Developer docs
API playgroundTry for free, no card

Search company profiles

Stim

Full company profile

uuid002933u

Namestring
Stim
Legal namestring
Föreningen Svenska Tonsättares Internationella Musikbyrå (Stim) u.p.a.
Websiteurl
stim.se
Company typeenum
Private
Founded yearint
1923
Descriptiontext

Stim is a Swedish non-profit membership organization and collective management organization (CMO) founded in 1923, headquartered in Stockholm at Hornsgatan 103. Officially Föreningen Svenska Tonsättares Internationella Musikbyrå (Stim) u.p.a., it serves two primary constituencies: music creators (songwriters, composers, lyricists) and publishers on the supply side, and Swedish businesses and venues on the demand side. The organization ensures that music creators receive compensation when their works are performed publicly — across radio, TV, streaming, live events, and commercial premises — while providing businesses with the legal licenses required to play that music in their operations.

The core product portfolio centers on the Musiklicens (Music License), a comprehensive licensing service covering diverse usage contexts (restaurants, bars, retail, sports venues, fitness, train carriages, online platforms, podcasts, parking garages, care facilities, live events, etc.) with tiered pricing based on venue capacity, attendance, and usage patterns. Membership services for creators — accessed through the Mina Sidor self-service portal and Stimappen mobile app — enable works registration, payment tracking, and live performance reporting. Underlying the offerings is a music rights management and licensing technology platform: an extensive music repertoire database that tracks usage across channels and a reporting/royalty distribution system that compensates rights holders based on performances. Ancillary products and subsidiaries include Stim Music Room (free studio workspace for affiliated creators), Cora (licensed music and sound effects for online video), Svensk Musik (sheet music archive with 90,000+ works), and NCB, a joint venture with Nordic sister societies handling mechanical reproduction rights.

Stim's business model is dual-sided: on the demand side, licensing fees are collected from hundreds of thousands of Swedish businesses and organizations based on usage category, venue size, and attendance (e.g., restaurants 2,204-37,003+ SEK annually, sporting events 499-21,688+ SEK per day, podcasts 0.002 SEK per streamed music minute with minimums). On the supply side, music creators and publishers join as members and receive royalty distributions at least eight times per year, plus quarterly streaming payouts. As a non-profit organization owned by its members, revenues are distributed back to rights holders rather than retained. Stim operates exclusively within Sweden for licensing, while international royalty collection is handled through reciprocal agreements with sister societies worldwide. The organization's stated scale: 100,000+ affiliated music creators and publishers, recognized as a world-leading organization in music tech.

Short descriptiontext

Stim is a Swedish non-profit collective management organization founded in 1923 that licenses public music usage to 100,000+ affiliated music creators and publishers. It collects licensing fees from hundreds of thousands of Swedish businesses across 12+ usage categories and distributes those revenues as royalties to rights holders.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
101–250
akta.pro rankint
HeadquartersStockholm, Sweden
HQ citystring
Stockholm
HQ countrystring
Sweden
HQ regionstring
Europe
Markets served

Serves global market

Offices2 records

Each record includes

City, Country, Type, Description, Source

Keyword5 values
music rights management, music licensing services, performing rights organization, royalty collection services, music copyright management
Industry3 codes
1Performing Rights Organizations (PROs) & Public Performance Licensing
CodeMPAIAKAAPrimaryYes
2Global Rights Representation & Sub-Publishing/Reciprocal Collection Services
CodeMPAIAKAIPrimaryNo
3Creator Licensing & Rights Monetization (UGC Licensing, Music/Video Rights)
CodeMPACAFAKPrimaryNo
NAICS code2 codes
  • Music Publishers512230
  • Music Publishers51223
Product category
Music Rights Management
GTM motion2 records

Each record includes

Type, Description, Source

Revenue model2 records
1Music licensing fees
TypeLicensing Royalties
Description

Stim collects licensing fees from businesses and organizations that use music publicly. These include fees for live music, background music in establishments, streaming, podcasts, and various other music usage categories. The fees are determined by business type, venue size, and usage patterns. As a non-profit organization, revenues are used to compensate rights holders.

spectrum.ieee.org
2Membership fees
TypeSubscription Recurring
Description

Music creators and publishers pay membership fees to join Stim and have their works represented. This enables them to receive compensation when their music is played publicly.

stim.se
Marketing channels7 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels4 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components5 values
Others, Personnel, Operations, Technology or R&D, Marketing or Sales
Pricing details12 tiers
1Train music license: 175 SEK per carriage per month (2026)
ModelSubscriptionBilling cadenceMonthly
Notes

For public performance of music on board trains. 2026: 175 SEK per carriage per month. License does not cover music during catering, film screenings, or live music.

stim.se
2Exhibition/Installation license: 489-5,732+ SEK based on visitor count
ModelSubscriptionBilling cadenceAnnual
Notes

2026 fees: Max 1,000 visitors: 489 SEK; 1,001-5,000: 2,617 SEK; 5,001-10,000: 5,732 SEK; More than 10,000: 5,732 SEK + 0.65 SEK per visitor over 10,000. Plus 100 SEK per copy for reproduction.

stim.se
3Sporting events: 499-21,688+ SEK per day based on attendance
ModelTransaction based/ take rateBilling cadencePay-as-you-go
Notes

2026: Up to 500 visitors: 499 SEK; 501-1,000: 992 SEK; 1,001-5,000: 4,728 SEK; 5,001-10,000: 10,168 SEK; 10,001-15,000: 15,928 SEK; 15,001-20,000: 21,688 SEK; More than 20,000: 1.14 SEK per visitor.

stim.se
4Serving/Restaurant: 2,204-37,003+ SEK annually based on seats and open days
ModelSubscriptionBilling cadenceAnnual
Notes

Annual fees vary by number of seats (up to 20 to 400+) and open days (max 100, 101-312, or more than 312). For takeaway establishments with up to 20 seats: 1,459-1,987 SEK annually.

stim.se
5Podcast music: 0.002 SEK per streamed music minute, minimum 436 SEK/month
ModelUsage-basedBilling cadenceMonthly
Notes

Fee based on estimated podcast broadcasts per month, average music minutes per episode, and average listeners. Minimum 436 SEK per month. For licensees with max 100,000 SEK/year licensing cost.

stim.se
6Bar/DJ/Nightclub: 2.38-6.88 SEK per visitor (2025) based on entrance fee
ModelTransaction based/ take rateBilling cadencePay-as-you-go
Notes

2025: Free entry: 2.38 SEK/visitor; 1-60 SEK entry: 3.41 SEK/visitor; 61-124 SEK entry: 4.49 SEK/visitor; Over 124 SEK entry: 6.88 SEK/visitor. Minimum 364 SEK per event for discotheques.

stim.se
7Basic online music license: 435-1,244 SEK/month based on user sessions
ModelSubscriptionBilling cadenceMonthly
Notes

Up to 5,000 user sessions: 435 SEK/month. 5,001-15,000 user sessions: 1,244 SEK/month. Includes on-demand streaming (up to 12,000 works/month), web radio (up to 50,000 works/month), and downloads (up to 350 works/month).

stim.se
8Care facilities: 81-962+ SEK annually based on room type and services
ModelSubscriptionBilling cadenceAnnual
Notes

Single rooms: 81 SEK/bed/year; Multi-bed rooms: 168 SEK/room/year; Common rooms: 862 SEK/room/year; Minimum 954 SEK/year per care provider. Rehabilitation: 1,928 SEK/year.

stim.se
9Open online stream (non-fee-based): 1.49 SEK per consumed music hour, minimum 494 SEK/month
ModelUsage-basedBilling cadenceMonthly
Notes

For non-fee-based streamed music to moving images. 2025: 1.49 SEK per consumed music hour (0.14 SEK synchronization fee). Minimum 494 SEK/month.

stim.se
10Parking garage: 2,567-41,404+ SEK annually based on spaces
ModelSubscriptionBilling cadenceAnnual
Notes

2025: 1-200 spaces: 2,567 SEK; 201-400: 4,354 SEK; 401-1,000: 8,815 SEK; 1,001-2,000: 16,852 SEK; 2,001-3,000: 25,780 SEK; 3,001-5,000: 41,404 SEK; More than 5,000: 41,404 SEK + 8.79 SEK per additional space.

stim.se
11Telephone switchboard: 1,246-6,978+ SEK annually based on call volume
ModelSubscriptionBilling cadenceAnnual
Notes

2025: Up to 5,000 calls: 1,246 SEK; 5,001-10,000: 2,502 SEK; 10,001-15,000: 3,753 SEK; 15,001-20,000: 5,015 SEK; 20,001-25,000: 6,267 SEK; 25,001-30,000: 6,978 SEK; Over 30,000: 6,978 SEK + 0.04 SEK per call.

stim.se
12Live music: 4% of entrance fee (1-670 SEK) or 3% (over 671 SEK), minimum 364 SEK/event
ModelTransaction based/ take rateBilling cadencePay-as-you-go
Notes

2025 rates: Entrance 1-670 SEK: 4% of fee; Over 671 SEK: 3% of fee. Subsidized concerts: 27.0 SEK per ticket. Minimum fee: 364 SEK per event. Free tickets: 5.24 SEK per attendee.

GTM typeB2B and B2C
B2B and B2C
Offering typeServices
Services
Core offering1 text field

Stim is a non-profit collective management organization that licenses music for public use to businesses and organizations in Sweden and distributes collected royalties to its member music creators (songwriters, composers, lyricists) and publishers. Founded in 1923 and based in Stockholm, Stim manages rights for over 100,000 affiliated creators and publishers, offering music licenses across contexts such as restaurants, retail, fitness, events, and digital platforms, while also providing membership services to creators for registering works and receiving royalties.

Differentiator
Functional benefit
Problem solved
Product overview1 text field

Stim operates as a collective rights management organization ( CMO/ PRO) structured as a non-profit membership organization. The core offering consists of music licensing services enabling businesses to legally use music from Stim's repertoire, combined with membership services allowing music creators and publishers to collect royalties. The product portfolio centers on the Musiklicens (Music License) as the primary licensing product, supplemented by the Licensshop e-commerce portal, Mina Sidor self-service portal, and the Stimappen mobile app for members. Ancillary offerings include Stim Music Room (creative workspace with free studio time), Publisher Service, Svensk Musik (sheet music archive), Cora (music for video), and NCB (mechanical rights). All licensing is territory-restricted to Sweden, with separate international collection handled through reciprocal agreements with sister societies worldwide.

Product and service10 records
1Musiklicens (Music License)
CategoryMusic Licensing
Description

Legal music licenses for businesses and organizations to play music publicly in Sweden across contexts such as restaurants, bars, retail stores, fitness centers, hotels, and other commercial venues. Licenses are categorized by venue type and music usage context, with pricing based on business size and usage category.

2Medlemskap (Membership)
CategoryRights Holder Membership
Description

Membership service for songwriters, composers, lyricists, and music publishers who register their works with Stim to receive collected royalties from public music usage in Sweden and internationally.

3Mina Sidor (My Pages)
CategorySelf-Service Portal
Description

Online self-service portal where members and license customers can manage their account information, register works, view royalty distributions, and administer licenses. Members can register works online, monitor royalty payouts, and access information about their catalog and earnings.

4Licensshop (License Shop)
CategoryOnline License Sales
Description

E-commerce platform where business customers can purchase music licenses for various commercial use cases online. Allows businesses to self-purchase music licenses through an online checkout process.

5Stim Music Room
CategoryMember Creative Service
Description

Creative workspace service for members offering free studio time for songwriting, music production, and creative collaboration. A physical creative facility provided to members at no cost as part of the membership benefits.

6Stimappen
CategoryMobile Application
Description

Mobile application for members to manage their Stim account, register works, view royalty information, and access member services on mobile devices. Provides mobile access to key member functions and royalty tracking.

7Förlagsservice (Publisher Service)
CategoryPublisher Administration
Description

Dedicated service for music publishers to administer their catalogs, register works, and receive royalty distributions through Stim's collective management infrastructure. Supports publishers with catalog registration and royalty collection services.

8Svensk Musik
CategorySheet Music Archive
Description

Swedish sheet music archive and access service operated by Stim that allows musicians to access and license sheet music from the Swedish music repertoire. A separate sub-brand service that provides musicians access to Swedish sheet music.

9Cora
CategoryDigital Music Licensing
Description

Music and sound effects licensing service for online video creators and digital platforms requiring background music and sound effects for their content. Targeted at digital content creators needing pre-cleared music for video and online use.

10NCB
CategoryMechanical Rights Licensing
Description

Shared service for obtaining permissions for the mechanical reproduction of musical works in recorded form, operated in partnership with Nordic rights organizations. Handles record publishing permissions for musical works.

Scale indicator3 records

Each record includes

Type, Value, Description, Source

Partnership1 partner
Strategic tierCoreTypeTechnology or IntegrationAnnounced on2026-06-17
Description

Sureel, acquired by Warner Music Group, has partnered with Swedish copyright agency STIM to develop systems enabling music creators to receive compensation when their works are used to train generative AI tools. Sureel's software labels media with owner-determined instructions and tracks AI company usage to set licensing fees.

Recent move6 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight7 records

Each record includes

Type, Description

Peers10 records
1GEMA
TypeDirect peer
Description

Germany's largest PRO with approximately 90,000+ members, collecting royalties on behalf of music creators and licensing music for German businesses. Operates the same collective rights management model as Stim, with reciprocal agreements through CISAC.

2SACEM
TypeDirect peer
Description

French performing rights society managing rights for music creators and publishers, with licensing operations for French businesses across live, digital, and background uses. Functions as Stim's direct counterpart in France with near-identical business model.

3BMI
TypeDirect peer
Description

US-based PRO competing directly with ASCAP, representing songwriters, composers, and publishers with public performance licensing for US businesses. Comparable in membership scale and licensing scope to Stim.

4ASCAP
TypeDirect peer
Description

US PRO with hundreds of thousands of songwriter, composer, and publisher members, licensing public performance rights to US businesses. Closest North American analog to Stim, including reciprocal international royalty collection.

5ICE (Integrated Copyright Extension)
TypeDirect peer
Description

UK-based collective licensing hub formed by PRS, PPL, and GEMA-JAIM, handling multi-territory online music licensing for DSPs. Compares to Stim's digital licensing operations and international reciprocal collection infrastructure.

TypeDirect peer
Description

UK-based performing rights organization representing over 100,000 songwriters, composers, and publishers. Directly comparable to Stim as a CMO collecting public performance royalties and licensing music for UK businesses, with the same member-owned non-profit structure.

TypeEmerging player
Description

US non-profit designated collective for neighboring rights (sound recording performance royalties) from satellite radio, internet radio, and cable TV. Adjacent rights administration role comparable to Stim's composer-side PRO function but on the master recording side.

TypeRegional player
Description

Danish PRO and Stim's Nordic sister society, administering rights for Danish music creators with reciprocal collection arrangements with Stim. Directly comparable in scope but geographically separate from Stim's Swedish territory.

9TONO
TypeRegional player
Description

Norwegian PRO and Stim's Nordic sister society. Comparable membership-based, non-profit rights administration model for the Norwegian market with reciprocal cross-border royalty collection.

TypeRegional player
Description

Finnish PRO managing music rights for Finnish creators and licensing music in Finland. Sister society to Stim with reciprocal collection agreements; operates the same model but in the Finnish market.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses4 records

Each record includes

Headline, Details, Source

Competitive moat6 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Segment5 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile5 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
Yes
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Feature3 records

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles2 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

Subsidiaries3 records

Each record includes

Name, Acquired on, Relationship type, Type, Business focus

No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Stim

Music Rights Managementstim.se

Stim is a Swedish non-profit collective management organization founded in 1923 that licenses public music usage to 100,000+ affiliated music creators and publishers. It collects licensing fees from hundreds of thousands of Swedish businesses across 12+ usage categories and distributes those revenues as royalties to rights holders.

What Stim does

Stim is a Swedish non-profit membership organization and collective management organization (CMO) founded in 1923, headquartered in Stockholm at Hornsgatan 103. Officially Föreningen Svenska Tonsättares Internationella Musikbyrå (Stim) u.p.a., it serves two primary constituencies: music creators (songwriters, composers, lyricists) and publishers on the supply side, and Swedish businesses and venues on the demand side. The organization ensures that music creators receive compensation when their works are performed publicly — across radio, TV, streaming, live events, and commercial premises — while providing businesses with the legal licenses required to play that music in their operations.

The core product portfolio centers on the Musiklicens (Music License), a comprehensive licensing service covering diverse usage contexts (restaurants, bars, retail, sports venues, fitness, train carriages, online platforms, podcasts, parking garages, care facilities, live events, etc.) with tiered pricing based on venue capacity, attendance, and usage patterns. Membership services for creators — accessed through the Mina Sidor self-service portal and Stimappen mobile app — enable works registration, payment tracking, and live performance reporting. Underlying the offerings is a music rights management and licensing technology platform: an extensive music repertoire database that tracks usage across channels and a reporting/royalty distribution system that compensates rights holders based on performances. Ancillary products and subsidiaries include Stim Music Room (free studio workspace for affiliated creators), Cora (licensed music and sound effects for online video), Svensk Musik (sheet music archive with 90,000+ works), and NCB, a joint venture with Nordic sister societies handling mechanical reproduction rights.

Stim's business model is dual-sided: on the demand side, licensing fees are collected from hundreds of thousands of Swedish businesses and organizations based on usage category, venue size, and attendance (e.g., restaurants 2,204-37,003+ SEK annually, sporting events 499-21,688+ SEK per day, podcasts 0.002 SEK per streamed music minute with minimums). On the supply side, music creators and publishers join as members and receive royalty distributions at least eight times per year, plus quarterly streaming payouts. As a non-profit organization owned by its members, revenues are distributed back to rights holders rather than retained. Stim operates exclusively within Sweden for licensing, while international royalty collection is handled through reciprocal agreements with sister societies worldwide. The organization's stated scale: 100,000+ affiliated music creators and publishers, recognized as a world-leading organization in music tech.

Stim firmographics

Firmographics
Name
Stim
Legal name
Föreningen Svenska Tonsättares Internationella Musikbyrå (Stim) u.p.a.
Website
https://stim.se
Company type
Private
Founded year
1923
Operating status
Operating
Headcount range
101–250 employees
Short description
Stim is a Swedish non-profit collective management organization founded in 1923 that licenses public music usage to 100,000+ affiliated music creators and publishers. It collects licensing fees from hundreds of thousands of Swedish businesses across 12+ usage categories and distributes those revenues as royalties to rights holders.
Ownership category
akta.pro rank

Stim industry classification

Industry
Product category
Music Rights Management
NAICS
Music Publishers (512230), Music Publishers (51223)
akta.pro primary industry
Performing Rights Organizations (PROs) & Public Performance Licensing (MPAIAKAA)
akta.pro secondary industries
Global Rights Representation & Sub-Publishing/Reciprocal Collection Services (MPAIAKAI), Creator Licensing & Rights Monetization (UGC Licensing, Music/Video Rights) (MPACAFAK)

Keywords

  • Music rights management
  • Music licensing services
  • Performing rights organization
  • Royalty collection services
  • Music copyright management

Where Stim is headquartered

Location

Headquarters

HQ city
Stockholm
HQ country
Sweden
HQ region
Europe

Offices2 records

Markets served

Stim business model

Business model
GTM type
B2B and B2C
Offering type
Services
Cost components
Others, Personnel, Operations, Technology or R&D, Marketing or Sales

Revenue model

  1. Music licensing fees: Stim collects licensing fees from businesses and organizations that use music publicly. These include fees for live music, background music in establishments, streaming, podcasts, and various other music usage categories. The fees are determined by business type, venue size, and usage patterns. As a non-profit organization, revenues are used to compensate rights holders.
  2. Membership fees: Music creators and publishers pay membership fees to join Stim and have their works represented. This enables them to receive compensation when their music is played publicly.

Pricing tiers

ModelBillingPrice
SubscriptionMonthlyTrain music license: 175 SEK per carriage per month (2026)
SubscriptionAnnualExhibition/Installation license: 489-5,732+ SEK based on visitor count
Transaction based/ take ratePay-as-you-goSporting events: 499-21,688+ SEK per day based on attendance
SubscriptionAnnualServing/Restaurant: 2,204-37,003+ SEK annually based on seats and open days
Usage-basedMonthlyPodcast music: 0.002 SEK per streamed music minute, minimum 436 SEK/month
Transaction based/ take ratePay-as-you-goBar/DJ/Nightclub: 2.38-6.88 SEK per visitor (2025) based on entrance fee
SubscriptionMonthlyBasic online music license: 435-1,244 SEK/month based on user sessions
SubscriptionAnnualCare facilities: 81-962+ SEK annually based on room type and services
Usage-basedMonthlyOpen online stream (non-fee-based): 1.49 SEK per consumed music hour, minimum 494 SEK/month
SubscriptionAnnualParking garage: 2,567-41,404+ SEK annually based on spaces
SubscriptionAnnualTelephone switchboard: 1,246-6,978+ SEK annually based on call volume
Transaction based/ take ratePay-as-you-goLive music: 4% of entrance fee (1-670 SEK) or 3% (over 671 SEK), minimum 364 SEK/event

Go-to-market motion2 records

Distribution channels4 records

Marketing channels7 records

Stim product offering

Product offering

Core offering

Stim is a non-profit collective management organization that licenses music for public use to businesses and organizations in Sweden and distributes collected royalties to its member music creators (songwriters, composers, lyricists) and publishers. Founded in 1923 and based in Stockholm, Stim manages rights for over 100,000 affiliated creators and publishers, offering music licenses across contexts such as restaurants, retail, fitness, events, and digital platforms, while also providing membership services to creators for registering works and receiving royalties.

Product overview

Stim operates as a collective rights management organization ( CMO/ PRO) structured as a non-profit membership organization. The core offering consists of music licensing services enabling businesses to legally use music from Stim's repertoire, combined with membership services allowing music creators and publishers to collect royalties. The product portfolio centers on the Musiklicens (Music License) as the primary licensing product, supplemented by the Licensshop e-commerce portal, Mina Sidor self-service portal, and the Stimappen mobile app for members. Ancillary offerings include Stim Music Room (creative workspace with free studio time), Publisher Service, Svensk Musik (sheet music archive), Cora (music for video), and NCB (mechanical rights). All licensing is territory-restricted to Sweden, with separate international collection handled through reciprocal agreements with sister societies worldwide.

Differentiator

Problem solved

Functional benefit

Products and services

  • Musiklicens (Music License) Legal music licenses for businesses and organizations to play music publicly in Sweden across contexts such as restaurants, bars, retail stores, fitness centers, hotels, and other commercial venues. Licenses are categorized by venue type and music usage context, with pricing based on business size and usage category.
  • Medlemskap (Membership) Membership service for songwriters, composers, lyricists, and music publishers who register their works with Stim to receive collected royalties from public music usage in Sweden and internationally.
  • Mina Sidor (My Pages) Online self-service portal where members and license customers can manage their account information, register works, view royalty distributions, and administer licenses. Members can register works online, monitor royalty payouts, and access information about their catalog and earnings.
  • Licensshop (License Shop) E-commerce platform where business customers can purchase music licenses for various commercial use cases online. Allows businesses to self-purchase music licenses through an online checkout process.
  • Stim Music Room Creative workspace service for members offering free studio time for songwriting, music production, and creative collaboration. A physical creative facility provided to members at no cost as part of the membership benefits.
  • Stimappen Mobile application for members to manage their Stim account, register works, view royalty information, and access member services on mobile devices. Provides mobile access to key member functions and royalty tracking.
  • Förlagsservice (Publisher Service) Dedicated service for music publishers to administer their catalogs, register works, and receive royalty distributions through Stim's collective management infrastructure. Supports publishers with catalog registration and royalty collection services.
  • Svensk Musik Swedish sheet music archive and access service operated by Stim that allows musicians to access and license sheet music from the Swedish music repertoire. A separate sub-brand service that provides musicians access to Swedish sheet music.
  • Cora Music and sound effects licensing service for online video creators and digital platforms requiring background music and sound effects for their content. Targeted at digital content creators needing pre-cleared music for video and online use.
  • NCB Shared service for obtaining permissions for the mechanical reproduction of musical works in recorded form, operated in partnership with Nordic rights organizations. Handles record publishing permissions for musical works.

Companies that use Stim

Customer profile

Segments5 records

Ideal customer profiles5 records

Stim technology and API

Technology

Technology focussed Yes

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Feature3 records

Stim partnerships and signals

Strategic signal

Partnerships

One partnership is on record.

  • SureelcoreTechnology or Integration · 17 June 2026Sureel, acquired by Warner Music Group, has partnered with Swedish copyright agency STIM to develop systems enabling music creators to receive compensation when their works are used to train generative AI tools. Sureel's software labels media with owner-determined instructions and tracks AI company usage to set licensing fees.

Scale indicators3 records

Recent moves6 records

Expansion highlights7 records

Stim competitors and assessment

Company assessment

Direct peers

  • GEMA: Germany's largest PRO with approximately 90,000+ members, collecting royalties on behalf of music creators and licensing music for German businesses. Operates the same collective rights management model as Stim, with reciprocal agreements through CISAC.
  • SACEM: French performing rights society managing rights for music creators and publishers, with licensing operations for French businesses across live, digital, and background uses. Functions as Stim's direct counterpart in France with near-identical business model.
  • BMI: US-based PRO competing directly with ASCAP, representing songwriters, composers, and publishers with public performance licensing for US businesses. Comparable in membership scale and licensing scope to Stim.
  • ASCAP: US PRO with hundreds of thousands of songwriter, composer, and publisher members, licensing public performance rights to US businesses. Closest North American analog to Stim, including reciprocal international royalty collection.
  • ICE (Integrated Copyright Extension): UK-based collective licensing hub formed by PRS, PPL, and GEMA-JAIM, handling multi-territory online music licensing for DSPs. Compares to Stim's digital licensing operations and international reciprocal collection infrastructure.
  • PRS for Music: UK-based performing rights organization representing over 100,000 songwriters, composers, and publishers. Directly comparable to Stim as a CMO collecting public performance royalties and licensing music for UK businesses, with the same member-owned non-profit structure.

Emerging players

  • SoundExchange: US non-profit designated collective for neighboring rights (sound recording performance royalties) from satellite radio, internet radio, and cable TV. Adjacent rights administration role comparable to Stim's composer-side PRO function but on the master recording side.

Regional players

  • KODA: Danish PRO and Stim's Nordic sister society, administering rights for Danish music creators with reciprocal collection arrangements with Stim. Directly comparable in scope but geographically separate from Stim's Swedish territory.
  • TONO: Norwegian PRO and Stim's Nordic sister society. Comparable membership-based, non-profit rights administration model for the Norwegian market with reciprocal cross-border royalty collection.
  • TEOSTO: Finnish PRO managing music rights for Finnish creators and licensing music in Finland. Sister society to Stim with reciprocal collection agreements; operates the same model but in the Finnish market.

Market position

Strengths5 records

Weaknesses4 records

Competitive moat6 records

Key risks5 records

Key highlights6 records

Customer concentration

Stim social profiles

Digital presence

Stim financial estimates

Financial estimate

Revenue estimate

Valuation estimate

Stim leadership team

Management profile

Number of profiles

Profiles2 records

Stim subsidiaries and ownership

Company hierarchy

Subsidiaries3 records

Stim funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

Stim M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Stim

What does Stim do?

Stim is a non-profit collective management organization that licenses music for public use to businesses and organizations in Sweden and distributes collected royalties to its member music creators (songwriters, composers, lyricists) and publishers. Founded in 1923 and based in Stockholm, Stim manages rights for over 100,000 affiliated creators and publishers, offering music licenses across contexts such as restaurants, retail, fitness, events, and digital platforms, while also providing membership services to creators for registering works and receiving royalties.

Is Stim a public or private company?

Stim is a private company. It is classified as nonprofit foundation owned and is currently operating.

When was Stim founded?

Stim was founded in 1923. It employs 101 to 250 people.

Where is Stim based?

Stim is headquartered in Stockholm, Sweden, in the Europe region.

How does Stim make money?

Two revenue lines are on record. Music licensing fees are the primary driver. The others are membership fees.

Who are Stim's main competitors?

Direct peers on record are GEMA, SACEM, BMI, ASCAP, ICE (Integrated Copyright Extension) and PRS for Music. SoundExchange is listed as an emerging player. Regional players are KODA, TONO and TEOSTO.

Does Stim have an API?

No public API is recorded for Stim.

What industry is Stim in?

Stim's product category is Music Rights Management. Its primary akta.pro industry code is MPAIAKAA, Performing Rights Organizations (PROs) & Public Performance Licensing, with a secondary code of MPAIAKAI, Global Rights Representation & Sub-Publishing/Reciprocal Collection Services. Its NAICS code is 512230.

Unlock the full company data

50 free credits on sign-up, no credit card required.

Contact sales
Live signals
IEEE SpectrumGenerative AI Music Attribution Rethinks RoyaltiesWarner Music Group has acquired startup Sureel, which has partnered with Swedish copyright agency STIM to develop systems enabling music creators to receive compensation when their works are used to train generative AI tools. Sureel's software labels media with owner-determined instructions and tracks AI company usage to set licensing fees, while SoundVerse advocates for ongoing artist participation in the AI lifecycle rather than one-time royalty buyouts. The article explores complex attribution challenges including causality between training data and AI outputs, and discusses how negotiated agreements between major music labels and AI companies may shape industry norms for compensating creative work in the AI era.news.cision.comFredrik Tumegård appointed CEO of StimFredrik Tumegård was appointed CEO of Stim, having served as interim CEO since November 2025. The Board expressed confidence in his leadership to guide Stim through the next phase of development. He brings extensive experience from technology-driven and international businesses.BillboardWhat Would An AI Music License Even Look Like? It’s ComplicatedSTIM announced a collective licensing deal for AI training, following an earlier agreement between ElevenLabs and Kobalt and Merlin. The deal compensates rightsholders with a share of revenue from AI-generated works, aiming to give them ongoing control. The article argues such one-off payments are insufficient and that rightsholders need a revenue stream from AI-derived music.ReutersSweden launches AI music licence to protect songwritersSweden's music rights group STIM launched a licence letting AI companies legally train on copyrighted songs while paying creators. CISAC says AI could cut music creators' income by up to 24% by 2028, and Songfox is the first company to use the licence.Digital Music NewsSTIM: “Spotify Hasn’t Paid Our Bills”Spotify has failed to pay royalties to the Swedish copyright organization STIM for Q4 2016, marking the second such delay in less than a year due to a dispute over unmatched song metadata. While Spotify offered to pay only for matched works, STIM demanded payment for the entire invoice, leading to a standoff that delays compensation for Swedish artists and songwriters. This ongoing issue with unmatched tracks persists as Spotify prepares for its IPO and attempts to resolve similar legal disputes regarding mechanical licenses.BillboardTomas Ericsson Joins Kobalt As President, Society RelationsKobalt Music Group has hired Tomas Ericsson as president of society relations, joining its executive management team to manage relationships with global performance societies and digital service providers. Ericsson comes from Swedish society STIM, where he was deputy CEO since 2010 and CFO from 2006-2007. He reports to Kobalt founder and CEO Willard Ahdritz.