SOMMOS Arte Brasileira

What SOMMOS Arte Brasileira does

SOMMOS Arte Brasileira (legal name: SOMMOS Arte e Cultura Brasileira S.A.) is a Rio de Janeiro-based private company that operates a digital platform for aggregating, integrating, and distributing Brazilian cultural and artistic content across audiovisual, music, visual arts, and literature. The company's stated emphasis is on the management, protection, and remuneration of copyright and patrimonial rights (Direitos Autorais e Patrimoniais) for Brazilian creators and rights holders, addressing what it identifies as a fragmentation problem in digital cultural content distribution. Founded in 2013 by Alexandre Agra, Ricardo Ribenboim, and Roberto Nunes — two of whom previously co-founded iMusica, a Brazilian digital music distribution platform — the company combines operating experience in digital media with cultural institution management (notably Ribenboim's prior role as Superintendent Director of Itaú Cultural).

The company operates two principal offerings: the core SOMMOS Arte e Cultura Brasileira platform and a sub-brand called SOMMOS AMAZÔNIA, which focuses on aggregating and promoting Amazonian cultural projects and content nationally and internationally. Both offerings share a unified mission of protecting and remunerating Brazilian cultural rights holders through digital distribution. The core technology is described as a digital content aggregation, integration, and distribution platform, though no proprietary features, API availability, or technical architecture details are publicly disclosed. There are no app store listings, SDKs, or AI/ML capabilities mentioned in available materials.

The business model targets Brazilian creators and rights holders in the audiovisual, music, visual arts, and literature sectors as its primary vertical segment. The company has 11-50 employees, raised approximately $481,602 in disclosed funding across two May 2023 rounds (with investors undisclosed), and operates primarily in Brazil with stated international ambitions. No pricing model, revenue figures, named customer logos, or specific distribution channel details are publicly available, limiting visibility into commercial traction.

Name

SOMMOS Arte Brasileira

Legal name

SOMMOS Arte e Cultura Brasileira S.A.

Website

https://sommos.art.br

Company type

Private

Founded year

2013

Operating status

Operating

Headcount range

11–50 employees

Short description

SOMMOS Arte Brasileira operates a digital content aggregation, integration, and distribution platform for Brazilian cultural and artistic content (audiovisual, music, visual arts, literature), with a focus on copyright and patrimonial rights management for creators and rights holders.

Ownership category

akta.pro rank

Product category

Digital Cultural Content Distribution & Rights Management

NAICS

Music Publishers (51223), Music Publishers (512230), Record Production and Distribution (51225)

SIC

Books: Publishing Or Publishing & Printing (2731), Miscellaneous Publishing (2741), Services-Motion Picture & Video Tape Distribution (7822)

akta.pro primary industry

Creator Licensing & Rights Monetization (UGC Licensing, Music/Video Rights) (MPACAFAK)

akta.pro secondary industries

Publishing Administration (Catalog Admin, Global Subpublishing) (MPAIABAB), Contracting, Licensing & Rights Management (Music/Performance Releases) (HSACAHAM)

Keywords

• Digital content distribution
• Cultural rights management
• Brazilian audiovisual content
• Creative economy services
• Copyright royalty management

Headquarters

HQ city

Rio De Janeiro

HQ country

Brazil

HQ region

Latin America

Markets served

GTM type

B2B

Offering type

Digital Commerce or Content

Cost components

Personnel, Technology or R&D, Operations, Marketing or Sales

Core offering

SOMMOS Arte e Cultura Brasileira aggregates, integrates, and digitally distributes Brazilian cultural and artistic content across audiovisual, music, visual arts, and literature categories. Its core service is the management, protection, and remuneration of copyright and patrimonial rights for Brazilian creators and rights holders, delivered through a digital content distribution platform supplemented by a specialized Amazonian cultural-heritage initiative (SOMMOS AMAZÔNIA).

Product overview

SOMMOS Arte e Cultura Brasileira operates as a unified digital content distribution platform that aggregates, integrates, and distributes Brazilian cultural and artistic content across audiovisual, music, visual arts, and literature. The core SOMMOS platform serves as the primary offering focused on copyright management and digital content distribution, while SOMMOS AMAZÔNIA functions as a specialized sub-brand dedicated to promoting Amazonian cultural heritage and projects. Both offerings share the mission of protecting and remunerating Brazilian cultural rights holders.

Differentiator

Problem solved

Functional benefit

Brands

• SOMMOS AMAZÔNIA: Project focused on aggregation, development, and articulation of Amazonian cultural projects, with dedicated executive and institutional relations directors.

Products and services

• SOMMOS Arte e Cultura Brasileira Platform Digital aggregation, integration, and distribution platform for Brazilian cultural and artistic content across audiovisual, music, visual arts, and literature, with integrated copyright and patrimonial rights management, protection, and remuneration services for Brazilian creators and rights holders.
• SOMMOS AMAZÔNIA Specialized sub-brand initiative focused on the diffusion of Amazonian cultural and artistic potential, developing cultural projects and actions throughout Brazil and internationally for the promotion of the Amazon region's cultural assets.

Segments1 record

Ideal customer profiles1 record

Technology focussed Yes

API detail

Has API

No

API docs

API detail

Core technology

AI maturity

App detail

Recent moves4 records

Expansion highlights4 records

Broad incumbents

• Kobalt Music Group: Global independent music publisher and rights administration platform serving songwriters and catalogs. Comparable technology-driven approach to rights administration, royalty collection, and global sub-publishing.
• Deezer: Global music streaming platform with meaningful Brazilian user base and rights licensing relationships. Comparable as a downstream consumer-facing channel that interacts with the rights-administration layer SOMMOS targets.
• Believe: Major global digital music company providing distribution, publishing administration, and label services to independent artists and labels. A larger incumbent operating in the same distribution-plus-rights space SOMMOS targets in Brazil.
• Spotify: Dominant global music streaming platform with a substantial Brazilian user base and an active self-distribution tooling program for independent artists. Comparable as the principal downstream consumer platform whose licensing terms shape the economics of rights administration.

Regional players

• Altafonte: Independent music distributor and rights administrator headquartered in Latin America and Spain, focused on Spanish- and Portuguese-language repertoire. Comparable as a regional distribution-plus-rights peer serving similar Latin cultural content.
• Cultura Artística: Long-standing Brazilian cultural institution supporting the production and circulation of performing and visual arts. Comparable as a Brazilian cultural-content intermediary with a related audience of rights holders and creators.

Direct peers

• Songtrust: Global music publishing administration platform that registers works with collection societies and collects royalties on behalf of songwriters. Closely comparable to SOMMOS's publishing-administration function within its broader platform.
• iMusica: Brazilian digital music platform co-founded by SOMMOS's own founders (Alexandre Agra and Roberto Nunes). Direct technological and category peer — its existence in the same founders' portfolio is both a comparable benchmark and a potential cannibalisation/conflict signal.
• ONErpm: Global music distribution and rights management company with strong Latin American presence. Comparable business model combining digital distribution, publishing administration, and creator monetisation across multiple markets.
• Tratore: Brazilian independent music distributor and aggregator that handles digital distribution and rights administration for Brazilian artists and labels. Directly comparable on the music-distribution-plus-rights-administration value proposition SOMMOS offers.

Market position

Strengths4 records

Weaknesses4 records

Competitive moat2 records

Key risks5 records

Key highlights5 records

Customer concentration

Revenue estimate

Valuation estimate

Number of profiles

Profiles5 records

Funding overview

Funding rounds2 records

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about SOMMOS Arte Brasileira