Cinélatino, Rencontres de Toulouse
Cinélatino is a Toulouse-based non-profit that has run an annual Latin American film festival since 1989, programming 200+ films across 70 Occitanie cinemas, alongside a trilingual scholarly journal, a professional platform, and a distribution arm.
- Company typePrivate
- Founded1989
- HeadquartersToulouse, France
- Headcount11–50
- GTM typeB2C
- OfferingServices
What Cinélatino, Rencontres de Toulouse does
Cinélatino, Rencontres de Toulouse is a non-profit association (ARCALT) founded in 1989 and headquartered in Toulouse, France. It organizes an annual ten-day Latin American film festival each March, with its 39th edition scheduled for March 12–21, 2027, screening 200+ films across its main venue and a network of 70 partner cinemas in the Occitanie region. The organization is supported by a small core team of 16 employees supplemented by volunteers and operates a year-round slate of complementary products and services: a scholarly trilingual journal (Revue Cinémas d'Amérique Latine, published since 1992), a children's/youth programming strand (Petites histoires d'Amérique latine), a professional industry platform (Plateforme Professionnelle), an online radio outlet (Radio Buena Onda), and curated competition and panorama sections.
Its product surface is built on a festival-as-hub model that combines public exhibition, professional industry matchmaking, distribution, and editorial publishing. Distribution activity dates to 2019, with recent titles such as Sariri (2025) released in partnership with Les Films des deux rives, extending the organization's reach beyond the festival window. The trilingual journal is described as a unique European publication in its category, providing an editorial anchor independent of the annual cycle. Technology footprint is conventional event-publishing infrastructure (web, radio, print, ticketing) with no disclosed proprietary platform architecture.
The business model is a hybrid of public subsidy, earned ticket and pass revenue, distribution fees, and institutional partnership co-funding. Ticket pricing is structured for accessibility (student €3.50, single €6, carnet of 5 €22.50, full festival pass €50). Counterparty revenue concentration sits with public-sector funders (CNC, Région Occitanie, French government, Haute-Garonne, Mairie de Toulouse) and cultural/diplomatic partners (Instituto Cervantes, Casa América Catalunya, Cinémathèque de Toulouse). Revenue is therefore both multi-source and institutionally anchored rather than commercially diversified.
Cinélatino, Rencontres de Toulouse firmographics
Firmographics- Name
- Cinélatino, Rencontres de Toulouse
- Legal name
- ARCALT (Association Rencontres Cinémas d'Amérique Latine de Toulouse)
- Website
- https://cinelatino.fr
- Company type
- Private
- Founded year
- 1989
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- Cinélatino is a Toulouse-based non-profit that has run an annual Latin American film festival since 1989, programming 200+ films across 70 Occitanie cinemas, alongside a trilingual scholarly journal, a professional platform, and a distribution arm.
- Ownership category
- akta.pro rank
Cinélatino, Rencontres de Toulouse industry classification
Industry- Product category
- Film Festival and Cultural Programming
- NAICS
- Motion Picture and Video Exhibition (51213)
- SIC
- Services-Motion Picture Theaters (7830), Services-Motion Picture & Video Tape Distribution (7822), Services-Allied To Motion Picture Distribution (7829)
- akta.pro primary industry
- Film Festivals & Festival Organizers (MPADAKAD)
- akta.pro secondary industries
- Programming, Booking & Repertory Exhibition Services (MPADAKAL), Non-Theatrical Distribution (Educational, Airlines, Cruise, Community) (MPADAJAJ), Campus & Educational Screenings (Universities, Schools) (MPADAKAI)
Keywords
Where Cinélatino, Rencontres de Toulouse is headquartered
LocationHeadquarters
- HQ city
- Toulouse
- HQ country
- France
- HQ region
- Europe
Offices1 record
Markets served
Cinélatino, Rencontres de Toulouse business model
Business model- GTM type
- B2C
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Others, Infrastructure
Revenue model
- Ticket Sales and Passes: The festival generates revenue through ticket sales at various price points (student rates, full price, multi-film passes) and a comprehensive festival pass granting access to all venues except Utopia and Cratère.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| One time/ perpetual license | Pay-as-you-go | Student advance rate for the 2010 festival |
| One time/ perpetual license | Pay-as-you-go | Standard single screening admission |
| One time/ perpetual license | Pay-as-you-go | Carnet - 5 screening package |
| Subscription | Multi-year contract | Full festival pass |
Go-to-market motion1 record
Distribution channels3 records
Marketing channels7 records
Cinélatino, Rencontres de Toulouse product offering
Product offeringCore offering
Cinélatino, Rencontres de Toulouse is an annual 10-day Latin American film festival held in March in Toulouse and across the Occitanie region, screening 200+ films and operating across 70 partner cinemas. Beyond the festival, the organization runs a professional platform supporting films at the project, rough-cut, and distribution stages, publishes the trilingual academic journal "Cinémas d'Amérique Latine," distributes selected Latin American films in French theaters, and delivers educational and outreach programs (Cinema en Région, Actions éducatives, Petites histoires d'Amérique latine for children).
Product overview
Cinélatino, Rencontres de Toulouse is a film festival organization offering a unified portfolio centered on the annual Cinélatino festival—a major Latin American film festival in Toulouse—alongside complementary products including La Revue Cinémas d'Amérique Latine (an annual scholarly journal), Petites histoires d'Amérique latine (children's short film programming), the professional platform (Cinéma en Développement, Cinéma en Construction, Cinéma Sans Frontière) for film industry support, Radio Buena Onda for media coverage, and direct film distribution activities including the 2025 release of Sariri.
Differentiator
Problem solved
Functional benefit
Brands
- Cinéma en Développement: Professional platform section supporting films at the project stage
- Cinéma en Construction
- Cinéma Sans Frontière
- La revue Cinémas d'Amérique Latine
- Petites histoires d'Amérique latine
- Plateforme professionnelle
Products and services
- Cinélatino Festival Annual 10-day Latin American film festival held in March in Toulouse and the Occitanie region, featuring competitions (long-métrages, documentaries, short films), panorama sections, professional platform activities, and screenings across 70 partner cinemas. Targets the general public, film enthusiasts, students, families, and cultural tourists.
- Revue Cinémas d'Amérique Latine Annual trilingual (French/Spanish/Portuguese) scholarly journal covering Latin American cinematographies, founded in March 1992 by Paulo Antonio Paranagua. Unique in Europe as the only trilingual academic publication of its kind on Latin American cinema.
- Plateforme Professionnelle Professional platform supporting Latin American films at three stages: Cinéma en Développement (project stage), Cinéma en Construction (rough-cut stage), and Cinéma Sans Frontière (distribution promotion). Includes Rendez-vous Pro meetings, professional accreditation, and networking for Latin American filmmakers seeking European exposure.
- Petites histoires d'Amérique latine Series of short film compilations (volumes 1-5) designed for young audiences from age 5, distributed as part of educational initiatives and children's programming.
- Sariri (Film Distribution) First long-metrage theatrical distribution by Cinélatino: the feature film 'Sariri' by Laura Donoso, co-distributed with Les Films des deux rives and released on March 19, 2025.
- Competitions (Long-métrages, Documentaires, Courts-métrages) Program of feature fiction, documentary, and short film competitions with jury evaluations and awards as part of the annual festival.
- Panorama Sections Curated thematic non-competition sections of the festival including Panorama Fiction, Panorama Documentary, Panorama Court-métrage, Jeune Public, Tango, Otra Mirada, Muestra (Cinema et politique), and special programming such as LGBT and Emergence.
- Radio Buena Onda Radio program broadcasting festival coverage, film commentary, and interviews with Latin American filmmakers, distributed via Radio Campus FM, Canal Sud, and Radio Mon Païs.
Quantifiable outcome
- 39 editions of the festival demonstrating long-term commitment and track record
- +1 more outcomes
Companies that use Cinélatino, Rencontres de Toulouse
Customer profileSegments3 records
Ideal customer profiles5 records
Cinélatino, Rencontres de Toulouse technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Cinélatino, Rencontres de Toulouse partnerships and signals
Strategic signalPartnerships
Twelve partnerships are on record, tiered core and minor.
- CNC (Centre national du cinéma et de l'image animée)coreFrench national film authority providing institutional support and funding for the festival's cultural programming and operations.
- Région OccitaniecoreRegional council providing major institutional funding and support for the festival as a key cultural event in the Occitanie region.
- Gouvernement de FrancecoreFrench national government providing institutional support and funding for the festival's cultural mission.
- Département de la Haute-GaronnecoreDepartmental council providing local institutional support and funding for the festival's operations in the Haute-Garonne area.
- Mairie de Toulouse / MétropolecoreCity of Toulouse and metropolitan authority providing local support and hosting the festival in the Toulouse area.
- Casa América Catalunya (Barcelona)minorPart of the spring festival circuit network, collaborating on shared subtitles, guest coordination, and carbon footprint reduction initiatives.
- FECHAL PoitiersminorFestival de Cinéma Hispano-Américain et Lusophone participating in the spring festival circuit network.
- Festival Cinema Africain Asia America Latina (Milan)minorItalian festival partner in the spring circuit network for Latin American cinema in Europe.
- Festival CLAP (Paris)minorParis-based festival partner in the spring circuit network for shared programming and logistics.
- Instituto Cervantes (Toulouse)coreSpanish cultural institute providing venue hosting for press conferences and festival events, and promoting Spanish language and culture.
- Les Films des deux rivescoreDistribution partner for the 2025 theatrical release of 'Sariri' by Laura Donoso, co-distributed by Cinélatino.
- Le PacteminorFrench film distribution company handling releases like 'Kayara, la guerrera del Imperio Inca' featuring films from the festival network.
Scale indicators4 records
Recent moves5 records
Expansion highlights4 records
Cinélatino, Rencontres de Toulouse competitors and assessment
Company assessmentDirect peers
- Casa América Catalunya (Barcelona): Barcelona-based Latin American cultural institution organizing film programming, explicitly listed as a Cinélatino spring circuit partner. Comparable focus on Latin American cinema exhibition and cultural exchange, but based in Spain rather than France.
- Festival Cinéma d'Alès Itinérances: Another French regional festival in the Cinélatino spring circuit network, focused on international and Latin American cinema. Comparable as a nonprofit regional festival offering competition, panorama, and professional programming.
- Festival Internacional del Nuevo Cine Latinoamericano (Havana): Cuba's flagship Latin American film festival, the longest-running in the region. Directly comparable as a curatorial platform for Latin American cinema, sharing filmmaker pool and audience with Cinélatino, though with a much larger scale and broader industry mandate.
- Rencontres du cinéma latino-américain de Pessac: A French regional film festival dedicated to Latin American cinema, explicitly named as a spring circuit partner of Cinélatino. Operates with similar nonprofit, regional-scale model focused on Latin American film exhibition and filmmaker support.
- Reflets du Cinéma Ibérique & Latino-américain (Villeurbanne): French regional festival listed in Cinélatino's spring circuit, dedicated to Iberian and Latin American cinema. Directly comparable as a regional nonprofit festival with similar curatorial and audience development focus.
- Festival Biarritz Amérique Latine: France's other major Latin American film festival, held annually in Biarritz. Directly comparable as a French-based festival specializing in Latin American cinema, competing for the same audience, filmmaker pool, and institutional funding sources as Cinélatino.
- Festival de Cine de Cartagena de Indias (FICCI): Colombia's oldest film festival and a key Latin American cinema event. Comparable as a festival platform for Latin American film discovery and industry networking, with similar competition, documentary, and short film sections.
Others
- Instituto Cervantes: Spain's global cultural institution promoting Spanish-language culture, explicitly listed as a Cinélatino core partner hosting festival events. Comparable as an enabling ecosystem partner rather than a competitor, supporting Spanish and Latin American cultural dissemination across Europe.
Broad incumbents
- Festival de Cannes: France's flagship international film festival and the most prestigious global film event. A broad incumbent that increasingly features Latin American titles and filmmakers, operating as a major distribution and industry platform that overlaps with Cinélatino's professional agenda.
- Festival de San Sebastián: One of Europe's top-tier A-list film festivals with strong Latin American programming track record. A broader incumbent that includes Latin American cinema among much wider international programming; competes for prestige premieres and filmmaker attention that Cinélatino also courts.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat4 records
Key risks6 records
Key highlights7 records
Customer concentration
Cinélatino, Rencontres de Toulouse social profiles
Digital presenceCinélatino, Rencontres de Toulouse financial estimates
Financial estimateRevenue estimate
Valuation estimate
Cinélatino, Rencontres de Toulouse leadership team
Management profileNumber of profiles
Profiles1 record
Cinélatino, Rencontres de Toulouse funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Cinélatino, Rencontres de Toulouse M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Cinélatino, Rencontres de Toulouse
What does Cinélatino, Rencontres de Toulouse do?
Cinélatino, Rencontres de Toulouse is an annual 10-day Latin American film festival held in March in Toulouse and across the Occitanie region, screening 200+ films and operating across 70 partner cinemas. Beyond the festival, the organization runs a professional platform supporting films at the project, rough-cut, and distribution stages, publishes the trilingual academic journal "Cinémas d'Amérique Latine," distributes selected Latin American films in French theaters, and delivers educational and outreach programs (Cinema en Région, Actions éducatives, Petites histoires d'Amérique latine for children).
Is Cinélatino, Rencontres de Toulouse a public or private company?
Cinélatino, Rencontres de Toulouse is a private company. It is classified as nonprofit foundation owned and is currently operating.
When was Cinélatino, Rencontres de Toulouse founded?
Cinélatino, Rencontres de Toulouse was founded in 1989. It employs 11 to 50 people.
Where is Cinélatino, Rencontres de Toulouse based?
Cinélatino, Rencontres de Toulouse is headquartered in Toulouse, France, in the Europe region.
How does Cinélatino, Rencontres de Toulouse make money?
One revenue line is on record: ticket Sales and Passes.
Who are Cinélatino, Rencontres de Toulouse's main competitors?
Direct peers on record are Casa América Catalunya (Barcelona), Festival Cinéma d'Alès Itinérances, Festival Internacional del Nuevo Cine Latinoamericano (Havana), Rencontres du cinéma latino-américain de Pessac, Reflets du Cinéma Ibérique & Latino-américain (Villeurbanne), Festival Biarritz Amérique Latine and Festival de Cine de Cartagena de Indias (FICCI). Instituto Cervantes is listed as an others. Broad incumbents are Festival de Cannes and Festival de San Sebastián.
Does Cinélatino, Rencontres de Toulouse have an API?
No public API is recorded for Cinélatino, Rencontres de Toulouse.
What industry is Cinélatino, Rencontres de Toulouse in?
Cinélatino, Rencontres de Toulouse's product category is Film Festival and Cultural Programming. Its primary akta.pro industry code is MPADAKAD, Film Festivals & Festival Organizers, with a secondary code of MPADAKAL, Programming, Booking & Repertory Exhibition Services. Its NAICS code is 51213 and its SIC code is 7830.