Producers Audiovisual Collective of Canada

What Producers Audiovisual Collective of Canada does

Producers Audiovisual Collective of Canada (PACC) is a Toronto-based non-profit collective management organization that administers audiovisual copyright on behalf of producers and distributes royalties collected from secondary uses of their works. Its core function, as captured in the firmographic short description, is to act as an intermediary rights administrator for Canadian audiovisual producers — collecting royalties from secondary uses (such as retransmission, reproduction under statutory exceptions, and other uses covered by collective licensing) and redistributing those proceeds to entitled rightsholders.

The organization's operating model follows the standard Canadian CMO framework: it holds rights-administration mandates from its member producers, negotiates and administers collective licences with users under the authority of the Copyright Board of Canada, and operates as a non-profit entity rather than a revenue-generating commercial business. PACC's primary customers are the audiovisual producers it represents; its secondary counterparties are licensees (broadcasters, platforms, and other users of audiovisual content) that pay collective licence fees. The firmographic data does not disclose membership size, the scale of royalty distributions, specific mandate scope, or any technology stack that underpins its matching, distribution, or reporting systems. The organization's website (pacc.ca) was inaccessible during source collection, returning only a verification/loading screen with no extractable content.

The input data carries significant gaps: no revenue figures, no headcount, no management team information, no funding history, no partnerships, no product launches, and no technology disclosures are present. Any forward-looking analytical judgments on collections, membership growth, technology investment, or competitive positioning should be treated as inferential given the absence of primary-source signals.

Name

Producers Audiovisual Collective of Canada

Website

https://pacc.ca

Company type

Private

Short description

Producers Audiovisual Collective of Canada is a Toronto-based non-profit collective management organization that administers audiovisual copyright for producers and distributes secondary-use royalties to its members across Canada.

Ownership category

akta.pro rank

Product category

Collective Rights Management

NAICS

Motion Picture and Sound Recording Industries (512)

SIC

Services-Allied To Motion Picture Production (7819)

akta.pro primary industry

Public Performance/Neighboring Rights for AV Uses (Cue Sheet & Reporting Services) (MPAIALAK)

akta.pro secondary industries

Royalty Accounting & Payment Services (Statements, Audits, Payee Management) (MPAIABAL), Music & Synchronization Rights for Film/TV (MPADALAC)

Keywords

• Audiovisual copyright administration
• Secondary-use royalty distribution
• Collective rights management
• Producer royalty collection
• Audiovisual rights licensing

Headquarters

HQ city

Toronto

HQ country

Canada

HQ region

North America

Markets served

GTM type

B2B

Offering type

Services

Cost components

Operations, Personnel

Core offering

Producers Audiovisual Collective of Canada administers audiovisual copyright on behalf of producers and distributes secondary-use royalties collected from the licensing of audiovisual works. It operates as a non-profit collective rights management organization serving Canadian producers.

Differentiator

Problem solved

Functional benefit

Products and services

• Audiovisual copyright administration and secondary-use royalty distribution Collective administration of audiovisual copyright and distribution of secondary-use royalties to Canadian producers of audiovisual works.

Ideal customer profiles1 record

Technology focussed No

API detail

Has API

No

API docs

API detail

Core technology

AI maturity

App detail

Regional players

• EGEDA (Entidad de Gestión de Derechos de los Productores Audiovisuales): Spanish producer-side AV rights collecting society with extensive Latin American footprint — directly comparable mandate to PACC but operating across EMEA/LatAm jurisdictions.
• SCAM (Société Civile des Auteurs Multimédia): French audiovisual rights collective; comparable mandate in audiovisual neighboring-rights administration but serving a different national jurisdiction than PACC.

Broad incumbents

• CMRRA (Canadian Music Reproduction Rights Agency): Canadian CMO administering mechanical reproduction rights for music publishers; shares the Canadian CMO/infrastructure profile though operating in music publishing rather than AV producer rights.
• SOCAN (Society of Composers, Authors and Music Publishers of Canada): Canada's largest CMO; comparable Canadian royalty administration infrastructure but focused on musical works rather than audiovisual producer rights — a broader incumbent in the same country.

Direct peers

• SoundExchange: US collective management organization that collects and distributes neighboring-rights royalties to sound recording copyright owners and featured performers — the closest functional analog to PACC's producer-side AV mandate.
• ACTRA Performers' Rights Society (ACTRA PRS): Canadian performer-side neighboring-rights collective; directly comparable as a Canada-based CMO administering AV neighboring rights and distributing royalties to rights holders.
• Screenrights: Australian audiovisual rights collecting society that collects and distributes royalties to screen content rightsholders — directly analogous to PACC's producer-side mandate in a different geography.
• GVL (Gesellschaft zur Verwertung von Leistungsschutzrechten): Germany's neighboring-rights CMO serving performers and producers; comparable scope of AV/recording rights administration and royalty distribution.
• PPL (Phonographic Performance Limited): UK-based collective that collects neighboring-rights royalties for performers and recording rights holders from broadcast and public-use venues; comparable business model and royalty distribution flow.

Others

• AWGACS / Connect Music Licensing: Canadian music rights collective that performs public-performance licensing through Connect Music; comparable CMO infrastructure and Canadian regulatory positioning but serving the music side of rights, not AV producers.

Market position

Strengths3 records

Weaknesses3 records

Competitive moat3 records

Key risks4 records

Key highlights3 records

Customer concentration

Revenue estimate

Valuation estimate

Number of profiles

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Producers Audiovisual Collective of Canada