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MAKROPOL

Full company profile

uuid002rs74

Namestring
MAKROPOL
Legal namestring
MAKROPOL
Websiteurl
makropol.dk
Company typeenum
Private
Founded yearint
2012
Descriptiontext

MAKROPOL is a Copenhagen-based storytelling collective founded in 2012 that produces immersive cinematic experiences spanning virtual reality, extended reality, AI-enabled installations, volumetric-captured transmedia projects, and feature film. Its product portfolio — which includes SHADOW, A Taste of Hunger VR, End of Night, REFLECTOR, About A Hero, and the Honeymoon in Pompeii transmedia project — combines photorealistic VR capture, interactive multi-user (up to four participant) VR environments, volumetric recording, and AI-assisted non-fiction installations. Production values are benchmarked to feature film, with team members drawn from the Royal Danish Filmschool and the crews of internationally released features such as Melancholia and Antichrist.

The studio generates revenue through a mix of one-time project licensing (co-productions with film companies such as Zentropa), theatrical and festival screening fees (CinemaxX in Denmark, plus Cannes, Tribeca, Venice, and CLICK), permanent and short-run museum/cultural installations (The Danish Jewish Museum), and grant funding from Nordic public institutions including Nordic Filmfund and Danish Innovationfund. Distribution is primarily event-driven — premiering at international festivals before wider cinema or museum rollout — supplemented by earned media, a newsletter, and social channels operated by individual team members. Pricing is bespoke per project; no standardized product pricing is published.

Customers span enterprise film partners (Zentropa, CinemaxX), government/cultural institutions (The Danish Jewish Museum), and indirect consumer audiences reached through festival, cinema, and museum channels. The studio maintains strategic research alliances with Aalborg University and The Royal Danish Filmschool that double as talent and methodology pipelines. MAKROPOL operates as a privately held, founder-controlled collective with no disclosed equity investors and a sub-10-person headcount.

Short descriptiontext

MAKROPOL is a Copenhagen-based storytelling collective founded in 2012 that produces cinematic VR, XR, and AI installations for film festivals, cinemas, and museums. It serves enterprise film partners, cultural institutions, and immersive-experience audiences across the Nordics and internationally.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
1–10
akta.pro rankint
HeadquartersCopenhagen, Denmark
HQ citystring
Copenhagen
HQ countrystring
Denmark
HQ regionstring
Europe
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
immersive VR experiences, XR cinema production, cinematic VR studio, VR film production, immersive media studio
Industry3 codes
1Interactive & Immersive Content Production (AR/VR/3D)
CodeBPAFAIALPrimaryYes
2VFX Production & Supervision (2D/3D, Compositing, FX, CG)
CodeMPADAHAAPrimaryNo
3Immersive/Spatial Audio Production (Dolby Atmos, 5.1/7.1, Binaural)
CodeMPAHAEAJPrimaryNo
NAICS code3 codes
  • Motion Picture and Video Production512110
  • Motion Picture and Video Production51211
  • Motion Picture and Video Industries5121
SIC code1 code
  • Services-Motion Picture & Video Tape Production7812
Product category
Immersive Media Production
GTM motion1 record

Each record includes

Type, Description, Source

Revenue model3 records
1Film/VR production projects
TypeOne Time License
Description

Makropol produces VR experiences, films, and immersive installations, often as co-productions with major film companies and funded by public institutions

makropol.dk
2Festival screenings and theatrical releases
TypeOne Time License
Description

Revenue from cinema screenings and festival circuit premieres

makropol.dk
3Public funding and grants
TypeLicensing Royalties
Description

Research projects supported by Nordic Filmfund, Danish Innovationfund, and other public bodies

makropol.dk
Marketing channels4 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels4 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components4 values
Personnel, Technology or R&D, Operations, Marketing or Sales
GTM typeB2B
B2B
Offering typeServices
Services
Core offering1 text field

MAKROPOL is a Copenhagen-based storytelling collective that designs, produces, and delivers cinematic VR experiences, XR cinema productions, AI-driven installations, and live immersive performances. Its work is premiered at international film festivals (Cannes, Tribeca, Venice), distributed theatrically through cinema chains such as CinemaxX, and installed in museums and cultural institutions such as The Danish Jewish Museum, often in co-production with major film companies and with support from public Nordic film and innovation funds.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 of 2 values shown
  • First national VR cinema experience in Danish theaters with Taste of Hunger VR
+1 more record
Product overview1 text field

MAKROPOL is a storytelling collective specializing in emerging technologies and immersive experiences. The company produces a portfolio of VR films, XR cinema experiences, AI-powered installations, and live performances. Their core offerings include narrative VR experiences like SHADOW and A Taste of Hunger VR, XR productions, and transmedia art projects. The portfolio is complemented by research initiatives like SCULPTING IN TIME AND SPACE and collaborative programs like TRAVERSE, demonstrating MAKROPOL's commitment to advancing cinematic XR storytelling.

Product and service14 records
1SHADOW
CategoryVR Experience
Description

An interactive cinematic VR experience that places the audience in the cockpit of a British RAF Mosquito bomber during the planned attack on the Shellhus in Copenhagen during WWII, requiring users to act as navigator facing an impossible choice with three possible outcomes. Released for VR headsets and selected cinemas.

2A Taste of Hunger VR
CategoryVR Experience
Description

A VR experience based on Christoffer Boe's film 'A Taste of Hunger', in which audiences step into 13 memories from the marriage of Maggie and Carsten through a kaleidoscopic, interactive VR journey designed for Oculus Quest headsets and theatrical VR screenings.

3End of Night
CategoryVR Film
Description

A VR film that competes on the international festival circuit, including Cannes and Tribeca, and is available as a permanent installation at The Danish Jewish Museum.

4REFLECTOR
CategoryAI Installation
Description

An installation combining artificial intelligence with installation art for non-fiction storytelling.

5About A Hero
CategoryFeature Film
Description

A feature film produced by MAKROPOL.

6ARTIFICIAL AWAKENING
CategoryLive Performance
Description

A collective live performance experience combining theater, performance, and emerging media.

7MARTYR
CategoryPerformance Dinner / VR
Description

A combined performance dinner and VR experience merging gastronomy and immersive media into a single staged event.

8DÖR
CategoryXR Cinema
Description

An XR cinema experience that blends extended reality with cinema presentation.

9ANTHROPIA
CategoryVR Art Installation / Performance
Description

A VR art installation and performance combining art, installation design, and immersive storytelling.

10The Shared Individual
CategoryLive VR Performance
Description

A live VR performance staged for theatrical audiences and screened at the Royal Theater of Denmark.

11Honeymoon in Pompeii
CategoryTransmedia Art Project
Description

A transmedia art project combining film, literature, sculpture, and VR, using volumetric recording technology to capture 3D content.

12VANDSPEJLET
CategoryVR Film
Description

A VR film co-produced with DR, described as a 'disaster forecast', shot on the Nokia OZO camera.

13Doom Room
CategoryVR Experience
Description

A VR experience exhibited at Chateau Motel in Copenhagen.

14TRAVERSE
CategoryVR Exhibition Program
Description

An annual co-created virtual reality exhibition laboratory that develops cross-media productions and methodologies for artistic collaboration.

Scale indicator4 records

Each record includes

Type, Value, Description, Source

Partnership5 partners
Strategic tierFlagshipTypeStrategic or Co-development PartnerAnnounced on2021-01-01
Description

Makropol and Zentropa co-produced Taste of Hunger VR, marking the first national VR cinema experience launched in Danish theaters. This partnership represents a significant collaboration between an innovative VR studio and Europe's largest film production company.

2Sven Vinge
Strategic tierMinorTypeStrategic or Co-development PartnerAnnounced on2020-01-01
Description

Transmedia art project collaboration with award-winning filmmaker and artist for Honeymoon in Pompeii, combining film, literature, sculpture, and VR.

makropol.dk
Strategic tierCoreTypeStrategic or Co-development PartnerAnnounced on2019-01-01
Description

Research partnership for the 3-year SCULPTING IN TIME AND SPACE project to map and analyze how cinematic XR utilizes new technologies, installation techniques, and performance design to bring audiences into new narratives.

4The Royal Danish Filmschool
Strategic tierCoreTypeStrategic or Co-development PartnerAnnounced on2019-01-01
Description

Academic partner in the SCULPTING IN TIME AND SPACE research project, combining industry expertise with educational research to advance XR storytelling methodologies.

makropol.dk
5The National Filmschool of Denmark
Strategic tierMinorTypeStrategic or Co-development PartnerAnnounced on2017-01-01
Description

Collaboration to introduce film students to immersive storytelling through workshops on physical films and VR production techniques.

makropol.dk
Recent move1 record

Each record includes

Date, Type, Title, Description, Source

Expansion highlight5 records

Each record includes

Type, Description

Peers10 records
TypeDirect peer
Description

French VR studio focused on location-based immersive experiences and narrative VR. Comparable to MAKROPOL's model of producing cinematic VR installations for museums, cultural venues, and festivals with a similar boutique European production approach.

TypeDirect peer
Description

US-based VR animation and interactive storytelling studio (Asteroids!, Invasion!). Comparable to MAKROPOL: produces premium narrative/interactive VR content with Hollywood-caliber talent, though focused on animation rather than photorealistic cinematic VR.

TypeDirect peer
Description

Canadian immersive media studio producing high-profile VR films and series (Space Explorers, The Changing Face of Mars). Direct comparable to MAKROPOL: cinematic VR production with major festival presence and demand for premium photorealistic immersive content.

TypeDirect peer
Description

Danish immersive studio producing VR and XR experiences for cultural and commercial clients. Comparable to MAKROPOL: similar Nordic geography, comparable focus on VR/AR production for museums and cultural institutions.

TypeEmerging player
Description

US-based studio producing innovative VR experiences (Virtual Virtual Reality, The Under Presents). Comparable to MAKROPOL in the immersive VR space, though with stronger emphasis on interactive/game-like experiences rather than narrative VR films.

6Atlas V
TypeDirect peer
Description

Atlas V is a French immersive content studio producing award-winning VR narratives (Spheres, Gloomy Eyes, Battlescar). Direct comparable to MAKROPOL: independent studio producing premium cinematic VR experiences for festivals and exhibition, with similar co-production and grant-funded model.

TypeEmerging player
Description

Immersive content studio producing VR journalism and documentaries. Comparable to MAKROPOL in immersive nonfiction VR production, though operating at larger scale as part of Yahoo/RYOT.

TypeDirect peer
Description

US studio producing VR journalism, immersive documentaries, and interactive experiences. Comparable to MAKROPOL: focuses on immersive nonfiction and narrative VR, with exhibition at major venues and festivals, though based in the US market.

TypeDirect peer
Description

US VR studio producing narrative VR experiences (Allumette, The Rose). Comparable to MAKROPOL in cinematic narrative VR production, though primarily focused on animated VR content rather than live-action photorealism.

TypeDirect peer
Description

Khora is a Copenhagen-based VR studio producing immersive experiences for cultural institutions, museums, and enterprise. Direct comparable to MAKROPOL: same Copenhagen geography, similar focus on cultural-sector VR installations and museum partnerships.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat5 records

Each record includes

Type, Details

Key risks6 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers3 records

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment3 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile3 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
Yes
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Feature3 records

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles6 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

MAKROPOL

Immersive Media Productionmakropol.dk

MAKROPOL is a Copenhagen-based storytelling collective founded in 2012 that produces cinematic VR, XR, and AI installations for film festivals, cinemas, and museums. It serves enterprise film partners, cultural institutions, and immersive-experience audiences across the Nordics and internationally.

What MAKROPOL does

MAKROPOL is a Copenhagen-based storytelling collective founded in 2012 that produces immersive cinematic experiences spanning virtual reality, extended reality, AI-enabled installations, volumetric-captured transmedia projects, and feature film. Its product portfolio — which includes SHADOW, A Taste of Hunger VR, End of Night, REFLECTOR, About A Hero, and the Honeymoon in Pompeii transmedia project — combines photorealistic VR capture, interactive multi-user (up to four participant) VR environments, volumetric recording, and AI-assisted non-fiction installations. Production values are benchmarked to feature film, with team members drawn from the Royal Danish Filmschool and the crews of internationally released features such as Melancholia and Antichrist.

The studio generates revenue through a mix of one-time project licensing (co-productions with film companies such as Zentropa), theatrical and festival screening fees (CinemaxX in Denmark, plus Cannes, Tribeca, Venice, and CLICK), permanent and short-run museum/cultural installations (The Danish Jewish Museum), and grant funding from Nordic public institutions including Nordic Filmfund and Danish Innovationfund. Distribution is primarily event-driven — premiering at international festivals before wider cinema or museum rollout — supplemented by earned media, a newsletter, and social channels operated by individual team members. Pricing is bespoke per project; no standardized product pricing is published.

Customers span enterprise film partners (Zentropa, CinemaxX), government/cultural institutions (The Danish Jewish Museum), and indirect consumer audiences reached through festival, cinema, and museum channels. The studio maintains strategic research alliances with Aalborg University and The Royal Danish Filmschool that double as talent and methodology pipelines. MAKROPOL operates as a privately held, founder-controlled collective with no disclosed equity investors and a sub-10-person headcount.

MAKROPOL firmographics

Firmographics
Name
MAKROPOL
Legal name
MAKROPOL
Website
https://makropol.dk
Company type
Private
Founded year
2012
Operating status
Operating
Headcount range
1–10 employees
Short description
MAKROPOL is a Copenhagen-based storytelling collective founded in 2012 that produces cinematic VR, XR, and AI installations for film festivals, cinemas, and museums. It serves enterprise film partners, cultural institutions, and immersive-experience audiences across the Nordics and internationally.
Ownership category
akta.pro rank

MAKROPOL industry classification

Industry
Product category
Immersive Media Production
NAICS
Motion Picture and Video Production (512110), Motion Picture and Video Production (51211), Motion Picture and Video Industries (5121)
SIC
Services-Motion Picture & Video Tape Production (7812)
akta.pro primary industry
Interactive & Immersive Content Production (AR/VR/3D) (BPAFAIAL)
akta.pro secondary industries
VFX Production & Supervision (2D/3D, Compositing, FX, CG) (MPADAHAA), Immersive/Spatial Audio Production (Dolby Atmos, 5.1/7.1, Binaural) (MPAHAEAJ)

Keywords

  • Immersive VR experiences
  • XR cinema production
  • Cinematic VR studio
  • VR film production
  • Immersive media studio

Where MAKROPOL is headquartered

Location

Headquarters

HQ city
Copenhagen
HQ country
Denmark
HQ region
Europe

Offices1 record

Markets served

MAKROPOL business model

Business model
GTM type
B2B
Offering type
Services
Cost components
Personnel, Technology or R&D, Operations, Marketing or Sales

Revenue model

  1. Film/VR production projects: Makropol produces VR experiences, films, and immersive installations, often as co-productions with major film companies and funded by public institutions
  2. Festival screenings and theatrical releases: Revenue from cinema screenings and festival circuit premieres
  3. Public funding and grants: Research projects supported by Nordic Filmfund, Danish Innovationfund, and other public bodies

Go-to-market motion1 record

Distribution channels4 records

Marketing channels4 records

MAKROPOL product offering

Product offering

Core offering

MAKROPOL is a Copenhagen-based storytelling collective that designs, produces, and delivers cinematic VR experiences, XR cinema productions, AI-driven installations, and live immersive performances. Its work is premiered at international film festivals (Cannes, Tribeca, Venice), distributed theatrically through cinema chains such as CinemaxX, and installed in museums and cultural institutions such as The Danish Jewish Museum, often in co-production with major film companies and with support from public Nordic film and innovation funds.

Product overview

MAKROPOL is a storytelling collective specializing in emerging technologies and immersive experiences. The company produces a portfolio of VR films, XR cinema experiences, AI-powered installations, and live performances. Their core offerings include narrative VR experiences like SHADOW and A Taste of Hunger VR, XR productions, and transmedia art projects. The portfolio is complemented by research initiatives like SCULPTING IN TIME AND SPACE and collaborative programs like TRAVERSE, demonstrating MAKROPOL's commitment to advancing cinematic XR storytelling.

Differentiator

Problem solved

Functional benefit

Products and services

  • SHADOW An interactive cinematic VR experience that places the audience in the cockpit of a British RAF Mosquito bomber during the planned attack on the Shellhus in Copenhagen during WWII, requiring users to act as navigator facing an impossible choice with three possible outcomes. Released for VR headsets and selected cinemas.
  • A Taste of Hunger VR A VR experience based on Christoffer Boe's film 'A Taste of Hunger', in which audiences step into 13 memories from the marriage of Maggie and Carsten through a kaleidoscopic, interactive VR journey designed for Oculus Quest headsets and theatrical VR screenings.
  • End of Night A VR film that competes on the international festival circuit, including Cannes and Tribeca, and is available as a permanent installation at The Danish Jewish Museum.
  • REFLECTOR An installation combining artificial intelligence with installation art for non-fiction storytelling.
  • About A Hero A feature film produced by MAKROPOL.
  • ARTIFICIAL AWAKENING A collective live performance experience combining theater, performance, and emerging media.
  • MARTYR A combined performance dinner and VR experience merging gastronomy and immersive media into a single staged event.
  • DÖR An XR cinema experience that blends extended reality with cinema presentation.
  • ANTHROPIA A VR art installation and performance combining art, installation design, and immersive storytelling.
  • The Shared Individual A live VR performance staged for theatrical audiences and screened at the Royal Theater of Denmark.
  • Honeymoon in Pompeii A transmedia art project combining film, literature, sculpture, and VR, using volumetric recording technology to capture 3D content.
  • VANDSPEJLET A VR film co-produced with DR, described as a 'disaster forecast', shot on the Nokia OZO camera.
  • Doom Room A VR experience exhibited at Chateau Motel in Copenhagen.
  • TRAVERSE An annual co-created virtual reality exhibition laboratory that develops cross-media productions and methodologies for artistic collaboration.

Quantifiable outcome

  • First national VR cinema experience in Danish theaters with Taste of Hunger VR
  • +1 more outcomes

Companies that use MAKROPOL

Customer profile

Named customers3 records

Segments3 records

Ideal customer profiles3 records

MAKROPOL technology and API

Technology

Technology focussed Yes

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Feature3 records

MAKROPOL partnerships and signals

Strategic signal

Partnerships

Five partnerships are on record, tiered flagship, minor and core.

  • ZentropaflagshipStrategic or Co-development Partner · 1 January 2021Makropol and Zentropa co-produced Taste of Hunger VR, marking the first national VR cinema experience launched in Danish theaters. This partnership represents a significant collaboration between an innovative VR studio and Europe's largest film production company.
  • Sven VingeminorStrategic or Co-development Partner · 1 January 2020Transmedia art project collaboration with award-winning filmmaker and artist for Honeymoon in Pompeii, combining film, literature, sculpture, and VR.
  • Aalborg UniversitycoreStrategic or Co-development Partner · 1 January 2019Research partnership for the 3-year SCULPTING IN TIME AND SPACE project to map and analyze how cinematic XR utilizes new technologies, installation techniques, and performance design to bring audiences into new narratives.
  • The Royal Danish FilmschoolcoreStrategic or Co-development Partner · 1 January 2019Academic partner in the SCULPTING IN TIME AND SPACE research project, combining industry expertise with educational research to advance XR storytelling methodologies.
  • The National Filmschool of DenmarkminorStrategic or Co-development Partner · 1 January 2017Collaboration to introduce film students to immersive storytelling through workshops on physical films and VR production techniques.

Scale indicators4 records

Recent moves1 record

Expansion highlights5 records

MAKROPOL competitors and assessment

Company assessment

Direct peers

  • Innerspace VR: French VR studio focused on location-based immersive experiences and narrative VR. Comparable to MAKROPOL's model of producing cinematic VR installations for museums, cultural venues, and festivals with a similar boutique European production approach.
  • Baobab Studios: US-based VR animation and interactive storytelling studio (Asteroids!, Invasion!). Comparable to MAKROPOL: produces premium narrative/interactive VR content with Hollywood-caliber talent, though focused on animation rather than photorealistic cinematic VR.
  • Felix & Paul Studios: Canadian immersive media studio producing high-profile VR films and series (Space Explorers, The Changing Face of Mars). Direct comparable to MAKROPOL: cinematic VR production with major festival presence and demand for premium photorealistic immersive content.
  • Anotherway: Danish immersive studio producing VR and XR experiences for cultural and commercial clients. Comparable to MAKROPOL: similar Nordic geography, comparable focus on VR/AR production for museums and cultural institutions.
  • Atlas V: Atlas V is a French immersive content studio producing award-winning VR narratives (Spheres, Gloomy Eyes, Battlescar). Direct comparable to MAKROPOL: independent studio producing premium cinematic VR experiences for festivals and exhibition, with similar co-production and grant-funded model.
  • Emblematic Group: US studio producing VR journalism, immersive documentaries, and interactive experiences. Comparable to MAKROPOL: focuses on immersive nonfiction and narrative VR, with exhibition at major venues and festivals, though based in the US market.
  • Penrose Studios: US VR studio producing narrative VR experiences (Allumette, The Rose). Comparable to MAKROPOL in cinematic narrative VR production, though primarily focused on animated VR content rather than live-action photorealism.
  • Khora Virtual Reality: Khora is a Copenhagen-based VR studio producing immersive experiences for cultural institutions, museums, and enterprise. Direct comparable to MAKROPOL: same Copenhagen geography, similar focus on cultural-sector VR installations and museum partnerships.

Emerging players

  • Tender Claws: US-based studio producing innovative VR experiences (Virtual Virtual Reality, The Under Presents). Comparable to MAKROPOL in the immersive VR space, though with stronger emphasis on interactive/game-like experiences rather than narrative VR films.
  • RYOT (within Yahoo): Immersive content studio producing VR journalism and documentaries. Comparable to MAKROPOL in immersive nonfiction VR production, though operating at larger scale as part of Yahoo/RYOT.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat5 records

Key risks6 records

Key highlights6 records

Customer concentration

MAKROPOL social profiles

Digital presence

MAKROPOL financial estimates

Financial estimate

Revenue estimate

Valuation estimate

MAKROPOL leadership team

Management profile

Number of profiles

Profiles6 records

MAKROPOL funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

MAKROPOL M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about MAKROPOL

What does MAKROPOL do?

MAKROPOL is a Copenhagen-based storytelling collective that designs, produces, and delivers cinematic VR experiences, XR cinema productions, AI-driven installations, and live immersive performances. Its work is premiered at international film festivals (Cannes, Tribeca, Venice), distributed theatrically through cinema chains such as CinemaxX, and installed in museums and cultural institutions such as The Danish Jewish Museum, often in co-production with major film companies and with support from public Nordic film and innovation funds.

Is MAKROPOL a public or private company?

MAKROPOL is a private company. It is classified as founder individual operated bootstrapped and is currently operating.

When was MAKROPOL founded?

MAKROPOL was founded in 2012. It employs 1 to 10 people.

Where is MAKROPOL based?

MAKROPOL is headquartered in Copenhagen, Denmark, in the Europe region.

How does MAKROPOL make money?

Three revenue lines are on record. Film/VR production projects are the primary driver. The others are festival screenings and theatrical releases and public funding and grants.

Who are MAKROPOL's main competitors?

Direct peers on record are Innerspace VR, Baobab Studios, Felix & Paul Studios, Anotherway, Atlas V, Emblematic Group, Penrose Studios and Khora Virtual Reality. Emerging players are Tender Claws and RYOT (within Yahoo).

Does MAKROPOL have an API?

No public API is recorded for MAKROPOL.

What industry is MAKROPOL in?

MAKROPOL's product category is Immersive Media Production. Its primary akta.pro industry code is BPAFAIAL, Interactive & Immersive Content Production (AR/VR/3D), with a secondary code of MPADAHAA, VFX Production & Supervision (2D/3D, Compositing, FX, CG). Its NAICS code is 512110 and its SIC code is 7812.

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