Re:Sound Music Licensing
Re:Sound Music Licensing is a Canadian not-for-profit music licensing collective, founded in 1997 and headquartered in Toronto. The company administers public performance rights for recorded music, issuing licences to music users and distributing collected royalties to its rights-holder members.
- Company typePrivate
- Founded1997
- HeadquartersToronto, Canada
- Headcount101–250
- GTM typeB2B
- OfferingServices
What Re:Sound Music Licensing does
Re:Sound Music Licensing is a Toronto-based Canadian music licensing company, founded in 1997 and structured as a not-for-profit collective management organization. The company's function is the administration of public performance rights for recorded music: it issues licences to businesses and other music users, collects licence fees, and distributes the resulting royalties to its rights-holder members. The organization operates from its website at resound.ca and serves the Canadian market.
The firm employs 101-250 staff and is led by President and CEO Lou Ragagnin, with governance provided by a board of directors chaired by Anthony Ariganello. Denis Dinsmore serves as Vice President, Finance & Administration, indicating an operational finance and compliance function consistent with a tariff-regulated collective that must account for royalty flows to members. The organization is privately held, with no parent company, subsidiary, or investor relationships disclosed in the available data.
Re:Sound's revenue model is the standard Canadian collective-management model: licence fees are collected from music users (typically broadcasters, retailers, hospitality venues, fitness operators, and event organizers) under tariffs administered or approved by the Copyright Board of Canada, and the resulting funds are distributed to rights holders net of administration costs. As a not-for-profit, the organization is not profit-distributing; its scale is best measured by gross collections and distribution volume rather than conventional profit metrics. The input data does not disclose tariff schedules, licensee counts, or distribution volumes, limiting deeper financial analysis.
Re:Sound Music Licensing firmographics
Firmographics- Name
- Re:Sound Music Licensing
- Website
- https://resound.ca
- Company type
- Private
- Founded year
- 1997
- Headcount range
- 101–250 employees
- Short description
- Re:Sound Music Licensing is a Canadian not-for-profit music licensing collective, founded in 1997 and headquartered in Toronto. The company administers public performance rights for recorded music, issuing licences to music users and distributing collected royalties to its rights-holder members.
- Ownership category
- akta.pro rank
Re:Sound Music Licensing industry classification
Industry- Product category
- Music Licensing and Rights Administration
- NAICS
- Music Publishers (512230), Music Publishers (51223), Motion Picture and Sound Recording Industries (512)
- akta.pro primary industry
- Performing Rights Organizations (PROs) & Public Performance Licensing (MPAIAKAA)
- akta.pro secondary industry
- Public Performance/Neighboring Rights for AV Uses (Cue Sheet & Reporting Services) (MPAIALAK)
Keywords
Where Re:Sound Music Licensing is headquartered
LocationHeadquarters
- HQ city
- Toronto
- HQ country
- Canada
- HQ region
- North America
Markets served
Re:Sound Music Licensing business model
Business model- GTM type
- B2B
- Offering type
- Services
- Cost components
- Personnel, Operations, Technology or R&D, Marketing or Sales, Others
Re:Sound Music Licensing product offering
Product offeringCore offering
Re:Sound is the Canadian not-for-profit music licensing company that administers rights and collects royalties on behalf of recording artists, performers, and record labels for the public performance and broadcast use of their sound recordings. It issues licences to businesses and organizations that use recorded music commercially, and distributes collected royalties back to rights holders.
Differentiator
Problem solved
Functional benefit
Products and services
- Music Use Licences (Public Performance and Broadcast of Sound Recordings) Licences issued to Canadian businesses, venues, and broadcasters that publicly perform or broadcast recorded music, providing copyright compliance for the use of sound recordings on behalf of recording artists, performers, and record labels.
- Neighbouring Rights Royalty Collection and Distribution Collection of licensing fees from music users in Canada and distribution of those royalties to eligible recording artists, performers, and record labels whose sound recordings are publicly performed or broadcast.
Companies that use Re:Sound Music Licensing
Customer profileIdeal customer profiles2 records
Re:Sound Music Licensing technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Re:Sound Music Licensing competitors and assessment
Company assessmentDirect peers
- CSI (Connect Music Licensing, formerly CBC/SODRAC): Canadian reproduction rights collective, adjacent to Re:Sound in the Canadian collective-licensing ecosystem serving music users.
- SoundExchange: US-based non-profit collective that administers neighbouring rights for sound recording public performance — the closest direct functional peer to Re:Sound in the Canadian market.
- PPL (Phonographic Performance Limited): UK collective licensing neighbouring rights for recorded music played in public — a like-for-like international peer with the same mandate as Re:Sound.
- SOCAN: Canadian PRO administering performing rights for musical works/compositions; a sister Canadian collective covering complementary (composition, not sound recording) rights.
Broad incumbents
- ASCAP: US PRO administering public performance rights for musical compositions; comparable collective-management model though it covers composition rights rather than neighbouring rights.
- BMI: US PRO with similar mandate to ASCAP, representing a peer collective-management organisation model in the broader licensing ecosystem Re:Sound operates in.
Regional players
- PRS for Music: UK PRO for musical works; comparable collective-management organisation outside Canada, providing a benchmark for international peer operations.
- GEMA: German PRO for musical works; another major international collective with analogous governance and tariff-setting structure.
- SACEM: French collective for authors, composers and publishers of music; comparable PRO model and reciprocal partner for cross-border royalty flows.
Others
- IFPI: International federation representing the recording industry globally; a key stakeholder and counterpart that shapes the environment in which Re:Sound operates.
Market position
Strengths4 records
Weaknesses4 records
Competitive moat2 records
Key risks5 records
Key highlights4 records
Customer concentration
Re:Sound Music Licensing social profiles
Digital presenceRe:Sound Music Licensing financial estimates
Financial estimateRevenue estimate
Valuation estimate
Re:Sound Music Licensing leadership team
Management profileNumber of profiles
Profiles3 records
Re:Sound Music Licensing funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Re:Sound Music Licensing M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Re:Sound Music Licensing
What does Re:Sound Music Licensing do?
Re:Sound is the Canadian not-for-profit music licensing company that administers rights and collects royalties on behalf of recording artists, performers, and record labels for the public performance and broadcast use of their sound recordings. It issues licences to businesses and organizations that use recorded music commercially, and distributes collected royalties back to rights holders.
When was Re:Sound Music Licensing founded?
Re:Sound Music Licensing was founded in 1997. It employs 101 to 250 people.
Where is Re:Sound Music Licensing based?
Re:Sound Music Licensing is headquartered in Toronto, Canada, in the North America region.
Who are Re:Sound Music Licensing's main competitors?
Direct peers on record are CSI (Connect Music Licensing, formerly CBC/SODRAC), SoundExchange, PPL (Phonographic Performance Limited) and SOCAN. Broad incumbents are ASCAP and BMI. Regional players are PRS for Music, GEMA and SACEM. IFPI is listed as an others.
Does Re:Sound Music Licensing have an API?
No public API is recorded for Re:Sound Music Licensing.
What industry is Re:Sound Music Licensing in?
Re:Sound Music Licensing's product category is Music Licensing and Rights Administration. Its primary akta.pro industry code is MPAIAKAA, Performing Rights Organizations (PROs) & Public Performance Licensing, with a secondary code of MPAIALAK, Public Performance/Neighboring Rights for AV Uses (Cue Sheet & Reporting Services). Its NAICS code is 512230.