RME

Name

RME

Legal name

Audio AG

Website

https://rme-audio.de

Company type

Private

Founded year

1996

Operating status

Operating

Ownership category

akta.pro rank

Product category

Professional Audio Equipment

NAICS

Audio and Video Equipment Manufacturing (33431)

SIC

Electronic & Other Electrical Equipment (No Computer Equip) (3600)

akta.pro primary industry

Music Production Hardware (Synthesizers, Drum Machines, Samplers, MIDI Controllers) (MPAIAJAE)

Keywords

• Professional audio interfaces
• Digital format converters
• Microphone preamplifiers
• MADI network audio
• Studio recording equipment

Headquarters

HQ city

Haimhausen

HQ country

Germany

HQ region

Europe

Offices1 record

Markets served

GTM type

B2B

Offering type

Hardware or Manufacturing

Cost components

Supply Chain, Technology or R&D, Personnel, Operations, Marketing or Sales

Revenue model

1. Audio Hardware Sales: RME generates revenue primarily through the sale of professional audio equipment including audio interfaces, format converters, microphone preamps, MADI solutions, and accessories. Products range from portable USB interfaces to high-channel-count PCI Express cards and rack-mounted converters.
2. Bundled Software: Software included with hardware purchases including TotalMix FX (routing and mixing software), DigiCheck (audio measurement tool), and firmware/driver updates. Software is provided as part of the driver package at no additional cost.

Go-to-market motion1 record

Distribution channels4 records

Marketing channels8 records

Core offering

RME designs, develops, and manufactures professional digital audio hardware including audio interfaces, format converters, microphone preamplifiers, and MADI/network audio solutions. The company offers a full product ecosystem from portable USB interfaces to high-channel-count PCI Express cards and rack-mounted converters, complemented by proprietary software (TotalMix FX, DigiCheck) and unique technologies (SteadyClock FS, DURec, AutoSet). RME's products serve professional recording studios, live sound, broadcast, and scientific audio applications globally.

Product overview

RME is a German audio technology company specializing in professional digital audio hardware and software solutions. Their product portfolio is organized into several interconnected categories: Internal PCI/PCI Express Cards (HDSPe series) for system-level audio processing; External Audio Interfaces (Babyface, Fireface, Digiface, MADIface series) as the primary user-facing products; Format Converters (ADI-2, M-16, M-32, M-1620 series) for signal format conversion between digital protocols and analog; Microphone Preamplifiers (12Mic, OctaMic, Micstasy, DMC-842) for high-quality gain staging; and MADI Solutions for multichannel audio networking. The ecosystem is unified by RME's proprietary software including TotalMix FX for routing and mixing with DSP effects, DigiCheck for metering and analysis, and key technologies like SteadyClock FS for jitter suppression, DURec for direct USB recording, AutoSet for automatic gain control, and Class Compliant Mode for driver-free operation. Accessories include power supplies, remote controls, breakout panels, and rack mounting solutions. RME focuses on professional applications in live, studio, and broadcast environments.

Differentiator

Problem solved

Functional benefit

Brands

• TotalMix FX: Software mixer included with RME interfaces, featuring routing, mixing, and effects capabilities for professional audio applications
• SteadyClock FS
• DigiCheck
• DURec
• AutoSet

Products and services

• HDSPe MADI FX 390-channel Triple MADI PCI Express Card for professional multichannel audio production.
• HDSPe MADI 128-channel MADI PCI Express Card for high-channel-count audio applications.
• HDSPe AES 32-channel AES/EBU PCI Express Card for professional digital audio connectivity.
• HDSPe RayDAT 72-channel PCI Express Card with ADAT, SPDIF and AES I/O for comprehensive digital audio connectivity.
• HDSPe AIO Pro 30-channel 192 kHz PCI Express Audio Interface Card with versatile input/output options.
• HDSPe AoX-M PCI Express Card with Milan and optional MADI for networked audio applications.
• HDSPe AoX-D 512-channel PCI Express Card with Dante and optional MADI for large-scale audio networking.
• MADIface XT II 394-channel Triple MADI USB 3.0 Audio Interface for studio and live recording applications.
• MADIface USB 128-channel mobile MADI USB 2.0 Audio Interface for portable computer setups.
• Babyface Pro FS 24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface for mobile recording.
• Fireface UCX II 40-Channel 192 kHz advanced USB Audio Interface combining studio-quality conversion with portability.
• Fireface 802 FS 60-Channel 192 kHz high-end USB Audio Interface for professional studio applications.
• Fireface UFX II 60-Channel 192 kHz high-end USB Audio Interface with comprehensive I/O options.
• Fireface UFX III 188-Channel, 24-Bit/192kHz high-end USB 3 Audio Interface for professional studio and broadcast applications.
• Digiface USB 66-Channel 192 kHz USB Audio Interface with optical connectivity.
• Digiface AES 192 kHz Digital USB Interface with AES/SPDIF/ADAT/Analog I/O for versatile connectivity.
• Digiface AVB 256-Channel 192 kHz USB Audio Interface with Audio Video Bridging network support.
• Digiface Dante USB Audio Interface with Dante network audio integration for professional audio-over-IP systems.
• Digiface Ravenna Portable RAVENNA USB Audio Interface for networked audio applications.
• M-32 / M-16 AD 32/16-Channel Analog to MADI/ADAT Converter for digitizing analog audio signals.
• M-32 / M-16 DA 32/16-Channel MADI/ADAT to Analog Converter for converting digital audio to analog.
• M-32 AD / M-32 DA Pro II High-end 32-Channel 192 kHz AD or DA Converter with MADI and AVB for professional audio conversion.
• M-32 AD / M-32 DA Pro II-D High-end 32-Channel 192 kHz AD or DA Converter with MADI and Dante for networked audio conversion.
• M-1620 Pro 16 channel A/D, 20 channel D/A converter with ADAT, Milan, MADI and separate phones out.
• M-1620 Pro D 16 channel A/D, 20 channel D/A converter with ADAT, Dante, MADI and separate phones out.
• ADI-2 FS High-Precision 192 kHz 2-Channel AD/DA converter with ADAT, SPDIF, AES/EBU connectivity.
• ADI-2 Pro EX Ultra-Fidelity PCM/DSD 768 kHz AD/DA Converter for audiophile-grade audio conversion.
• 12Mic 12-channel digitally controlled microphone preamplifier with AVB and MADI for professional live and studio applications.
• 12Mic-D 12-channel digitally controlled microphone preamplifier with Dante, ADAT and MADI connectivity.
• DMC-842 8-Channel AES42 Interface for Digital Microphones with precision preamplification.
• Micstasy 8-Channel Full Range Preamp & AD Converter with wide frequency response for studio applications.
• OctaMic II 8-Channel Mic Preamp & AD Converter for high-quality microphone signal digitization.
• TotalMix FX 2.0 Powerful routing and mixing software with DSP effects, featuring scalable vector graphics for Windows and macOS, bundled with RME audio interfaces.
• DigiCheck Professional metering, testing, and analyzing software tool for digital audio streams including level meters, spectral analyzer, goniometer, and bit statistics, bundled with RME audio interfaces.

Quantifiable outcome

• Up to 394 channels of audio I/O on MADIface XT II
• +3 more outcomes

Named customers19 records

Segments5 records

Ideal customer profiles4 records

Technology focussed No

API detail

Has API

No

API docs

API detail

Core technology

AI maturity

App detail

Feature8 records

Partnerships

Two partnerships are on record, tiered core and major.

• Audio AGcoreChannel Partner/ Reseller/ DistributorAudio AG is the parent company and primary international distributor for RME products. Based in Haimhausen, Germany, Audio AG coordinates international sales and manages the global distributor network. All RME products are distributed through Audio AG.
• Synthax Inc.majorChannel Partner/ Reseller/ DistributorSynthax Inc. is the authorized distributor for RME products in the Americas (USA, Canada, Latin America). Based in Fort Lauderdale, Florida, Synthax manages distribution to dealers across North and South America.

Scale indicators2 records

Recent moves6 records

Expansion highlights5 records

Broad incumbents

• Music Tribe (Behringer): Behringer/Music Tribe's U-Phoria, Xenyx, and new pro interfaces sit at lower price points than RME, but compete in the same USB interface and live/studio mixer categories. Largest distribution and marketing firepower in the value tier.
• Avid: Avid bundles Pro Tools HDX desktop and HD OMNI/HD I/O interfaces with its industry-standard DAW. While Avid's primary moat is the Pro Tools software franchise, its interface hardware competes with RME's HDSPe PCIe cards and converters in professional studios.
• Focusrite: Focusrite's Scarlett and Red interfaces compete across RME's price tiers, while Clarett sits at the prosumer high end. Larger, publicly-traded (LON: TUNE), much broader catalog including Scarlett interfaces, RedNet networked audio, and Novation synths; overlapping customer base in home/pro studios.
• TASCAM (TEAC): TASCAM's US-series, Celesonic, and iXR interfaces compete with RME's portable and prosumer products. Established Japanese manufacturer with broader pro audio catalog including mixers and field recorders.

Direct peers

• Presonus: Presonus (now part of Fender) sells Studio 1824c, Quantum, and Revelator interfaces that compete with RME's Fireface and Babyface lines. Also offers Studio One DAW, giving it a software-plus-hardware combo that RME lacks.
• Antelope Audio: Antelope Audio's Zen, Orion, and Galaxy interfaces target the same premium converter/clocking market as RME's ADI-2 and M-series products, with bundled FPGA effects — competing on the audiophile/pro mastering studio end of RME's range.
• MOTU: MOTU (Mark of the Unicorn) ships the UltraLite, 828, and M-series audio interfaces plus AVB switches — directly comparable form factors and protocol support to RME's Fireface/AVB product lines, targeting the same professional and project-studio buyers.
• Universal Audio: Universal Audio sells the Apollo and Volt audio interface lines — direct competitors to RME's Fireface and Babyface families — bundled with UAD real-time DSP plug-ins. Same pro/prosumer customer base, same USB/Thunderbolt interface category.
• Audient: Audient's iD14, iD22, and EVO lines directly compete with RME's Babyface Pro FS and entry-level Fireface products. Same prosumer/professional studio segment, similar USB bus-powered form factors.
• Apogee Electronics: Apogee's Symphony, Element, and Duet interfaces are premium Mac/iOS-focused counterparts to RME's ADI-2 converters and Fireface interfaces, with particular overlap in the ADI-2 high-end audiophile/pro converter category.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat4 records

Key risks6 records

Key highlights7 records

Customer concentration

• Xx.com/rme_news
• YouTubeyoutube.com/user/RMEAudio
• Facebookfacebook.com/RME-169454739798577
• Instagraminstagram.com/rme_audio

Compliance1 record

Revenue estimate

Valuation estimate

Number of profiles

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about RME