Fairwood Music
Fairwood Music is a London-founded (1987) independent music publisher that administers songwriter catalogues, collects royalties through CMO relationships worldwide, and licenses synchronization rights across 20+ global territories for songwriters, artists, and media buyers.
- Company typePrivate
- Founded1987
- HeadquartersBoxley, United Kingdom
- Headcount11–50
- GTM typeB2B
- OfferingServices
What Fairwood Music does
Fairwood Music is an independent music publisher founded in London in 1987, operating through its UK private limited company Fairwood Music (UK) Ltd. (also trading as Fairwood Music (International) Ltd. and The Fairwood Music Group). The company administers music catalogues on behalf of songwriters and artists, collecting and distributing mechanical, performance, and synchronization royalties through direct relationships with Collective Management Organisations (CMOs) worldwide and a network of more than twenty sub-publishers covering Europe, the Americas, Asia Pacific, Africa, the Middle East, and Russia. Its catalogue represents historical rights-holders including David Bowie, U2, Cat Stevens, Bob Marley, Sandy Denny, J.J. Cale, and Collective Soul, alongside active contemporary writers such as composer/producer Simon Franglen and multi-platinum singer/songwriter Nianell (Sonia Nel). The company runs sales-led direct relationships with songwriters and artists and proactively seeks multi-media synchronization opportunities, supported by co-writing and writer-camp projects designed to build creative partnerships.
Fairwood's core products are music publishing administration, synchronization licensing, sub-publishing agreements, and writer/catalogue acquisition. Synchronization placements cited in source material include the Avatar: The Way of Water end theme "Nothing Is Lost (You Give Me Strength)" (performed by The Weeknd, co-published by Fairwood, December 2022), Orange Mobile France (Selecter's "On My Radio", 2022–2023 campaigns), McDonald's Happy Meal France (The Sonics' "High Time"), Netflix's Bordertown (Little John & The Monks' "Black Winds"), and CarMax (Johnny & The Velvetones' "Hitch Hiking Home"). Sub-publishing partners identified include SueCo Music (UK/Eire), Red Brick Songs (US/Canada), Peermusic (South East Asia), Watanabe Music (Japan), Hebbes Music Group (Australia/NZ), and Fermata Do Brasil, among others. The company owns no disclosed patents, has no public mobile app, exposes no API or SDK, and has no AI/ML capabilities referenced in source material.
Revenue is generated through licensing royalties, sub-publisher fee splits, and international royalty collection on behalf of its represented writers. Pricing is not publicly disclosed. Fairwood is privately held with no external funding rounds recorded, no parent company, and no public listing. The company maintains offices in Bromley (headquarters) and London (UK & Eire), with on-the-ground representation or affiliates in Paris, Berlin, Madrid, Amsterdam, Brussels, Athens, Milan, Copenhagen, Bucharest, Istanbul, Moscow, Johannesburg, São Paulo, New York, Hong Kong, Tokyo, and Sydney. Overall scale is best described as a niche independent music publisher operating a global-claims, UK-anchored model with a long heritage catalogue and episodic high-profile sync wins.
Fairwood Music firmographics
Firmographics- Name
- Fairwood Music
- Legal name
- Fairwood Music (UK) Ltd.
- Website
- https://fairwoodmusic.com
- Company type
- Private
- Founded year
- 1987
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- Fairwood Music is a London-founded (1987) independent music publisher that administers songwriter catalogues, collects royalties through CMO relationships worldwide, and licenses synchronization rights across 20+ global territories for songwriters, artists, and media buyers.
- Ownership category
- akta.pro rank
Fairwood Music industry classification
Industry- Product category
- Music Publishing Services
- NAICS
- Music Publishers (512230), Music Publishers (51223)
- akta.pro industry
- Publishing Administration (Catalog Admin, Global Subpublishing)Media, Entertainment & Sports/Music & Audio (Recording, Publishing, Streaming)/Music Publishing (Songwriting, Rights Administration, Licensing)Sync Clearance & Rights Management (One-Stop, Negotiation, Documentation)Media, Entertainment & Sports/Music & Audio (Recording, Publishing, Streaming)/Sync & Music Licensing Services (Film/TV/Ads/Games)Royalty Accounting & Payment Services (Statements, Audits, Payee Management)Media, Entertainment & Sports/Music & Audio (Recording, Publishing, Streaming)/Music Publishing (Songwriting, Rights Administration, Licensing)Sync Marketplaces & Licensing PlatformsMedia, Entertainment & Sports/Music & Audio (Recording, Publishing, Streaming)/Sync & Music Licensing Services (Film/TV/Ads/Games)
Keywords
Where Fairwood Music is headquartered
LocationHeadquarters
- HQ city
- Boxley
- HQ country
- United Kingdom
- HQ region
- Europe
Offices19 records
Markets served
Fairwood Music business model
Business model- GTM type
- B2B
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Technology or R&D, Supply Chain
Revenue model
- Publishing Administration: Fairwood Music administers music catalogs for songwriters and artists, collecting and distributing mechanical, performance, and synchronization royalties through relationships with Collective Management Organisations (CMOs) worldwide.
- Synchronization Licensing: Revenue generated from licensing songs for use in film, television, advertising, and other media. Notable placements include Avatar: The Way of Water, Orange Mobile France campaigns, McDonald's Happy Meal ads, Netflix's Bordertown series, and CarMax adverts.
- Sub-Publishing Agreements: Fairwood enters into sub-publishing agreements with international publishers like SueCo Music to represent their catalog in specific territories, generating revenue through territorial licensing and royalty collection.
Go-to-market motion1 record
Distribution channels2 records
Marketing channels3 records
Fairwood Music product offering
Product offeringCore offering
Fairwood Music administers music catalogs on behalf of songwriters and artists, collecting and distributing mechanical, performance, and synchronization royalties through direct relationships with Collective Management Organisations (CMOs) and a global network of sub-publishers. The company proactively pursues synchronization opportunities placing songs in film, television, advertising, and streaming content, and enters into long-term publishing agreements with songwriters covering their back catalogues and future works.
Product overview
Fairwood Music is an established independent music publisher formed in London in 1987, operating a single unified music publishing service. The company's core offering combines music publishing and rights management with a global sub-publishing network across 20+ territories, proactive synchronization licensing for films/TV/advertising, and writer catalogue acquisition. Notable represented artists include David Bowie, U2, Cat Stevens, Bob Marley, and The Weeknd. Recent product launches include the Avatar: The Way of Water soundtrack synchronization deal and worldwide publishing agreements with artists like Nianell.
Differentiator
Problem solved
Functional benefit
Products and services
- Music Publishing Services
- Synchronization Licensing
Companies that use Fairwood Music
Customer profileNamed customers6 records
Segments2 records
Ideal customer profiles2 records
Fairwood Music technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Fairwood Music partnerships and signals
Strategic signalPartnerships
18 partnerships are on record, tiered core and regional.
- SueCo MusiccoreFairwood entered into a UK/Eire sub-publishing agreement with Canadian publishing company SueCo Music, owned and managed by Ron and Sue Irving. This long-term deal establishes a close creative partnership to bring synchronization opportunities for SueCo's eclectic song catalog.
- Active Music PublishingcoreSub-publisher covering Southern Africa. Managing Director John Fishlock handles operations.
- Blue Line LLCregionalSub-publisher covering Russia. Contact Ilya Klyuk.
- Collect! MusicregionalSub-publisher covering Netherlands. Contact Mark Wijnstekers.
- D-Version Music Publishing Ltd.regionalSub-publisher covering Greece. Contact Denise Andrikopoulou.
- Editions Fairwood Music / Editer A PariscoreFairwood's own office covering France. Contact Cyril Dohar.
- Fairwood Music (Germany)coreFairwood's own office covering Germany, Austria & Switzerland. General Manager Andrea Vitz.
- Fairwood Music (Spain)coreFairwood's own office covering Spain, Portugal & South America. Contact John Deane.
- Fermata Do BrasilregionalSub-publisher covering Brazil. Contact Lena Lebendiger.
- Hebbes Music GroupregionalSub-publisher covering Australia & New Zealand. Contact Peter Hebbes.
- K9 Music PublishingregionalSub-publisher covering Romania. Contact Andrei Filip.
- Median Muzik EdisyonregionalSub-publisher covering Turkey. Contact Ali Cosar.
- MMB MusicregionalSub-publisher covering Scandinavia. Contact Jorgen Hansen Jorgensen.
- Oyez! MusicregionalSub-publisher covering Italy. Contact Vittorio Cigala.
- PeermusiccoreSub-publisher covering South East Asia. Contact Spencer Lee.
- Red Brick SongscoreSub-publisher covering United States & Canada. President Jennifer Mitchell.
- The Right PeopleregionalSub-publisher covering Belgium & Luxembourg. Contact Piet Bekaert.
- Watanabe MusicregionalSub-publisher covering Japan. Contact Tatsu Hirano.
Scale indicators2 records
Recent moves6 records
Expansion highlights5 records
Fairwood Music competitors and assessment
Company assessmentDirect peers
- Spirit Music Group: Independent music publisher managing significant legacy catalogs (including catalogs of artists in Fairwood's roster genre range). Spirit's blend of catalog administration, active writer signings, and sync licensing closely mirrors Fairwood's core business model, though at a larger scale.
- Round Hill Music: Independent music publisher specializing in legacy catalog acquisition and active songwriter management. Round Hill's blend of catalog administration and synchronization licensing represents a similar operating profile to Fairwood, albeit with US-centric operations.
- peermusic: The world's largest independent music publisher, founded in 1928, with global sub-publishing relationships similar to Fairwood's model. Notably, peermusic actually appears as one of Fairwood's sub-publishers (SE Asia), reflecting the comparable global indie publisher positioning.
- Hipgnosis Songs Fund: Investment vehicle focused on acquiring music publishing catalogs of iconic songwriters. Hipgnosis's catalog-acquisition-led strategy and emphasis on legacy hit songs parallels the heritage catalog elements of Fairwood's portfolio (Bowie, Marley, Cat Stevens).
- Primary Wave Music Publishing: Independent music publisher focused on legacy catalog acquisition, active writer signings, and synchronization licensing. Primary Wave's strategy of acquiring and actively marketing iconic catalogs (similar to Fairwood's Bowie/U2/Marley heritage) makes it a directly comparable peer.
- Reservoir Media: Publicly-traded independent music publisher with significant catalog holdings, songwriter management, and sync licensing operations. Reservoir's size and business mix make it a strong comparable for evaluating Fairwood's economics at scale.
- Kobalt Music Group: Independent music publisher and rights administrator known for proprietary technology infrastructure for royalty collection and sync licensing. Kobalt's tech-forward publishing administration model represents a contrasting approach to Fairwood's traditional sub-publisher network, but the underlying business is highly comparable.
Broad incumbents
- Concord Music Publishing: Independent music publisher formed through consolidation (acquired Imagem, Bicycle, Downtown), with extensive catalog administration and synchronization licensing operations. Larger and broader portfolio than Fairwood but addresses the same publishing administration and sync market.
- Warner Chappell Music: One of the three major music publishers globally, with deep catalog holdings across multiple eras and full global administration infrastructure. Warner Chappell is a broad incumbent that competes with Fairwood in the same publishing administration and sync licensing markets.
- BMG Rights Management: Major music publisher and rights administrator (owned by Bertelsmann) operating a global publishing, recordings, and neighboring rights business. BMG is a substantially larger, broad incumbent with overlapping publishing administration and synchronization capabilities relative to Fairwood's niche.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat4 records
Key risks6 records
Key highlights6 records
Customer concentration
Fairwood Music social profiles
Digital presenceFairwood Music financial estimates
Financial estimateRevenue estimate
Valuation estimate
Fairwood Music leadership team
Management profileNumber of profiles
Fairwood Music funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Fairwood Music M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Fairwood Music
What does Fairwood Music do?
Fairwood Music administers music catalogs on behalf of songwriters and artists, collecting and distributing mechanical, performance, and synchronization royalties through direct relationships with Collective Management Organisations (CMOs) and a global network of sub-publishers. The company proactively pursues synchronization opportunities placing songs in film, television, advertising, and streaming content, and enters into long-term publishing agreements with songwriters covering their back catalogues and future works.
Is Fairwood Music a public or private company?
Fairwood Music is a private company. It is classified as unknown and is currently operating.
When was Fairwood Music founded?
Fairwood Music was founded in 1987. It employs 11 to 50 people.
Where is Fairwood Music based?
Fairwood Music is headquartered in Boxley, United Kingdom, in the Europe region.
How does Fairwood Music make money?
Three revenue lines are on record. Publishing Administration is the primary driver. The others are synchronization Licensing and sub-Publishing Agreements.
Who are Fairwood Music's main competitors?
Direct peers on record are Spirit Music Group, Round Hill Music, peermusic, Hipgnosis Songs Fund, Primary Wave Music Publishing, Reservoir Media and Kobalt Music Group. Broad incumbents are Concord Music Publishing, Warner Chappell Music and BMG Rights Management.
Does Fairwood Music have an API?
No public API is recorded for Fairwood Music.
What industry is Fairwood Music in?
Fairwood Music's product category is Music Publishing Services. Its primary akta.pro industry code is MPAIABAB, Publishing Administration (Catalog Admin, Global Subpublishing), with a secondary code of MPAIALAF, Sync Clearance & Rights Management (One-Stop, Negotiation, Documentation). Its NAICS code is 512230.