ScreenDaily
Screen Daily is a London-based global film industry trade publication serving film professionals, distributors, and enthusiasts with news, reviews, festival coverage, and box office analysis via subscriptions, newsletters, events, and awards.
- Company typePrivate
- Founded1975
- HeadquartersLondon, United Kingdom
- Headcount51–100
- GTM typeB2B
- OfferingDigital Commerce or Content
What ScreenDaily does
Screen Daily (legally Media Business Insight Limited, also known as Screen International and Screen) is a London-headquartered trade publication serving the international film industry, founded in 1975 and operated as a privately held UK private limited company. Its core product is a multi-channel editorial platform covering film news, reviews, features, festival reporting (Cannes, Berlin, Venice, Toronto, Sundance, Annecy, among 20+ festivals globally), box office analysis, and awards coverage (Oscars, BAFTAs, Golden Globes, Emmys, BIFAs, European Film Awards) across UK & Ireland, North America, Europe, Asia Pacific, Middle East & Africa, and Latin America. The underlying platform delivers content via a website with freemium access, monthly print editions, digital editions, seven email newsletters (UK/Euro Daily, Fest Dailies, US Daily, Breaking News, Awards Countdown, Asia Pacific Weekly), a podcast, and a YouTube channel, backed by a 16+ year editorial archive.
Revenue is generated primarily through subscription (individual and corporate print+digital bundles, priced in Sterling, Euros, and US Dollars with credit/debit and Direct Debit billing), supplemented by advertising on the five-articles-per-month free tier. The business extends beyond publishing into a broader media ecosystem including Screen Summit (annual industry conference), Global Production Awards (annual awards programme), Stars of Tomorrow (emerging talent supplement), World of Locations (production location guide), Screen Network (community platform), UK In Focus, and The Brit 50. Customer segments include film industry professionals (production, distribution, exhibition, sales), film enthusiasts, and producers/investors, served via a self-serve freemium-to-paid digital funnel alongside direct print sales.
ScreenDaily firmographics
Firmographics- Name
- ScreenDaily
- Legal name
- Media Business Insight Limited
- Website
- https://screendaily.com
- Company type
- Private
- Founded year
- 1975
- Operating status
- Operating
- Headcount range
- 51–100 employees
- Short description
- Screen Daily is a London-based global film industry trade publication serving film professionals, distributors, and enthusiasts with news, reviews, festival coverage, and box office analysis via subscriptions, newsletters, events, and awards.
- Ownership category
- akta.pro rank
Where ScreenDaily is headquartered
LocationHeadquarters
- HQ city
- London
- HQ country
- United Kingdom
- HQ region
- Europe
Offices1 record
Markets served
ScreenDaily business model
Business model- GTM type
- B2B
- Offering type
- Digital Commerce or Content
- Cost components
- Personnel, Operations, Marketing or Sales, Technology or R&D
Revenue model
- Print Subscription: Monthly print editions delivered to subscribers with awards season weeklies and exclusive supplements
- Digital Subscription: Online access to content including breaking news, archives spanning over 16 years, and digital-only features
- Subscription Bundles: Combined print and digital packages providing access to both physical magazine and online content
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| Subscription | Monthly | Individual Subscription with print and digital access |
Distribution channels4 records
Marketing channels10 records
ScreenDaily product offering
Product offeringCore offering
ScreenDaily is a daily trade publication serving the global film industry with news, reviews, features, festival reporting, and box office analysis distributed via a website, email newsletters, and digital archive. It publishes content aimed at industry professionals covering production, distribution, exhibition, and finance across international film markets.
Product overview
Screen Daily is a film industry trade publication delivered through a single unified platform offering multiple content channels. The core offering comprises news, reviews, features, festival coverage, box office reporting, and awards coverage across global territories. Supplementary offerings include The Screen Podcast (audio content), Digital Editions (online magazines), The Screen Summit (annual conference), Global Production Awards (industry awards), Stars of Tomorrow (talent supplement), World of Locations (production locations guide), and Screen Network (regional content). Revenue is generated primarily through subscriptions (print and digital), with advertising supporting the free content tiers. The publication covers the complete film and TV industry value chain including production, distribution, funding, streaming, exhibition, sales, and TV sectors.
Differentiator
Problem solved
Functional benefit
Brands
- Screen Network: Network initiative featuring film industry talent and location showcases
- Stars of Tomorrow
- World of Locations
- Global Production Awards
- Screen Summit
- The Screen Podcast
- UK In Focus
Products and services
- Screen Daily Digital Subscription
- Daily Email Newsletters
- The Screen Podcast
- Digital Archive Access
Quantifiable outcome
- Daily newsletters covering multiple regions: UK/Euro Daily, Fest Dailies, US Daily, Breaking News, Awards Countdown, Asia Pacific Weekly
Companies that use ScreenDaily
Customer profileSegments3 records
Ideal customer profiles1 record
ScreenDaily technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
ScreenDaily partnerships and signals
Strategic signalScale indicators2 records
Recent moves6 records
Expansion highlights5 records
ScreenDaily competitors and assessment
Company assessmentDirect peers
- Variety: Leading global entertainment trade publication providing film industry news, reviews, festival coverage, and box office data to the same professional audience as Screen Daily. Operates a paid subscription plus advertising model with both print and digital editions, directly competing for institutional subscribers worldwide.
- The Hollywood Reporter: Major film and entertainment industry trade publication delivering news, reviews, awards-season coverage (Oscars, Emmys) and box office reporting to industry professionals. Comparable subscription plus advertising model and overlapping coverage of festivals and awards make it a direct competitor for institutional readership.
- Cineuropa: Brussels-based European film industry trade site providing news, reviews, festival coverage, and industry analysis for European cinema professionals. Direct competitor in the European film market and closely overlaps with Screen Daily's Europe territorial coverage.
- Box Office Pro: Specialty trade publication focused on theatrical exhibition and box office analysis, with reporting and data products used by exhibitors and distributors. Overlaps with Screen Daily's dedicated box office coverage of international, UK, and US markets.
- IndieWire: Independent film-focused trade outlet providing reviews, festival coverage (Sundance, SXSW, Tribeca), and industry news. Targets much of the same festival and indie production audience as Screen Daily's coverage of independent cinema and international festivals.
- The Wrap: Entertainment industry news site covering film, TV, and streaming, with reviews, box office data, and industry analysis. Competes for film industry professional readership with Screen Daily, particularly in North American and online-first coverage.
- Deadline: Film and television industry news site providing breaking news, reviews, festival coverage, and box office data. Sells subscriptions under Deadline Pro and competes directly with Screen Daily for film industry professionals in the US and internationally.
Emerging players
- Realscreen: Trade publication covering unscripted, documentary, and factual content industries with festival news (Sheffield Doc/Fest, IDFA) and market intelligence. Partial overlap with Screen Daily's documentary and TV coverage of the wider screen industry.
- Animation Magazine: Niche trade publication covering the animation industry globally with news, reviews, and festival reporting (including Annecy). Adjacent peer with partial overlap on Screen Daily's animation festival and feature coverage.
Others
- IMDbPro: Subscription data and credits tool for film and TV industry professionals, providing cast/crew, company, and project information. Serves the same institutional buyer personas but as a workforce data product rather than editorial journalism, making it an adjacent ecosystem player rather than a direct content competitor.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat4 records
Key risks6 records
Key highlights6 records
Customer concentration
ScreenDaily social profiles
Digital presenceScreenDaily financial estimates
Financial estimateRevenue estimate
Valuation estimate
ScreenDaily leadership team
Management profileNumber of profiles
Profiles3 records
ScreenDaily funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
ScreenDaily M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about ScreenDaily
What does ScreenDaily do?
ScreenDaily is a daily trade publication serving the global film industry with news, reviews, features, festival reporting, and box office analysis distributed via a website, email newsletters, and digital archive. It publishes content aimed at industry professionals covering production, distribution, exhibition, and finance across international film markets.
Is ScreenDaily a public or private company?
ScreenDaily is a private company. It is classified as unknown and is currently operating.
When was ScreenDaily founded?
ScreenDaily was founded in 1975. It employs 51 to 100 people.
Where is ScreenDaily based?
ScreenDaily is headquartered in London, United Kingdom, in the Europe region.
How does ScreenDaily make money?
Three revenue lines are on record. Print Subscription is the primary driver. The others are digital Subscription and subscription Bundles.
Who are ScreenDaily's main competitors?
Direct peers on record are Variety, The Hollywood Reporter, Cineuropa, Box Office Pro, IndieWire, The Wrap and Deadline. Emerging players are Realscreen and Animation Magazine. IMDbPro is listed as an others.
Does ScreenDaily have an API?
No public API is recorded for ScreenDaily.