Korean Film Archive

Name

Korean Film Archive

Legal name

한국영상자료원

Website

https://koreafilm.or.kr

Company type

Private

Headcount range

1–10 employees

Ownership category

akta.pro rank

Product category

Film Archive and Cultural Heritage

NAICS

Libraries and Archives (51921), Museums, Historical Sites, and Similar Institutions (712), Museums, Historical Sites, and Similar Institutions (7121)

SIC

Services-Allied To Motion Picture Distribution (7829)

akta.pro primary industry

Archival Preservation & Conservation (Handling, Storage, Environmental Controls) (MPADAMAF)

akta.pro secondary industries

Public Media Archives, Libraries & Content Preservation (MPABADAL), Digital Archiving & Asset Management (MAM/DAM, Cataloging, QC) (MPADAMAG), Archive Restoration & Digitization (Film/Video/Audio Scanning, Remastering) (MPAHAGAI), Long-Term Digital Preservation Services (Format Migration, Integrity Checks) (MPAHAGAD), Archival Research, Rights & Provenance Services (Clearance, Chain-of-Custody) (MPADAMAI), Access & Distribution for Archives (Restored Masters, DCP Creation, Screening Deliverables) (MPADAMAJ), National Archives, Records & Information Governance (BPAIAAAG), Media & Entertainment Physical Archives (Film, Tape, Audio Masters) (TLALALAF)

Keywords

• Film preservation services
• Film archive access
• Film screening programs
• Cultural film database
• Film heritage curation

Headquarters

HQ city

Seoul

HQ country

South Korea

HQ region

Asia

Markets served

GTM type

B2C

Offering type

Services

Cost components

Personnel, Operations, Infrastructure, Technology or R&D

Core offering

The Korean Film Archive (한국영상자료원) is a national film archive in South Korea that preserves Korean cinematic heritage and provides public access to films, screenings, and related research resources. The organization maintains an online platform at koreafilm.or.kr to support its mission of film preservation and cultural education.

Product overview

No detailed product or service information available in the provided source.

Differentiator

Problem solved

Functional benefit

Ideal customer profiles2 records

Technology focussed No

API detail

Has API

No

API docs

API detail

Core technology

AI maturity

App detail

Direct peers

• UCLA Film & Television Archive: One of the largest university-affiliated moving-image archives in the world, holding major studio collections and operating restoration, screening, and public access programs. Comparable to KOFA in its preservation-and-access mission, though hosted within an academic institution.
• Bundesarchiv-Filmarchiv: Germany's federal film archive, part of the Federal Archives. Operates as the national-level custodian of German film heritage with restoration, digitization, and public access mandates, structurally very similar to KOFA's public-institution model.
• George Eastman Museum: A major US-based moving-image museum and archive with extensive film and photograph collections, active in restoration and public programming. Comparable to KOFA in combining archival preservation with public exhibition of film heritage.
• BFI National Archive: The UK's national film archive, operated by the British Film Institute. Directly comparable as a publicly funded national archive preserving, restoring, and providing access to that country's film heritage, with an established public-facing platform and international co-restoration partnerships.
• EYE Filmmuseum: The Netherlands' national museum and archive for film, combining active preservation, restoration, and public exhibition of Dutch and international cinema. Directly comparable in mission to KOFA and a frequent partner in bilateral restoration projects.
• National Film Archive of Japan: Japan's national film archive under the National Museum of Modern Art, Tokyo. A direct regional peer in East Asia with comparable scope of national film preservation, restoration, and public access programs, and a natural counterpart for cross-border East Asian cinema projects.
• Cinémathèque française: France's flagship film archive, holding one of the world's largest collections of films, film-related objects, and documents. Comparable as a national film heritage institution combining preservation with public exhibition, research access, and rights/clearance functions.
• Academy Film Archive: The motion picture Academy's film preservation arm in the United States. A directly comparable national-level film archive focused on long-term preservation and restoration of historically and culturally significant works, with strong international programming partnerships.

Broad incumbents

• Library of Congress (National Film Preservation Board / NFPF): The US national library, which houses the National Film Preservation Board and the National Audio-Visual Conservation Center. Comparable in scope and statutory mandate to preserve nationally significant films and administer preservation grants, though embedded in a much larger parent institution.

Regional players

• Cineteca Nacional (Mexico): Mexico's national film archive and exhibition venue. Operates with a similar public mandate to preserve national film heritage and provide public screening access, useful as a structural peer for non-Anglophone national archive operations.

Market position

Strengths4 records

Weaknesses3 records

Competitive moat1 record

Key risks4 records

Key highlights4 records

Customer concentration

• LinkedInlinkedin.com/company/korean-film-archive

Revenue estimate

Valuation estimate

Number of profiles

Funding overview

Funding rounds

Investors

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M&A

Investments

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