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SPRE

Full company profile

uuid003e18y

Namestring
SPRE
Legal namestring
SPRE – SOCIETE POUR LA PERCEPTION DE LA REMUNERATION EQUITABLE DE LA COMMUNICATION AU PUBLIC DES PHONOGRAMMES DU COMMERCE
Websiteurl
spre.fr
Company typeenum
Private
Founded yearint
1985
Descriptiontext

SPRE (Société pour la Perception de la Rémunération Équitable de la Communication au Public des Phonogrammes du Commerce) is a French non-profit civil society (société civile) founded in 1985 under Law n° 85-660, headquartered at 27 rue de Berri, Paris. It is the collective management organization (OGC) designated under Article L214-1 of the French Intellectual Property Code to collect "rémunération équitable" — equitable remuneration — from businesses and broadcasters that use commercial phonograms in the course of their commercial activity. The organization has no external shareholders and is governed by two equal colleges representing performing artists (ADAMI and SPEDIDAM, 40% combined) and phonogram producers (SCPA, comprising SCPP and SPPF, 50% — double the artists' college), with 80 shares of capital of €10 each. Day-to-day management rests with four cogérants (co-managing directors), and operational oversight comes from the CCOGDA commission of the Cour des Comptes.

SPRE's commercial footprint covers ten user categories via sector-specific fee schedules that are either proportional to taxable revenue (e.g., 1.65% for discotheques and BAM/RAM, 22% of phonogram usage rate for commercial radios, 2% of net revenue for TVs) or flat-rate based on operating size (e.g., €119.88–€1,011.16 HT for cafes and restaurants depending on seating and commune size, €110.60–€479.27 HT for retail shops based on headcount, €109.42/store + per-m² surcharges for large-scale distribution). The underlying collection technology is a digital portal at portail.spre.fr that handles annual declarations, invoicing, payments (credit card and direct debit), and account changes, while collection for the long-tail of "sonorized venues" (background-music establishments) is delegated to SACEM under a 2010 regulatory decision.

SPRE's business model is a transaction-fee levy on a statutory revenue base: in 2025 it collected €164.2M from more than 400,000 music users in France, retaining an average management fee of under 10% and redistributing the balance 50/50 to performing artists and phonogram producers. Collections are split across music-attractive venues managed directly (discotheques, BAM/RAM, public/commercial/associative radios and webradios, TV channels) and sonorized venues managed via SACEM (cafes, restaurants, retail, hair salons, large-scale distribution, hotels). Marketing is restricted: SPRE is not a commercial seller but a legal mandate, and dissemination of user obligations is amplified through industry associations (UMIH, GNI, CDCF, SNEG, CSLMF, CNRA, FFRC, SIRTI, SNRL, AFEDD, SNDLL) and on its own sector-coded website.

Short descriptiontext

SPRE is a French non-profit collective management organization founded in 1985 that collects statutory equitable remuneration from commercial phonogram users (bars, restaurants, retailers, radios, TVs, webradios, discotheques) and redistributes it to performing artists and phonogram producers, retaining management fees under 10% on €164.2M of 2025 collections.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
11–50
akta.pro rankint
HeadquartersParis, France
HQ citystring
Paris
HQ countrystring
France
HQ regionstring
Europe
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
collective rights management, neighboring rights collection, equitable remuneration, phonogram licensing, music royalty collection
Industry1 code
1Performing Rights Organizations (PROs) & Public Performance Licensing
CodeMPAIAKAAPrimaryYes
NAICS code1 code
  • Business Associations813910
SIC code1 code
  • Services-Membership Organizations8600
Product category
Collective Rights Management (Neighboring Rights)
Social media profiles1 record
GTM motion2 records

Each record includes

Type, Description, Source

Revenue model1 record
1Equitable remuneration collection
TypeTransaction Fee
Description

SPRE collects statutory equitable remuneration (rémunération équitable) from users of commercial phonograms based on sector-specific fee schedules. Fees are proportional to business revenue for music-attractive venues (discotheques, BAM/RAM, radios, TVs) and flat-rate for sonorized venues (background music). Collections are redistributed 50/50 to performing artists and phonogram producers after deducting management fees.

spre.fr
Marketing channels3 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels2 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components4 values
Personnel, Operations, Technology or R&D, Marketing or Sales
Pricing details11 tiers
1Discotheques & similar establishments - proportional fee
ModelTransaction based/ take rateBilling cadenceMonthly
Notes

1.65% of taxable revenue (HT). Abatements: 12% if declaration within 4 months; 15% if payment on time; 17% if direct debit.

spre.fr
2BAM/RAM - proportional fee (large) or flat-rate (small, ≤153,000€ HT)
ModelTransaction based/ take rateBilling cadenceMonthly
Notes

Proportional: 1.65% of taxable revenue. Flat-rate: ranges from 460€ to 4,025€ HT annually based on capacity and opening days. Minimum 580€ HT/month for non-declaration.

spre.fr
3Public radios - progressive rate
ModelTransaction based/ take rateBilling cadenceAnnual
Notes

Progressive rate 4-7% based on revenue bracket. 26% abatement for public service mission. 10% additional abatement for timely declaration and payment.

spre.fr
4Commercial radios - proportional or flat-rate
ModelTransaction based/ take rateBilling cadenceAnnual
Notes

22% of phonogram usage rate (26% if ≥9h/day news). Forfeit option for small radios: 341.87€ to 2,187.94€ HT based on revenue and usage rate. Minimum 341.87€ HT.

spre.fr
5TV channels - proportional or flat-rate
ModelTransaction based/ take rateBilling cadenceAnnual
Notes

Proportional: 2% of net revenue. Flat-rate option: 250€ to 30,000€ HT based on gross revenue (if ≤125M€ and <10% phonogram usage).

spre.fr
6Webradios - proportional or flat-rate
ModelTransaction based/ take rateBilling cadenceAnnual
Notes

12% of phonogram usage rate. Forfeit: 349.32€ to 1,979.46€ HT based on revenue. Duration-based reductions: 75% (≤91 days), 50% (182 days), 25% (273 days). Minimum 349.32€ HT.

spre.fr
7Cafes & restaurants - flat-rate based on seating and commune size
ModelUnit PricingBilling cadenceAnnual
Notes

119.88€ to 1,011.16€ HT annually based on seating capacity and commune population. Small cafes (single radio/TV source): 119.88€ to 279.77€ HT. Minimum 119.88€ HT.

spre.fr
8Retail shops - flat-rate based on employee count
ModelUnit PricingBilling cadenceAnnual
Notes

110.60€ to 479.27€ HT annually based on employee count (0-2 to 15+). 15% reduction for grouped declarations (>10 establishments). Minimum 110.60€ HT.

spre.fr
9Large-scale retail - surface-based calculation
ModelUnit PricingBilling cadenceAnnual
Notes

Fixed 109.42€ per store + 0.1946€ to 0.3040€ per m² based on surface bracket. Grouped declarations: 54.71€ or 36.47€ per store + 0.2533€/m². Minimum 109.42€ HT.

spre.fr
10Hair salons - flat-rate based on employee count
ModelUnit PricingBilling cadenceAnnual
Notes

110.17€ to 342.73€ HT annually based on employee count. Small salons (single source): 110.17€ HT. 10% reduction for grouped declarations (>10 establishments).

spre.fr
11Other sonorized venues - 65% of copyright fee
ModelUnit PricingBilling cadenceAnnual
Notes

65% of SACEM copyright fee. Minimum 102.27€ HT annually. Specific minima vary by activity type (110.60€ to 134.66€).

spre.fr
GTM typeB2B
B2B
Offering typeServices
Services
Core offering1 text field

SPRE is a French non-profit collective management organization (OGC) that collects statutory equitable remuneration (rémunération équitable) under Article L214-1 of the French Intellectual Property Code from commercial music users — discotheques, bars and restaurants with musical ambiance (BAM/RAM), radios, TVs, webradios, and sonorized venues such as cafés, restaurants, retail shops, hair salons, and large-scale distribution — and redistributes collections to performing artists and phonogram producers through its member organizations (ADAMI, SPEDIDAM, SCPP, SPPF). Service operations are supported by the Portail SPRE online portal for annual declarations, invoicing, and payments.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 value
  • Management fee rate maintained below 10%, maximizing redistribution to rights holders
Product overview1 text field

SPRE operates as a single, unified service — a French collective rights management organization (OGC) that collects and distributes equitable remuneration (rémunération équitable) for performing artists and phonogram producers under Article L214-1 of the French Intellectual Property Code. Its core offering is the collection service, supported by an online portal (Portail SPRE) enabling users to make declarations, pay invoices, and manage their accounts digitally. The service covers multiple user categories: discotheques and similar venues, bars and restaurants with musical ambiance, commercial/public/associative radios and webradios, television channels, and sonorized venues (retail, hair salons, large-scale distribution, cafés, restaurants, and other locations). SPRE has also mandated SACEM to collect on its behalf for certain sonorized venue categories.

Product and service1 record
1SPRE Online Portal (Portail SPRE)
Scale indicator3 records

Each record includes

Type, Value, Description, Source

Partnership10 partners
1SACEM
Strategic tierCoreTypeChannel Partner/ Reseller/ Distributor
Description

SACEM acts as SPRE's mandated agent for collecting equitable remuneration from sonorized venues (background music establishments). SPRE has given SACEM authority to bill and collect on its behalf for establishments where music serves a secondary role. This covers Article 1, 3, 4, 5, and 6 of the 2010 regulatory decision.

spre.fr
Strategic tierCoreTypeOthers
Description

ADAMI represents performing artists and musicians in SPRE's governance. SPRE is a civil society (société civile) with two colleges: artists and producers. ADAMI holds 20 shares (out of 80 total) alongside SPEDIDAM representing artists.

Strategic tierCoreTypeOthers
Description

SPEDIDAM represents performing artists in SPRE's governance as part of the artists-interprètes college. Holds 20 shares (with ADAMI) in SPRE's 80-share capital structure.

Strategic tierCoreTypeOthers
Description

SCPA represents phonogram producers in SPRE's governance. Holds 40 shares (double the artists' college total) reflecting the producers' representation. SCPA itself comprises SCPP and SPPF.

Strategic tierCoreTypeOthers
Description

SCPP is one of the two producer societies within SCPA, representing phonogram producers in SPRE's member structure. Together with SPPF, SCPP comprises the producers' college.

6SPPF (Société Civile des Producteurs de Phonogrammes en France)
Strategic tierCoreTypeOthers
Description

SPPF is one of the two producer societies within SCPA, representing French phonogram producers in SPRE's governance structure.

spre.fr
Strategic tierMinorTypeOthers
Description

Industry association representing hotels and restaurants in France. SPRE partner to help disseminate information about equitable remuneration obligations to hospitality sector members.

Strategic tierMinorTypeOthers
Description

Confederation of beverage retailers. SPRE partner helping inform members about music broadcasting obligations.

9GNI-HCR (Groupement National des Indépendants de l'Hôtellerie-Restauration)
Strategic tierMinorTypeOthers
Description

National group representing independent hospitality professionals. SPRE partner for disseminating information about equitable remuneration.

spre.fr
Strategic tierMinorTypeOthers
Description

Professional organization in the entertainment/event sector. SPRE partner for nightlife industry information dissemination.

Recent move5 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight4 records

Each record includes

Type, Description

Peers10 records
1SACEM
TypeDirect peer
Description

France's primary collective management organization for musical composition rights and SPRE's mandated agent for collecting equitable remuneration from sonorized venues. Both are French CMOs operating under the Intellectual Property Code, with SACEM handling composition rights and SPRE handling neighboring rights — a natural operational pairing.

2ADAGP
TypeRegional player
Description

French CMO for visual arts creators (painters, sculptors, photographers). While operating in a different creative domain, ADAGP is a structural peer to SPRE as a French non-profit CMO under the same national intellectual property framework.

TypeRegional player
Description

Italy's CMO covering authors, editors, performers, and phonogram producers. SIAE is functionally comparable to SPRE in the Italian market, with a combined rights mandate that overlaps with SPRE's narrower neighboring rights scope.

4SCAM
TypeRegional player
Description

French CMO for audiovisual authors, part of the same French collective rights management ecosystem as SPRE. While SCAM covers audiovisual authors rather than phonogram producers, both are French CMOs operating under the Intellectual Property Code with analogous governance structures.

TypeBroad incumbent
Description

UK CMO collecting equitable remuneration for performers and phonogram producers when recorded music is played publicly. PPL is a direct functional peer to SPRE in the UK, with comparable statutory mandate and music user base (broadcasters, venues, retail).

TypeBroad incumbent
Description

Germany's collective management organization for neighboring rights of performers and phonogram producers. GVL is the closest international structural peer to SPRE, operating analogous functions under German law and serving as a benchmark for European neighboring rights collection.

TypeDirect peer
Description

French CMO for performing artists' rights in audiovisual and musical fields. ADAMI is also a member/shareholder of SPRE (representing the artists' college), making it a direct counterpart in the neighboring rights ecosystem with overlapping beneficiary populations.

8SPPF
TypeDirect peer
Description

French CMO representing independent phonogram producers, member of SCPA alongside SCPP. SPPF and SPRE share the same producer beneficiary population for neighboring rights in France.

TypeDirect peer
Description

French CMO for the rights of performers in music. Like ADAMI, SPEDIDAM is a member of SPRE's artists' college. It directly redistributes neighboring rights income to performers and operates in the same French performer-rights ecosystem as SPRE.

TypeDirect peer
Description

French CMO for phonogram producers, part of the producers' college within SPRE's SCPA structure. SCPP and SPRE share the phonogram producer beneficiary population and both operate within the French neighboring rights framework.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat4 records

Each record includes

Type, Details

Key risks6 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers10 records

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment4 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile5 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles4 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

SPRE

Collective Rights Management (Neighboring Rights)spre.fr

SPRE is a French non-profit collective management organization founded in 1985 that collects statutory equitable remuneration from commercial phonogram users (bars, restaurants, retailers, radios, TVs, webradios, discotheques) and redistributes it to performing artists and phonogram producers, retaining management fees under 10% on €164.2M of 2025 collections.

What SPRE does

SPRE (Société pour la Perception de la Rémunération Équitable de la Communication au Public des Phonogrammes du Commerce) is a French non-profit civil society (société civile) founded in 1985 under Law n° 85-660, headquartered at 27 rue de Berri, Paris. It is the collective management organization (OGC) designated under Article L214-1 of the French Intellectual Property Code to collect "rémunération équitable" — equitable remuneration — from businesses and broadcasters that use commercial phonograms in the course of their commercial activity. The organization has no external shareholders and is governed by two equal colleges representing performing artists (ADAMI and SPEDIDAM, 40% combined) and phonogram producers (SCPA, comprising SCPP and SPPF, 50% — double the artists' college), with 80 shares of capital of €10 each. Day-to-day management rests with four cogérants (co-managing directors), and operational oversight comes from the CCOGDA commission of the Cour des Comptes.

SPRE's commercial footprint covers ten user categories via sector-specific fee schedules that are either proportional to taxable revenue (e.g., 1.65% for discotheques and BAM/RAM, 22% of phonogram usage rate for commercial radios, 2% of net revenue for TVs) or flat-rate based on operating size (e.g., €119.88–€1,011.16 HT for cafes and restaurants depending on seating and commune size, €110.60–€479.27 HT for retail shops based on headcount, €109.42/store + per-m² surcharges for large-scale distribution). The underlying collection technology is a digital portal at portail.spre.fr that handles annual declarations, invoicing, payments (credit card and direct debit), and account changes, while collection for the long-tail of "sonorized venues" (background-music establishments) is delegated to SACEM under a 2010 regulatory decision.

SPRE's business model is a transaction-fee levy on a statutory revenue base: in 2025 it collected €164.2M from more than 400,000 music users in France, retaining an average management fee of under 10% and redistributing the balance 50/50 to performing artists and phonogram producers. Collections are split across music-attractive venues managed directly (discotheques, BAM/RAM, public/commercial/associative radios and webradios, TV channels) and sonorized venues managed via SACEM (cafes, restaurants, retail, hair salons, large-scale distribution, hotels). Marketing is restricted: SPRE is not a commercial seller but a legal mandate, and dissemination of user obligations is amplified through industry associations (UMIH, GNI, CDCF, SNEG, CSLMF, CNRA, FFRC, SIRTI, SNRL, AFEDD, SNDLL) and on its own sector-coded website.

SPRE firmographics

Firmographics
Name
SPRE
Legal name
SPRE – SOCIETE POUR LA PERCEPTION DE LA REMUNERATION EQUITABLE DE LA COMMUNICATION AU PUBLIC DES PHONOGRAMMES DU COMMERCE
Website
https://spre.fr
Company type
Private
Founded year
1985
Operating status
Operating
Headcount range
11–50 employees
Short description
SPRE is a French non-profit collective management organization founded in 1985 that collects statutory equitable remuneration from commercial phonogram users (bars, restaurants, retailers, radios, TVs, webradios, discotheques) and redistributes it to performing artists and phonogram producers, retaining management fees under 10% on €164.2M of 2025 collections.
Ownership category
akta.pro rank

SPRE industry classification

Industry
Product category
Collective Rights Management (Neighboring Rights)
NAICS
Business Associations (813910)
SIC
Services-Membership Organizations (8600)
akta.pro primary industry
Performing Rights Organizations (PROs) & Public Performance Licensing (MPAIAKAA)

Keywords

  • Collective rights management
  • Neighboring rights collection
  • Equitable remuneration
  • Phonogram licensing
  • Music royalty collection

Where SPRE is headquartered

Location

Headquarters

HQ city
Paris
HQ country
France
HQ region
Europe

Offices1 record

Markets served

SPRE business model

Business model
GTM type
B2B
Offering type
Services
Cost components
Personnel, Operations, Technology or R&D, Marketing or Sales

Revenue model

  1. Equitable remuneration collection: SPRE collects statutory equitable remuneration (rémunération équitable) from users of commercial phonograms based on sector-specific fee schedules. Fees are proportional to business revenue for music-attractive venues (discotheques, BAM/RAM, radios, TVs) and flat-rate for sonorized venues (background music). Collections are redistributed 50/50 to performing artists and phonogram producers after deducting management fees.

Pricing tiers

ModelBillingPrice
Transaction based/ take rateMonthlyDiscotheques & similar establishments - proportional fee
Transaction based/ take rateMonthlyBAM/RAM - proportional fee (large) or flat-rate (small, ≤153,000€ HT)
Transaction based/ take rateAnnualPublic radios - progressive rate
Transaction based/ take rateAnnualCommercial radios - proportional or flat-rate
Transaction based/ take rateAnnualTV channels - proportional or flat-rate
Transaction based/ take rateAnnualWebradios - proportional or flat-rate
Unit PricingAnnualCafes & restaurants - flat-rate based on seating and commune size
Unit PricingAnnualRetail shops - flat-rate based on employee count
Unit PricingAnnualLarge-scale retail - surface-based calculation
Unit PricingAnnualHair salons - flat-rate based on employee count
Unit PricingAnnualOther sonorized venues - 65% of copyright fee

Go-to-market motion2 records

Distribution channels2 records

Marketing channels3 records

SPRE product offering

Product offering

Core offering

SPRE is a French non-profit collective management organization (OGC) that collects statutory equitable remuneration (rémunération équitable) under Article L214-1 of the French Intellectual Property Code from commercial music users — discotheques, bars and restaurants with musical ambiance (BAM/RAM), radios, TVs, webradios, and sonorized venues such as cafés, restaurants, retail shops, hair salons, and large-scale distribution — and redistributes collections to performing artists and phonogram producers through its member organizations (ADAMI, SPEDIDAM, SCPP, SPPF). Service operations are supported by the Portail SPRE online portal for annual declarations, invoicing, and payments.

Product overview

SPRE operates as a single, unified service — a French collective rights management organization (OGC) that collects and distributes equitable remuneration (rémunération équitable) for performing artists and phonogram producers under Article L214-1 of the French Intellectual Property Code. Its core offering is the collection service, supported by an online portal (Portail SPRE) enabling users to make declarations, pay invoices, and manage their accounts digitally. The service covers multiple user categories: discotheques and similar venues, bars and restaurants with musical ambiance, commercial/public/associative radios and webradios, television channels, and sonorized venues (retail, hair salons, large-scale distribution, cafés, restaurants, and other locations). SPRE has also mandated SACEM to collect on its behalf for certain sonorized venue categories.

Differentiator

Problem solved

Functional benefit

Products and services

  • SPRE Online Portal (Portail SPRE)

Quantifiable outcome

  • Management fee rate maintained below 10%, maximizing redistribution to rights holders

Companies that use SPRE

Customer profile

Named customers10 records

Segments4 records

Ideal customer profiles5 records

SPRE technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

SPRE partnerships and signals

Strategic signal

Partnerships

Ten partnerships are on record, tiered core and minor.

  • SACEMcoreChannel Partner/ Reseller/ DistributorSACEM acts as SPRE's mandated agent for collecting equitable remuneration from sonorized venues (background music establishments). SPRE has given SACEM authority to bill and collect on its behalf for establishments where music serves a secondary role. This covers Article 1, 3, 4, 5, and 6 of the 2010 regulatory decision.
  • ADAMI (Société pour l'Administration des Droits des Artistes et Musiciens Interprètes)coreOthersADAMI represents performing artists and musicians in SPRE's governance. SPRE is a civil society (société civile) with two colleges: artists and producers. ADAMI holds 20 shares (out of 80 total) alongside SPEDIDAM representing artists.
  • SPEDIDAM (Société de Perception et de Distribution des Droits des Artistes-Interprètes)coreOthersSPEDIDAM represents performing artists in SPRE's governance as part of the artists-interprètes college. Holds 20 shares (with ADAMI) in SPRE's 80-share capital structure.
  • SCPA (Société Civile des Producteurs Associés)coreOthersSCPA represents phonogram producers in SPRE's governance. Holds 40 shares (double the artists' college total) reflecting the producers' representation. SCPA itself comprises SCPP and SPPF.
  • SCPP (Société Civile pour l'exercice des droits des Producteurs Phonographiques)coreOthersSCPP is one of the two producer societies within SCPA, representing phonogram producers in SPRE's member structure. Together with SPPF, SCPP comprises the producers' college.
  • SPPF (Société Civile des Producteurs de Phonogrammes en France)coreOthersSPPF is one of the two producer societies within SCPA, representing French phonogram producers in SPRE's governance structure.
  • UMIH (Union des Métiers et des Industries de l'Hôtellerie)minorOthersIndustry association representing hotels and restaurants in France. SPRE partner to help disseminate information about equitable remuneration obligations to hospitality sector members.
  • CDCF (Confédération des Debitants de Boissons)minorOthersConfederation of beverage retailers. SPRE partner helping inform members about music broadcasting obligations.
  • GNI-HCR (Groupement National des Indépendants de l'Hôtellerie-Restauration)minorOthersNational group representing independent hospitality professionals. SPRE partner for disseminating information about equitable remuneration.
  • SNEG & CominorOthersProfessional organization in the entertainment/event sector. SPRE partner for nightlife industry information dissemination.

Scale indicators3 records

Recent moves5 records

Expansion highlights4 records

SPRE competitors and assessment

Company assessment

Direct peers

  • SACEM: France's primary collective management organization for musical composition rights and SPRE's mandated agent for collecting equitable remuneration from sonorized venues. Both are French CMOs operating under the Intellectual Property Code, with SACEM handling composition rights and SPRE handling neighboring rights — a natural operational pairing.
  • ADAMI: French CMO for performing artists' rights in audiovisual and musical fields. ADAMI is also a member/shareholder of SPRE (representing the artists' college), making it a direct counterpart in the neighboring rights ecosystem with overlapping beneficiary populations.
  • SPPF: French CMO representing independent phonogram producers, member of SCPA alongside SCPP. SPPF and SPRE share the same producer beneficiary population for neighboring rights in France.
  • SPEDIDAM: French CMO for the rights of performers in music. Like ADAMI, SPEDIDAM is a member of SPRE's artists' college. It directly redistributes neighboring rights income to performers and operates in the same French performer-rights ecosystem as SPRE.
  • SCPP: French CMO for phonogram producers, part of the producers' college within SPRE's SCPA structure. SCPP and SPRE share the phonogram producer beneficiary population and both operate within the French neighboring rights framework.

Regional players

  • ADAGP: French CMO for visual arts creators (painters, sculptors, photographers). While operating in a different creative domain, ADAGP is a structural peer to SPRE as a French non-profit CMO under the same national intellectual property framework.
  • SIAE (Società Italiana degli Autori ed Editori): Italy's CMO covering authors, editors, performers, and phonogram producers. SIAE is functionally comparable to SPRE in the Italian market, with a combined rights mandate that overlaps with SPRE's narrower neighboring rights scope.
  • SCAM: French CMO for audiovisual authors, part of the same French collective rights management ecosystem as SPRE. While SCAM covers audiovisual authors rather than phonogram producers, both are French CMOs operating under the Intellectual Property Code with analogous governance structures.

Broad incumbents

  • PPL (Phonographic Performance Limited): UK CMO collecting equitable remuneration for performers and phonogram producers when recorded music is played publicly. PPL is a direct functional peer to SPRE in the UK, with comparable statutory mandate and music user base (broadcasters, venues, retail).
  • GVL (Gesellschaft zur Verwertung von Leistungsschutzrechten): Germany's collective management organization for neighboring rights of performers and phonogram producers. GVL is the closest international structural peer to SPRE, operating analogous functions under German law and serving as a benchmark for European neighboring rights collection.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat4 records

Key risks6 records

Key highlights6 records

Customer concentration

SPRE social profiles

Digital presence

SPRE financial estimates

Financial estimate

Revenue estimate

Valuation estimate

SPRE leadership team

Management profile

Number of profiles

Profiles4 records

SPRE funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

SPRE M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about SPRE

What does SPRE do?

SPRE is a French non-profit collective management organization (OGC) that collects statutory equitable remuneration (rémunération équitable) under Article L214-1 of the French Intellectual Property Code from commercial music users — discotheques, bars and restaurants with musical ambiance (BAM/RAM), radios, TVs, webradios, and sonorized venues such as cafés, restaurants, retail shops, hair salons, and large-scale distribution — and redistributes collections to performing artists and phonogram producers through its member organizations (ADAMI, SPEDIDAM, SCPP, SPPF). Service operations are supported by the Portail SPRE online portal for annual declarations, invoicing, and payments.

Is SPRE a public or private company?

SPRE is a private company. It is classified as nonprofit foundation owned and is currently operating.

When was SPRE founded?

SPRE was founded in 1985. It employs 11 to 50 people.

Where is SPRE based?

SPRE is headquartered in Paris, France, in the Europe region.

How does SPRE make money?

One revenue line is on record: equitable remuneration collection.

Who are SPRE's main competitors?

Direct peers on record are SACEM, ADAMI, SPPF, SPEDIDAM and SCPP. Regional players are ADAGP, SIAE (Società Italiana degli Autori ed Editori) and SCAM. Broad incumbents are PPL (Phonographic Performance Limited) and GVL (Gesellschaft zur Verwertung von Leistungsschutzrechten).

Does SPRE have an API?

No public API is recorded for SPRE.

What industry is SPRE in?

SPRE's product category is Collective Rights Management (Neighboring Rights). Its primary akta.pro industry code is MPAIAKAA, Performing Rights Organizations (PROs) & Public Performance Licensing. Its NAICS code is 813910 and its SIC code is 8600.

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