La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública
La Red Española de Teatros is a non-profit Spanish cultural association, founded in 2000, that aggregates ~199 public performing arts venues across Spain through its Redescena.net portal, coordinating touring circuits, training, and policy advocacy with INAEM and the Ministry of Culture.
- Company typePrivate
- Founded2000
- HeadquartersMadrid, Spain
- Headcount1–10
- GTM typeB2B
- OfferingServices
What La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública does
La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública ("Redescena") is a non-profit cultural association constituted in February 2000 under a collaboration agreement with INAEM and the Spanish Ministry of Education, Culture and Sports. It functions as the primary associative platform for Spain's public performing arts exhibition sector, aggregating approximately 199 member institutions — including 207 theaters and auditoriums, 16 regional networks and circuits, and 29 festivals — across all 17 autonomous communities. Through its centralized infrastructure, it addresses sector fragmentation by coordinating artistic commissions, touring circuits (notably Danza a Escena and the 2021-launched Circo a Escena), professional development (Escuela de Verano, Escuela de La Red online), and inclusion initiatives (Proyecto Ornitorrinco, Observatorio de Género e Igualdad).
The organization's core technology asset is the Redescena.net web portal, which catalogues over 9,000 performances and 4,765+ companies and distributors, receives more than 1 million annual visits, and provides a private member zone for direct communication among representatives. The portal serves as a national directory, recommendation system, and information hub, complemented by topic-based email newsletters covering dance, circus, music, training, inclusion, and international affairs. Standard integrations (Google Analytics, Google reCAPTCHA, Facebook, YouTube) support analytics and basic security.
La Red's revenue is generated through a combination of recurring membership dues from public-sector entities meeting criteria of public ownership, professional programming staff, and minimum 250-seat capacity, plus public funding from INAEM, the Ministry of Culture, and the EU Next Generation EU program via Spain's Recovery, Transformation and Resilience Plan. Operations are supported by a 6-person professional office in Madrid, with an uncompensated volunteer board (President, two Vice Presidents, Treasurer, Secretary, and five Vocals) drawn from member institutions. Strategic partnerships include IETM (international performing arts network), the Plataforma Estatal de las Artes Escénicas y la Música (30+ sector associations), and CircoRed.
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública firmographics
Firmographics- Name
- La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública
- Legal name
- La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública
- Website
- https://redescena.net
- Company type
- Private
- Founded year
- 2000
- Operating status
- Operating
- Headcount range
- 1–10 employees
- Short description
- La Red Española de Teatros is a non-profit Spanish cultural association, founded in 2000, that aggregates ~199 public performing arts venues across Spain through its Redescena.net portal, coordinating touring circuits, training, and policy advocacy with INAEM and the Ministry of Culture.
- Ownership category
- akta.pro rank
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública industry classification
Industry- Product category
- Performing Arts Association Services
- NAICS
- Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures (7114)
- SIC
- Services-Membership Organizations (8600)
- akta.pro primary industry
- Performing Arts Centers & Presenters (Programming/Booking) (MPAGABAM)
- akta.pro secondary industry
- Performing Arts Organizations (Theater, Dance, Opera, Music) (BPAGAHAB)
Keywords
Where La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública is headquartered
LocationHeadquarters
- HQ city
- Madrid
- HQ country
- Spain
- HQ region
- Europe
Offices1 record
Markets served
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública business model
Business model- GTM type
- B2B
- Offering type
- Services
- Cost components
- Personnel, Operations, Technology or R&D, Marketing or Sales, Infrastructure
Revenue model
- Membership Dues: Annual membership fees from public theaters, auditoriums, circuits, networks, and festivals that meet association criteria.
- Public Funding: Funding received through collaboration agreements with INAEM (Instituto Nacional de las Artes Escénicas y de la Música) and the Ministry of Culture. Additional EU Next Generation EU funding through Plan de Recuperación.
Go-to-market motion2 records
Distribution channels1 record
Marketing channels5 records
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública product offering
Product offeringCore offering
La Red is a non-profit membership association that aggregates Spain's public performing arts institutions, providing them with a shared web portal (Redescena.net) for venue/company/performance directories, coordinated touring circuits (Danza a Escena, Circo a Escena), professional training, legal advisory, and sector representation. It functions as the national interlocutor for public cultural policy in live performing arts, with 196–199 member institutions covering all 17 autonomous communities.
Product overview
La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública is a non-profit association founded in 2000 that serves as the main associative platform for Spain's public performing arts exhibition sector. Its core product is Redescena.net, a comprehensive web portal serving as a virtual community for the performing arts sector, providing a directory of over 9,000 spectacles, 4,765 companies, and more than 200 associated public venues. The platform operates as a unified ecosystem comprising the core portal, a private members area, and professional registration services. Additionally, La Red manages specialized projects including: promotion circuits (Circuito Danza a Escena, Circuito Circo a Escena), professional markets (Mercartes), training programs (Escuela de La Red online, Escuela de Verano), inclusion initiatives (Proyecto Ornitorrinco, Inclusión en las Artes Escénicas), research (Observatorio de género e igualdad, Estudios y Publicaciones), and international programs (Gestión de Espacios Escénicos Internacionales, Europa a Escena, Teatros del Sur). The Cuadernos de Espectáculos Recomendados provide curated recommendations across Theatre, Dance, Circus, Music, and Inclusion categories.
Differentiator
Problem solved
Functional benefit
Brands
- Danza a Escena: Dance promotion circuit program launched in 2010 with support from INAEM, promoting dance programming in public theaters across Spain.
- Circo a Escena
- Mercartes
- Proyecto Ornitorrinco
- Escuela de Verano
- Europa a Escena
- Observatorio de Género e Igualdad
Products and services
- Redescena.net Web Portal
- Mercartes A professional meeting and market event for the performing arts sector, facilitating networking and business encounters between professionals in the industry.
- Circuito Danza a Escena A promotion circuit for dance that facilitates the circulation and programming of dance performances in public theaters across Spain, co-coordinated with INAEM. La Red funds 50% of performance fees for participating companies.
- Circuito Circo a Escena A circus promotion circuit launched in 2021 in collaboration with INAEM and CircoRed to increase visibility and programming of contemporary circus in public venues.
- Proyecto Ornitorrinco An inclusion and mediation project that bridges performing arts with social inclusion, fostering accessibility to culture for vulnerable groups.
- Observatorio de Género e Igualdad A gender equality observatory that produces studies, diagnostics, and equality plans to promote gender balance in the performing arts sector.
- Escuela de La Red Online An online training school offering professional development courses for performing arts managers and cultural operators.
- Escuela de Verano An intensive summer training program for cultural professionals featuring workshops and seminars on performing arts management.
- Cuadernos de Espectáculos Recomendados Curated recommendation notebooks by artistic commissions (Theatre, Dance, Circus, Music, Inclusion) that identify and promote quality productions in circulation across Spain's public venues.
- Inclusión en las Artes Escénicas Programs and resources promoting accessibility and inclusion in performing arts, including the Mapa de Artes Escénicas inclusivas.
- Europa a Escena International collaboration project connecting Spanish performing arts with European networks and opportunities.
- Gestión de Espacios Escénicos Internacionales A project focused on international management of performing arts spaces, facilitating knowledge exchange and collaboration with international partners.
- Teatros del Sur A south-focused international project connecting theatres from southern European countries for artistic exchange.
- Estudios y Publicaciones Research publications and studies on the performing arts sector, including annual reports and sector analyses.
Quantifiable outcome
- 1 million+ annual website visits
- +2 more outcomes
Companies that use La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública
Customer profileNamed customers8 records
Segments4 records
Ideal customer profiles3 records
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration4 records
Feature3 records
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública partnerships and signals
Strategic signalPartnerships
Four partnerships are on record, tiered core, flagship and minor.
- INAEM (Instituto Nacional de las Artes Escénicas y de la Música)coreLa Red was established through a collaboration agreement with INAEM and the Ministry of Education, Culture, and Sports in February 2000. INAEM provides ongoing support for major programs including the Danza a Escena and Circo a Escena circuits, contributing to the funding of performance fees.
- IETM (International Network for Contemporary Performing Arts)flagshipLa Red is a member of IETM, which integrates more than 500 organizations from 50 countries worldwide. IETM promotes theater, dance, and circus in a global environment and serves as a networking tool for professional exchange and knowledge transfer between companies and cultural institutions.
- Plataforma Estatal de las Artes Escénicas y la MúsicacoreLa Red is a member of this state-level platform composed of more than 30 associations and federations. The platform serves as a dialogue and working space for the performing arts and music sector, addressing strategic issues with a comprehensive sector vision.
- CircoRedminorCollaboration with CircoRed, the Spanish circus network, contributed to the creation of the Circo a Escena circuit in 2021, supporting the inclusion of contemporary circus in theater programming.
Scale indicators9 records
Recent moves6 records
Expansion highlights5 records
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública competitors and assessment
Company assessmentDirect peers
- IETM (International Network for Contemporary Performing Arts): International network of performing arts organizations and professionals; La Red is a member. IETM operates a comparable model of facilitating knowledge exchange, advocacy, and programming coordination across 500+ member organizations in 50+ countries, making it a structurally direct peer.
- Red de Teatros Alternativos: Spanish network of alternative, small-format, and independent theaters. Operates a comparable associative model for non-mainstream venues in Spain, partially overlapping with La Red's mission but focused on the alternative/smaller venue segment.
- CircoRed (Red de Circo de España): Spanish circus sector network that co-created the Circo a Escena circuit with La Red. Operates a similar associative model for a specific performing arts discipline, serving comparable audiences (venues, companies, public bodies).
- Plataforma Estatal de las Artes Escénicas y la Música: Spanish state-level platform composed of more than 30 sectoral associations and federations. La Red is a member; the platform addresses strategic, cross-sectoral issues for performing arts and music, serving as a peer-level umbrella organization.
Regional players
- TMA (Theatre Management Association, UK): UK membership body for theater, performing arts venues, and arts centers. Provides comparable services (training, networking, advocacy) for publicly and independently funded UK venues, but operates in a different market.
- Performing Arts Alliance (US): US-based advocacy coalition of national performing arts service organizations. Performs a similar sectoral representation and policy engagement role, but is geographically focused on the US and operates in a different policy environment.
- Deutscher Bühnenverein: German Stage Association representing publicly subsidized theaters and orchestras. Operates a similar membership-association model for the public performing arts sector in Germany, with comparable advocacy, data, and coordination functions, but serves a different national market.
- SYNDEAC (Syndicat National des Directions et Directions-adjointes d'Équipements Culturels): French national union of directors of publicly-funded cultural venues. Performs analogous representational, advocacy, and programming coordination functions for French public theaters, but is geographically focused on France.
Others
- INAEM (Instituto Nacional de las Artes Escénicas y de la Música): Spanish national public body that funds and regulates performing arts. La Red has a formal collaboration agreement with INAEM since its 2000 founding. INAEM is a funder/regulator rather than a direct peer, but is the most structurally related public-sector counterpart.
Broad incumbents
- ASSITEJ (International Association of Theatre for Children and Young People): Global network for theater for children and young people, with national centers worldwide including in Spain. Overlaps with La Red in the performing arts association space, but is more specialized on a specific audience segment and operates internationally.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat5 records
Key risks6 records
Key highlights6 records
Customer concentration
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública social profiles
Digital presenceLa Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública financial estimates
Financial estimateRevenue estimate
Valuation estimate
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública leadership team
Management profileNumber of profiles
Profiles6 records
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública
What does La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública do?
La Red is a non-profit membership association that aggregates Spain's public performing arts institutions, providing them with a shared web portal (Redescena.net) for venue/company/performance directories, coordinated touring circuits (Danza a Escena, Circo a Escena), professional training, legal advisory, and sector representation. It functions as the national interlocutor for public cultural policy in live performing arts, with 196–199 member institutions covering all 17 autonomous communities.
Is La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública a public or private company?
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública is a private company. It is classified as nonprofit foundation owned and is currently operating.
When was La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública founded?
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública was founded in 2000. It employs 1 to 10 people.
Where is La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública based?
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública is headquartered in Madrid, Spain, in the Europe region.
How does La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública make money?
Two revenue lines are on record. Membership Dues are the primary driver. The others are public Funding.
Who are La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública's main competitors?
Direct peers on record are IETM (International Network for Contemporary Performing Arts), Red de Teatros Alternativos, CircoRed (Red de Circo de España) and Plataforma Estatal de las Artes Escénicas y la Música. Regional players are TMA (Theatre Management Association, UK), Performing Arts Alliance (US), Deutscher Bühnenverein and SYNDEAC (Syndicat National des Directions et Directions-adjointes d'Équipements Culturels). INAEM (Instituto Nacional de las Artes Escénicas y de la Música) is listed as an others. ASSITEJ (International Association of Theatre for Children and Young People) is listed as a broad incumbent.
Does La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública have an API?
No public API is recorded for La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública.
What industry is La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública in?
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública's product category is Performing Arts Association Services. Its primary akta.pro industry code is MPAGABAM, Performing Arts Centers & Presenters (Programming/Booking), with a secondary code of BPAGAHAB, Performing Arts Organizations (Theater, Dance, Opera, Music). Its NAICS code is 7114 and its SIC code is 8600.