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La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública

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uuid0056yik

Namestring
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública
Legal namestring
La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública
Websiteurl
redescena.net
Company typeenum
Private
Founded yearint
2000
Descriptiontext

La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública ("Redescena") is a non-profit cultural association constituted in February 2000 under a collaboration agreement with INAEM and the Spanish Ministry of Education, Culture and Sports. It functions as the primary associative platform for Spain's public performing arts exhibition sector, aggregating approximately 199 member institutions — including 207 theaters and auditoriums, 16 regional networks and circuits, and 29 festivals — across all 17 autonomous communities. Through its centralized infrastructure, it addresses sector fragmentation by coordinating artistic commissions, touring circuits (notably Danza a Escena and the 2021-launched Circo a Escena), professional development (Escuela de Verano, Escuela de La Red online), and inclusion initiatives (Proyecto Ornitorrinco, Observatorio de Género e Igualdad).

The organization's core technology asset is the Redescena.net web portal, which catalogues over 9,000 performances and 4,765+ companies and distributors, receives more than 1 million annual visits, and provides a private member zone for direct communication among representatives. The portal serves as a national directory, recommendation system, and information hub, complemented by topic-based email newsletters covering dance, circus, music, training, inclusion, and international affairs. Standard integrations (Google Analytics, Google reCAPTCHA, Facebook, YouTube) support analytics and basic security.

La Red's revenue is generated through a combination of recurring membership dues from public-sector entities meeting criteria of public ownership, professional programming staff, and minimum 250-seat capacity, plus public funding from INAEM, the Ministry of Culture, and the EU Next Generation EU program via Spain's Recovery, Transformation and Resilience Plan. Operations are supported by a 6-person professional office in Madrid, with an uncompensated volunteer board (President, two Vice Presidents, Treasurer, Secretary, and five Vocals) drawn from member institutions. Strategic partnerships include IETM (international performing arts network), the Plataforma Estatal de las Artes Escénicas y la Música (30+ sector associations), and CircoRed.

Short descriptiontext

La Red Española de Teatros is a non-profit Spanish cultural association, founded in 2000, that aggregates ~199 public performing arts venues across Spain through its Redescena.net portal, coordinating touring circuits, training, and policy advocacy with INAEM and the Ministry of Culture.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
1–10
akta.pro rankint
HeadquartersMadrid, Spain
HQ citystring
Madrid
HQ countrystring
Spain
HQ regionstring
Europe
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
performing arts association, public theater network, cultural sector coordination, arts touring circuits, performing arts training
Industry2 codes
PRIMARYMPAGABAM
Performing Arts Centers & Presenters (Programming/Booking)
SECONDARYBPAGAHAB
Performing Arts Organizations (Theater, Dance, Opera, Music)
NAICS code1 code
  • Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures7114
SIC code1 code
  • Services-Membership Organizations8600
Product category
Performing Arts Association Services
GTM motion2 records

Each record includes

Type, Description, Source

Revenue model2 records
1Membership Dues
TypeSubscription Recurring
Description

Annual membership fees from public theaters, auditoriums, circuits, networks, and festivals that meet association criteria.

redescena.net
2Public Funding
TypeManaged Services
Description

Funding received through collaboration agreements with INAEM (Instituto Nacional de las Artes Escénicas y de la Música) and the Ministry of Culture. Additional EU Next Generation EU funding through Plan de Recuperación.

redescena.net
Marketing channels5 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels1 record

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components5 values
Personnel, Operations, Technology or R&D, Marketing or Sales, Infrastructure
GTM typeB2B
B2B
Offering typeServices
Services
Brand1 of 7 records shown
1Danza a Escena
Description

Dance promotion circuit program launched in 2010 with support from INAEM, promoting dance programming in public theaters across Spain.

redescena.net
+6 more records
Core offering1 text field

La Red is a non-profit membership association that aggregates Spain's public performing arts institutions, providing them with a shared web portal (Redescena.net) for venue/company/performance directories, coordinated touring circuits (Danza a Escena, Circo a Escena), professional training, legal advisory, and sector representation. It functions as the national interlocutor for public cultural policy in live performing arts, with 196–199 member institutions covering all 17 autonomous communities.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 of 3 values shown
  • 1 million+ annual website visits
+2 more records
Product overview1 text field

La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública is a non-profit association founded in 2000 that serves as the main associative platform for Spain's public performing arts exhibition sector. Its core product is Redescena.net, a comprehensive web portal serving as a virtual community for the performing arts sector, providing a directory of over 9,000 spectacles, 4,765 companies, and more than 200 associated public venues. The platform operates as a unified ecosystem comprising the core portal, a private members area, and professional registration services. Additionally, La Red manages specialized projects including: promotion circuits (Circuito Danza a Escena, Circuito Circo a Escena), professional markets (Mercartes), training programs (Escuela de La Red online, Escuela de Verano), inclusion initiatives (Proyecto Ornitorrinco, Inclusión en las Artes Escénicas), research (Observatorio de género e igualdad, Estudios y Publicaciones), and international programs (Gestión de Espacios Escénicos Internacionales, Europa a Escena, Teatros del Sur). The Cuadernos de Espectáculos Recomendados provide curated recommendations across Theatre, Dance, Circus, Music, and Inclusion categories.

Product and service14 records
1Redescena.net Web Portal
2Mercartes
CategoryProfessional Market Event
Description

A professional meeting and market event for the performing arts sector, facilitating networking and business encounters between professionals in the industry.

3Circuito Danza a Escena
CategoryTouring Circuit Program
Description

A promotion circuit for dance that facilitates the circulation and programming of dance performances in public theaters across Spain, co-coordinated with INAEM. La Red funds 50% of performance fees for participating companies.

4Circuito Circo a Escena
CategoryTouring Circuit Program
Description

A circus promotion circuit launched in 2021 in collaboration with INAEM and CircoRed to increase visibility and programming of contemporary circus in public venues.

5Proyecto Ornitorrinco
CategorySocial Inclusion Program
Description

An inclusion and mediation project that bridges performing arts with social inclusion, fostering accessibility to culture for vulnerable groups.

6Observatorio de Género e Igualdad
CategoryResearch Observatory
Description

A gender equality observatory that produces studies, diagnostics, and equality plans to promote gender balance in the performing arts sector.

7Escuela de La Red Online
CategoryProfessional Training
Description

An online training school offering professional development courses for performing arts managers and cultural operators.

8Escuela de Verano
CategoryProfessional Training
Description

An intensive summer training program for cultural professionals featuring workshops and seminars on performing arts management.

9Cuadernos de Espectáculos Recomendados
CategoryCurated Industry Content
Description

Curated recommendation notebooks by artistic commissions (Theatre, Dance, Circus, Music, Inclusion) that identify and promote quality productions in circulation across Spain's public venues.

10Inclusión en las Artes Escénicas
CategorySocial Inclusion Program
Description

Programs and resources promoting accessibility and inclusion in performing arts, including the Mapa de Artes Escénicas inclusivas.

11Europa a Escena
CategoryInternational Program
Description

International collaboration project connecting Spanish performing arts with European networks and opportunities.

12Gestión de Espacios Escénicos Internacionales
CategoryInternational Program
Description

A project focused on international management of performing arts spaces, facilitating knowledge exchange and collaboration with international partners.

13Teatros del Sur
CategoryInternational Program
Description

A south-focused international project connecting theatres from southern European countries for artistic exchange.

14Estudios y Publicaciones
CategoryResearch and Publications
Description

Research publications and studies on the performing arts sector, including annual reports and sector analyses.

Scale indicator9 records

Each record includes

Type, Value, Description, Source

Partnership4 partners
Strategic tierCoreTypeStrategic or Co-development PartnerAnnounced on2000-02-01
Description

La Red was established through a collaboration agreement with INAEM and the Ministry of Education, Culture, and Sports in February 2000. INAEM provides ongoing support for major programs including the Danza a Escena and Circo a Escena circuits, contributing to the funding of performance fees.

Strategic tierFlagshipTypeStrategic or Co-development Partner
Description

La Red is a member of IETM, which integrates more than 500 organizations from 50 countries worldwide. IETM promotes theater, dance, and circus in a global environment and serves as a networking tool for professional exchange and knowledge transfer between companies and cultural institutions.

3Plataforma Estatal de las Artes Escénicas y la Música
Strategic tierCoreTypeStrategic or Co-development Partner
Description

La Red is a member of this state-level platform composed of more than 30 associations and federations. The platform serves as a dialogue and working space for the performing arts and music sector, addressing strategic issues with a comprehensive sector vision.

redescena.net
Strategic tierMinorTypeStrategic or Co-development Partner
Description

Collaboration with CircoRed, the Spanish circus network, contributed to the creation of the Circo a Escena circuit in 2021, supporting the inclusion of contemporary circus in theater programming.

Recent move6 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight5 records

Each record includes

Type, Description

Peers10 records
TypeDirect peer
Description

International network of performing arts organizations and professionals; La Red is a member. IETM operates a comparable model of facilitating knowledge exchange, advocacy, and programming coordination across 500+ member organizations in 50+ countries, making it a structurally direct peer.

2Red de Teatros Alternativos
TypeDirect peer
Description

Spanish network of alternative, small-format, and independent theaters. Operates a comparable associative model for non-mainstream venues in Spain, partially overlapping with La Red's mission but focused on the alternative/smaller venue segment.

3TMA (Theatre Management Association, UK)
TypeRegional player
Description

UK membership body for theater, performing arts venues, and arts centers. Provides comparable services (training, networking, advocacy) for publicly and independently funded UK venues, but operates in a different market.

4CircoRed (Red de Circo de España)
TypeDirect peer
Description

Spanish circus sector network that co-created the Circo a Escena circuit with La Red. Operates a similar associative model for a specific performing arts discipline, serving comparable audiences (venues, companies, public bodies).

TypeRegional player
Description

US-based advocacy coalition of national performing arts service organizations. Performs a similar sectoral representation and policy engagement role, but is geographically focused on the US and operates in a different policy environment.

TypeRegional player
Description

German Stage Association representing publicly subsidized theaters and orchestras. Operates a similar membership-association model for the public performing arts sector in Germany, with comparable advocacy, data, and coordination functions, but serves a different national market.

TypeRegional player
Description

French national union of directors of publicly-funded cultural venues. Performs analogous representational, advocacy, and programming coordination functions for French public theaters, but is geographically focused on France.

TypeOthers
Description

Spanish national public body that funds and regulates performing arts. La Red has a formal collaboration agreement with INAEM since its 2000 founding. INAEM is a funder/regulator rather than a direct peer, but is the most structurally related public-sector counterpart.

TypeBroad incumbent
Description

Global network for theater for children and young people, with national centers worldwide including in Spain. Overlaps with La Red in the performing arts association space, but is more specialized on a specific audience segment and operates internationally.

10Plataforma Estatal de las Artes Escénicas y la Música
TypeDirect peer
Description

Spanish state-level platform composed of more than 30 sectoral associations and federations. La Red is a member; the platform addresses strategic, cross-sectoral issues for performing arts and music, serving as a peer-level umbrella organization.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat5 records

Each record includes

Type, Details

Key risks6 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers8 records

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment4 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile3 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

Integration4 records

Each record includes

Title, Type, Description, Source

AI maturity
App detail

Has app

Feature3 records

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles6 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública

Performing Arts Association Servicesredescena.net

La Red Española de Teatros is a non-profit Spanish cultural association, founded in 2000, that aggregates ~199 public performing arts venues across Spain through its Redescena.net portal, coordinating touring circuits, training, and policy advocacy with INAEM and the Ministry of Culture.

What La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública does

La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública ("Redescena") is a non-profit cultural association constituted in February 2000 under a collaboration agreement with INAEM and the Spanish Ministry of Education, Culture and Sports. It functions as the primary associative platform for Spain's public performing arts exhibition sector, aggregating approximately 199 member institutions — including 207 theaters and auditoriums, 16 regional networks and circuits, and 29 festivals — across all 17 autonomous communities. Through its centralized infrastructure, it addresses sector fragmentation by coordinating artistic commissions, touring circuits (notably Danza a Escena and the 2021-launched Circo a Escena), professional development (Escuela de Verano, Escuela de La Red online), and inclusion initiatives (Proyecto Ornitorrinco, Observatorio de Género e Igualdad).

The organization's core technology asset is the Redescena.net web portal, which catalogues over 9,000 performances and 4,765+ companies and distributors, receives more than 1 million annual visits, and provides a private member zone for direct communication among representatives. The portal serves as a national directory, recommendation system, and information hub, complemented by topic-based email newsletters covering dance, circus, music, training, inclusion, and international affairs. Standard integrations (Google Analytics, Google reCAPTCHA, Facebook, YouTube) support analytics and basic security.

La Red's revenue is generated through a combination of recurring membership dues from public-sector entities meeting criteria of public ownership, professional programming staff, and minimum 250-seat capacity, plus public funding from INAEM, the Ministry of Culture, and the EU Next Generation EU program via Spain's Recovery, Transformation and Resilience Plan. Operations are supported by a 6-person professional office in Madrid, with an uncompensated volunteer board (President, two Vice Presidents, Treasurer, Secretary, and five Vocals) drawn from member institutions. Strategic partnerships include IETM (international performing arts network), the Plataforma Estatal de las Artes Escénicas y la Música (30+ sector associations), and CircoRed.

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública firmographics

Firmographics
Name
La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública
Legal name
La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública
Website
https://redescena.net
Company type
Private
Founded year
2000
Operating status
Operating
Headcount range
1–10 employees
Short description
La Red Española de Teatros is a non-profit Spanish cultural association, founded in 2000, that aggregates ~199 public performing arts venues across Spain through its Redescena.net portal, coordinating touring circuits, training, and policy advocacy with INAEM and the Ministry of Culture.
Ownership category
akta.pro rank

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública industry classification

Industry
Product category
Performing Arts Association Services
NAICS
Agents and Managers for Artists, Athletes, Entertainers, and Other Public Figures (7114)
SIC
Services-Membership Organizations (8600)
akta.pro industry
PRIMARYMPAGABAM
Performing Arts Centers & Presenters (Programming/Booking)
SECONDARYBPAGAHAB
Performing Arts Organizations (Theater, Dance, Opera, Music)

Keywords

  • Performing arts association
  • Public theater network
  • Cultural sector coordination
  • Arts touring circuits
  • Performing arts training

Where La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública is headquartered

Location

Headquarters

HQ city
Madrid
HQ country
Spain
HQ region
Europe

Offices1 record

Markets served

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública business model

Business model
GTM type
B2B
Offering type
Services
Cost components
Personnel, Operations, Technology or R&D, Marketing or Sales, Infrastructure

Revenue model

  1. Membership Dues: Annual membership fees from public theaters, auditoriums, circuits, networks, and festivals that meet association criteria.
  2. Public Funding: Funding received through collaboration agreements with INAEM (Instituto Nacional de las Artes Escénicas y de la Música) and the Ministry of Culture. Additional EU Next Generation EU funding through Plan de Recuperación.

Go-to-market motion2 records

Distribution channels1 record

Marketing channels5 records

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública product offering

Product offering

Core offering

La Red is a non-profit membership association that aggregates Spain's public performing arts institutions, providing them with a shared web portal (Redescena.net) for venue/company/performance directories, coordinated touring circuits (Danza a Escena, Circo a Escena), professional training, legal advisory, and sector representation. It functions as the national interlocutor for public cultural policy in live performing arts, with 196–199 member institutions covering all 17 autonomous communities.

Product overview

La Red Española de Teatros, Auditorios, Circuitos y Festivales de Titularidad Pública is a non-profit association founded in 2000 that serves as the main associative platform for Spain's public performing arts exhibition sector. Its core product is Redescena.net, a comprehensive web portal serving as a virtual community for the performing arts sector, providing a directory of over 9,000 spectacles, 4,765 companies, and more than 200 associated public venues. The platform operates as a unified ecosystem comprising the core portal, a private members area, and professional registration services. Additionally, La Red manages specialized projects including: promotion circuits (Circuito Danza a Escena, Circuito Circo a Escena), professional markets (Mercartes), training programs (Escuela de La Red online, Escuela de Verano), inclusion initiatives (Proyecto Ornitorrinco, Inclusión en las Artes Escénicas), research (Observatorio de género e igualdad, Estudios y Publicaciones), and international programs (Gestión de Espacios Escénicos Internacionales, Europa a Escena, Teatros del Sur). The Cuadernos de Espectáculos Recomendados provide curated recommendations across Theatre, Dance, Circus, Music, and Inclusion categories.

Differentiator

Problem solved

Functional benefit

Brands

  • Danza a Escena: Dance promotion circuit program launched in 2010 with support from INAEM, promoting dance programming in public theaters across Spain.
  • Circo a Escena
  • Mercartes
  • Proyecto Ornitorrinco
  • Escuela de Verano
  • Europa a Escena
  • Observatorio de Género e Igualdad

Products and services

  • Redescena.net Web Portal
  • Mercartes A professional meeting and market event for the performing arts sector, facilitating networking and business encounters between professionals in the industry.
  • Circuito Danza a Escena A promotion circuit for dance that facilitates the circulation and programming of dance performances in public theaters across Spain, co-coordinated with INAEM. La Red funds 50% of performance fees for participating companies.
  • Circuito Circo a Escena A circus promotion circuit launched in 2021 in collaboration with INAEM and CircoRed to increase visibility and programming of contemporary circus in public venues.
  • Proyecto Ornitorrinco An inclusion and mediation project that bridges performing arts with social inclusion, fostering accessibility to culture for vulnerable groups.
  • Observatorio de Género e Igualdad A gender equality observatory that produces studies, diagnostics, and equality plans to promote gender balance in the performing arts sector.
  • Escuela de La Red Online An online training school offering professional development courses for performing arts managers and cultural operators.
  • Escuela de Verano An intensive summer training program for cultural professionals featuring workshops and seminars on performing arts management.
  • Cuadernos de Espectáculos Recomendados Curated recommendation notebooks by artistic commissions (Theatre, Dance, Circus, Music, Inclusion) that identify and promote quality productions in circulation across Spain's public venues.
  • Inclusión en las Artes Escénicas Programs and resources promoting accessibility and inclusion in performing arts, including the Mapa de Artes Escénicas inclusivas.
  • Europa a Escena International collaboration project connecting Spanish performing arts with European networks and opportunities.
  • Gestión de Espacios Escénicos Internacionales A project focused on international management of performing arts spaces, facilitating knowledge exchange and collaboration with international partners.
  • Teatros del Sur A south-focused international project connecting theatres from southern European countries for artistic exchange.
  • Estudios y Publicaciones Research publications and studies on the performing arts sector, including annual reports and sector analyses.

Quantifiable outcome

  • 1 million+ annual website visits
  • +2 more outcomes

Companies that use La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública

Customer profile

Named customers8 records

Segments4 records

Ideal customer profiles3 records

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Integration4 records

Feature3 records

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública partnerships and signals

Strategic signal

Partnerships

Four partnerships are on record, tiered core, flagship and minor.

  • INAEM (Instituto Nacional de las Artes Escénicas y de la Música)coreStrategic or Co-development Partner · 1 February 2000La Red was established through a collaboration agreement with INAEM and the Ministry of Education, Culture, and Sports in February 2000. INAEM provides ongoing support for major programs including the Danza a Escena and Circo a Escena circuits, contributing to the funding of performance fees.
  • IETM (International Network for Contemporary Performing Arts)flagshipStrategic or Co-development PartnerLa Red is a member of IETM, which integrates more than 500 organizations from 50 countries worldwide. IETM promotes theater, dance, and circus in a global environment and serves as a networking tool for professional exchange and knowledge transfer between companies and cultural institutions.
  • Plataforma Estatal de las Artes Escénicas y la MúsicacoreStrategic or Co-development PartnerLa Red is a member of this state-level platform composed of more than 30 associations and federations. The platform serves as a dialogue and working space for the performing arts and music sector, addressing strategic issues with a comprehensive sector vision.
  • CircoRedminorStrategic or Co-development PartnerCollaboration with CircoRed, the Spanish circus network, contributed to the creation of the Circo a Escena circuit in 2021, supporting the inclusion of contemporary circus in theater programming.

Scale indicators9 records

Recent moves6 records

Expansion highlights5 records

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública competitors and assessment

Company assessment

Direct peers

  • IETM (International Network for Contemporary Performing Arts): International network of performing arts organizations and professionals; La Red is a member. IETM operates a comparable model of facilitating knowledge exchange, advocacy, and programming coordination across 500+ member organizations in 50+ countries, making it a structurally direct peer.
  • Red de Teatros Alternativos: Spanish network of alternative, small-format, and independent theaters. Operates a comparable associative model for non-mainstream venues in Spain, partially overlapping with La Red's mission but focused on the alternative/smaller venue segment.
  • CircoRed (Red de Circo de España): Spanish circus sector network that co-created the Circo a Escena circuit with La Red. Operates a similar associative model for a specific performing arts discipline, serving comparable audiences (venues, companies, public bodies).
  • Plataforma Estatal de las Artes Escénicas y la Música: Spanish state-level platform composed of more than 30 sectoral associations and federations. La Red is a member; the platform addresses strategic, cross-sectoral issues for performing arts and music, serving as a peer-level umbrella organization.

Regional players

  • TMA (Theatre Management Association, UK): UK membership body for theater, performing arts venues, and arts centers. Provides comparable services (training, networking, advocacy) for publicly and independently funded UK venues, but operates in a different market.
  • Performing Arts Alliance (US): US-based advocacy coalition of national performing arts service organizations. Performs a similar sectoral representation and policy engagement role, but is geographically focused on the US and operates in a different policy environment.
  • Deutscher Bühnenverein: German Stage Association representing publicly subsidized theaters and orchestras. Operates a similar membership-association model for the public performing arts sector in Germany, with comparable advocacy, data, and coordination functions, but serves a different national market.
  • SYNDEAC (Syndicat National des Directions et Directions-adjointes d'Équipements Culturels): French national union of directors of publicly-funded cultural venues. Performs analogous representational, advocacy, and programming coordination functions for French public theaters, but is geographically focused on France.

Others

  • INAEM (Instituto Nacional de las Artes Escénicas y de la Música): Spanish national public body that funds and regulates performing arts. La Red has a formal collaboration agreement with INAEM since its 2000 founding. INAEM is a funder/regulator rather than a direct peer, but is the most structurally related public-sector counterpart.

Broad incumbents

Market position

Strengths5 records

Weaknesses5 records

Competitive moat5 records

Key risks6 records

Key highlights6 records

Customer concentration

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública social profiles

Digital presence

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública financial estimates

Financial estimate

Revenue estimate

Valuation estimate

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública leadership team

Management profile

Number of profiles

Profiles6 records

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública

What does La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública do?

La Red is a non-profit membership association that aggregates Spain's public performing arts institutions, providing them with a shared web portal (Redescena.net) for venue/company/performance directories, coordinated touring circuits (Danza a Escena, Circo a Escena), professional training, legal advisory, and sector representation. It functions as the national interlocutor for public cultural policy in live performing arts, with 196–199 member institutions covering all 17 autonomous communities.

Is La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública a public or private company?

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública is a private company. It is classified as nonprofit foundation owned and is currently operating.

When was La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública founded?

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública was founded in 2000. It employs 1 to 10 people.

Where is La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública based?

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública is headquartered in Madrid, Spain, in the Europe region.

How does La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública make money?

Two revenue lines are on record. Membership Dues are the primary driver. The others are public Funding.

Who are La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública's main competitors?

Direct peers on record are IETM (International Network for Contemporary Performing Arts), Red de Teatros Alternativos, CircoRed (Red de Circo de España) and Plataforma Estatal de las Artes Escénicas y la Música. Regional players are TMA (Theatre Management Association, UK), Performing Arts Alliance (US), Deutscher Bühnenverein and SYNDEAC (Syndicat National des Directions et Directions-adjointes d'Équipements Culturels). INAEM (Instituto Nacional de las Artes Escénicas y de la Música) is listed as an others. ASSITEJ (International Association of Theatre for Children and Young People) is listed as a broad incumbent.

Does La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública have an API?

No public API is recorded for La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública.

What industry is La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública in?

La Red Española de Teatros, Auditorios, Circuitos y Festivales de titularidad pública's product category is Performing Arts Association Services. Its primary akta.pro industry code is MPAGABAM, Performing Arts Centers & Presenters (Programming/Booking), with a secondary code of BPAGAHAB, Performing Arts Organizations (Theater, Dance, Opera, Music). Its NAICS code is 7114 and its SIC code is 8600.

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