LAS Art Foundation
Berlin-based non-profit LAS Art Foundation, founded in 2019, commissions contemporary art at the intersection of art, science, and technology. It supports artists with extended research access to quantum computing, AI, and biotechnology, and distributes works through major European museum partnerships.
- Company typePrivate
- Founded2019
- HeadquartersBerlin, Germany
- Headcount11–50
- GTM typeB2B and B2C
- OfferingServices
What LAS Art Foundation does
LAS Art Foundation is a Berlin-based non-profit arts organization founded in 2019 by Jan Fischer, operating under the legal entity Light Art Space gGmbH (registered in Munich, HRB 228800). The foundation commissions and presents contemporary art at the intersection of art, science, and technology, focusing on quantum computing, AI, biotechnology, and ecological systems. Its primary constituents are contemporary artists receiving extended research-phase support and access to cutting-edge technology and scientific collaborators, with secondary audiences including general public exhibition visitors and cultural institutions that co-produce and host programming.
The foundation's portfolio includes multi-sensory installations such as Laure Prouvost's WE FELT A STAR DYING (built around an AI model trained on quantum computation data with Google's Hartmut Neven and philosopher Tobias Rees), Libby Heaney's Ent- (using self-written quantum code), Natasha Tontey's The Phantom Combatants (employing quantum ghost imaging, LiDAR, 3D photogrammetry, and thermal cameras), Jakob Kudsk Steensen's Berl-Berl (macro photogrammetry and Unreal Engine), BOAR (Boston Dynamics' Spot robot adapted with AI plus AR visualization), and the living artwork Pollinator Pathmaker LAS Edition (over 7,000 plants of 80 varieties across 722 square metres at Museum für Naturkunde Berlin, computed via a custom pollinator-foraging algorithm). The Sensing Quantum multi-year programme and the terra0 Autonomous Forest blockchain-governed forest-stewardship project anchor its 2025–2026 strategic focus.
Revenue is generated through donations and philanthropy (the primary model, with tax-deductible receipts for contributions over €300), NFT sales for the Autonomous Forest project priced at 0.08–0.1 ETH, Verein membership fees of €50 per year requiring formal identification and active participation, and bespoke corporate partnership models. Works are distributed through an international network of museum and institutional partnerships including Fondation Beyeler, Grand Palais, OGR Torino, Kraftwerk Berlin, Halle am Berghain, and Ateneo Veneto, alongside the LAS Online Programme. The Sensing Quantum programme received the European Commission's S+T+ARTS Grand Prize for Innovative Collaboration in 2025.
LAS Art Foundation firmographics
Firmographics- Name
- LAS Art Foundation
- Legal name
- Light Art Space gGmbH
- Website
- https://las-art.foundation
- Company type
- Private
- Founded year
- 2019
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- Berlin-based non-profit LAS Art Foundation, founded in 2019, commissions contemporary art at the intersection of art, science, and technology. It supports artists with extended research access to quantum computing, AI, and biotechnology, and distributes works through major European museum partnerships.
- Ownership category
- akta.pro rank
LAS Art Foundation industry classification
Industry- Product category
- Contemporary Art Foundation
- NAICS
- Museums, Historical Sites, and Similar Institutions (7121), Performing Arts Companies (7111), Independent Artists, Writers, and Performers (71151)
- SIC
- Services-Mailing, Reproduction, Commercial Art & Photography (7330)
- akta.pro primary industry
- Digital Arts & Design (Graphic Design, Illustration, Animation) (EDAMAAAB)
- akta.pro secondary industries
- Crafts & Maker Arts (Ceramics, Textiles, Jewelry, Mixed Media) (EDAMAAAD), Visual Arts (Drawing, Painting, Illustration) (EDAAAGAA), Arts, Crafts & Maker Fairs (MPAGAFAJ)
Keywords
Where LAS Art Foundation is headquartered
LocationHeadquarters
- HQ city
- Berlin
- HQ country
- Germany
- HQ region
- Europe
Offices1 record
Markets served
LAS Art Foundation business model
Business model- GTM type
- B2B and B2C
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Technology or R&D, Infrastructure
Revenue model
- Donations and Philanthropy: As a non-profit organization, LAS relies on charitable donations from individuals and organizations. Donation receipts are provided for tax purposes, with special provisions for amounts over €300.
- NFT Sales (Autonomous Forest): The Autonomous Forest project sells NFTs priced between 0.08 and 0.1 ETH, which serve as both artworks and membership tokens for the community DAO, supporting the Verein financially for future forest land purchases.
- Verein Membership Fees: Ordinary membership in the Autonomous Forest association requires formal identification, an annual fee of €50, and active participation in meetings.
- Corporate Partnerships: LAS develops individual models for corporate partners to facilitate long-term engagement, bespoke benefits and maximum visibility as part of the LAS cosmos.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| Transaction based/ take rate | One-time purchase | Autonomous Forest NFT - Entry Level |
| Subscription | Annual | Autonomous Forest Verein Membership |
| Other | One-time or recurring | Donations |
Distribution channels4 records
Marketing channels7 records
LAS Art Foundation product offering
Product offeringCore offering
LAS Art Foundation commissions and presents large-scale contemporary art installations and performances that operate at the intersection of art, science, and technology. It supports artists through extended research and development phases, providing access to quantum computing, AI researchers, and scientific collaborators, and presents the resulting works through exhibitions at international cultural institutions, public symposia, publications, and an online programme. Its offerings include immersive installations (e.g., WE FELT A STAR DYING, Berl-Berl, Ent-), living artworks (Pollinator Pathmaker LAS Edition), blockchain-governed ecological projects (Autonomous Forest/terra0), robotic performances (BOAR), the multi-year Sensing Quantum programme, and the Interspecies Future podcast.
Product overview
LAS Art Foundation operates as an arts organization commissioning and presenting technology-driven artistic projects. The portfolio includes commissioned installations and exhibitions such as WE FELT A STAR DYING (multi-sensory quantum-themed installation), Pollinator Pathmaker LAS Edition (algorithmic pollinator garden), Autonomous Forest (blockchain-governed land art), The Phantom Combatants (multimedia installation), Berl-Berl (wetlands installation), Ent- (quantum computing artwork), and BOAR (robotic performance). Supporting programmes include the Sensing Quantum multi-year initiative exploring quantum technologies through art, and the Interspecies Future podcast examining human-nonhuman relationships. The organization functions as a non-profit arts foundation, not as a technology product company.
Differentiator
Problem solved
Functional benefit
Products and services
- WE FELT A STAR DYING Multi-sensory art installation by Laure Prouvost exploring quantum phenomena and sensitivity to cosmic and planetary forces. Combines video, sound, scent, and sculpture in an immersive environment, developed using a new AI model trained on quantum computation data. Presented at Kraftwerk Berlin, Grand Palais Paris (as Nous, frissons d'étoiles), and OGR Torino.
- Autonomous Forest (terra0) Blockchain-based living artwork and techno-legal entity that reimagines ecological regeneration through collective, DAO-governed land ownership. NFTs priced 0.08–0.1 ETH serve as both artworks and DAO membership tokens, enabling stewards of forest land.
- The Phantom Combatants and the Metabolism of Disobedient Organs Multimedia installation by Natasha Tontey exploring resistance through biological enhancement and ancestral ritual. Combines video, sound, sculpture, and architectural elements designed by Giulia Foscari (UNA/UNLESS), using quantum ghost imaging, LiDAR, 3D photogrammetry, and thermal cameras.
- Pollinator Pathmaker LAS Edition Living artwork by Alexandra Daisy Ginsberg featuring over 7,000 plants of 80 varieties planted across a 722-square-metre plot at Museum für Naturkunde Berlin. Uses a custom algorithm to compute garden schemes that support the maximum number of pollinator species, with the algorithm released for public use at pollinator.art.
- Sensing Quantum Programme Multi-year artistic programme exploring quantum phenomena through installations, symposia, and publications. Examines how artistic practice can open perceptual and conceptual pathways into quantum technologies and their implications. Awarded the European Commission's 2025 S+T+ARTS Grand Prize for Innovative Collaboration.
- Berl-Berl Immersive installation by Jakob Kudsk Steensen exploring Berlin's origins as a 10,000-year-old wetland formed by a glacial valley. Uses macro photogrammetry and Unreal Engine to create a 3D audiovisual world with sound by Arca and Matt McCorkle.
- Ent- 360-degree immersive installation by Libby Heaney using self-written quantum code to manipulate and animate watercolor paintings, merging them with quantum-native images to create hybrid organisms, breathing landscapes, and exploding structures in a black box environment, with sound composition by Nabihah Iqbal.
- BOAR Robotic performance by Federico Díaz and J.M. Ledgard exploring AI evolution and interspecies relationships. Uses Boston Dynamics' Spot robot adapted with AI to imitate wild boar behavior, combined with AR visualization of virtual data landscapes.
- Interspecies Future Podcast Podcast series featuring 8 episodes exploring interdisciplinary perspectives on interspecies relationships and technology's role in promoting empathy between humans and non-human species. Features conversations with researchers, artists, and scientists from multiple disciplines.
- LAS Online Programme Online programme presenting internet-based works including digital media, interactive games, and augmented reality applications, extending LAS's reach globally beyond physical exhibition venues.
Quantifiable outcome
- The Sensing Quantum programme received the European Commission's S+T+ARTS Grand Prize for Innovative Collaboration in 2025
- +1 more outcomes
Companies that use LAS Art Foundation
Customer profileSegments3 records
Ideal customer profiles5 records
LAS Art Foundation technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration4 records
AI capability9 records
Feature2 records
LAS Art Foundation partnerships and signals
Strategic signalPartnerships
Ten partnerships are on record, tiered major, core and supporting.
- Grand PalaismajorPresented Laure Prouvost's We Felt A Star Dying in a new iteration titled 'Nous, frissons d'étoiles'. The exhibition is produced by GrandPalaisRmn.
- Fondation BeyelermajorPresented Pierre Huyghe's first solo exhibition in a Swiss museum, bringing together new artworks, recent films, and early works. The exhibition includes Liminals, a major LAS commission.
- Hartwig Art FoundationmajorCo-commissioned Pierre Huyghe's Liminals, following its first presentation at Halle am Berghain in Berlin.
- Amos RexcoreCo-commissioned Natasha Tontey's The Phantom Combatants and the Metabolism of Disobedient Organs for the Biennale di Venezia. The work will return to Helsinki for an Amos Rex exhibition in 2027.
- OGR TorinocoreCo-commissioned Laure Prouvost's We Felt A Star Dying, which was presented at OGR Torino from autumn 2025 to spring 2026 before its Paris presentation.
- Museum für Naturkunde BerlincoreLong-term partnership for the Pollinator Pathmaker LAS Edition, presented in the museum's forecourt. The museum's scientists collaborated with Alexandra Daisy Ginsberg to select plants suitable for Berlin's pollinators.
- Schering StiftungmajorPresented Libby Heaney's Ent-, a 360-degree immersive installation exploring quantum computing as both medium and subject matter.
- Eden ProjectcoreOriginal commissioner of Pollinator Pathmaker. LAS is an International Edition Founding Commissioner of this growing global network of gardens.
- Google Arts & CulturesupportingCollaborator on the original Pollinator Pathmaker project, supporting the artistic and technological development.
- Lead Education Partner (unnamed)supportingListed as lead education partner for the WE FELT A STAR DYING exhibition.
Recent moves6 records
Expansion highlights2 records
LAS Art Foundation competitors and assessment
Company assessmentDirect peers
- KW Institute for Contemporary Art: Berlin-based contemporary art institute commissioning exhibitions and programmes with a focus on experimental and research-based practice — directly comparable mission and operating context to LAS.
- Palais de Tokyo: Paris-based centre for contemporary art commissioning large-scale, ambitious installations and exhibitions. Comparable to LAS in commissioning ambition and working with major artists at industrial-scale venues.
- ZKM | Center for Art and Media Karlsruhe: Germany-based research and exhibition centre at the intersection of art and technology. Highly comparable to LAS in commissioning AI, media, and technology-driven art with research collaborations and international exhibitions.
- TBA21 (Thyssen-Bornemisza Art Contemporary): International contemporary art foundation commissioning ambitious, research-driven projects with ocean/ecology focus. Comparable non-profit foundation structure and commissioning model to LAS.
- Rhizome: Organisation commissioning, preserving, and exhibiting born-digital and net art. Comparable to LAS's online programming, Pollinator Pathmaker digital garden tool, and engagement with internet-based artistic practices.
- Haus der Kulturen der Welt: Berlin-based institution producing exhibitions and discursive programmes at the intersection of art, science, ecology, and technology. Highly comparable in geography, scale, and thematic focus with LAS.
- Serpentine Galleries: London-based contemporary art organisation commissioning ambitious technology-engaged projects (e.g., Serpentine Pavilion, AI/tech collaborations) with global institutional partners — directly comparable to LAS's commissioning model and international reach.
- Ars Electronica: Long-running Linz-based institution commissioning art at the intersection of technology, science, and society, with a major annual festival and Prix Ars Electronica awards — directly analogous to LAS's Sensing Quantum and exhibition programming.
- Hartwig Art Foundation: European art foundation co-commissioning major artists (including Pierre Huyghe's Liminals with LAS). Directly comparable peer foundation collaborating on large-scale contemporary art commissions.
- HEK Basel (House of Electronic Arts): Swiss institution dedicated to commissioning and exhibiting media, digital, and electronic art. Comparable to LAS's focus on AI, digital, and technologically mediated art practices.
Market position
Strengths4 records
Weaknesses4 records
Competitive moat5 records
Key risks5 records
Key highlights6 records
Customer concentration
LAS Art Foundation social profiles
Digital presenceLAS Art Foundation financial estimates
Financial estimateRevenue estimate
Valuation estimate
LAS Art Foundation leadership team
Management profileNumber of profiles
Profiles4 records
LAS Art Foundation funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
LAS Art Foundation M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about LAS Art Foundation
What does LAS Art Foundation do?
LAS Art Foundation commissions and presents large-scale contemporary art installations and performances that operate at the intersection of art, science, and technology. It supports artists through extended research and development phases, providing access to quantum computing, AI researchers, and scientific collaborators, and presents the resulting works through exhibitions at international cultural institutions, public symposia, publications, and an online programme. Its offerings include immersive installations (e.g., WE FELT A STAR DYING, Berl-Berl, Ent-), living artworks (Pollinator Pathmaker LAS Edition), blockchain-governed ecological projects (Autonomous Forest/terra0), robotic performances (BOAR), the multi-year Sensing Quantum programme, and the Interspecies Future podcast.
Is LAS Art Foundation a public or private company?
LAS Art Foundation is a private company. It is classified as nonprofit foundation owned and is currently operating.
When was LAS Art Foundation founded?
LAS Art Foundation was founded in 2019. It employs 11 to 50 people.
Where is LAS Art Foundation based?
LAS Art Foundation is headquartered in Berlin, Germany, in the Europe region.
How does LAS Art Foundation make money?
Four revenue lines are on record. Donations and Philanthropy is the primary driver. The others are NFT Sales (Autonomous Forest), verein Membership Fees and corporate Partnerships.
Who are LAS Art Foundation's main competitors?
Direct peers on record are KW Institute for Contemporary Art, Palais de Tokyo, ZKM | Center for Art and Media Karlsruhe, TBA21 (Thyssen-Bornemisza Art Contemporary), Rhizome, Haus der Kulturen der Welt, Serpentine Galleries, Ars Electronica, Hartwig Art Foundation and HEK Basel (House of Electronic Arts).
Does LAS Art Foundation have an API?
No public API is recorded for LAS Art Foundation.
What industry is LAS Art Foundation in?
LAS Art Foundation's product category is Contemporary Art Foundation. Its primary akta.pro industry code is EDAMAAAB, Digital Arts & Design (Graphic Design, Illustration, Animation), with a secondary code of EDAMAAAD, Crafts & Maker Arts (Ceramics, Textiles, Jewelry, Mixed Media). Its NAICS code is 7121 and its SIC code is 7330.