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Re:Sound Music Licensing

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Namestring
Re:Sound Music Licensing
Websiteurl
resound.ca
Company typeenum
Private
Founded yearint
1997
Descriptiontext

Re:Sound Music Licensing is a Toronto-based Canadian music licensing company, founded in 1997 and structured as a not-for-profit collective management organization. The company's function is the administration of public performance rights for recorded music: it issues licences to businesses and other music users, collects licence fees, and distributes the resulting royalties to its rights-holder members. The organization operates from its website at resound.ca and serves the Canadian market.

The firm employs 101-250 staff and is led by President and CEO Lou Ragagnin, with governance provided by a board of directors chaired by Anthony Ariganello. Denis Dinsmore serves as Vice President, Finance & Administration, indicating an operational finance and compliance function consistent with a tariff-regulated collective that must account for royalty flows to members. The organization is privately held, with no parent company, subsidiary, or investor relationships disclosed in the available data.

Re:Sound's revenue model is the standard Canadian collective-management model: licence fees are collected from music users (typically broadcasters, retailers, hospitality venues, fitness operators, and event organizers) under tariffs administered or approved by the Copyright Board of Canada, and the resulting funds are distributed to rights holders net of administration costs. As a not-for-profit, the organization is not profit-distributing; its scale is best measured by gross collections and distribution volume rather than conventional profit metrics. The input data does not disclose tariff schedules, licensee counts, or distribution volumes, limiting deeper financial analysis.

Short descriptiontext

Re:Sound Music Licensing is a Canadian not-for-profit music licensing collective, founded in 1997 and headquartered in Toronto. The company administers public performance rights for recorded music, issuing licences to music users and distributing collected royalties to its rights-holder members.

Ownership categoryenum
Headcount rangeband
101–250
akta.pro rankint
HeadquartersToronto, Canada
HQ citystring
Toronto
HQ countrystring
Canada
HQ regionstring
North America
Markets served

Serves global market

Keyword5 values
music licensing, performance rights, neighbouring rights, music royalties, copyright licensing
Industry2 codes
1Performing Rights Organizations (PROs) & Public Performance Licensing
CodeMPAIAKAAPrimaryYes
2Public Performance/Neighboring Rights for AV Uses (Cue Sheet & Reporting Services)
CodeMPAIALAKPrimaryNo
NAICS code3 codes
  • Music Publishers512230
  • Music Publishers51223
  • Motion Picture and Sound Recording Industries512
Product category
Music Licensing and Rights Administration
Social media profiles1 record
Cost components5 values
Personnel, Operations, Technology or R&D, Marketing or Sales, Others
GTM typeB2B
B2B
Offering typeServices
Services
Core offering1 text field

Re:Sound is the Canadian not-for-profit music licensing company that administers rights and collects royalties on behalf of recording artists, performers, and record labels for the public performance and broadcast use of their sound recordings. It issues licences to businesses and organizations that use recorded music commercially, and distributes collected royalties back to rights holders.

Differentiator
Functional benefit
Problem solved
Product and service2 records
1Music Use Licences (Public Performance and Broadcast of Sound Recordings)
CategoryMusic Licensing
Description

Licences issued to Canadian businesses, venues, and broadcasters that publicly perform or broadcast recorded music, providing copyright compliance for the use of sound recordings on behalf of recording artists, performers, and record labels.

2Neighbouring Rights Royalty Collection and Distribution
CategoryRights Administration
Description

Collection of licensing fees from music users in Canada and distribution of those royalties to eligible recording artists, performers, and record labels whose sound recordings are publicly performed or broadcast.

No data
Peers10 records
1CSI (Connect Music Licensing, formerly CBC/SODRAC)
TypeDirect peer
Description

Canadian reproduction rights collective, adjacent to Re:Sound in the Canadian collective-licensing ecosystem serving music users.

TypeDirect peer
Description

US-based non-profit collective that administers neighbouring rights for sound recording public performance — the closest direct functional peer to Re:Sound in the Canadian market.

TypeDirect peer
Description

UK collective licensing neighbouring rights for recorded music played in public — a like-for-like international peer with the same mandate as Re:Sound.

TypeDirect peer
Description

Canadian PRO administering performing rights for musical works/compositions; a sister Canadian collective covering complementary (composition, not sound recording) rights.

5ASCAP
TypeBroad incumbent
Description

US PRO administering public performance rights for musical compositions; comparable collective-management model though it covers composition rights rather than neighbouring rights.

6BMI
TypeBroad incumbent
Description

US PRO with similar mandate to ASCAP, representing a peer collective-management organisation model in the broader licensing ecosystem Re:Sound operates in.

TypeRegional player
Description

UK PRO for musical works; comparable collective-management organisation outside Canada, providing a benchmark for international peer operations.

8GEMA
TypeRegional player
Description

German PRO for musical works; another major international collective with analogous governance and tariff-setting structure.

9SACEM
TypeRegional player
Description

French collective for authors, composers and publishers of music; comparable PRO model and reciprocal partner for cross-border royalty flows.

TypeOthers
Description

International federation representing the recording industry globally; a key stakeholder and counterpart that shapes the environment in which Re:Sound operates.

Market position
Strengths4 records

Each record includes

Headline, Details, Source

Weaknesses4 records

Each record includes

Headline, Details, Source

Competitive moat2 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights4 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Ideal customer profile2 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles3 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Re:Sound Music Licensing

Music Licensing and Rights Administrationresound.ca

Re:Sound Music Licensing is a Canadian not-for-profit music licensing collective, founded in 1997 and headquartered in Toronto. The company administers public performance rights for recorded music, issuing licences to music users and distributing collected royalties to its rights-holder members.

What Re:Sound Music Licensing does

Re:Sound Music Licensing is a Toronto-based Canadian music licensing company, founded in 1997 and structured as a not-for-profit collective management organization. The company's function is the administration of public performance rights for recorded music: it issues licences to businesses and other music users, collects licence fees, and distributes the resulting royalties to its rights-holder members. The organization operates from its website at resound.ca and serves the Canadian market.

The firm employs 101-250 staff and is led by President and CEO Lou Ragagnin, with governance provided by a board of directors chaired by Anthony Ariganello. Denis Dinsmore serves as Vice President, Finance & Administration, indicating an operational finance and compliance function consistent with a tariff-regulated collective that must account for royalty flows to members. The organization is privately held, with no parent company, subsidiary, or investor relationships disclosed in the available data.

Re:Sound's revenue model is the standard Canadian collective-management model: licence fees are collected from music users (typically broadcasters, retailers, hospitality venues, fitness operators, and event organizers) under tariffs administered or approved by the Copyright Board of Canada, and the resulting funds are distributed to rights holders net of administration costs. As a not-for-profit, the organization is not profit-distributing; its scale is best measured by gross collections and distribution volume rather than conventional profit metrics. The input data does not disclose tariff schedules, licensee counts, or distribution volumes, limiting deeper financial analysis.

Re:Sound Music Licensing firmographics

Firmographics
Name
Re:Sound Music Licensing
Website
https://resound.ca
Company type
Private
Founded year
1997
Headcount range
101–250 employees
Short description
Re:Sound Music Licensing is a Canadian not-for-profit music licensing collective, founded in 1997 and headquartered in Toronto. The company administers public performance rights for recorded music, issuing licences to music users and distributing collected royalties to its rights-holder members.
Ownership category
akta.pro rank

Re:Sound Music Licensing industry classification

Industry
Product category
Music Licensing and Rights Administration
NAICS
Music Publishers (512230), Music Publishers (51223), Motion Picture and Sound Recording Industries (512)
akta.pro primary industry
Performing Rights Organizations (PROs) & Public Performance Licensing (MPAIAKAA)
akta.pro secondary industry
Public Performance/Neighboring Rights for AV Uses (Cue Sheet & Reporting Services) (MPAIALAK)

Keywords

  • Music licensing
  • Performance rights
  • Neighbouring rights
  • Music royalties
  • Copyright licensing

Where Re:Sound Music Licensing is headquartered

Location

Headquarters

HQ city
Toronto
HQ country
Canada
HQ region
North America

Markets served

Re:Sound Music Licensing business model

Business model
GTM type
B2B
Offering type
Services
Cost components
Personnel, Operations, Technology or R&D, Marketing or Sales, Others

Re:Sound Music Licensing product offering

Product offering

Core offering

Re:Sound is the Canadian not-for-profit music licensing company that administers rights and collects royalties on behalf of recording artists, performers, and record labels for the public performance and broadcast use of their sound recordings. It issues licences to businesses and organizations that use recorded music commercially, and distributes collected royalties back to rights holders.

Differentiator

Problem solved

Functional benefit

Products and services

  • Music Use Licences (Public Performance and Broadcast of Sound Recordings) Licences issued to Canadian businesses, venues, and broadcasters that publicly perform or broadcast recorded music, providing copyright compliance for the use of sound recordings on behalf of recording artists, performers, and record labels.
  • Neighbouring Rights Royalty Collection and Distribution Collection of licensing fees from music users in Canada and distribution of those royalties to eligible recording artists, performers, and record labels whose sound recordings are publicly performed or broadcast.

Companies that use Re:Sound Music Licensing

Customer profile

Ideal customer profiles2 records

Re:Sound Music Licensing technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Re:Sound Music Licensing competitors and assessment

Company assessment

Direct peers

  • CSI (Connect Music Licensing, formerly CBC/SODRAC): Canadian reproduction rights collective, adjacent to Re:Sound in the Canadian collective-licensing ecosystem serving music users.
  • SoundExchange: US-based non-profit collective that administers neighbouring rights for sound recording public performance — the closest direct functional peer to Re:Sound in the Canadian market.
  • PPL (Phonographic Performance Limited): UK collective licensing neighbouring rights for recorded music played in public — a like-for-like international peer with the same mandate as Re:Sound.
  • SOCAN: Canadian PRO administering performing rights for musical works/compositions; a sister Canadian collective covering complementary (composition, not sound recording) rights.

Broad incumbents

  • ASCAP: US PRO administering public performance rights for musical compositions; comparable collective-management model though it covers composition rights rather than neighbouring rights.
  • BMI: US PRO with similar mandate to ASCAP, representing a peer collective-management organisation model in the broader licensing ecosystem Re:Sound operates in.

Regional players

  • PRS for Music: UK PRO for musical works; comparable collective-management organisation outside Canada, providing a benchmark for international peer operations.
  • GEMA: German PRO for musical works; another major international collective with analogous governance and tariff-setting structure.
  • SACEM: French collective for authors, composers and publishers of music; comparable PRO model and reciprocal partner for cross-border royalty flows.

Others

  • IFPI: International federation representing the recording industry globally; a key stakeholder and counterpart that shapes the environment in which Re:Sound operates.

Market position

Strengths4 records

Weaknesses4 records

Competitive moat2 records

Key risks5 records

Key highlights4 records

Customer concentration

Re:Sound Music Licensing social profiles

Digital presence

Re:Sound Music Licensing financial estimates

Financial estimate

Revenue estimate

Valuation estimate

Re:Sound Music Licensing leadership team

Management profile

Number of profiles

Profiles3 records

Re:Sound Music Licensing funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

Re:Sound Music Licensing M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Re:Sound Music Licensing

What does Re:Sound Music Licensing do?

Re:Sound is the Canadian not-for-profit music licensing company that administers rights and collects royalties on behalf of recording artists, performers, and record labels for the public performance and broadcast use of their sound recordings. It issues licences to businesses and organizations that use recorded music commercially, and distributes collected royalties back to rights holders.

When was Re:Sound Music Licensing founded?

Re:Sound Music Licensing was founded in 1997. It employs 101 to 250 people.

Where is Re:Sound Music Licensing based?

Re:Sound Music Licensing is headquartered in Toronto, Canada, in the North America region.

Who are Re:Sound Music Licensing's main competitors?

Direct peers on record are CSI (Connect Music Licensing, formerly CBC/SODRAC), SoundExchange, PPL (Phonographic Performance Limited) and SOCAN. Broad incumbents are ASCAP and BMI. Regional players are PRS for Music, GEMA and SACEM. IFPI is listed as an others.

Does Re:Sound Music Licensing have an API?

No public API is recorded for Re:Sound Music Licensing.

What industry is Re:Sound Music Licensing in?

Re:Sound Music Licensing's product category is Music Licensing and Rights Administration. Its primary akta.pro industry code is MPAIAKAA, Performing Rights Organizations (PROs) & Public Performance Licensing, with a secondary code of MPAIALAK, Public Performance/Neighboring Rights for AV Uses (Cue Sheet & Reporting Services). Its NAICS code is 512230.

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