Reditec
Reditec is a French nonprofit association founded in 2006 that supports approximately 400 professional technical directors working in live performance, events, and visual arts across France, operating a member platform (Le Foyer), a quarterly magazine (Plein Feu), annual conferences (Rencontres), and regional antennas.
- Company typePrivate
- Founded2006
- HeadquartersParis, France
- Headcount251–500
- GTM typeB2B
- OfferingServices
What Reditec does
Reditec is a French nonprofit association (association loi 1901) founded in 2006 that supports professional technical managers of the performing arts — the responsables techniques working in theaters, operas, concert halls, festivals, event production, and visual arts venues across France. It serves a national membership of approximately 400 individuals, organized through six active regional antennas (AURA, PACA, Ile-de-France, Pays de la Loire, Nouvelle-Aquitaine, Grand Est) with Hauts-de-France and Occitanie in development. The association addresses professional isolation, evolving regulatory compliance (notably the 2022 decree on demountable structures and subsequent modifications), training and recruitment challenges, gender equality in technical roles, and the sustainability transition in live performance venues.
Its core offerings consist of Le Foyer, a private member collaboration platform built on HumHub open-source social network software that functions as the central hub for discussions, document sharing, working groups, and regional coordination; Plein Feu, a quarterly online magazine covering association activities and technical topics; Actes des Rencontres, published proceedings from the annual national conference; the Éditions Réditec publishing imprint producing books and guides (including the ISTS co-edition of master's theses); and Blablatec, recurring online thematic discussion sessions. The association also runs the annual Rencontres conference series (9th edition at Opéra de Paris Bastille in 2024; 10th scheduled for September 2026 at Théâtre MixT in Nantes to mark the 20th anniversary) and maintains presence at industry events including JTSE, Festival d'Avignon, and BIS de Nantes.
Reditec operates a community-led go-to-market and subscription-recurring revenue model based on annual membership dues, with additional revenue from publication sales via HelloAsso. It is volunteer-run from its membership base, led by President Jean-Rémi Baudonne, Vice-president Bérengère Naulot, and Secretary-adjoint Laurent Balutet, with founding president Régis Vasseur still active as regional referent. The association is institutionally supported by the French Ministry of Culture (DGCA), Thalie Santé, France Travail, and ISTS, and is pursuing membership in PEARLE for European-level representation.
Reditec firmographics
Firmographics- Name
- Reditec
- Legal name
- REDITEC
- Website
- https://reditec.org
- Company type
- Private
- Founded year
- 2006
- Operating status
- Operating
- Headcount range
- 251–500 employees
- Short description
- Reditec is a French nonprofit association founded in 2006 that supports approximately 400 professional technical directors working in live performance, events, and visual arts across France, operating a member platform (Le Foyer), a quarterly magazine (Plein Feu), annual conferences (Rencontres), and regional antennas.
- Ownership category
- akta.pro rank
Reditec industry classification
Industry- Product category
- Professional Association Services
- NAICS
- Business Associations (813910), Professional Organizations (81392), Convention and Trade Show Organizers (561920)
- SIC
- Services-Membership Organizations (8600), Miscellaneous Publishing (2741)
- akta.pro primary industry
- Association & Society Conference Management (Nonprofit, Professional Bodies) (THAHACAA)
- akta.pro secondary industries
- Scholarly Societies & Conference Proceedings Publishing (MPAJABAK), Scholarly Society & Association Publishing (EDAGAFAK), Meeting & Conference Planning & Coordination (HSACADAA)
Keywords
Where Reditec is headquartered
LocationHeadquarters
- HQ city
- Paris
- HQ country
- France
- HQ region
- Europe
Offices1 record
Markets served
Reditec business model
Business model- GTM type
- B2B
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Others
Revenue model
- Membership Dues: Reditec generates revenue through annual membership fees. Members pay dues to join the association (adhesion). The association also publishes and sells physical copies of Actes (conference proceedings) through HelloAsso online store.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| Subscription | Annual | Annual membership for technical directors and professionals in live performance |
Go-to-market motion1 record
Distribution channels2 records
Marketing channels6 records
Reditec product offering
Product offeringCore offering
Reditec is a nonprofit membership association that provides professional services to technical directors in French live performance. Its core offerings include annual membership with access to the private Le Foyer collaboration platform, the quarterly Plein Feu online magazine, annual Rencontres conferences, thematic Blablatec discussion sessions, regional antenna meetings, and Éditions Réditec publications. The association also advocates for the profession with government authorities such as the Ministry of Culture (DGCA).
Product overview
Reditec is a professional association for technical directors in live performance and events in France. Its offerings consist of: Le Foyer, a private member platform powered by HumHub for professional networking and resource sharing; Plein Feu, a quarterly online magazine covering association activities and technical topics; Actes des Rencontres, published proceedings from annual conferences; the public Vitrine website; Éditions Réditec, a publishing line producing books and guides; and Blablatec, interactive discussion sessions on technical subjects. The association also organizes the annual Rencontres de Réditec professional conferences and maintains several regional chapters across France.
Differentiator
Problem solved
Functional benefit
Brands
- Le Foyer: Online community platform for REDITEC members featuring discussions, resources, and professional networking.
- Plein Feu
- Editions Réditec
Products and services
- Le Foyer Member Platform
- Plein Feu Magazine
- Actes des Rencontres
- Rencontres Annual Conference
- Éditions Réditec Publications
- Blablatec Sessions
- Reditec Annual Membership
Quantifiable outcome
- 400 members achieved (2024-2025 season), up from 350 previously
- +2 more outcomes
Companies that use Reditec
Customer profileNamed customers5 records
Segments1 record
Ideal customer profiles1 record
Reditec technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Feature1 record
Reditec partnerships and signals
Strategic signalPartnerships
Seven partnerships are on record, tiered core, major and moderate.
- PEARLEcoreReditec is pursuing membership in PEARLE (Performing Arts Employers Associations League Europe) to strengthen its European representation. A video conference was held on June 16, 2024 with PEARLE director Anita Debaere to present Reditec's work axes including occupational health and safety, LED transition, reuse/recycling, and training. PEARLE represents performing arts employers at European level.
- France Travail (formerly Pôle Emploi)coreReditec collaborates with France Travail on employment, attractiveness, and training initiatives. Partnership involves promoting technical professions in live performance to job seekers, organizing visits and presentations in regions including Hauts-de-France, AURA, and PACA. A morning session was held during Festival d'Avignon with regional France Travail 'culture' agencies.
- ISTS (Institut Supérieur des Techniques du Spectacle)majorReditec partnered with ISTS to edit and publish selected master's theses on technical direction. The first publication is Laurent Balutet's work on 'maîtrise d'usage' (user control/operational expertise) in cultural building rehabilitation. ISTS Director David Bourbonaud initiated the collaboration. Reditec-ISTS co-edition planned annually.
- Ministère de la Culture - DGCAmajorReditec receives support from the French Ministry of Culture (DGCA - Direction Générale de la Création Artistique). Ministry representatives including Director General Christopher Miles and Deputy Director Sophie Zeller have expressed unwavering support for the association. Reditec participates in ministry-led discussions on LED transition and regulatory matters.
- Thalie SantémoderateThalie Santé supports Reditec and is collaborating on the 'maîtrise d'usage' publication project, providing a postface. Thalie Santé focuses on occupational health in the cultural sector and is a partner in workplace health initiatives.
- 17:25 CollectivemoderateLucia Goj (Technical Director of Théâtre du Châtelet) participates in the 17:25 collective alongside Opéra de Paris, Opéra national de Lyon, Théâtre de la Monnaie, and Festival d'Aix-en-Provence. The collective addresses climate and eco-responsibility in operatic production, winning a call for projects from Alternative Verte 1 (Caisse des Dépôts and Ministry of Culture) for sustainable climate solutions.
- JTSE (Journées Techniques du Spectacle et de l'Événement)moderateReditec participates in annual JTSE events with organized round tables. In 2024, two tables rondes were held: one reuniting the 6 presidencies since creation for a state of technical direction since 2006, and another on technical direction in the feminine.
Scale indicators4 records
Recent moves6 records
Expansion highlights5 records
Reditec competitors and assessment
Company assessmentOthers
- AFDAS: The French joint-collecting body funding training for performing-arts and audiovisual professionals — adjacent to Reditec through its training-attractiveness work with France Travail and through shared institutional dependency on French cultural-policy funding.
- ISTS — Institut Supérieur des Techniques du Spectacle: Reditec's academic partner for co-edited publications, ISTS is a French higher-education institution training live-performance technicians; included as an ecosystem/educational peer rather than a competing association.
Direct peers
- SMA — Syndicat des Musiques Actuelles: French federation of contemporary-music venues, festivals and producers — comparable non-profit membership body operating in an adjacent artistic sub-sector with the same advocacy, training and event convening functions.
- Les Forces Musicales: The French professional union of orchestras, opera houses, lyrical scenes and festivals — same membership/association structure serving a different functional cohort of French performing-arts leadership, with substantial overlap in venue partners (Opéra de Paris, etc.).
- SYNDEAC (Syndicat national des directeurs et directrices d'établissements et de services culturels): French union/association of cultural institution and service directors — a directly comparable French non-profit membership structure serving managerial roles in the cultural sector, with overlapping institutional members (national theatres, operas, scènes nationales).
- OISTAT (Organisation Internationale des Scénographes, Techniciens et Architectes de Théâtre): The international federation of theatre technicians, scenographers and architects is the closest global analogue to Reditec — both serve individual practitioners in the technical craft of live performance, providing networking, knowledge exchange and advocacy across national chapters.
- PRODISS (Syndicat National des Producteurs, Diffuseurs et Éditeurs de Spectacles Vivants): French trade union of live-performance producers, presenters and publishers — analogous association model representing another layer of the same French performing-arts ecosystem, often co-attending JTSE and Rencontres alongside Reditec.
- PEARLE* — Performing Arts Employers Associations League Europe: The EU-level league of performing-arts employers and associations; Reditec is actively pursuing membership here. PEARLE complements Reditec's individual-technician focus with an employer-side counterpart, making it a directly comparable peer in advocacy and policy work.
Broad incumbents
- PLASA (Professional Lighting and Sound Association): UK-headquartered industry body for live-events technology with members worldwide; comparable to Reditec in convening technical practitioners and influencing safety/standards, but covering a broader supplier-and-operator remit rather than technical directors alone.
- ESTA — Entertainment Services and Technology Association: Long-standing US-based, globally active association for entertainment-services and technology professionals — a broader incumbent covering lighting, audio, rigging and staging with industry-standard-setting activities analogous to Reditec's regulatory interpretation role.
Market position
Strengths5 records
Weaknesses4 records
Competitive moat5 records
Key risks5 records
Key highlights6 records
Customer concentration
Reditec social profiles
Digital presenceReditec financial estimates
Financial estimateRevenue estimate
Valuation estimate
Reditec leadership team
Management profileNumber of profiles
Profiles5 records
Reditec funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Reditec M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Reditec
What does Reditec do?
Reditec is a nonprofit membership association that provides professional services to technical directors in French live performance. Its core offerings include annual membership with access to the private Le Foyer collaboration platform, the quarterly Plein Feu online magazine, annual Rencontres conferences, thematic Blablatec discussion sessions, regional antenna meetings, and Éditions Réditec publications. The association also advocates for the profession with government authorities such as the Ministry of Culture (DGCA).
Is Reditec a public or private company?
Reditec is a private company. It is classified as nonprofit foundation owned and is currently operating.
When was Reditec founded?
Reditec was founded in 2006. It employs 251 to 500 people.
Where is Reditec based?
Reditec is headquartered in Paris, France, in the Europe region.
How does Reditec make money?
One revenue line is on record: membership Dues.
Who are Reditec's main competitors?
Others on record are AFDAS and ISTS — Institut Supérieur des Techniques du Spectacle. Direct peers are SMA — Syndicat des Musiques Actuelles, Les Forces Musicales, SYNDEAC (Syndicat national des directeurs et directrices d'établissements et de services culturels), OISTAT (Organisation Internationale des Scénographes, Techniciens et Architectes de Théâtre), PRODISS (Syndicat National des Producteurs, Diffuseurs et Éditeurs de Spectacles Vivants) and PEARLE* — Performing Arts Employers Associations League Europe. Broad incumbents are PLASA (Professional Lighting and Sound Association) and ESTA — Entertainment Services and Technology Association.
Does Reditec have an API?
No public API is recorded for Reditec.
What industry is Reditec in?
Reditec's product category is Professional Association Services. Its primary akta.pro industry code is THAHACAA, Association & Society Conference Management (Nonprofit, Professional Bodies), with a secondary code of MPAJABAK, Scholarly Societies & Conference Proceedings Publishing. Its NAICS code is 813910 and its SIC code is 8600.