The Hope Theatre
The Hope Theatre is a 50-seat black-box fringe theatre in Islington, London, founded in 2013, that runs a seven-nights-a-week programme of new writing, revivals, and festivals (Write Club, WIP Week, BokFest, North Sapph-Fest) while hosting visiting production companies, with no public subsidy.
- Company typePrivate
- Founded2013
- HeadquartersIslington, United Kingdom
- Headcount11–50
- GTM typeB2C
- OfferingServices
What The Hope Theatre does
The Hope Theatre is a 50-seat black-box fringe theatre operating on the first floor of the Grade II-listed Hope and Anchor pub on Upper Street in Islington, London, founded in November 2013. It functions as both a producing and receiving house, staging in-house productions while hosting visiting companies, festivals, and artist development programmes. Core programming consists of new writing, lost gems, re-polished classics, and innovatively staged musicals running seven nights a week, alongside four signature artist development festivals: Write Club (January, 25-30 productions), BokFest (June, 6-8 plays run by associate company Springbok Production House), WIP Week (July, up to 12 artists), and North Sapph-Fest. Run lengths range from one-night fringe previews to four-week productions, and productions have historically transferred to West End venues including Charing Cross Theatre and the Arts Theatre, evidencing a track record of developing commercially viable work.
The theatre operates an event-driven go-to-market with a no-hire-charges venue hire model for visiting companies, with minimum guarantees against box office splits. Revenue is generated primarily through ticket sales priced typically £10-£18 per seat and transacted via the TicketSource online platform and on-site box office, supplemented by patron donations offered on a one-time, monthly, or yearly basis. The venue provides in-house technical and front-of-house support, marketing and press guidance, and reduced-price rehearsal space to visiting producers. The customer base spans three primary segments: visiting theatre companies and independent producers (the operational B2B counterparties), emerging writers and artists (the artist development funnel), and the broader theatre-going audience (the consumer revenue base), with a particular emphasis on LGBTQ+ programming.
The company is led by co-artistic directors Laurel Marks and Toby Hampton (appointed 2024), succeeding Phil Bartlett (2021-2024), Kennedy Bloomer (2019-2021), and inaugural director Matthew Parker (2013-2019). It receives no regular public or private subsidy and is staffed by approximately 12 named individuals covering artistic leadership, general management, technical operations, and box office. The venue is associated with Springbok Production House as its resident associate company.
The Hope Theatre firmographics
Firmographics- Name
- The Hope Theatre
- Legal name
- The Hope Theatre
- Website
- https://thehopetheatre.com
- Company type
- Private
- Founded year
- 2013
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- The Hope Theatre is a 50-seat black-box fringe theatre in Islington, London, founded in 2013, that runs a seven-nights-a-week programme of new writing, revivals, and festivals (Write Club, WIP Week, BokFest, North Sapph-Fest) while hosting visiting production companies, with no public subsidy.
- Ownership category
- akta.pro rank
The Hope Theatre industry classification
Industry- Product category
- Fringe Theatre Venue
- NAICS
- Promoters of Performing Arts, Sports, and Similar Events with Facilities (71131), Performing Arts Companies (7111), Theater Companies and Dinner Theaters (71111)
- akta.pro primary industry
- Theater & Performing Arts Venue Operations (Playhouses, Opera Houses) (MPAGALAB)
- akta.pro secondary industries
- Touring Theatre Productions (MPAGABAC), Event Operations & Venue Services (Box Office, FOH/BOH, Concessions) (MPAIAFAL), Venue Guest Services & Front-of-House Operations (Ushers, Box Office, Accessibility) (MPAGALAK)
Keywords
Where The Hope Theatre is headquartered
LocationHeadquarters
- HQ city
- Islington
- HQ country
- United Kingdom
- HQ region
- Europe
Offices1 record
Markets served
The Hope Theatre business model
Business model- GTM type
- B2C
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Infrastructure, Technology or R&D
Revenue model
- Ticket Sales: Primary revenue stream from advance and door ticket sales for all productions. Box office operates online via TicketSource and at venue.
- Donations: The theatre relies on donations from patrons and supporters, actively soliciting contributions through their website.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| One time/ perpetual license | Pay-as-you-go | Standard tickets for Girls Who Like Boys Who Dig Boys Who Like Girls |
| One time/ perpetual license | Pay-as-you-go | Standard tickets for The Wake |
| One time/ perpetual license | Pay-as-you-go | WIP Week tickets for Orestes |
| One time/ perpetual license | Pay-as-you-go | Preview tickets for multi-week productions |
| One time/ perpetual license | Pay-as-you-go | Concession tickets |
Go-to-market motion1 record
Distribution channels3 records
Marketing channels4 records
The Hope Theatre product offering
Product offeringCore offering
The Hope Theatre operates an award-winning 50-seater black-box fringe theatre venue above the Hope and Anchor pub in Islington, London, hosting in-house productions, visiting company runs, and an artist development programme anchored by Write Club, WIP Week, BokFest, and North Sapph-Fest. The venue offers visiting companies a hire programme with no hire charges, minimum guarantees against box-office splits, technical and front-of-house support, and marketing assistance, complemented by advance and door ticket sales and a donation-funded operating model.
Product overview
The Hope Theatre is a fringe theatre venue offering a 50-seater black-box performance space above the Hope and Anchor pub in Islington, London. The venue programme includes in-house productions, visiting company presentations, and a portfolio of artist development initiatives: Write Club (annual new writing festival in January with 25-30 productions), WIP Week (work-in-progress festival in July featuring up to 12 artists), BokFest (queer new writing festival in June run by associate company Springbok Production House), North Sapph-Fest (lesbian/queer festival), and Fringe Previews (pre-Edinburgh preview performances in July). The venue operates a full venue hire programme offering visiting companies the theatre space with no hire charges, minimum guarantees against box office splits, rehearsal space, technical support, front-of-house staffing, marketing and press guidance.
Differentiator
Problem solved
Functional benefit
Brands
- Write Club: Yearly festival of new work held in January that highlights bold new stories with BIG ideas. Open to anyone with a piece of writing waiting for debut performance or theatre makers with new ideas.
- WIP Week
- BokFest
Products and services
- Theatre Venue (50-seater Black-Box) An award-winning 50-seater black-box performance space on the first floor of the Hope and Anchor pub, hosting in-house productions, visiting companies, and offering run lengths from one night to four weeks with in-house technical support and front-of-house staff.
- Write Club Annual new writing festival held in January showcasing up to 30 productions selected by the Literary Team, offering runs of two to four shows or rehearsed readings with venue support and networking opportunities.
- WIP Week Work-in-progress festival held every July where up to 12 artists stage new performances across one week, with no hire charges and optional development support from the venue.
- BokFest Festival of queer new writing run annually in June by associate company Springbok Production House, producing 6-8 plays in a short-run format across 4 weeks.
- North Sapph-Fest Festival celebrating lesbian and queer narratives featuring multiple productions across several weeks.
- Fringe Previews Preview performances in July for productions heading to Edinburgh Fringe, with runs lasting 2-5 days.
- Venue Hire Programme Rental programme offering the black-box space to visiting companies with benefits including no hire charges, minimum guarantees against box office splits, reduced-price rehearsal space, in-house technician, trained front-of-house staff, marketing support, and budget planning advice.
- Artist Development Programme Support initiatives including Write Club festival, WIP Week, networking events, and artist mailing list with access to opportunities and special deals.
Quantifiable outcome
- Productions have transferred to West End venues including Charing Cross Theatre and Arts Theatre
- +1 more outcomes
Companies that use The Hope Theatre
Customer profileNamed customers5 records
Segments4 records
Ideal customer profiles4 records
The Hope Theatre technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration1 record
The Hope Theatre partnerships and signals
Strategic signalPartnerships
One partnership is on record.
- Springbok Production HousecoreAssociate company of The Hope Theatre that runs BokFest, an annual festival of queer new writing. Springbok Production House operates independently but has a close relationship with The Hope Theatre, producing 6-8 plays in short run format across 4 weeks at the venue each June.
Scale indicators5 records
Recent moves8 records
Expansion highlights6 records
The Hope Theatre competitors and assessment
Company assessmentBroad incumbents
- Soho Theatre: Larger London fringe venue operating its own producing arm, bar and multiple performance spaces; overlaps with The Hope on new writing, LGBTQ+ programming and emerging-comedy talent but at materially greater scale.
- Bush Theatre: Established West London new-writing theatre with a similar focus on emerging writers and a track record of West End transfers; larger and more institutional than The Hope but overlapping in mission and audience.
Direct peers
- The Finborough Theatre: Small London fringe theatre (under 80 seats) with a comparable new-writing and visiting-company programme, similar ticketing economics and a parallel awards profile in the OffWestEnd and London Pub Theatre circuits.
- Park Theatre: Independent North London theatre (Finsbury Park) operating two auditoria with a similar new-writing and emerging-company focus, comparable ticketing economics and West End transfer track record.
- The Arcola Theatre: Independent East London fringe theatre with a comparable new-writing focus, visiting-company programme and similar scale of operation, plus an active artist-development ethos.
- King's Head Theatre: Long-running pub theatre in Islington that operates on a similarly intimate scale with a comparable mix of new writing, visiting companies, and West End transfer ambitions — The Hope's most direct local analogue.
- The Old Red Lion Theatre: Pub-format fringe venue in Islington with comparable seating capacity, programming mix of new writing and visiting productions, and a similar position in the London pub-theatre circuit.
- The Pleasance Theatre Islington: Fringe venue with strong Edinburgh Fringe preview programming — directly overlapping with The Hope's Fringe Previews product and similar emerging-talent positioning.
- The Gate Theatre (Notting Hill): Small independent London fringe theatre with a comparable mix of new writing, visiting companies and limited-run productions in a similarly constrained seating format.
- Jermyn Street Theatre: Compact London theatre known for receiving Hope transfers (e.g. THRILL ME) and operating at a comparable intimate scale with a similar new-writing and visiting-company model.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat5 records
Key risks6 records
Key highlights6 records
Customer concentration
The Hope Theatre social profiles
Digital presenceThe Hope Theatre financial estimates
Financial estimateRevenue estimate
Valuation estimate
The Hope Theatre leadership team
Management profileNumber of profiles
Profiles4 records
The Hope Theatre funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
The Hope Theatre M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about The Hope Theatre
What does The Hope Theatre do?
The Hope Theatre operates an award-winning 50-seater black-box fringe theatre venue above the Hope and Anchor pub in Islington, London, hosting in-house productions, visiting company runs, and an artist development programme anchored by Write Club, WIP Week, BokFest, and North Sapph-Fest. The venue offers visiting companies a hire programme with no hire charges, minimum guarantees against box-office splits, technical and front-of-house support, and marketing assistance, complemented by advance and door ticket sales and a donation-funded operating model.
Is The Hope Theatre a public or private company?
The Hope Theatre is a private company. It is classified as unknown and is currently operating.
When was The Hope Theatre founded?
The Hope Theatre was founded in 2013. It employs 11 to 50 people.
Where is The Hope Theatre based?
The Hope Theatre is headquartered in Islington, United Kingdom, in the Europe region.
How does The Hope Theatre make money?
Two revenue lines are on record. Ticket Sales are the primary driver. The others are donations.
Who are The Hope Theatre's main competitors?
Broad incumbents on record are Soho Theatre and Bush Theatre. Direct peers are The Finborough Theatre, Park Theatre, The Arcola Theatre, King's Head Theatre, The Old Red Lion Theatre, The Pleasance Theatre Islington, The Gate Theatre (Notting Hill) and Jermyn Street Theatre.
Does The Hope Theatre have an API?
No public API is recorded for The Hope Theatre.
What industry is The Hope Theatre in?
The Hope Theatre's product category is Fringe Theatre Venue. Its primary akta.pro industry code is MPAGALAB, Theater & Performing Arts Venue Operations (Playhouses, Opera Houses), with a secondary code of MPAGABAC, Touring Theatre Productions. Its NAICS code is 71131.