Commercial Type
Commercial Type is an independent New York-based type foundry that designs, licenses, and commissions proprietary typefaces for global editorial, retail, cultural, and brand clients, sold via one-time perpetual licenses through its own e-commerce storefront.
- Company typePrivate
- Founded2007
- HeadquartersNew York, United States
- Headcount1–10
- GTM typeB2B
- OfferingSoftware
What Commercial Type does
Commercial Type is a New York-based independent type foundry operating as Schwartzco, Inc., founded in 2007 by Christian Schwartz and Paul Barnes. The company creates new typefaces with explicit roots in historical typographic canon and operates two complementary business lines: a proprietary retail catalog of typeface families (Marian, Tanja, Graphik, Druk, Commercial Classics, Shaded collection, and others) and a custom typeface design practice for brand, editorial, cultural, and institutional clients including Rolling Stone, the New York Transit system's OMNY, Chobani, l'eggs, and the Victoria and Albert Museum.
The technical stack centers on font software development with manual hinting across WOFF, WOFF2, OpenType (OTF-CFF), and TrueType formats, optimized for ClearType and DirectWrite rendering engines. Differentiated technical features include comprehensive OpenType support (stylistic sets, small caps, alternate characters, ligatures, multiple numeral styles) and full Latin-extended character coverage, with the design and IP protected by registered trademarks on marquee typeface names (Commercial, Graphik, Guardian, Marian, Druk, etc.).
Commercial Type's revenue model is built on one-time perpetual licensing across desktop, web, mobile app, and add-on extension tiers, plus bespoke commissions and a small goods/merchandise line (printed specimens and apparel). Distribution is direct-to-consumer via the company's own e-commerce storefront with registered-account purchasing, supplemented by direct licensing inquiries for enterprise and custom work. Marketing relies heavily on design-community presence — innovative type specimens, wheatpaste and subway campaigns, and collaborations with studios such as Fraser Muggeridge and Project Projects — rather than paid digital acquisition. The firm serves primary segments of editorial and publishing, retail and brand, cultural institutions, and individual graphic designers, with global custom reach but no disclosed institutional investment, parent company, or acquisition activity.
Commercial Type firmographics
Firmographics- Name
- Commercial Type
- Legal name
- Schwartzco, Inc.
- Website
- https://commercialtype.com
- Company type
- Private
- Founded year
- 2007
- Operating status
- Operating
- Headcount range
- 1–10 employees
- Short description
- Commercial Type is an independent New York-based type foundry that designs, licenses, and commissions proprietary typefaces for global editorial, retail, cultural, and brand clients, sold via one-time perpetual licenses through its own e-commerce storefront.
- Ownership category
- akta.pro rank
Where Commercial Type is headquartered
LocationHeadquarters
- HQ city
- New York
- HQ country
- United States
- HQ region
- North America
Offices2 records
Markets served
Commercial Type business model
Business model- GTM type
- B2B
- Offering type
- Software
- Cost components
- Personnel, Marketing or Sales, Operations, Technology or R&D, Infrastructure
Revenue model
- Desktop Font Licensing: One-time perpetual license for desktop font use including creating printed materials, embedding in non-editable documents, internal documents, letterhead, publications, advertising, signage, packaging, and point of sale displays
- Web Font Licensing: Perpetual web licenses for styling HTML and SVG documents using CSS @font-face, licensed per domain with unique monthly visitor limits
- Mobile App Embedding License: License for embedding fonts in applications for iOS, Android, and Windows Mobile operating systems, per individual title
- Add-on License Extensions: Additional licenses for merchandise production, editable document embedding, external platform use, and distribution to third parties
- Printed Specimens and Products: Sale of printed type specimens, books, zines, and merchandise such as t-shirts featuring typefaces
- Custom Typeface Commissions: Bespoke typeface design services for clients worldwide, particularly editorial, cultural, and retail projects
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| One time/ perpetual license | Multi-year contract | Desktop Font Licensing |
| One time/ perpetual license | Multi-year contract | Web Font Licensing |
| One time/ perpetual license | Multi-year contract | Mobile App Licensing |
| Unit Pricing | Multi-year contract | Tanja Family |
| Unit Pricing | Multi-year contract | Marian Collection |
| Unit Pricing | Multi-year contract | Thorowgood Grotesque Collection |
| Unit Pricing | Multi-year contract | Shaded Collection |
| Unit Pricing | Pay-as-you-go | Printed Products |
Go-to-market motion1 record
Distribution channels2 records
Marketing channels8 records
Commercial Type product offering
Product offeringCore offering
Commercial Type is an independent type foundry that designs, develops and licenses a proprietary library of retail typefaces for desktop, web, mobile app, ePub and software/device embedding uses, sold as one-time perpetual licenses. The company also offers bespoke custom typeface commissions for editorial, retail, cultural and institutional clients worldwide, and sells printed type specimens and branded merchandise directly through its e-commerce site.
Product overview
Commercial Type is a type foundry offering a comprehensive library of typefaces for various uses including desktop, web, and mobile applications. The company creates new typefaces with historical roots and specializes in both commissioned custom work and an extensive library for general use. Key products include the Marian Collection (a series of revivals of classic serif typefaces), Tanja Family (Renaissance dot typeface), Thorowgood Grotesque Collection, and the Shaded Collection featuring historical shaded typefaces from the 19th century. The company also publishes type specimens including Double Acts in Pop and the Vault Zine, and offers branded merchandise. All licensing is a one-time fee for perpetual usage.
Differentiator
Problem solved
Functional benefit
Brands
- Commercial Classics: A collection dedicated to recreating old typefaces, allowing historical forms to escape the past and come to life again.
- Food Issue
Products and services
- Marian Collection A collection of nine serifed typefaces and one blackletter face that reimagine classics of the typographic canon (Garamond, Granjon, van den Keere, Bodoni, etc.) reduced to their basic skeletal forms, licensed as a single collection or per family.
- Tanja Family A Renaissance dot typeface based on Marian 1554, featuring gradually varying circles and small caps, swash letters and ligatures, sold as a family with individual styles from $80 and the family at $120.
- Thorowgood Grotesque Collection A condensed sans serif collection expanded from the original 1834 Thorowgood design with additional weights, matching italics and dimensional variants. Collection $700, family $400, styles from $60.
- Shaded Collection A collection of shaded display typefaces including Caslon Antique, Caslon Sans Shaded, County, Great Western, Besley Shaded, Blake & Stephenson Sans Shaded, Caslon Doric Outline and Caslon Italian Shaded. Styles from $300; Caslon Antique $150; Caslon Sans Shaded $200.
- Commercial Classics Library A library of historically recreated typefaces (Caslon, Thorowgood and other revivals) sold as individual families and styles with the same one-time perpetual licensing model as the rest of the catalog.
- Custom Typeface Commissions Bespoke typeface design services for clients worldwide, concentrated on editorial, cultural and retail projects. Engagements are handled directly through the firm rather than via the e-commerce storefront.
- Double Acts in Pop (type specimen) A printed type specimen showcasing Commercial Type's full library in a compact paperback format, written by Molly Lambert and designed by Chris Wu of Wkshps.
- Double Acts in Pop: Bonus Track Edition A special edition of the Double Acts in Pop specimen bundled with Commercial Type Collected Ephemera, documenting unconventional promotional methods including neon, billboards, wheatpaste and spray paint.
- Vault Zine A 24-page printed zine documenting the wheatpaste campaign for the Commercial Type Vault, photographed by Rashad Rastam.
- Peter Saville T-shirt (neon) A safety green t-shirt printed with Caslon Italian Shaded in high-visibility reflective ink, part of the Dahsar + Commercial Type collaboration.
Companies that use Commercial Type
Customer profileNamed customers5 records
Segments4 records
Ideal customer profiles3 records
Commercial Type technology and API
TechnologyTechnology focussed Yes
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Feature3 records
Commercial Type partnerships and signals
Strategic signalPartnerships
Seven partnerships are on record, tiered core and minor.
- Fraser Muggeridge StudiocoreLong-term collaboration with Fraser Muggeridge studio on poster campaigns around London. Created multiple designs ranging from 4-sheet to 48-sheet format for Commercial Classics library promotion.
- Project ProjectscoreDesign studio Project Projects designed subway advertising campaign for Algebra, Canela, Druk, and Le Jeune typefaces in New York City subway stations.
- Dino SanchezcoreDesigner and artist collaboration for Thieves Like Us temporary showroom exhibiting the Marian typeface. Collaboration included popup showroom installation at 29 Kenmare St, New York.
- DahsarcoreCollaboration with Dahsar on capsule collections including Inflection Point (2019) and The Past Is The Present. Created t-shirts featuring Commercial Classics typefaces with Rashad Rastam.
- Rashad RastamcorePhotographer and collaborator on wheatpaste campaigns, t-shirt designs, and visual content for Commercial Type promotional materials.
- St Bride FoundationminorCollaborated on Blake and Stephenson Sans Shaded typeface, using historical material from St Bride Library for research and reference.
- Chris Wu, WkshpsminorDesigner for Double Acts in Pop specimen with free rein on design, giving each spread its own layout and showcasing the entire Commercial Type library.
Scale indicators3 records
Recent moves6 records
Expansion highlights5 records
Commercial Type competitors and assessment
Company assessmentMarket position
Weaknesses5 records
Competitive moat4 records
Customer concentration
Commercial Type social profiles
Digital presenceCommercial Type compliance and trust
Trust signalCompliance1 record
Commercial Type financial estimates
Financial estimateRevenue estimate
Valuation estimate
Commercial Type leadership team
Management profileNumber of profiles
Profiles2 records
Commercial Type funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Commercial Type M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Commercial Type
What does Commercial Type do?
Commercial Type is an independent type foundry that designs, develops and licenses a proprietary library of retail typefaces for desktop, web, mobile app, ePub and software/device embedding uses, sold as one-time perpetual licenses. The company also offers bespoke custom typeface commissions for editorial, retail, cultural and institutional clients worldwide, and sells printed type specimens and branded merchandise directly through its e-commerce site.
Is Commercial Type a public or private company?
Commercial Type is a private company. It is classified as founder individual operated bootstrapped and is currently operating.
When was Commercial Type founded?
Commercial Type was founded in 2007. It employs 1 to 10 people.
Where is Commercial Type based?
Commercial Type is headquartered in New York, United States, in the North America region.
How does Commercial Type make money?
Six revenue lines are on record. Desktop Font Licensing is the primary driver. The others are web Font Licensing, mobile App Embedding License, add-on License Extensions, printed Specimens and Products and custom Typeface Commissions.
Does Commercial Type have an API?
No public API is recorded for Commercial Type.