartnerThe foundation is aligned with the DGA, whose President and Secretary-Treasurer also serve on the board. The Artists Rights Education and Legal Defense Fund operates under the DGA umbrella. DGA consolidated with The Film Foundation in 2002.
  • Turner Classic Movies (TCM)keyGTM or Marketing PartnerTCM is a partner in The Film Foundation's work, supporting restoration efforts and film programming visibility.
  • Cineteca di Bologna / L'Immagine RitrovataflagshipTechnology or IntegrationPrimary restoration laboratory partner for The Film Foundation's World Cinema Project and numerous other restorations. L'Immagine Ritrovata is a world-renowned film restoration facility in Bologna, Italy.
  • Academy Film ArchivecoreTechnology or IntegrationArchive partner for film preservation and restoration. Collaborates on restoring films including The Red Shoes, Wanda, Once Upon a Time in America, and many others.
  • Museum of Modern Art (MoMA)coreTechnology or IntegrationArchive partner for preservation and restoration of classic films including Abraham Lincoln (1930), Winchester '73, and Destry Rides Again.
  • British Film Institute (BFI)coreTechnology or IntegrationArchive partner for film preservation including I Know Where I'm Going! and A Brighter Summer Day. BFI National Archive collaborates on multiple restorations.
  • Library of CongresscoreTechnology or IntegrationArchive partner for preservation including Eraserhead restoration and reference prints. Library of Congress Packard Campus serves as a model for archival storage standards.
  • Anthology Film ArchivescoreTechnology or IntegrationArchive partner and participant in NFPF Avant-Garde Masters Grant program administered with The Film Foundation.
  • Janus FilmskeyChannel Partner/ Reseller/ DistributorDistribution partner for restored World Cinema Project and other films. Janus Films has been a long-standing partner in bringing classic films to modern audiences.
  • Sony PictureskeyTechnology or IntegrationStudio partner for film preservation and restoration of classic films in the Sony Pictures collection.
  • UNESCOflagshipStrategic or Co-development PartnerUNESCO is a key partner in the African Film Heritage Project, supporting the location, restoration, and dissemination of African cinema heritage.
  • National Film Archive of India (NFAI)keyTechnology or IntegrationSource archive for Indian film restoration projects including Amma Ariyan (1986). The Film Heritage Foundation collaborates with NFAI on restoring Indian classics.
  • Film Heritage Foundation (India)keyStrategic or Co-development PartnerIndia's Film Heritage Foundation works with The Film Foundation's World Cinema Project on restoring Indian films. Has successfully placed Indian films at Cannes Classics for five consecutive years (2022-2026).
  • Film Noir FoundationkeyStrategic or Co-development PartnerThe Film Noir Foundation, led by Eddie Muller and Alan K. Rode, partners with The Film Foundation for film noir preservation work, including restorations screened at Noir City Hollywood and the Arthur Lyons Film Noir Festival.
  • Paramount PictureskeyTechnology or IntegrationParamount partners with the Film Noir Foundation and The Film Foundation for classic film noir restorations.
  • EdutopiaminorGTM or Marketing PartnerEdutopia, the George Lucas Educational Foundation, is a partner organization providing educational outreach support for The Story of Movies curriculum.

Scale indicators7 records

Recent moves6 records

Expansion highlights6 records

The Film Foundation competitors and assessment

Company assessment

Direct peers

  • National Film Preservation Foundation (NFPF): The U.S. congressionally-chartered nonprofit that funds preservation of orphaned and endangered American films; most direct U.S. peer to The Film Foundation and frequent co-funder on projects including the Avant-Garde Masters grants.
  • Film Heritage Foundation: India-based nonprofit founded by Shivendra Singh Dungarpur dedicated to film conservation and restoration; a regional peer that collaborates with The Film Foundation on World Cinema Project Indian restorations and Cannes Classics placements.
  • Cineteca di Bologna / L'Immagine Ritrovata: World-renowned Italian film archive and restoration laboratory that serves as The Film Foundation's primary technical restoration partner on the World Cinema Project and African Film Heritage Project; a close operational peer executing restorations at scale.
  • Academy Film Archive: The Academy of Motion Picture Arts and Sciences' film archive, which preserves Academy-awarded and historically significant films; a long-standing archive partner that co-stewards preservation of titles like The Red Shoes and Once Upon a Time in America.
  • BFI National Archive: The U.K.'s national film archive, a major international preservation institution collaborating with The Film Foundation on restorations such as A Brighter Summer Day and I Know Where I'm Going!, and a peer in operating large-scale archive and restoration programs.
  • Cinémathèque Française: One of the world's largest film archives, based in Paris, with active preservation, restoration, exhibition, and educational programming comparable in scope to The Film Foundation's portfolio.
  • Anthology Film Archives: New York-based nonprofit film archive dedicated to the preservation and exhibition of avant-garde cinema; co-participant with TFF in the NFPF Avant-Garde Masters grant program and a peer in preservation-focused programming.
  • Library of Congress Packard Campus (National Audio-Visual Conservation Center): The U.S. national audiovisual conservation facility, which preserves the nation's film heritage and serves as both an archive partner and reference model for TFF's preservation work, including the Eraserhead restoration.

Emerging players

  • Film Noir Foundation: Smaller nonprofit focused on film noir preservation that partners with The Film Foundation and studios like Paramount on targeted restorations, screening them at Noir City festivals; a thematic peer with overlapping but narrower scope.

Others

  • Directors Guild of America: Labor organization whose umbrella consolidates the Artists Rights Education and Legal Defense Fund; governance-linked peer and operational home for the foundation's artists-rights advocacy work rather than a direct preservation competitor.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat5 records

Key risks5 records

Key highlights7 records

Customer concentration

The Film Foundation social profiles

Digital presence

The Film Foundation financial estimates

Financial estimate

Revenue estimate

Valuation estimate

The Film Foundation leadership team

Management profile

Number of profiles

Profiles4 records

The Film Foundation funding detail

Funding detail

Funding overview

Funding rounds

Investors

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The Film Foundation M&A and investment

M&A and investment

M&A

Investments

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Frequently asked questions about The Film Foundation

What does The Film Foundation do?

The Film Foundation funds, manages, and delivers film preservation and restoration in partnership with archives, studios, and laboratories, supporting over 1,100 restored films to date. It complements preservation work with the World Cinema Project (72 films from 34 countries), a free K-12 film literacy curriculum, artist rights advocacy and legal defense, and DIY preservation guidance for independent and digital filmmakers.

Is The Film Foundation a public or private company?

The Film Foundation is a private company. It is classified as nonprofit foundation owned and is currently operating.

When was The Film Foundation founded?

The Film Foundation was founded in 1990. It employs 11 to 50 people.

Where is The Film Foundation based?

The Film Foundation is headquartered in Los Angeles, United States, in the North America region.

How does The Film Foundation make money?

Two revenue lines are on record. Donations and Charitable Contributions are the primary driver. The others are exhibition Rental of Restored Films.

Who are The Film Foundation's main competitors?

Direct peers on record are National Film Preservation Foundation (NFPF), Film Heritage Foundation, Cineteca di Bologna / L'Immagine Ritrovata, Academy Film Archive, BFI National Archive, Cinémathèque Française, Anthology Film Archives and Library of Congress Packard Campus (National Audio-Visual Conservation Center). Film Noir Foundation is listed as an emerging player. Directors Guild of America is listed as an others.

Does The Film Foundation have an API?

No public API is recorded for The Film Foundation.

What industry is The Film Foundation in?

The Film Foundation's product category is Film Preservation Services. Its primary akta.pro industry code is MPADAMAB, Digital Restoration & Remastering (4K/8K Scan, Image Stabilization, Dirt/Scratch Removal), with a secondary code of MPADAMAF, Archival Preservation & Conservation (Handling, Storage, Environmental Controls). Its NAICS code is 519210 and its SIC code is 7829.

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Live signals
The Times of IndiaCannes Classics selects a restored Indian film for the fifth year in a row | Hindi Movie News - The Times of IndiaA restored 4K version of John Abraham's 1986 Malayalam cult film Amma Ariyan has been selected for Cannes Classics at the 79th Cannes Film Festival, making it the fifth consecutive year an Indian film has featured in this section dedicated to classic world cinema. The restoration was undertaken by India's Film Heritage Foundation (FHF), which has now successfully placed Indian classics in Cannes Classics for five years running. The Head of Cannes Classics described Amma Ariyan as one of the best films received this year, praising its intensity and calling it a discovery audiences should see.Deccan HeraldAmma Ariyan: John Abraham classic restored in 4K, set for Cannes debut runThe Film Heritage Foundation (FHF) in Mumbai has restored John Abraham's 1986 Malayalam political film 'Amma Ariyan' in 4K, with the restored version set to screen at the 79th Cannes Film Festival beginning May 12. The restoration, which began in 2023 using only poor-quality copies and two deteriorated 35mm prints from the National Film Archive of India, involved over 4,000 sound interventions at facilities in Bologna and Chennai. The film, regarded by the British Film Institute as one of the ten greatest Indian films, marks FHF's fifth consecutive year at Cannes and will be the only Indian feature at the festival.The Indian ExpressAmma Ariyan’ to premiere at Cannes 2026 in restored 4K versionJohn Abraham's 1986 Malayalam film 'Amma Ariyan' will premiere in a restored 4K version at the Cannes Film Festival 2026, marking the only Indian feature selected for premiere that year. The restoration, led by the Film Heritage Foundation at L'Immagine Ritrovata and Digital Film Pvt. Ltd., was conducted using one of only two surviving 35mm release prints preserved at the National Film Archive of India. This screening represents FHF's fifth consecutive year at Cannes with a restored film, showcasing a politically charged work that was originally funded through public contributions and distributed via a travelling cinema model rather than conventional theatrical release.VarietyNoir Restorations and Rarities Lead the Way at the 2026 Arthur Lyons Film Noir Festival in Palm SpringsThe 2026 Arthur Lyons Film Noir Festival is scheduled for May 7–10 in Palm Springs, California, featuring 12 films including world premieres of new digital restorations of 'Slightly Scarlet' and 'Gunn,' as well as rare 35mm screenings of films like 'City Girl' and 'The Mob.' The festival is programmed by film historian Alan K. Rode, who has organized the event for 19 years, with restorations led by the Film Noir Foundation in partnership with Paramount, the Library of Congress, and UCLA Film and Television Archive. Notable inclusions span classic noir to neo-noir, with 'Bonnie and Clyde' presented as a forerunner of the genre's modern evolution.The Times of IndiaShivendra Singh Dungarpur on Las Palmas jury as India’s film heritage takes the global stage | Hindi Movie News - The Times of IndiaThe 25th edition of the Las Palmas de Gran Canaria International Film Festival will open on April 23, featuring Indian filmmaker Shivendra Singh Dungarpur on its jury. The festival's Déjà Vu section will showcase six restored Indian films—Do Bigha Zamin, Manthan, Aranyer Din Ratri, Sholay, The Girls and Circus Tent—all restored by Dungarpur and the Film Heritage Foundation. This marks a significant moment for India's cinematic heritage, reflecting the country's expanding role in global film restoration efforts.The HinduRestored ‘Manthan’ and ‘In Which Annie Gives It Those Ones’ to be screened at NIFFA 2026Restored versions of the landmark Indian films Manthan and In Which Annie Gives It Those Ones will be screened as Australian premieres at the National Indian Film Festival of Australia (NIFFA) 2026. The screenings are supported by the Film Heritage Foundation and mark the festival's expansion into regional Australia, including venues in Broken Hill and Alice Springs. The initiative aims to preserve and share India's cinematic heritage with new audiences who may not have had the opportunity to experience these films on the big screen.VarietyNoir City Hollywood Carries a Tune: Eddie Muller and Alan K. Rode on the 2026 Fest’s ‘Face the Music!’ Theme, and How Jazz Lent a Serious Subtext to Classic Crime FilmsThe Noir City Hollywood film festival returns for 2026 with its 28th edition running April 3-5 and 5-12 at the Egyptian Theatre, featuring a music-themed programming slate titled "Face the Music! 20 Tales of Music, Mayhem, and… Murder!" that spotlights classic film noir movies centered on jazz musicians and musical scores. Festival hosts Eddie Muller and Alan K. Rode highlight how the selection explores the evolution of jazz in Hollywood—from its depiction as a symbol of the underworld in 1940s noir to its emergence as legitimate film scoring in the 1950s—and includes restored prints, live musical performances, and Q&A sessions with actors like Pat Boone and Elliott Gould. The event also serves as a platform for the Film Noir Foundation's preservation work, including the world premiere restoration of "The Yellow Canary" and restoration announcements for other classic titles.VarietyGuillermo del Toro To Join George Stevens Lecture on Directing’s Screening of ‘The Greatest Story Ever Told’ – Film News in BriefGuillermo del Toro will join the George Stevens Lecture on Directing for a premiere screening of the newly-restored 1965 film 'The Greatest Story Ever Told' at the Academy Museum of Motion Pictures in Los Angeles. The 4K restoration was initiated by Amazon MGM Studios in collaboration with The Film Foundation and completed by FotoKem to mark the film's 60th anniversary.PR NewswireLouis XIII Cognac and The Film Foundation Premiere the Restored 1919 Classic THE BROKEN BUTTERFLY in Los Angeles at The Egyptian Theatre on December 13Louis XIII Cognac and The Film Foundation co-hosted the Los Angeles premiere of the restored 1919 silent film 'THE BROKEN BUTTERFLY' at the Egyptian Theatre in Hollywood on December 13, 2019. The restoration was conducted by The Film Foundation at L'Immagine Ritrovata laboratory in Bologna, Italy, with technical work including 4K scanning, colour grading, and digital image restoration. The screening featured live musical accompaniment and was followed by a Q&A and dinner hosted by director David O. Russell, with the film becoming available on The Film Foundation website on December 14, 2019.PR NewswireNeues Leben für die Filmrarität von 1919 „THE BROKEN BUTTERFLY", der 100 Jahre später 2019 restauriert wurdeLOUIS XIII Cognac partnered with The Film Foundation to restore the 1919 silent film "THE BROKEN BUTTERFLY," with the restoration completed 100 years later in October 2019. The premiere took place on October 4, 2019, at The Whitby Hotel in New York City, attended by Martin Scorsese and other celebrities, with future screenings planned in London and Los Angeles. The Film Foundation, founded by Scorsese in 1990, has restored over 850 films, and the restoration of this rare film is notable given that only 20 percent of films from the 1910s-1920s are fully preserved.