Cineric

What Cineric does

Cineric, Inc. is a privately held New York-based film restoration and post-production company founded in 1982, operating from the historic Film Center Building at 630 Ninth Avenue (Suite 202), which includes original 1928 nitrate film vaults still in active use. The company offers a full suite of analog and digital services spanning 4K Post Production, Liquid Wet Gate Scanning, Restoration, Deliverables (DCP, color intermediate negatives, pan-separation masters, sound answer prints), Optical Effects and Blow-ups, and custom Engineering (including proprietary 55mm transport mechanisms for CinemaScope55 format). Cineric claims the distinction of being the only New York facility providing the complete range of analog and digital post services, following a multi-million dollar capital investment in its capabilities.

The company's technology stack fuses traditional photochemical processes with digital scanning, image processing, and 2K/4K digital intermediates. Documented technical firsts include the world's first black-and-white 4K digital restoration (Stanley Kubrick's Dr. Strangelove, 2006) and the in-house design, engineering, and fabrication of 55mm transport mechanisms and optical printer gates. Cineric has restored and preserved over 1,000 films since founding and supports both legacy restoration and contemporary post-production workflows for modern camera formats (Red, ARRI, DSLR).

Cineric operates a direct enterprise sales model, selling professional services on a quote-based, project-by-project basis. Its customer base spans the five major Hollywood studios (Sony Pictures, Twentieth Century Fox, Paramount, Disney, Universal), a broad set of institutional film archives and museums (Academy Film Archive, BFI, EYE Film Institute Netherlands, George Eastman House, MoMA, NYPL, Whitney, Anthology Film Archives), the International Olympic Committee, and independent New York producers. Pricing is not publicly disclosed. The firm is classified as private with no parent company, no disclosed investors, and no known ownership changes; it is described as a founder- or management-led independent business.

Name

Cineric

Legal name

Cineric, Inc.

Website

https://cineric.com

Company type

Private

Founded year

1982

Operating status

Operating

Headcount range

11–50 employees

Short description

Cineric is a New York-based film restoration and post-production facility founded in 1982, offering 4K digital restoration, liquid wet gate scanning, custom engineering, and post-production services to major Hollywood studios, film archives, museums, and independent producers.

Ownership category

akta.pro rank

Product category

Film Restoration & Post-Production Services

NAICS

Postproduction Services and Other Motion Picture and Video Industries (51219)

SIC

Services-Photofinishing Laboratories (7384)

akta.pro primary industry

Digital Restoration & Remastering (4K/8K Scan, Image Stabilization, Dirt/Scratch Removal) (MPADAMAB)

akta.pro secondary industries

Film Scanning & Digitization (Telecine, Frame-by-Frame, Metadata Capture) (MPADAMAE), Access & Distribution for Archives (Restored Masters, DCP Creation, Screening Deliverables) (MPADAMAJ), Dailies & Editorial Support (DIT, Lab, Transcoding, Proxies) (MPADAGAG)

Keywords

• Film restoration services
• Post-production services
• 4K digital restoration
• Liquid wet gate scanning
• Optical effects blow-ups

Headquarters

HQ city

New York

HQ country

United States

HQ region

North America

Offices2 records

Markets served

GTM type

B2B

Offering type

Services

Cost components

Personnel, Infrastructure, Technology or R&D, Operations, Marketing or Sales

Revenue model

1. Film Restoration Services: Professional film restoration and preservation services for major studios and archives. Includes both analog (photochemical) and digital restoration processes.
2. Post-Production Services: Optical effects, blow-ups, scanning, image processing, digital intermediates, DCP production, color intermediate negative, pan-separation masters at 2K and 4K resolution

Go-to-market motion1 record

Distribution channels1 record

Marketing channels1 record

Core offering

Cineric is a film restoration and post-production facility providing comprehensive analog and digital services including film restoration and preservation, optical effects and blow-ups, scanning and image processing, digital intermediates at 2K and 4K resolution, DCP production, color intermediate negatives, and pan-separation masters. The company also performs custom engineering and fabrication of specialty film equipment (such as 55mm transport mechanisms) and offers screening and color correction facilities on-site at New York's Film Center Building.

Product overview

Cineric is a film restoration and post-production facility offering a comprehensive suite of analog and digital services. The company operates as a single integrated facility providing 4K Post Production (expert workflow for Red/ARRI/DSLR/4K cameras), Liquid Wet Gate Scanning, Restoration (including 4K digital restoration), Engineering (custom fabrication including 55mm mechanisms), Deliverables (DCP, color intermediates, pan-separation masters), and Optical Effects and Blow-ups. Supporting facilities include a Screening Room with 35mm projection and Dolby digital sound, and Color Correction Suites for format review and disc authoring. Founded in 1982 and located in New York's Film Center Building, Cineric is the only facility in New York able to provide the full suite of post services both analog and digital.

Differentiator

Problem solved

Functional benefit

Products and services

• 4K Post Production Digital intermediate services providing an expert workflow for Red, ARRI, DSLR, and 4K camera formats at 2K and 4K resolution, including color intermediate negative production and pan-separation masters. Targeted at studios, archives, and independent producers needing high-resolution digital deliverables.
• Liquid Wet Gate Scanning Film scanning service that uses liquid wet gate technology to minimize scratches and film artifacts during the digitization process, improving the quality of restored masters. Used by studios and archives digitizing degraded or damaged film elements.
• Deliverables Production of various output formats including Digital Cinema Packages (DCP), direct-from-digital files, and fully corrected sound answer prints. Serves studios, distributors, and archives requiring modern distribution-ready deliverables from restored or new film masters.
• Restoration Film restoration and preservation services including world-renowned 4K digital restorations. Has handled over 1,000 films for major studios including Sony Pictures, Twentieth Century Fox, Paramount, Disney, and Universal, as well as institutional archives.
• Engineering Custom engineering and fabrication services for specialty film formats, including the design, engineering, and fabrication of 55mm transport mechanisms and optical printer gates (notably for CinemaScope55 films Carousel and The King and I). Used by studios and archives requiring handling of uncommon or obsolete film gauges.
• Optical Effects and Blow-ups New York's leading provider of optical effects and blow-ups for film-to-film transfers and format conversions. Supports feature film post-production and restoration workflows.
• Screening Room On-site screening facility offering 35mm changeover projection with Dolby digital sound and calibrated DI projection for reviewing in-house work and small client screenings. Projectors can be pivoted for side-by-side screening of two prints or film and digital formats. Used by studios and producers reviewing restored or in-progress work.
• Color Correction Suites A range of color correction and control suites for reviewing all types of formats and processes, including pan and scan, Blu-ray disc authoring, and DCP master production. Supports post-production color grading and mastering workflows for studios and independent producers.

Quantifiable outcome

• Restored and preserved over 1,000 films since 1982
• +3 more outcomes

Named customers19 records

Segments4 records

Ideal customer profiles3 records

Technology focussed No

API detail

Has API

No

API docs

API detail

Core technology

AI maturity

App detail

Feature4 records

Partnerships

Eleven partnerships are on record, tiered core and minor.

• Academy Film ArchivecoreStrategic or Co-development PartnerCollaborative film preservation projects with the Academy Film Archive for archival restoration and preservation of significant film works.
• Anthology Film ArchivescoreStrategic or Co-development PartnerPartnership for restoration of 80 classic films for Unseen Cinema: Early American Avant-Garde Film 1883-1941 retrospective, presented by Anthology Film Archives. Exhibit traveled around the world.
• British Film InstitutecoreStrategic or Co-development PartnerRestoration of 3 David Lean films for a retrospective at the British Film Institute (2008).
• EYE Film Institute NetherlandscoreStrategic or Co-development PartnerPreservation of 24 classics of Dutch cinema as part of country's Images for the Future grants. Also collaborated on reconstruction and restoration of Nicholas Ray's We Can't Go Home Again.
• George Eastman HousecoreStrategic or Co-development PartnerCollaborative film preservation projects with George Eastman House film archive.
• International Olympic CommitteecoreStrategic or Co-development PartnerReconstruction and restoration of Leni Riefenstahl's Olympia for the International Olympic Committee (2008). Also preserved Paris 1924 Olympics footage.
• Museum of Modern ArtcoreStrategic or Co-development PartnerCollaborative film preservation projects with the Museum of Modern Art.
• New York Public LibrarycoreStrategic or Co-development PartnerCollaborative film preservation projects with the New York Public Library.
• Whitney Museum of American ArtcoreStrategic or Co-development PartnerCollaborative film preservation projects with the Whitney Museum of American Art.
• University ArchivesminorStrategic or Co-development PartnerCollaboration with dozens of university archives for film preservation projects.
• Professional Sports LeaguesminorStrategic or Co-development PartnerCollaboration with professional sports leagues for archival film preservation.

Scale indicators3 records

Recent moves6 records

Expansion highlights5 records

Direct peers

• FotoKem: Burbank-based film and post-production services company offering film processing, scanning, restoration, color, and finishing. Directly comparable to Cineric as a long-standing independent facility serving major Hollywood studios on restoration and post-production work.
• L'Immagine Ritrovata: Film restoration laboratory of the Cineteca di Bologna, widely regarded as one of the world's leading film restoration houses. Directly comparable to Cineric in providing analog-plus-digital restoration for major studios, national archives, and international retrospectives.
• MTI Film: US-based post-production and film restoration company offering digital intermediate, color grading (DVO), and archival restoration services. Comparable to Cineric in serving studios and archives with hybrid analog/digital restoration workflows.
• Colorlab: Maryland-based photochemical film processing and restoration laboratory. Directly comparable to Cineric for photochemical and digital film handling, particularly for archives, independent producers, and cultural-heritage projects.
• Roundabout Entertainment: Burbank-based film restoration and post-production house serving studios and independent producers. Directly comparable to Cineric in catalog restoration, scanning, and remastering for re-release.
• Park Road Post Production: Wellington-based post-production facility founded by Peter Jackson. Comparable to Cineric as a boutique full-service post and restoration house with significant catalog restoration credentials (e.g., WWI restoration projects).

Broad incumbents

• Warner Bros. Motion Picture Imaging: In-house Warner Bros. post-production and restoration division. Comparable to Cineric in restoration capability, but vertically integrated within a major studio rather than serving third-party studios and archives.
• Sony Pictures Colorworks: Sony Pictures' in-house digital intermediate and color grading facility. Comparable to Cineric's post-production suite but embedded within a single studio rather than operating as an independent multi-studio facility.
• Technicolor Post Production: Global post-production and visual effects group offering digital intermediate, color, and restoration services at scale. Comparable to Cineric's post-production services but operating at significantly larger scale across broader entertainment services.

Others

• Cintel: Manufacturer of high-end film scanning and archiving equipment (e.g., Cintel Scanner, Archiware partners). Comparable ecosystem player as an enabler of film-to-digital workflows that Cineric and its peers rely on.

Market position

Strengths4 records

Weaknesses5 records

Competitive moat5 records

Key risks6 records

Key highlights6 records

Customer concentration

• Xx.com/cinericinc
• LinkedInlinkedin.com/company/cineric-inc.

Revenue estimate

Valuation estimate

Number of profiles

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Cineric