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Ejo-Cine

Full company profile

uuid00n23g2

Namestring
Ejo-Cine
Legal namestring
EJO-CINE
Websiteurl
ejocine.com
Company typeenum
Private
Founded yearint
2011
Descriptiontext

Ejo-Cine is a privately held, Rwandan-based cinema production company founded in 2011 and headquartered in Kigali. The company produces award-winning narrative short films centered on African stories dealing with communities, culture, diversity, and human rights, using traditional filmmaking workflows with no proprietary technology, AI, or platform disclosed. Its content library comprises Lyiza (2011), A Place for Myself (2016), and ICYASHA/Etiquette (2019), with Benimana currently in development.

The commercial model is project-based: Ejo-Cine generates revenue primarily through one-time film licensing deals with theatrical distributors and television networks, augmented by visibility and credibility derived from selections and wins at major international film festivals (Tribeca, Fespaco, Carthage). Theatrical and TV broadcast audiences constitute the end-consumer target, while theatrical exhibitors and TV networks form the B2B distribution counterparties. Pricing is project-based and not publicly disclosed, and there are no recurring subscription, SaaS, or platform components.

The company is operated by an undisclosed headcount team of producers, industry experts, and executives with 15+ years of combined track record. There is no disclosed external funding, parent company, or M&A activity. Distribution relies on direct sales into theatrical and broadcast channels plus festival screenings, with the company's WordPress website and social media channels (Instagram, Facebook, Twitter/X) serving as supplementary marketing surfaces.

Short descriptiontext

Ejo-Cine is a Kigali-based cinema production company founded in 2011 that produces award-winning narrative short films on African communities, culture, diversity, and human rights, distributing via international film festivals, theatrical releases, and television licensing.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
1–10
akta.pro rankint
HeadquartersKigali, Rwanda
HQ citystring
Kigali
HQ countrystring
Rwanda
HQ regionstring
Africa
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
film production, cinema production, short films, African cinema, narrative filmmaking
NAICS code1 code
  • Motion Picture and Video Production512110
Product category
Film Production
No data
GTM motion1 record

Each record includes

Type, Description, Source

Revenue model1 record
1Film Production and Distribution
TypeOne Time License
Description

Ejo-Cine produces award-winning films intended for theatrical and TV audiences. Revenue is generated through film production fees, licensing deals with theaters and TV networks, and potentially festival prizes and grants.

ejocine.com
Marketing channels5 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels3 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components5 values
Personnel, Operations, Marketing or Sales, Supply Chain, Others
GTM typeB2C
B2C
Offering typeServices
Services
Core offering1 text field

Ejo-Cine is a Rwandan-based independent cinema production company that produces award-winning short films intended for theatrical and TV audiences. Its portfolio comprises narrative short films including Lyiza (2011), A Place for Myself (2016), and ICYASHA (Etiquette) (2019), with a film titled Benimana currently in development. The company's films focus on themes of communities, culture, diversity, and human rights, and are produced in collaboration with Rwandan and African talents.

Differentiator
Functional benefit
Problem solved
Product overview1 text field

Ejo-Cine is a Rwandan-based cinema production company that produces award-winning short films for theatrical and TV audiences. The company operates as a single-product service model, offering individual film productions rather than a platform-based architecture. Their portfolio consists of distinct narrative short films including 'Lyiza' (2011), 'A place for Myself' (2016), 'ICYASHA (Etiquette)' (2019), and an in-development film 'Benimana'. The films focus on themes of communities, culture, diversity, and human rights, with particular emphasis on stories about African experiences and talents.

Product and service3 records
1Lyiza
CategoryShort Film
Description

A short film produced by Ejo-Cine in 2011, featured in the company's portfolio of award-winning cinema intended for theatrical and TV audiences.

2A Place for Myself
CategoryShort Film
Description

A 2016 short film following a young albino girl named Elikia who faces discrimination from classmates and neighborhood stereotypes while being encouraged by her mother to find her place in the world. Released by Ejo-Cine for theatrical and TV audiences.

3ICYASHA (Etiquette)
CategoryShort Film
Description

A 2019 short film following a twelve-year-old boy who loves football but is excluded from a neighborhood team due to his effeminate character, exploring themes of masculinity and childhood. Released by Ejo-Cine for theatrical and TV audiences.

Scale indicator2 records

Each record includes

Type, Value, Description, Source

Recent move5 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight4 records

Each record includes

Type, Description

Peers10 records
TypeBroad incumbent
Description

Africa's largest pay-TV operator and content producer through its Africa Magic channel. Comparable as the dominant acquirer and broadcaster of African film content, and a likely distribution partner for independent producers like Ejo-Cine seeking pan-African reach.

TypeDirect peer
Description

Nigerian film production and distribution company with theatrical and TV reach across West Africa. Comparable as an African film production and distribution business, though operating at much larger commercial scale and with a focus on Nollywood genre content.

TypeDirect peer
Description

Nigerian media and film production company producing narrative and commercial cinema for African and global audiences. Comparable as an African film production house targeting theatrical and TV distribution, though operating at significantly larger scale and with broader genre focus than Ejo-Cine.

TypeBroad incumbent
Description

African streaming service operated by MultiChoice, distributing African and international content across the continent. Comparable as a key digital distribution channel for African film productions seeking streaming revenue and audience reach.

5Kunle Afolayan Productions
TypeDirect peer
Description

Nigerian film production company founded by director Kunle Afolayan, producing narrative African cinema for theatrical audiences. Comparable as an independent African production house with festival-and-theatrical distribution ambitions and culturally-rooted storytelling.

6Muvi Studios
TypeRegional player
Description

Zambian film and TV production company producing narrative African content for Southern African audiences. Comparable as a regional African production house with similar narrative focus and theatrical/TV ambitions, though operating in a different geographic market.

TypeDirect peer
Description

South African independent film production company known for award-winning narrative features with festival-circuit strategy. Comparable as an African independent production house pursuing festival recognition and theatrical/TV distribution with a similar creative-led model.

TypeBroad incumbent
Description

US independent film production and distribution company known for festival-driven strategy and distinctive content slate. Comparable as a model for indie production house leveraging festival credibility into distribution deals, though operating at vastly larger scale and budget.

TypeBroad incumbent
Description

Pan-African media company producing and distributing content focused on African culture, music, and lifestyle. Comparable as a buyer and broadcaster of African content targeting diaspora audiences, with a thematic overlap around African cultural storytelling.

TypeBroad incumbent
Description

Global streaming platform with growing investment in African original content. Comparable as both a potential acquirer of completed African films and a commissioning partner for new productions, representing the most consequential distribution channel for African narrative cinema.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat3 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights5 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Segment2 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile2 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Core technology
Revenue estimate
Valuation estimate
Number of profiles
No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Ejo-Cine

Film Productionejocine.com

Ejo-Cine is a Kigali-based cinema production company founded in 2011 that produces award-winning narrative short films on African communities, culture, diversity, and human rights, distributing via international film festivals, theatrical releases, and television licensing.

What Ejo-Cine does

Ejo-Cine is a privately held, Rwandan-based cinema production company founded in 2011 and headquartered in Kigali. The company produces award-winning narrative short films centered on African stories dealing with communities, culture, diversity, and human rights, using traditional filmmaking workflows with no proprietary technology, AI, or platform disclosed. Its content library comprises Lyiza (2011), A Place for Myself (2016), and ICYASHA/Etiquette (2019), with Benimana currently in development.

The commercial model is project-based: Ejo-Cine generates revenue primarily through one-time film licensing deals with theatrical distributors and television networks, augmented by visibility and credibility derived from selections and wins at major international film festivals (Tribeca, Fespaco, Carthage). Theatrical and TV broadcast audiences constitute the end-consumer target, while theatrical exhibitors and TV networks form the B2B distribution counterparties. Pricing is project-based and not publicly disclosed, and there are no recurring subscription, SaaS, or platform components.

The company is operated by an undisclosed headcount team of producers, industry experts, and executives with 15+ years of combined track record. There is no disclosed external funding, parent company, or M&A activity. Distribution relies on direct sales into theatrical and broadcast channels plus festival screenings, with the company's WordPress website and social media channels (Instagram, Facebook, Twitter/X) serving as supplementary marketing surfaces.

Ejo-Cine firmographics

Firmographics
Name
Ejo-Cine
Legal name
EJO-CINE
Website
https://ejocine.com
Company type
Private
Founded year
2011
Operating status
Operating
Headcount range
1–10 employees
Short description
Ejo-Cine is a Kigali-based cinema production company founded in 2011 that produces award-winning narrative short films on African communities, culture, diversity, and human rights, distributing via international film festivals, theatrical releases, and television licensing.
Ownership category
akta.pro rank

Where Ejo-Cine is headquartered

Location

Headquarters

HQ city
Kigali
HQ country
Rwanda
HQ region
Africa

Offices1 record

Markets served

Ejo-Cine business model

Business model
GTM type
B2C
Offering type
Services
Cost components
Personnel, Operations, Marketing or Sales, Supply Chain, Others

Revenue model

  1. Film Production and Distribution: Ejo-Cine produces award-winning films intended for theatrical and TV audiences. Revenue is generated through film production fees, licensing deals with theaters and TV networks, and potentially festival prizes and grants.

Go-to-market motion1 record

Distribution channels3 records

Marketing channels5 records

Ejo-Cine product offering

Product offering

Core offering

Ejo-Cine is a Rwandan-based independent cinema production company that produces award-winning short films intended for theatrical and TV audiences. Its portfolio comprises narrative short films including Lyiza (2011), A Place for Myself (2016), and ICYASHA (Etiquette) (2019), with a film titled Benimana currently in development. The company's films focus on themes of communities, culture, diversity, and human rights, and are produced in collaboration with Rwandan and African talents.

Product overview

Ejo-Cine is a Rwandan-based cinema production company that produces award-winning short films for theatrical and TV audiences. The company operates as a single-product service model, offering individual film productions rather than a platform-based architecture. Their portfolio consists of distinct narrative short films including 'Lyiza' (2011), 'A place for Myself' (2016), 'ICYASHA (Etiquette)' (2019), and an in-development film 'Benimana'. The films focus on themes of communities, culture, diversity, and human rights, with particular emphasis on stories about African experiences and talents.

Differentiator

Problem solved

Functional benefit

Products and services

  • Lyiza A short film produced by Ejo-Cine in 2011, featured in the company's portfolio of award-winning cinema intended for theatrical and TV audiences.
  • A Place for Myself A 2016 short film following a young albino girl named Elikia who faces discrimination from classmates and neighborhood stereotypes while being encouraged by her mother to find her place in the world. Released by Ejo-Cine for theatrical and TV audiences.
  • ICYASHA (Etiquette) A 2019 short film following a twelve-year-old boy who loves football but is excluded from a neighborhood team due to his effeminate character, exploring themes of masculinity and childhood. Released by Ejo-Cine for theatrical and TV audiences.

Companies that use Ejo-Cine

Customer profile

Segments2 records

Ideal customer profiles2 records

Ejo-Cine technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Ejo-Cine partnerships and signals

Strategic signal

Scale indicators2 records

Recent moves5 records

Expansion highlights4 records

Ejo-Cine competitors and assessment

Company assessment

Broad incumbents

  • Multichoice / Africa Magic: Africa's largest pay-TV operator and content producer through its Africa Magic channel. Comparable as the dominant acquirer and broadcaster of African film content, and a likely distribution partner for independent producers like Ejo-Cine seeking pan-African reach.
  • Showmax: African streaming service operated by MultiChoice, distributing African and international content across the continent. Comparable as a key digital distribution channel for African film productions seeking streaming revenue and audience reach.
  • A24: US independent film production and distribution company known for festival-driven strategy and distinctive content slate. Comparable as a model for indie production house leveraging festival credibility into distribution deals, though operating at vastly larger scale and budget.
  • Trace TV: Pan-African media company producing and distributing content focused on African culture, music, and lifestyle. Comparable as a buyer and broadcaster of African content targeting diaspora audiences, with a thematic overlap around African cultural storytelling.
  • Netflix: Global streaming platform with growing investment in African original content. Comparable as both a potential acquirer of completed African films and a commissioning partner for new productions, representing the most consequential distribution channel for African narrative cinema.

Direct peers

  • FilmOne Entertainment: Nigerian film production and distribution company with theatrical and TV reach across West Africa. Comparable as an African film production and distribution business, though operating at much larger commercial scale and with a focus on Nollywood genre content.
  • EbonyLife Media: Nigerian media and film production company producing narrative and commercial cinema for African and global audiences. Comparable as an African film production house targeting theatrical and TV distribution, though operating at significantly larger scale and with broader genre focus than Ejo-Cine.
  • Kunle Afolayan Productions: Nigerian film production company founded by director Kunle Afolayan, producing narrative African cinema for theatrical audiences. Comparable as an independent African production house with festival-and-theatrical distribution ambitions and culturally-rooted storytelling.
  • Savage Films: South African independent film production company known for award-winning narrative features with festival-circuit strategy. Comparable as an African independent production house pursuing festival recognition and theatrical/TV distribution with a similar creative-led model.

Regional players

  • Muvi Studios: Zambian film and TV production company producing narrative African content for Southern African audiences. Comparable as a regional African production house with similar narrative focus and theatrical/TV ambitions, though operating in a different geographic market.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat3 records

Key risks5 records

Key highlights5 records

Customer concentration

Ejo-Cine financial estimates

Financial estimate

Revenue estimate

Valuation estimate

Ejo-Cine leadership team

Management profile

Number of profiles

Ejo-Cine funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

Ejo-Cine M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Ejo-Cine

What does Ejo-Cine do?

Ejo-Cine is a Rwandan-based independent cinema production company that produces award-winning short films intended for theatrical and TV audiences. Its portfolio comprises narrative short films including Lyiza (2011), A Place for Myself (2016), and ICYASHA (Etiquette) (2019), with a film titled Benimana currently in development. The company's films focus on themes of communities, culture, diversity, and human rights, and are produced in collaboration with Rwandan and African talents.

Is Ejo-Cine a public or private company?

Ejo-Cine is a private company. It is classified as founder individual operated bootstrapped and is currently operating.

When was Ejo-Cine founded?

Ejo-Cine was founded in 2011. It employs 1 to 10 people.

Where is Ejo-Cine based?

Ejo-Cine is headquartered in Kigali, Rwanda, in the Africa region.

How does Ejo-Cine make money?

One revenue line is on record: film Production and Distribution.

Who are Ejo-Cine's main competitors?

Broad incumbents on record are Multichoice / Africa Magic, Showmax, A24, Trace TV and Netflix. Direct peers are FilmOne Entertainment, EbonyLife Media, Kunle Afolayan Productions and Savage Films. Muvi Studios is listed as a regional player.

Does Ejo-Cine have an API?

No public API is recorded for Ejo-Cine.

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