Big Ears
Big Ears is a Knoxville, Tennessee-based 501(c)(3) nonprofit that produces an annual four-day genre-defying music and arts festival across 20+ downtown venues, drawing 40,000+ attendees via tiered passes, donations, sponsorships, and merchandise.
- Company typePrivate
- Founded2009
- HeadquartersKnoxville, United States
- Headcount11–50
- GTM typeB2C
- OfferingServices
What Big Ears does
Big Ears is a 501(c)(3) nonprofit organization founded in 2009 by Ashley Capps in Knoxville, Tennessee, that produces an annual four-day music and arts festival each spring. The flagship event presents nearly 250 concerts, film screenings, talks, literary events, workshops, and art installations across 20+ venues in downtown Knoxville, drawing 40,000+ attendees and generating a disclosed $68.9M in local annual economic impact. The organization is led by a 13-person staff and governed by a board of directors, with Ashley Capps serving as Executive & Artistic Director; other key personnel include Director of Operations Shelby Sandlin, Director of Development Sara Houchins, Director of Operations, Festival Booking Associate Sruly Lazaros, Film Program Curator Lily Keber, and Administrative Manager Morgan Fleming.
Big Ears sells access through tiered wristband-style passes (Weekend, Premier, Sonic Explorer VIP, Single-Day, Film-Only) priced across multiple tiers and a separately ticketed reserved-seat concert layer (headline acts at $60-$195 public). Distribution is direct-to-consumer through the official website via Front Gate Tickets, with Ticketmaster handling reserved-seat concerts and a Ticketmaster Verified Exchange for resale. The revenue model is a nonprofit hybrid: one-time pass sales, donation giving levels ranging from Voyager ($100-$499) to Icon ($10,000+), corporate sponsorships, and merchandise. Aux digital properties include the 'Big Ears: Conversations About Music' podcast, a mobile festival app, and a merchandise store.
The underlying technology stack is operational rather than differentiated: ticketing partnerships (Front Gate Tickets, Ticketmaster), donation processing (Bloomerang), and analytics (Google Analytics). There is no disclosed proprietary technology, AI/ML capability, or platform architecture. The organization's defensibility rests on curatorial reputation, venue relationships, founder credibility, and community ecosystem rather than technology. The 2026 edition was held March 26-29, 2026, and the 2027 edition is scheduled for April 1-4, 2027.
Big Ears firmographics
Firmographics- Name
- Big Ears
- Legal name
- Big Ears Festival
- Website
- https://bigearsfestival.org
- Company type
- Private
- Founded year
- 2009
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- Big Ears is a Knoxville, Tennessee-based 501(c)(3) nonprofit that produces an annual four-day genre-defying music and arts festival across 20+ downtown venues, drawing 40,000+ attendees via tiered passes, donations, sponsorships, and merchandise.
- Ownership category
- akta.pro rank
Big Ears industry classification
Industry- Product category
- Music and Arts Festival
- NAICS
- Promoters of Performing Arts, Sports, and Similar Events with Facilities (71131), Performing Arts Companies (7111)
- SIC
- Services-Amusement & Recreation Services (7900), Services-Miscellaneous Amusement & Recreation (7990)
- akta.pro primary industry
- Music Festival Organizers & Promoters (MPAGAAAB)
- akta.pro secondary industries
- Concerts & Music Festivals (THAJAFAA), Event Operations & Venue Services (Box Office, FOH/BOH, Concessions) (MPAIAFAL)
Keywords
Where Big Ears is headquartered
LocationHeadquarters
- HQ city
- Knoxville
- HQ country
- United States
- HQ region
- North America
Offices1 record
Markets served
Big Ears business model
Business model- GTM type
- B2C
- Offering type
- Services
- Cost components
- Personnel, Operations, Marketing or Sales, Technology or R&D, Infrastructure
Revenue model
- Festival Passes and Tickets: Revenue from selling festival wristbands/passes offering access to 250+ concerts, films, talks, and installations across four days at 20+ venues. Passes sold in tiers (Weekend, Premier, VIP) plus single-day options and separately ticketed reserved-seat concerts.
- Donations and Contributions: As a 501(c)(3) nonprofit, Big Ears relies on donor support. Multiple giving levels from Voyager ($100-499) to Icon ($10,000+) with corresponding benefits including early access to tickets, name listing, exclusive events, and VIP passes.
- Merchandise Sales: Official festival merchandise including t-shirts, coffee mugs, tote bags, and lineup posters sold through merchandise store, with VIP pass holders receiving complimentary merchandise packages.
- Corporate Sponsorships: Corporate sponsorship opportunities available for businesses seeking to align with the festival. Funded by donors and sponsors from the Knoxville community, private foundations, and government agencies.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| Subscription | Multi-year contract | 4-Day Weekend Pass - Access to all publicly announced events across four days |
| Subscription | Multi-year contract | 4-Day Premier Pass - Weekend benefits plus priority venue access and secret show notice |
| Subscription | Multi-year contract | 4-Day Sonic Explorer VIP Pass - Ultimate experience with reserved seating and exclusive events |
| Subscription | Pay-as-you-go | Single-Day Pass - Access to all events on a single festival day |
| Subscription | Pay-as-you-go | Film-Only Pass - Access to all film screenings at Regal Riviera |
| Unit Pricing | Pay-as-you-go | Separately Ticketed Concerts - Reserved-seat add-on performances |
Go-to-market motion1 record
Distribution channels4 records
Marketing channels6 records
Big Ears product offering
Product offeringCore offering
Big Ears produces and operates the Big Ears Festival, a four-day multi-venue music and arts festival held each spring in downtown Knoxville, Tennessee, presenting nearly 250 concerts, film screenings, talks, literary events, workshops, and art installations across 20+ historic theaters, churches, clubs, and galleries. Access to the festival is sold through tiered wristband-style passes (Weekend, Premier, Sonic Explorer VIP), single-day and film-only passes, and separately ticketed reserved-seat concerts featuring headlining artists. The 501(c)(3) nonprofit also operates a companion podcast, mobile festival app, merchandise store, and donor program to sustain its programming.
Product overview
Big Ears is a nonprofit music and arts festival organization presenting a multi-day flagship festival event. The core offering is the Big Ears Festival, a four-day event featuring nearly 250 performances across 20+ venues. Access is managed through tiered festival passes (Weekend, Premier, Sonic Explorer VIP, Single-Day, Film-Only) sold via Front Gate Tickets, with separately ticketed premium concerts. The organization also operates a podcast (Big Ears: Conversations About Music), a mobile festival app, and merchandise packages. The festival operates primarily as an in-person event with digital extensions through its podcast and app.
Differentiator
Problem solved
Functional benefit
Products and services
- Big Ears Festival The flagship four-day multi-venue music and arts festival featuring nearly 250 concerts, films, conversations, literary events, and art installations across 20+ downtown Knoxville venues for individual attendees and arts enthusiasts.
- Festival Passes (Weekend, Premier, Sonic Explorer VIP) Wristband-style passes for individual festival attendees providing access to 250+ concerts, films, talks, and installations, with tiered options including Weekend, Premier (with priority venue access and secret show notice), and Sonic Explorer VIP (with reserved seating, exclusive events, and merchandise package).
- Single-Day Festival Passes Day-specific festival passes for individual attendees providing access to all publicly announced Big Ears events on a chosen day, with a Premier level offering priority entry benefits.
- Film-Only Pass A pass granting access to all film screenings at Regal Riviera over the festival's four days plus entrance to all official Film Program talks, panels, and Q&As, sold at $90 ($71.15 base + $18.85 fees).
- Separately Ticketed Reserved-Seat Concerts Reserved-seat add-on performances sold via Ticketmaster featuring special headlining acts such as David Byrne and Robert Plant's Saving Grace, with preferred pricing tiers (P1-P4) for festival pass holders.
- Big Ears: Conversations About Music (Podcast) A companion podcast exploring the creative process, collaboration, and transformative power of music through one-on-one conversations, roundtables, and discussions with musicians, journalists, and community voices.
- Big Ears Festival Mobile App A mobile application for festival attendees providing maps, performance schedules, artist bios, and push notifications for pop-up performances during the event.
- Official Festival Merchandise Package Official branded festival merchandise including a t-shirt, coffee mug, lineup poster, and tote bag with a $100 value, available for pre-purchase or included with Sonic Explorer VIP passes.
Quantifiable outcome
- $68.9 million local annual economic impact
- +1 more outcomes
Companies that use Big Ears
Customer profileNamed customers1 record
Segments3 records
Ideal customer profiles3 records
Big Ears technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration5 records
Big Ears partnerships and signals
Strategic signalPartnerships
Five partnerships are on record, tiered core and minor.
- Front Gate TicketscoreOfficial ticketing provider for the Big Ears Festival. Handles all primary pass sales, order management, customer support, and wristband fulfillment for domestic customers.
- Ticketmaster Verified ExchangecoreOfficial resale partner enabling safe, verified ticket resale for fans unable to attend. Ensures authenticity of all resold passes.
- Visit KnoxvillecoreLocal tourism bureau partnership offering discounted hotel rates through a dedicated portal for festival attendees. Manages preferred hotel relationships for the festival.
- Two BikesminorBike rental partner offering patron bike rentals through the festival's partner program, supporting sustainable transportation for attendees.
- Tennesseans for the ArtsminorProud member of Tennesseans for the Arts, a statewide advocacy organization supporting arts and cultural programming.
Scale indicators8 records
Recent moves6 records
Expansion highlights5 records
Big Ears competitors and assessment
Company assessmentDirect peers
- Newport Jazz Festival: Long-running, prestigious US music festival with strong curatorial identity and jazz/experimental programming emphasis. Comparable in curatorial depth, established brand, and focus on adventurous rather than purely commercial lineups.
- Bonnaroo Music and Arts Festival: Multi-genre music and arts festival also founded by Ashley Capps / AC Entertainment. Most directly comparable given shared founder DNA, multi-stage format, and genre-spanning programming philosophy.
- Pitchfork Music Festival: Curated indie/alternative music festival with a strong editorial identity rooted in Pitchfork's tastemaker brand. Comparable on curatorial-first positioning and tight genre-focus.
- Treefort Music Fest: Multi-venue indie/experimental music festival in downtown Boise, Idaho. Comparable on intimate downtown walkable footprint, indie/genre-defying curation, and similar smaller scale.
- Le Guess Who? Festival: Multi-venue experimental and genre-crossing music festival in Utrecht, Netherlands. Often cited alongside Big Ears as a global benchmark for adventurous, non-commercial curation across avant, jazz, electronic, and global music.
- Hopscotch Music Festival: Multi-venue, indie/experimental music festival in downtown Raleigh, NC. Closely mirrors Big Ears's walkable downtown venue model, genre-defying curation across rock, jazz, electronic, and avant-garde, and intimate scale.
- Moogfest: Multi-venue festival celebrating electronic music, synthesis, and technology, with an experimental and avant-garde curatorial stance. Highly comparable niche positioning and intimate multi-venue format.
Broad incumbents
- Coachella Valley Music and Arts Festival: One of the largest and most commercially prominent US music festivals. Competes for similar adventurous headliners and overlapping attendee demographics, but at an order-of-magnitude larger scale and more commercial positioning.
- SXSW (South by Southwest): Massive multi-venue music, film, and technology festival in Austin, TX with a strong programming brand. Overlaps significantly on multi-venue downtown footprint and genre-spanning music programming, but at vastly larger scale and broader scope.
Emerging players
- Unsound Festival: Annual experimental music and arts festival in Poland with a strongly avant-garde curatorial identity. Frequently grouped with Big Ears in international press as a peer in the 'adventurous music festival' category.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat5 records
Key risks6 records
Key highlights7 records
Customer concentration
Big Ears social profiles
Digital presenceBig Ears compliance and trust
Trust signalCompliance1 record
Big Ears financial estimates
Financial estimateRevenue estimate
Valuation estimate
Big Ears leadership team
Management profileNumber of profiles
Profiles6 records
Big Ears funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Big Ears M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Big Ears
What does Big Ears do?
Big Ears produces and operates the Big Ears Festival, a four-day multi-venue music and arts festival held each spring in downtown Knoxville, Tennessee, presenting nearly 250 concerts, film screenings, talks, literary events, workshops, and art installations across 20+ historic theaters, churches, clubs, and galleries. Access to the festival is sold through tiered wristband-style passes (Weekend, Premier, Sonic Explorer VIP), single-day and film-only passes, and separately ticketed reserved-seat concerts featuring headlining artists. The 501(c)(3) nonprofit also operates a companion podcast, mobile festival app, merchandise store, and donor program to sustain its programming.
Is Big Ears a public or private company?
Big Ears is a private company. It is classified as nonprofit foundation owned and is currently operating.
When was Big Ears founded?
Big Ears was founded in 2009. It employs 11 to 50 people.
Where is Big Ears based?
Big Ears is headquartered in Knoxville, United States, in the North America region.
How does Big Ears make money?
Four revenue lines are on record. Festival Passes and Tickets are the primary driver. The others are donations and Contributions, merchandise Sales and corporate Sponsorships.
Who are Big Ears's main competitors?
Direct peers on record are Newport Jazz Festival, Bonnaroo Music and Arts Festival, Pitchfork Music Festival, Treefort Music Fest, Le Guess Who? Festival, Hopscotch Music Festival and Moogfest. Broad incumbents are Coachella Valley Music and Arts Festival and SXSW (South by Southwest). Unsound Festival is listed as an emerging player.
Does Big Ears have an API?
No public API is recorded for Big Ears.
What industry is Big Ears in?
Big Ears's product category is Music and Arts Festival. Its primary akta.pro industry code is MPAGAAAB, Music Festival Organizers & Promoters, with a secondary code of THAJAFAA, Concerts & Music Festivals. Its NAICS code is 71131 and its SIC code is 7900.