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King Gizzard & The Lizard Wizard

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uuid006av4b

Namestring
King Gizzard & The Lizard Wizard
Legal namestring
King Gizzard & The Lizard Wizard
Company typeenum
Private
Founded yearint
2010
Descriptiontext

King Gizzard & The Lizard Wizard is an Australian rock band founded in 2010 in Melbourne, operating as a privately held independent act with six core members and a touring crew. The band has released 28+ studio albums spanning multiple genres, with recent output including Phantom Island (2025), Flight b741 (2024), and The Silver Cord (2023), and an announced 28th album, Alien Metal, scheduled for late 2026. The underlying infrastructure centers on p(doom) Records, a self-owned independent label with operations in the US, Australia, and EU, enabling direct catalog control and multi-territory distribution. A distinguishing technical and cultural component is the Bootlegger program, which legally permits fans to download recordings, access stems, and create derivative fan content, functioning as a participatory ecosystem rather than a conventional DRM-restricted distribution model.

The business model combines recorded music sales (through p(doom) Records and select retailers), live touring (2026 Australian Tour anchored by the Croxton Block Party on October 17-18), merchandise, and licensing, with the Bootlegger program serving as both a fan acquisition and engagement layer rather than a direct revenue stream. In December 2025, the band withdrew its catalog from Spotify in protest of the platform's investments in AI music and defense technology, formalizing a direct-to-fan distribution stance and reducing platform dependency. Partnerships such as the July 2026 collaboration with climate non-profit FEAT, which allocates Block Party proceeds to climate initiatives, signal values-aligned commercial activity. Customer segments are individual music consumers and live event attendees across Australia, the US, and Europe, with no enterprise or institutional customer base identified in the available data.

Short descriptiontext

King Gizzard & The Lizard Wizard is an Australian rock band operating p(doom) Records, releasing 28+ studio albums and touring globally, with a direct-to-fan Bootlegger program and US/AU/EU label operations.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
1–10
akta.pro rankint
HeadquartersMelbourne, Australia
HQ citystring
Melbourne
HQ countrystring
Australia
HQ regionstring
Oceania
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
independent rock music, studio album releases, live concert tours, music merchandise retail, fan remix platform
Industry1 code
1Music Aggregators & DIY Distribution Platforms
CodeMPAIAAADPrimaryYes
NAICS code2 codes
  • Sound Recording Industries5122
  • Music Publishers512230
SIC code1 code
  • Retail-Record & Prerecorded Tape Stores5735
Product category
Independent Music
GTM motion2 records

Each record includes

Type, Description, Source

Revenue model4 records
1Music Sales (Digital and Physical)
TypeOne Time License
Description

Studio albums, live bootleg recordings, and demo collections sold through Bandcamp, their p(doom) Records website, and third-party retailers. Physical formats include vinyl, CD, and tapes.

kinggizzardandthelizardwizard.com
2Live Performances
TypeTransaction Fee
Description

Extensive touring with ticket sales for concerts, festival appearances, and curated events. 2026 Australian tour includes standard shows, late-night raves, and block parties.

kinggizzardandthelizardwizard.com
3Merchandise
TypeHardware Sales
Description

Official merchandise including apparel, accessories sold through p(doom) Records stores (US, AU, EU) and at shows.

kinggizzardandthelizardwizard.com
4Bootlegger Physical Releases
TypeMarketplace Commission
Description

Fans who create physical bootleg releases send copies to the band, who sell them in a special Bootleggers section of Gizzverse. Revenue share arrangement.

kinggizzardandthelizardwizard.com
Marketing channels7 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels6 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components5 values
Personnel, Operations, Marketing or Sales, Technology or R&D, Supply Chain
Pricing details1 tier
1Free Bootlegger Downloads
ModelFreemiumBilling cadencePay-as-you-go
Notes

All bootleg recordings, live shows, demos, and stems are free to download. Band provides raw audio stems and video files for fan remixes at no charge.

kinggizzardandthelizardwizard.com
GTM typeB2C
B2C
Offering typeServices
Services
Brand1 of 2 records shown
1p(doom) Records
Description

The band's own independent record label brand, operating in US, Australia, and EU markets for releasing music and merchandise.

kinggizzardandthelizardwizard.com
+1 more record
Core offering1 text field

King Gizzard & The Lizard Wizard is a recording and touring band that releases studio albums, EPs, remix albums, demo collections, and a concert film through their self-owned p(doom) Records imprint, with regional stores in the US, Australia, and the EU. They also operate a Bootlegger program that distributes free multi-track live recordings, stems, and video footage to fans for remixing, and run a 'Gizzverse Bootleggers' section enabling fans to produce and sell physical releases under a revenue-share model.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 value
  • $1 per Block Party ticket donated to habitat restoration on Lungtalanana Island
Product overview1 text field

King Gizzard & The Lizard Wizard is an Australian rock band offering a diverse portfolio of music products and experiences. Their core offerings include studio albums across multiple genres (rock, metal, electronic, folk, experimental) released through their own p(doom) Records label, live concert bootlegs distributed for free through their Bootlegger program, remix albums featuring external artists, concert films like Chunky Shrapnel, archival demo collections, and live event experiences including tours and curated festivals. The band maintains a direct-to-fan distribution model with global streaming presence on Spotify, Apple Music, Bandcamp, and YouTube.

Product and service7 records
1Studio Album Catalog (28 albums)
CategoryRecorded music
Description

A catalog of 28 studio albums issued since 2010 spanning multiple genres, released through the band's own p(doom) Records imprint with regional stores in the US, Australia, and the EU, sold to individual fans.

2Bootlegger Program
CategoryFan engagement / community platform
Description

A free program that distributes multi-track live recordings, stems, and video footage to fans for remixing, with a Gizzverse Bootleggers section enabling fans to produce and sell physical releases under a revenue-share arrangement with the band.

3Chunky Shrapnel (Concert Film)
CategoryConcert film / video
Description

A concert film produced by the band documenting live performances, released to fans.

4Demos Volume 1-8
CategoryDemo recordings
Description

Collections of demo recordings released by the band to fans.

5Butterfly 3001 (Remix Album)
CategoryRemix album
Description

A remix album tied to the Bootlegger program that releases fan-made and band remixes.

6Australian Tour 2026
CategoryLive performance
Description

A headline arena tour across Australia including standard shows, premium raves, and block parties, performed for fans.

7Field of Vision 2025 Festival Compilation
CategoryFestival compilation
Description

A compilation release associated with the band's headlined Field of Vision festival in 2025.

Scale indicator3 records

Each record includes

Type, Value, Description, Source

Partnership1 partner
Strategic tierMinorTypeStrategic or Co-development PartnerAnnounced on2026-07-27
Description

Partnership for environmental initiative: $1 from each Block Party ticket sale donated to habitat restoration on Lungtalanana Island in Tasmania. Aligns with band's environmental values and provides added value to environmentally conscious fans.

Recent move7 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight5 records

Each record includes

Type, Description

Peers10 records
1Primus
TypeDirect peer
Description

Long-running experimental rock band with an extensive catalog spanning multiple genres and frequent live tours. Comparable as a prolific, format-bending independent rock act sustained by touring and direct fan relationships.

TypeDirect peer
Description

Long-running, prolific jam/rock band with devoted fanbase and a pioneer of free live soundboard recordings and fan-driven distribution. Closely mirrors King Gizzard's combination of relentless touring, large catalog, and concert-first economics.

3Chance the Rapper
TypeEmerging player
Description

Independently released, label-free artist who monetized via touring, merchandise, and direct fan engagement across multiple releases. Comparable as a model case for a private, independent creator building full-stack income streams outside major-label distribution.

TypeBroad incumbent
Description

Legendary jam/rock band that institutionalized the fan-taping and live-bootleg culture, building one of music's most devoted communities over an extensive catalog. A historical benchmark for King Gizzard's Bootlegger program and community-first touring model.

TypeDirect peer
Description

Prolific jam band with a strong live-recording culture, active direct-to-fan archives, and continuous touring schedule. Comparable as a touring-first rock act with free live catalog and engaged collector fanbase.

6The Flaming Lips
TypeDirect peer
Description

Prolific, experimental indie rock band with self-released studio albums, ambitious live productions, and a long-running catalog of genre-spanning releases. The Flaming Lips also appear as remixers on King Gizzard's Butterfly 3001 album, demonstrating direct creative overlap.

7Wilco
TypeDirect peer
Description

Long-running independent rock band operating through its own label (dBpm Records) with a large catalog and active touring schedule. Comparable as an indie rock catalog owner with strong direct-to-fan identity and label ownership.

8Tool
TypeDirect peer
Description

Independent, slow-but-deep-output rock band operating largely outside the major-label system with a complex catalog and high album price points. Comparable as an independent rock act with strong studio-album economics and minimal streaming dependence.

9Radiohead
TypeDirect peer
Description

Experimental rock band known for self-releasing albums (e.g., In Rainbows pay-what-you-want) outside major-label distribution and operating their own direct channels. Comparable as an artist-first independent rock act that bypasses traditional label economics.

TypeDirect peer
Description

Australian psychedelic rock act with a strong studio-album cadence and headlining global tours. Directly comparable as a modern Australian psychedelic artist with global touring reach and studio-driven catalog value.

Market position
Strengths4 records

Each record includes

Headline, Details, Source

Weaknesses4 records

Each record includes

Headline, Details, Source

Competitive moat4 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers1 record

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment3 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile1 record

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Feature1 record

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles6 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

Subsidiaries1 record

Each record includes

Name, Acquired on, Relationship type, Type, Business focus

No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

King Gizzard & The Lizard Wizard

King Gizzard & The Lizard Wizard is an Australian rock band operating p(doom) Records, releasing 28+ studio albums and touring globally, with a direct-to-fan Bootlegger program and US/AU/EU label operations.

What King Gizzard & The Lizard Wizard does

King Gizzard & The Lizard Wizard is an Australian rock band founded in 2010 in Melbourne, operating as a privately held independent act with six core members and a touring crew. The band has released 28+ studio albums spanning multiple genres, with recent output including Phantom Island (2025), Flight b741 (2024), and The Silver Cord (2023), and an announced 28th album, Alien Metal, scheduled for late 2026. The underlying infrastructure centers on p(doom) Records, a self-owned independent label with operations in the US, Australia, and EU, enabling direct catalog control and multi-territory distribution. A distinguishing technical and cultural component is the Bootlegger program, which legally permits fans to download recordings, access stems, and create derivative fan content, functioning as a participatory ecosystem rather than a conventional DRM-restricted distribution model.

The business model combines recorded music sales (through p(doom) Records and select retailers), live touring (2026 Australian Tour anchored by the Croxton Block Party on October 17-18), merchandise, and licensing, with the Bootlegger program serving as both a fan acquisition and engagement layer rather than a direct revenue stream. In December 2025, the band withdrew its catalog from Spotify in protest of the platform's investments in AI music and defense technology, formalizing a direct-to-fan distribution stance and reducing platform dependency. Partnerships such as the July 2026 collaboration with climate non-profit FEAT, which allocates Block Party proceeds to climate initiatives, signal values-aligned commercial activity. Customer segments are individual music consumers and live event attendees across Australia, the US, and Europe, with no enterprise or institutional customer base identified in the available data.

King Gizzard & The Lizard Wizard firmographics

Firmographics
Name
King Gizzard & The Lizard Wizard
Legal name
King Gizzard & The Lizard Wizard
Website
https://kinggizzardandthelizardwizard.com
Company type
Private
Founded year
2010
Operating status
Operating
Headcount range
1–10 employees
Short description
King Gizzard & The Lizard Wizard is an Australian rock band operating p(doom) Records, releasing 28+ studio albums and touring globally, with a direct-to-fan Bootlegger program and US/AU/EU label operations.
Ownership category
akta.pro rank

King Gizzard & The Lizard Wizard industry classification

Industry
Product category
Independent Music
NAICS
Sound Recording Industries (5122), Music Publishers (512230)
SIC
Retail-Record & Prerecorded Tape Stores (5735)
akta.pro primary industry
Music Aggregators & DIY Distribution Platforms (MPAIAAAD)

Keywords

  • Independent rock music
  • Studio album releases
  • Live concert tours
  • Music merchandise retail
  • Fan remix platform

Where King Gizzard & The Lizard Wizard is headquartered

Location

Headquarters

HQ city
Melbourne
HQ country
Australia
HQ region
Oceania

Offices1 record

Markets served

King Gizzard & The Lizard Wizard business model

Business model
GTM type
B2C
Offering type
Services
Cost components
Personnel, Operations, Marketing or Sales, Technology or R&D, Supply Chain

Revenue model

  1. Music Sales (Digital and Physical): Studio albums, live bootleg recordings, and demo collections sold through Bandcamp, their p(doom) Records website, and third-party retailers. Physical formats include vinyl, CD, and tapes.
  2. Live Performances: Extensive touring with ticket sales for concerts, festival appearances, and curated events. 2026 Australian tour includes standard shows, late-night raves, and block parties.
  3. Merchandise: Official merchandise including apparel, accessories sold through p(doom) Records stores (US, AU, EU) and at shows.
  4. Bootlegger Physical Releases: Fans who create physical bootleg releases send copies to the band, who sell them in a special Bootleggers section of Gizzverse. Revenue share arrangement.

Pricing tiers

ModelBillingPrice
FreemiumPay-as-you-goFree Bootlegger Downloads

Go-to-market motion2 records

Distribution channels6 records

Marketing channels7 records

King Gizzard & The Lizard Wizard product offering

Product offering

Core offering

King Gizzard & The Lizard Wizard is a recording and touring band that releases studio albums, EPs, remix albums, demo collections, and a concert film through their self-owned p(doom) Records imprint, with regional stores in the US, Australia, and the EU. They also operate a Bootlegger program that distributes free multi-track live recordings, stems, and video footage to fans for remixing, and run a 'Gizzverse Bootleggers' section enabling fans to produce and sell physical releases under a revenue-share model.

Product overview

King Gizzard & The Lizard Wizard is an Australian rock band offering a diverse portfolio of music products and experiences. Their core offerings include studio albums across multiple genres (rock, metal, electronic, folk, experimental) released through their own p(doom) Records label, live concert bootlegs distributed for free through their Bootlegger program, remix albums featuring external artists, concert films like Chunky Shrapnel, archival demo collections, and live event experiences including tours and curated festivals. The band maintains a direct-to-fan distribution model with global streaming presence on Spotify, Apple Music, Bandcamp, and YouTube.

Differentiator

Problem solved

Functional benefit

Brands

  • p(doom) Records: The band's own independent record label brand, operating in US, Australia, and EU markets for releasing music and merchandise.
  • Bootlegger

Products and services

  • Studio Album Catalog (28 albums) A catalog of 28 studio albums issued since 2010 spanning multiple genres, released through the band's own p(doom) Records imprint with regional stores in the US, Australia, and the EU, sold to individual fans.
  • Bootlegger Program A free program that distributes multi-track live recordings, stems, and video footage to fans for remixing, with a Gizzverse Bootleggers section enabling fans to produce and sell physical releases under a revenue-share arrangement with the band.
  • Chunky Shrapnel (Concert Film) A concert film produced by the band documenting live performances, released to fans.
  • Demos Volume 1-8 Collections of demo recordings released by the band to fans.
  • Butterfly 3001 (Remix Album) A remix album tied to the Bootlegger program that releases fan-made and band remixes.
  • Australian Tour 2026 A headline arena tour across Australia including standard shows, premium raves, and block parties, performed for fans.
  • Field of Vision 2025 Festival Compilation A compilation release associated with the band's headlined Field of Vision festival in 2025.

Quantifiable outcome

  • $1 per Block Party ticket donated to habitat restoration on Lungtalanana Island

Companies that use King Gizzard & The Lizard Wizard

Customer profile

Named customers1 record

Segments3 records

Ideal customer profiles1 record

King Gizzard & The Lizard Wizard technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Feature1 record

King Gizzard & The Lizard Wizard partnerships and signals

Strategic signal

Partnerships

One partnership is on record.

  • FEAT (climate agency)minorStrategic or Co-development Partner · 27 July 2026Partnership for environmental initiative: $1 from each Block Party ticket sale donated to habitat restoration on Lungtalanana Island in Tasmania. Aligns with band's environmental values and provides added value to environmentally conscious fans.

Scale indicators3 records

Recent moves7 records

Expansion highlights5 records

King Gizzard & The Lizard Wizard competitors and assessment

Company assessment

Direct peers

  • Primus: Long-running experimental rock band with an extensive catalog spanning multiple genres and frequent live tours. Comparable as a prolific, format-bending independent rock act sustained by touring and direct fan relationships.
  • Phish: Long-running, prolific jam/rock band with devoted fanbase and a pioneer of free live soundboard recordings and fan-driven distribution. Closely mirrors King Gizzard's combination of relentless touring, large catalog, and concert-first economics.
  • Umphrey's McGee: Prolific jam band with a strong live-recording culture, active direct-to-fan archives, and continuous touring schedule. Comparable as a touring-first rock act with free live catalog and engaged collector fanbase.
  • The Flaming Lips: Prolific, experimental indie rock band with self-released studio albums, ambitious live productions, and a long-running catalog of genre-spanning releases. The Flaming Lips also appear as remixers on King Gizzard's Butterfly 3001 album, demonstrating direct creative overlap.
  • Wilco: Long-running independent rock band operating through its own label (dBpm Records) with a large catalog and active touring schedule. Comparable as an indie rock catalog owner with strong direct-to-fan identity and label ownership.
  • Tool: Independent, slow-but-deep-output rock band operating largely outside the major-label system with a complex catalog and high album price points. Comparable as an independent rock act with strong studio-album economics and minimal streaming dependence.
  • Radiohead: Experimental rock band known for self-releasing albums (e.g., In Rainbows pay-what-you-want) outside major-label distribution and operating their own direct channels. Comparable as an artist-first independent rock act that bypasses traditional label economics.
  • Tame Impala: Australian psychedelic rock act with a strong studio-album cadence and headlining global tours. Directly comparable as a modern Australian psychedelic artist with global touring reach and studio-driven catalog value.

Emerging players

  • Chance the Rapper: Independently released, label-free artist who monetized via touring, merchandise, and direct fan engagement across multiple releases. Comparable as a model case for a private, independent creator building full-stack income streams outside major-label distribution.

Broad incumbents

  • Grateful Dead: Legendary jam/rock band that institutionalized the fan-taping and live-bootleg culture, building one of music's most devoted communities over an extensive catalog. A historical benchmark for King Gizzard's Bootlegger program and community-first touring model.

Market position

Strengths4 records

Weaknesses4 records

Competitive moat4 records

Key risks5 records

Key highlights6 records

Customer concentration

King Gizzard & The Lizard Wizard social profiles

Digital presence

King Gizzard & The Lizard Wizard financial estimates

Financial estimate

Revenue estimate

Valuation estimate

King Gizzard & The Lizard Wizard leadership team

Management profile

Number of profiles

Profiles6 records

King Gizzard & The Lizard Wizard subsidiaries and ownership

Company hierarchy

Subsidiaries1 record

King Gizzard & The Lizard Wizard funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

King Gizzard & The Lizard Wizard M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about King Gizzard & The Lizard Wizard

What does King Gizzard & The Lizard Wizard do?

King Gizzard & The Lizard Wizard is a recording and touring band that releases studio albums, EPs, remix albums, demo collections, and a concert film through their self-owned p(doom) Records imprint, with regional stores in the US, Australia, and the EU. They also operate a Bootlegger program that distributes free multi-track live recordings, stems, and video footage to fans for remixing, and run a 'Gizzverse Bootleggers' section enabling fans to produce and sell physical releases under a revenue-share model.

Is King Gizzard & The Lizard Wizard a public or private company?

King Gizzard & The Lizard Wizard is a private company. It is classified as founder individual operated bootstrapped and is currently operating.

When was King Gizzard & The Lizard Wizard founded?

King Gizzard & The Lizard Wizard was founded in 2010. It employs 1 to 10 people.

Where is King Gizzard & The Lizard Wizard based?

King Gizzard & The Lizard Wizard is headquartered in Melbourne, Australia, in the Oceania region.

How does King Gizzard & The Lizard Wizard make money?

Four revenue lines are on record. Music Sales (Digital and Physical) is the primary driver. The others are live Performances, merchandise and bootlegger Physical Releases.

Who are King Gizzard & The Lizard Wizard's main competitors?

Direct peers on record are Primus, Phish, Umphrey's McGee, The Flaming Lips, Wilco, Tool, Radiohead and Tame Impala. Chance the Rapper is listed as an emerging player. Grateful Dead is listed as a broad incumbent.

Does King Gizzard & The Lizard Wizard have an API?

No public API is recorded for King Gizzard & The Lizard Wizard.

What industry is King Gizzard & The Lizard Wizard in?

King Gizzard & The Lizard Wizard's product category is Independent Music. Its primary akta.pro industry code is MPAIAAAD, Music Aggregators & DIY Distribution Platforms. Its NAICS code is 5122 and its SIC code is 5735.

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Live signals
BillboardKing Gizzard and the Lizard Wizard Bring Out Max Weinberg at Forest Hills StadiumKing Gizzard and the Lizard Wizard featured E Street Band drummer Max Weinberg as a surprise guest during their concert at Forest Hills Stadium in Queens on August 21. This appearance substituted for the band's regular collaborator Jay Weinberg, who was unavailable due to commitments in Nashville. The event marked part of the band's fourth consecutive year hosting three-night runs at the venue.Rolling StoneSee King Gizzard and the Lizard Wizard Bring Out Max Weinberg at Queens ShowKing Gizzard and the Lizard Wizard brought former E Street Band drummer Max Weinberg onstage as a surprise guest during their performance at Forest Hills Stadium in Queens. This appearance replaced Jay Weinberg, who was unavailable due to prior commitments, continuing a recent tradition of collaboration between the band and the Weinberg family. The event marked part of the band's three-night stand at the venue before they moved to Brooklyn for subsequent shows.Streamline FeedWhy King Gizzard's Hard Dance Experiment Changes the Alternative SceneAustralian psychedelic rock band King Gizzard & The Lizard Wizard released their 28th studio album, Alien Metal, on August 14, 2026, marking a radical pivot to hard dance and gabber sounds. This release abandons the group's traditional microtonal guitar style in favor of synthetic BPMs and drum machines, reflecting a broader industry trend of legacy acts adapting to streaming-dominated electronic markets.BillboardInside King Gizzard & The Lizard Wizard’s Hard Dance Experiment: ‘This Is Some Mad Scientist Sh–‘Australian band King Gizzard & The Lizard Wizard released their 28th studio album, Alien Metal, on August 14, marking a significant shift toward hard dance music using Eurorack modular synthesizers. The band spent considerable time developing the record in their Melbourne warehouse to create a unique sonic identity distinct from their previous rock-oriented work. Following this release, the group is scheduled to perform at the Field of Vision festival near Denver and in New York City.YahooInside King Gizzard & The Lizard Wizard’s Hard Dance Experiment: ‘This Is Some Mad Scientist Sh–‘Australian band King Gizzard & The Lizard Wizard released its 28th studio album, Alien Metal, marking a significant shift toward hard dance music using Eurorack modular synthesizers. The band spent considerable time developing the record in their Melbourne warehouse to achieve a distinct electronic identity while maintaining their DIY ethos. This release follows recent explorations into electronic sounds and precedes upcoming touring dates at the Field of Vision festival and in New York City.BillboardKing Gizzard Announce Australian Tour, a Rave Set, and a Block Party They CuratedKing Gizzard & the Lizard Wizard have announced a 2026 Australian tour opening October 13 at Anita's Theatre in Thirroul, featuring a headline show at Sydney's Hordern Pavilion, a late-night rave set at Liberty Hall, and a two-day band-curated Croxton Block Party in Melbourne on October 17-18. The tour coincides with the announcement of their 28th studio album 'Alien Metal,' due later this year on their own p(doom) Records. Ticket buyers will contribute $1 per Block Party ticket to habitat restoration on Lungtalanana Island in Tasmania through a partnership with climate agency FEAT.Stuff South AfricaKing Gizzard & The Lizard Wizard quit Spotify in protest, only for an AI doppelgänger to step inAustralian prog-rock band King Gizzard & The Lizard Wizard removed their music from Spotify in July 2024 to protest CEO Daniel Ek's investments in an AI weapons company, only to discover an AI-generated impersonator account called 'King Lizard Wizard' had replaced their music on the platform with identical titles, lyrics, and similar-sounding songs. The fake account went undetected for months, attracted significant streams, and was recommended by Spotify's algorithms until exposed by media and subsequently removed. The incident raises legal questions about copyright infringement and false association under trademark law, while highlighting how artists who leave platforms face the threat of being replaced by AI knockoffs, with Spotify protected from liability under US safe harbour laws.WestwordWeirdo Swarm: King Gizzard & the Lizard Wizard Has Colorado SpellboundAustralian band King Gizzard & the Lizard Wizard performed in Colorado, debuting their Field of Vision festival and touring with local orchestras while maintaining their prolific musical output. The event was marred by the tragic death of a fan, Matt Gawiak, who suffered cardiac arrest during the festival's inaugural evening. Despite the tragedy, the band and community rallied to support the deceased fan's family, highlighting the strong communal bond within the 'Weirdo Swarm' fanbase.The GuardianKing Gizzard and the Lizard Wizard join Spotify exodus over arms industry linkKing Gizzard and the Lizard Wizard announced they will pull their music from Spotify in protest against CEO Daniel Ek's links with the defence industry. The Australian psychedelic rock group joins the ongoing exodus of artists from the streaming service.YahooKing Gizzard & the Lizard Wizard Pulls Music From Spotify Over CEO’s Investment in ‘AI Military Drone Technology’: ‘Can We Put Pressure on These Dr. Evil Tech Bros?’King Gizzard & the Lizard Wizard removed all 27 studio albums, live albums, and compilations from Spotify, citing CEO Daniel Ek's investment in AI military drone technology. The band referenced Ek's ties to Helsing, where his fund raised over $600 million. They urged listeners to join another platform.