The Aunties Dandelion
The Aunties Dandelion is a Canadian private media company producing documentary films, a monthly podcast, and consultation services centered on Indigenous perspectives, language revitalization, and resistance movements, serving Indigenous communities, film festivals, and educational institutions globally.
- Company typePrivate
- Founded2022
- HeadquartersCambridge, Canada
- Headcount1–10
- GTM typeB2C
- OfferingServices
What The Aunties Dandelion does
The Aunties Dandelion (TAD) is a privately held Canadian media company founded in 2022 and based in Cambridge, Ontario, operating with a team of 1-10. The company produces documentary films, a monthly podcast, and educational consultation services focused on Indigenous perspectives, resistance movements, language revitalization, and cultural preservation, with content informed by traditional Onkwehón:we (original peoples') teachings. Its film catalogue includes the "With Love Trilogy" (To Wisconsin with Love, 2014; From Wisconsin With Love, 2016; The Eagle and The Condor - From Standing Rock with Love, 2018) and the 2024 documentary VESS, with works screened at Indigenous-focused film festivals across North America, the UK, and Norway. The monthly podcast is distributed across Acast, Apple Podcasts, Spotify, Overcast, Castbox, and Pocket Casts.
The company is led by Kahstoserakwathe Paulette Moore (Kanien'kehà:ka / Mohawk, enrolled member of Six Nations of the Grand River), who serves as Director/Writer/Executive Producer and brings two decades of production experience with Discovery Channel, National Geographic, PBS, and ABC, alongside Tamara Louks, an arts management professional serving as Producer. Revenue mechanics are not publicly disclosed but appear project-based, drawing from film commissions, speaking and consultation engagements, grant funding (the company acknowledges external funders), and podcast distribution. The customer base spans individual Indigenous community members and allies, film festival and arts organizations seeking authentic Indigenous programming, and educational institutions using the documentaries for curriculum and dialogue on race, environmental justice, and Indigenous sovereignty.
There is no proprietary technology stack; the company operates a conventional media production model reliant on festival placement, digital podcast distribution, email newsletter, and direct consultation sales. The company holds no disclosed patents, certifications, institutional investment, or external ownership, and operates without a mobile application or API offering. Geographic footprint, while narrow in terms of staffing, is international in distribution through the festival circuit and global podcast platforms.
The Aunties Dandelion firmographics
Firmographics- Name
- The Aunties Dandelion
- Legal name
- The Aunties Dandelion
- Website
- https://theauntiesdandelion.com
- Company type
- Private
- Founded year
- 2022
- Operating status
- Operating
- Headcount range
- 1–10 employees
- Short description
- The Aunties Dandelion is a Canadian private media company producing documentary films, a monthly podcast, and consultation services centered on Indigenous perspectives, language revitalization, and resistance movements, serving Indigenous communities, film festivals, and educational institutions globally.
- Ownership category
- akta.pro rank
The Aunties Dandelion industry classification
Industry- Product category
- Documentary Media Production
- NAICS
- Educational Support Services (611710)
- akta.pro primary industry
- Short-Form Documentaries (MPADADAC)
Keywords
Where The Aunties Dandelion is headquartered
LocationHeadquarters
- HQ city
- Cambridge
- HQ country
- Canada
- HQ region
- North America
Offices1 record
Markets served
The Aunties Dandelion business model
Business model- GTM type
- B2C
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Technology or R&D, Others
Revenue model
- Media Production Services: The company produces films, podcasts, and provides consultation services. Revenue appears to come from project-based film work, podcast content, and potentially consultation/educational presentations.
Go-to-market motion2 records
Distribution channels4 records
Marketing channels5 records
The Aunties Dandelion product offering
Product offeringCore offering
The Aunties Dandelion (TAD) is an independent media company that produces documentary films (including VESS and the With Love Trilogy), distributes a monthly podcast featuring Indigenous changemakers, and delivers public presentations and consultation services informed by traditional Onkwehón:we (original peoples') teachings. Productions focus on Indigenous resistance movements, language revitalization, and cultural preservation, with films screened through international festival and educational channels.
Product overview
The Aunties Dandelion is a media company that creates a portfolio of documentary films (VESS, The With Love Trilogy), a monthly podcast, and offers consultation services. Their films document Indigenous resistance, language revitalization, and cultural preservation efforts, while their podcast shares stories of Indigenous changemakers. The company also provides public presentations and consultation services informed by traditional Onkwehón:we teachings.
Differentiator
Problem solved
Functional benefit
Products and services
- VESS A 2024 documentary film about a Mohawk carpenter/philosopher who transforms his grief while building a home for a young family returning to their territory. Features Indigenous language, humor, and community strength, and is directed and executive produced by Kahstoserakwathe Paulette Moore.
- To Wisconsin with Love A 2014 documentary about Wisconsin Penokee Hills Ojibwe/ally mine resistance and West Virginia water contamination, examining communities under siege from extractive industry. Created with Eastern Mennonite University students and later associated with the documented withdrawal of a mining company from the Penokee Hills project in 2015.
- From Wisconsin With Love A 2016 sequel documentary that focuses on the spiritual, economic, physical, and legal aspects of harvest from the perspective of Ojibwe prophecy, documenting what the Wisconsin Penokee Hills communities were fighting for between 2011 and 2015.
- The Eagle and The Condor - From Standing Rock with Love A 2018 documentary in which water protectors recall the power and violence of the 2016/17 Standing Rock action camps, relying on ceremony to resist resource extraction. Concludes the With Love Trilogy.
- The Aunties Dandelion Podcast A monthly podcast sharing stories and perspectives of Indigenous changemakers who connect audiences to languages, places, and each other. Distributed through Acast, Apple Podcasts, Spotify, Overcast, Castbox, and Pocket Casts.
- Consultation and Public Presentation Services Public presentations and consultation services that educate audiences, informed by traditional Onkwehón:we (original peoples') teachings. Quote-based engagements offered to organizations, educational institutions, festivals, and community groups.
Quantifiable outcome
- Mining company withdrew from Penokee Hills project following community resistance documented in the films
- +2 more outcomes
Companies that use The Aunties Dandelion
Customer profileSegments3 records
Ideal customer profiles3 records
The Aunties Dandelion technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration6 records
The Aunties Dandelion partnerships and signals
Strategic signalPartnerships
Two partnerships are on record, tiered minor.
- Shenandoah UniversityminorKahstoserakwathe Paulette Moore served as filmmaker-in-residence at Shenandoah University in Winchester, Virginia starting in 2004, where she began making independent, community-based films. This academic partnership supported the creation of her documentary works.
- Eastern Mennonite UniversityminorMoore worked as associate professor of media arts and conflict transformation at Eastern Mennonite University in Harrisonburg, VA from 2009 onwards. She collaborated with students to create documentary films including 'To Wisconsin with Love' and 'From Wisconsin with Love' as part of the academic program.
Scale indicators1 record
Recent moves5 records
Expansion highlights4 records
The Aunties Dandelion competitors and assessment
Company assessmentDirect peers
- Kartemquin Films: Chicago-based independent documentary producer with strong social-issue editorial focus. Comparable operating model (small team, mission-driven, festival-driven) and comparable scale to TAD.
- Wapikoni Mobile: Indigenous-led mobile audiovisual creation initiative operating across Canada. Comparable grassroots production model training Indigenous community members and producing short documentaries on similar subjects.
- Isuma Independent Television: Inuit-led Canadian production company producing Indigenous-language films and documentaries (e.g., Atanarjuat). Closest direct analog to TAD given shared focus on Indigenous-language, community-rooted documentary work with international festival exposure.
Broad incumbents
- Participant Media: Social-impact media company producing documentaries and narrative films on social and environmental justice. Comparable mission focus and distribution strategy but with substantially larger production and marketing resources.
- National Film Board of Canada: Canada's public film producer with a significant Indigenous documentary slate. Compares on documentary editorial focus and Indigenous programming, though operates at several orders of magnitude larger scale.
- APTN (Aboriginal Peoples Television Network): Canadian Indigenous-focused broadcaster commissioning and acquiring Indigenous content. Shares TAD's editorial focus on Indigenous perspectives but is an established multi-platform broadcaster rather than a small independent producer.
- Vice Media: Major independent-leaning documentary producer covering social justice, environment, and Indigenous communities. Comparable editorial vein on counter-narrative storytelling, though much larger and broader in mandate.
- CBC Docs: Canadian public broadcaster's documentary unit covering Canadian stories including Indigenous content. Shares national-public broadcaster distribution model and complementary Canadian documentary slate, but operates with full broadcaster scale.
Others
- Sundance Institute - Indigenous Program: U.S. non-profit running labs, fellowships, and funding for Indigenous filmmakers. Ecosystem/funder rather than a direct peer producer, but directly intersecting with TAD's pipeline of Indigenous creators and films.
- imagineNATIVE Film and Media Arts Festival: Leading international Indigenous film and media arts festival where TAD's films have screened. Adjacent ecosystem organization that competes for and curates the same Indigenous content library.
Market position
Strengths4 records
Weaknesses5 records
Competitive moat4 records
Key risks5 records
Key highlights5 records
Customer concentration
The Aunties Dandelion social profiles
Digital presenceThe Aunties Dandelion financial estimates
Financial estimateRevenue estimate
Valuation estimate
The Aunties Dandelion leadership team
Management profileNumber of profiles
Profiles2 records
The Aunties Dandelion funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
The Aunties Dandelion M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about The Aunties Dandelion
What does The Aunties Dandelion do?
The Aunties Dandelion (TAD) is an independent media company that produces documentary films (including VESS and the With Love Trilogy), distributes a monthly podcast featuring Indigenous changemakers, and delivers public presentations and consultation services informed by traditional Onkwehón:we (original peoples') teachings. Productions focus on Indigenous resistance movements, language revitalization, and cultural preservation, with films screened through international festival and educational channels.
Is The Aunties Dandelion a public or private company?
The Aunties Dandelion is a private company. It is classified as founder individual operated bootstrapped and is currently operating.
When was The Aunties Dandelion founded?
The Aunties Dandelion was founded in 2022. It employs 1 to 10 people.
Where is The Aunties Dandelion based?
The Aunties Dandelion is headquartered in Cambridge, Canada, in the North America region.
How does The Aunties Dandelion make money?
One revenue line is on record: media Production Services.
Who are The Aunties Dandelion's main competitors?
Direct peers on record are Kartemquin Films, Wapikoni Mobile and Isuma Independent Television. Broad incumbents are Participant Media, National Film Board of Canada, APTN (Aboriginal Peoples Television Network), Vice Media and CBC Docs. Others are Sundance Institute - Indigenous Program and imagineNATIVE Film and Media Arts Festival.
Does The Aunties Dandelion have an API?
No public API is recorded for The Aunties Dandelion.
What industry is The Aunties Dandelion in?
The Aunties Dandelion's product category is Documentary Media Production. Its primary akta.pro industry code is MPADADAC, Short-Form Documentaries. Its NAICS code is 611710.