Developer docs
API playgroundTry for free, no card

Search company profiles

African Art in Venice Forum

Full company profile

uuid00sszeb

Namestring
African Art in Venice Forum
Legal namestring
African Art Dialogues
Websiteurl
aavforum.com
Company typeenum
Private
Founded yearint
2017
Descriptiontext

The African Art in Venice Forum (AAVF) is a free, public discursive platform organized biennially by the Italian not-for-profit African Art Dialogues during the opening week of the Venice Biennale. Founded in 2017 by Neri Torcello alongside co-founders Azza Satti and Georgiana Ward-Booth, the Forum convenes artists, curators, writers, and cultural practitioners from Africa and its diasporas alongside international scholars, collectors, and institutional representatives. It does not produce exhibitions; instead, it centres critical exchange as the primary mode of practice, addressing what its organizers describe as the structural absence of African representation and historical depth at the Venice Biennale. Five editions have been held to date (2017, 2019, 2022, 2024, 2026), and each has progressively expanded the program surface.

The platform's core offering is a biennial in-person program of panels, foyer activities, and workshops held at the Hotel Monaco & Grand Canal in Venice (Sala Oppio reception, Sala Vallaresso foyer, Sala Corte auditorium). This is complemented by a digital infrastructure comprising a live-streamed open virtual Forum, a YouTube channel that archives all sessions (UC-uCxG1uPEqFPHH0RwZBBVg), a website (aavforum.com) maintained by technology partner Net-Uno, and an Eventbrite-managed ticketing system for free panel registration. A network of international screening sites extends content to partner organizations globally. Sub-products include the House Guests format for informal project presentations and the 1922 Revisited live arts program, co-presented with Third Space Art Foundation and the European Cultural Centre.

AAVF does not monetize attendance; the platform is free and publicly accessible. The producing entity, African Art Dialogues, is funded through institutional sponsorships, content partnerships, and grants — with the Smithsonian National Museum of African Art and Strauss & Co. serving as lead sponsors of the 2026 edition, and Africa No Filter having provided grant support for the 2024 edition. Additional revenue is solicited via individual donations, Kickstarter campaigns, and a dedicated donate page. The organization operates with 1–10 employees from a single base in Venice and has no disclosed parent, subsidiary, or external investment relationships.

Short descriptiontext

The African Art in Venice Forum is a free, biennial public platform produced by the Italian not-for-profit African Art Dialogues, convening African and diaspora artists, curators, scholars, and collectors for critical discourse during the Venice Biennale opening week.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
1–10
akta.pro rankint
HeadquartersVenice, Italy
HQ citystring
Venice
HQ countrystring
Italy
HQ regionstring
Europe
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
African art discourse, Biennale public forums, Contemporary African art, Cultural exchange platforms, Art dialogue events
Industry2 codes
1Interest-Based Communities & Forums
CodeBPAMABACPrimaryYes
2Executive Summits & Invitation-Only Forums
CodeMPAGAGAKPrimaryNo
Product category
Cultural Discourse Forums
GTM motion1 record

Each record includes

Type, Description, Source

Revenue model1 record
1Donations and Grants
TypeAffiliate Referral
Description

The Forum is produced by African Art Dialogues, a not-for-profit organization based in Italy. It operates as a free public platform, funded through grants (e.g., Africa No Filter), lead sponsorships (Smithsonian National Museum of African Art, Strauss & Co.), supporting partner contributions, and individual donor support via Kickstarter campaigns and a dedicated donate page.

aavforum.com
Marketing channels5 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels3 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components5 values
Personnel, Operations, Marketing or Sales, Technology or R&D, Infrastructure
Pricing details1 tier
1Free public attendance
ModelOtherBilling cadencePay-as-you-go
Notes

The Forum is free and open to the public. Panels and foyer activities are accessible via free ticket registration. A digital platform live-streams and archives all content at no cost.

aavforum.com
GTM typeB2C
B2C
Offering typeServices
Services
Core offering1 text field

The African Art in Venice Forum (AAVF) is a free, public discursive platform presented biennially in Venice during the opening week of the Venice Biennale. It convenes artists, curators, writers, and cultural practitioners from Africa and its diasporas for talks, panel discussions, workshops, networking, and foyer activities centered on contemporary African art. All sessions are live-streamed via a digital platform and archived on YouTube, and the program is supplemented by a parallel live arts program and a network of international screening sites.

Differentiator
Functional benefit
Problem solved
Product overview1 text field

The African Art in Venice Forum is a single unified platform offering: the biennial Forum itself as the core product featuring talks, panels, workshops, and networking; complemented by a Digital Streaming Platform for online access; Forum Programs and Panels providing structured discursive content; the House Guests Program for informal project presentations; and the 1922 Revisited Live Arts Program (presented in collaboration with Third Space Art Foundation). The Forum is produced by African Art Dialogues and presented free to the public, combining in-person attendance at Hotel Monaco in Venice with virtual participation via live streaming.

Product and service5 records
1African Art in Venice Forum
CategoryBiennial discursive forum
Description

A free, public discursive platform presented biennially in Venice during the opening week of the Venice Biennale, featuring talks, panel discussions, workshops, networking events, and live streaming for virtual participation, centered on contemporary African art and its diasporas.

2Digital Streaming Platform
CategoryDigital content distribution
Description

Online platform enabling live-streaming and on-demand access to all Forum content, extending reach beyond Venice to international audiences through the AAVF YouTube channel (UC-uCxG1uPEqFPHH0RwZBBVg).

3Forum Programs and Panels
CategoryDiscursive programming
Description

Structured discursive programming including main panel discussions, foyer activities, opening remarks, and special sessions covering topics such as visibility frameworks, African modernism, East African art history, and pan-African cultural legacies.

4House Guests Program
CategoryProject presentation format
Description

Format hosting project presentations, research, and practices present in Venice during Biennale days, enabling informal encounters and exchanges through project displays on the Forum website.

51922 Revisited Live Arts Program
CategoryLive arts performance program
Description

Live arts initiative presented in collaboration with Third Space Art Foundation during Venice Biennale preview week, featuring performance artists from Africa and its diasporas engaging with the historical 1922 Biennale exhibition through contemporary artistic practice.

Scale indicator3 records

Each record includes

Type, Value, Description, Source

Partnership8 partners
Strategic tierFlagship / Lead SponsorTypeGTM or Marketing Partner
Description

The Smithsonian National Museum of African Art (NMAFA) serves as a Lead Sponsor of the 2026 edition of the African Art in Venice Forum. NMAFA's curator Kevin D. Dumouchelle participated in the Here Project panel at AAVF 2026, and the museum's support affirms the Forum's role as a platform for discussions about African creative achievement under the eyes of the global art world. The partnership was announced for the 2026 edition themed 'Beyond Visibility: A Method of Inquiry.'

Strategic tierFlagship / Lead SponsorTypeGTM or Marketing Partner
Description

Strauss & Co., South Africa's leading auction house, is a Lead Sponsor of the 2026 edition of the Forum. Kate Fellens, Head of International Business Development at Strauss & Co., serves as a quoted spokesperson and co-organiser of the opening breakfast. The partnership reflects the auction house's commitment to amplifying discourse on African art within the global art market context.

Strategic tierFlagship / Core PartnerTypeStrategic or Co-development Partner
Description

Third Space Art Foundation is a Supporting Partner of the 2026 Forum and is the presenting organization of the '1922 Revisited' live arts program, which runs parallel to the Forum during the Venice Biennale preview week (May 5–9, 2026). The Forum hosts several 1922 Revisited performances on May 6, including 'The Dash' and 'L'Opéra du Villageois.' The partnership was announced for the 2026 edition.

Strategic tierFlagship / Core PartnerTypeOthers
Description

African Art Dialogues is the not-for-profit organization based in Italy that produces the African Art in Venice Forum. Founded by Neri Torcello, it is the entity behind all editions of the Forum since 2017. African Art Dialogues organises the Forum in collaboration with lead sponsors and content partners.

Strategic tierCore PartnerTypeStrategic or Co-development Partner
Description

The European Cultural Centre is a co-presenter of the '1922 Revisited' live arts program alongside Third Space Art Foundation and the African Art in Venice Forum. The program runs across multiple sites in Venice during the Biennale preview week, with the ECC serving as a venue and institutional partner for the initiative.

6BHMF (Black History Month Florence)
Strategic tierProgram PartnerTypeStrategic or Co-development Partner
Description

BHMF is a partner for the 2026 Forum, presenting the foyer activity 'Pan-African Cultural Legacies: Activating the Archive' in collaboration with Africa e Mediterraneo. BHMF co-curated the activity drawing on the latest issue of Africa e Mediterraneo and tracing Pan-African convenings across time.

aavforum.com
7Africa e Mediterraneo
Strategic tierProgram PartnerTypeStrategic or Co-development Partner
Description

Africa e Mediterraneo collaborated with BHMF on the 2026 Forum's foyer activity 'Pan-African Cultural Legacies: Activating the Archive,' which drew on the latest issue of the publication and traced Pan-African convenings through a living counter-archive format.

aavforum.com
Strategic tierLead Sponsor (2024)TypeGTM or Marketing Partner
Description

Strauss & Co. was a Content Partner and sponsor for the 2024 Forum, presenting the panel 'What Should We Celebrate Now? Reimagining African Modernism' alongside African Art Dialogues and Africa No Filter, with Executive Chairperson Frank Kilbourn as a speaker.

Recent move6 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight5 records

Each record includes

Type, Description

Peers10 records
TypeBroad incumbent
Description

The largest museum of contemporary African art in the world, based in Cape Town. Comparable as a leading institutional voice in African contemporary art discourse, though operating as a permanent collecting institution rather than a biennial discursive platform.

2AKAA (Also Known As Africa)
TypeDirect peer
Description

Paris-based art fair focused on contemporary African art and design, also known as AKAA. Comparable to AAVF in target audience and curatorial focus on African contemporary practice, but operates commercially and annually in Paris rather than biennially and as a free discursive platform in Venice.

TypeDirect peer
Description

The leading international art fair dedicated to contemporary African art, with editions in Marrakech, New York, London, and Paris. Directly comparable to AAVF in its focus on African and diaspora contemporary art, audience (collectors, curators, galleries), and role as a platform — though operating as a commercial fair rather than a non-commercial discursive forum.

TypeDirect peer
Description

West Africa's first international art fair, held annually in Lagos with a focus on contemporary African art. Comparable in audience (collectors, curators, institutions) and subject matter, though rooted in Lagos and operating commercially rather than as a Venice-based discursive forum.

TypeBroad incumbent
Description

The Venice Biennale is the parent event around which AAVF is programmatically scheduled. It is a much larger, broader incumbent organization that defines the cultural moment AAVF responds to, and it sets the audience pipeline AAVF draws from each edition.

TypeEmerging player
Description

Gulf-based interdisciplinary research and arts institute focused on African and African-diasporic studies, programming exhibitions, talks, and scholarly work. Comparable in its discursive, research-driven approach to African art and culture, though Gulf-anchored rather than Venice-anchored.

TypeDirect peer
Description

Africa's largest art fair, held annually in Cape Town with strong focus on contemporary African art and strong ties to the same institutional and collector community AAVF cultivates. Operates commercially and annually rather than biennially and free.

TypeDirect peer
Description

The Dakar Biennale, the longest-running African contemporary art biennial. Comparable as a periodic, Africa-focused, international contemporary art platform with curatorial and discursive programming, though anchored in Senegal rather than Venice and with a much larger institutional footprint.

TypeBroad incumbent
Description

Venice-based cultural institution that runs its own multi-venue exhibition programs during the Biennale and is already an AAVF co-presenter for the 1922 Revisited live arts program. Comparable as a Venice-based Biennale-adjacent cultural platform, though focused on visual art exhibitions rather than African-art-specific discourse.

TypeBroad incumbent
Description

The Smithsonian's U.S.-based museum dedicated to the collection, conservation, and study of African art, and AAVF's 2026 Lead Sponsor. Comparable as a major institutional player shaping the discourse on African art globally, but as a permanent museum rather than a periodic discursive forum.

Market position
Strengths4 records

Each record includes

Headline, Details, Source

Weaknesses4 records

Each record includes

Headline, Details, Source

Competitive moat4 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Segment2 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile2 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

Integration3 records

Each record includes

Title, Type, Description, Source

AI maturity
App detail

Has app

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles4 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

African Art in Venice Forum

Cultural Discourse Forumsaavforum.com

The African Art in Venice Forum is a free, biennial public platform produced by the Italian not-for-profit African Art Dialogues, convening African and diaspora artists, curators, scholars, and collectors for critical discourse during the Venice Biennale opening week.

What African Art in Venice Forum does

The African Art in Venice Forum (AAVF) is a free, public discursive platform organized biennially by the Italian not-for-profit African Art Dialogues during the opening week of the Venice Biennale. Founded in 2017 by Neri Torcello alongside co-founders Azza Satti and Georgiana Ward-Booth, the Forum convenes artists, curators, writers, and cultural practitioners from Africa and its diasporas alongside international scholars, collectors, and institutional representatives. It does not produce exhibitions; instead, it centres critical exchange as the primary mode of practice, addressing what its organizers describe as the structural absence of African representation and historical depth at the Venice Biennale. Five editions have been held to date (2017, 2019, 2022, 2024, 2026), and each has progressively expanded the program surface.

The platform's core offering is a biennial in-person program of panels, foyer activities, and workshops held at the Hotel Monaco & Grand Canal in Venice (Sala Oppio reception, Sala Vallaresso foyer, Sala Corte auditorium). This is complemented by a digital infrastructure comprising a live-streamed open virtual Forum, a YouTube channel that archives all sessions (UC-uCxG1uPEqFPHH0RwZBBVg), a website (aavforum.com) maintained by technology partner Net-Uno, and an Eventbrite-managed ticketing system for free panel registration. A network of international screening sites extends content to partner organizations globally. Sub-products include the House Guests format for informal project presentations and the 1922 Revisited live arts program, co-presented with Third Space Art Foundation and the European Cultural Centre.

AAVF does not monetize attendance; the platform is free and publicly accessible. The producing entity, African Art Dialogues, is funded through institutional sponsorships, content partnerships, and grants — with the Smithsonian National Museum of African Art and Strauss & Co. serving as lead sponsors of the 2026 edition, and Africa No Filter having provided grant support for the 2024 edition. Additional revenue is solicited via individual donations, Kickstarter campaigns, and a dedicated donate page. The organization operates with 1–10 employees from a single base in Venice and has no disclosed parent, subsidiary, or external investment relationships.

African Art in Venice Forum firmographics

Firmographics
Name
African Art in Venice Forum
Legal name
African Art Dialogues
Website
https://aavforum.com
Company type
Private
Founded year
2017
Operating status
Operating
Headcount range
1–10 employees
Short description
The African Art in Venice Forum is a free, biennial public platform produced by the Italian not-for-profit African Art Dialogues, convening African and diaspora artists, curators, scholars, and collectors for critical discourse during the Venice Biennale opening week.
Ownership category
akta.pro rank

African Art in Venice Forum industry classification

Industry
Product category
Cultural Discourse Forums
akta.pro primary industry
Interest-Based Communities & Forums (BPAMABAC)
akta.pro secondary industry
Executive Summits & Invitation-Only Forums (MPAGAGAK)

Keywords

  • African art discourse
  • Biennale public forums
  • Contemporary African art
  • Cultural exchange platforms
  • Art dialogue events

Where African Art in Venice Forum is headquartered

Location

Headquarters

HQ city
Venice
HQ country
Italy
HQ region
Europe

Offices1 record

Markets served

African Art in Venice Forum business model

Business model
GTM type
B2C
Offering type
Services
Cost components
Personnel, Operations, Marketing or Sales, Technology or R&D, Infrastructure

Revenue model

  1. Donations and Grants: The Forum is produced by African Art Dialogues, a not-for-profit organization based in Italy. It operates as a free public platform, funded through grants (e.g., Africa No Filter), lead sponsorships (Smithsonian National Museum of African Art, Strauss & Co.), supporting partner contributions, and individual donor support via Kickstarter campaigns and a dedicated donate page.

Pricing tiers

ModelBillingPrice
OtherPay-as-you-goFree public attendance

Go-to-market motion1 record

Distribution channels3 records

Marketing channels5 records

African Art in Venice Forum product offering

Product offering

Core offering

The African Art in Venice Forum (AAVF) is a free, public discursive platform presented biennially in Venice during the opening week of the Venice Biennale. It convenes artists, curators, writers, and cultural practitioners from Africa and its diasporas for talks, panel discussions, workshops, networking, and foyer activities centered on contemporary African art. All sessions are live-streamed via a digital platform and archived on YouTube, and the program is supplemented by a parallel live arts program and a network of international screening sites.

Product overview

The African Art in Venice Forum is a single unified platform offering: the biennial Forum itself as the core product featuring talks, panels, workshops, and networking; complemented by a Digital Streaming Platform for online access; Forum Programs and Panels providing structured discursive content; the House Guests Program for informal project presentations; and the 1922 Revisited Live Arts Program (presented in collaboration with Third Space Art Foundation). The Forum is produced by African Art Dialogues and presented free to the public, combining in-person attendance at Hotel Monaco in Venice with virtual participation via live streaming.

Differentiator

Problem solved

Functional benefit

Products and services

  • African Art in Venice Forum A free, public discursive platform presented biennially in Venice during the opening week of the Venice Biennale, featuring talks, panel discussions, workshops, networking events, and live streaming for virtual participation, centered on contemporary African art and its diasporas.
  • Digital Streaming Platform Online platform enabling live-streaming and on-demand access to all Forum content, extending reach beyond Venice to international audiences through the AAVF YouTube channel (UC-uCxG1uPEqFPHH0RwZBBVg).
  • Forum Programs and Panels Structured discursive programming including main panel discussions, foyer activities, opening remarks, and special sessions covering topics such as visibility frameworks, African modernism, East African art history, and pan-African cultural legacies.
  • House Guests Program Format hosting project presentations, research, and practices present in Venice during Biennale days, enabling informal encounters and exchanges through project displays on the Forum website.
  • 1922 Revisited Live Arts Program Live arts initiative presented in collaboration with Third Space Art Foundation during Venice Biennale preview week, featuring performance artists from Africa and its diasporas engaging with the historical 1922 Biennale exhibition through contemporary artistic practice.

Companies that use African Art in Venice Forum

Customer profile

Segments2 records

Ideal customer profiles2 records

African Art in Venice Forum technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Integration3 records

African Art in Venice Forum partnerships and signals

Strategic signal

Partnerships

Eight partnerships are on record, tiered flagship / lead sponsor, flagship / core partner, core partner, program partner and lead sponsor (2024).

  • Smithsonian National Museum of African Artflagship / lead sponsorGTM or Marketing PartnerThe Smithsonian National Museum of African Art (NMAFA) serves as a Lead Sponsor of the 2026 edition of the African Art in Venice Forum. NMAFA's curator Kevin D. Dumouchelle participated in the Here Project panel at AAVF 2026, and the museum's support affirms the Forum's role as a platform for discussions about African creative achievement under the eyes of the global art world. The partnership was announced for the 2026 edition themed 'Beyond Visibility: A Method of Inquiry.'
  • Strauss & Co.flagship / lead sponsorGTM or Marketing PartnerStrauss & Co., South Africa's leading auction house, is a Lead Sponsor of the 2026 edition of the Forum. Kate Fellens, Head of International Business Development at Strauss & Co., serves as a quoted spokesperson and co-organiser of the opening breakfast. The partnership reflects the auction house's commitment to amplifying discourse on African art within the global art market context.
  • Third Space Art Foundationflagship / core partnerStrategic or Co-development PartnerThird Space Art Foundation is a Supporting Partner of the 2026 Forum and is the presenting organization of the '1922 Revisited' live arts program, which runs parallel to the Forum during the Venice Biennale preview week (May 5–9, 2026). The Forum hosts several 1922 Revisited performances on May 6, including 'The Dash' and 'L'Opéra du Villageois.' The partnership was announced for the 2026 edition.
  • African Art Dialoguesflagship / core partnerOthersAfrican Art Dialogues is the not-for-profit organization based in Italy that produces the African Art in Venice Forum. Founded by Neri Torcello, it is the entity behind all editions of the Forum since 2017. African Art Dialogues organises the Forum in collaboration with lead sponsors and content partners.
  • European Cultural Centrecore partnerStrategic or Co-development PartnerThe European Cultural Centre is a co-presenter of the '1922 Revisited' live arts program alongside Third Space Art Foundation and the African Art in Venice Forum. The program runs across multiple sites in Venice during the Biennale preview week, with the ECC serving as a venue and institutional partner for the initiative.
  • BHMF (Black History Month Florence)program partnerStrategic or Co-development PartnerBHMF is a partner for the 2026 Forum, presenting the foyer activity 'Pan-African Cultural Legacies: Activating the Archive' in collaboration with Africa e Mediterraneo. BHMF co-curated the activity drawing on the latest issue of Africa e Mediterraneo and tracing Pan-African convenings across time.
  • Africa e Mediterraneoprogram partnerStrategic or Co-development PartnerAfrica e Mediterraneo collaborated with BHMF on the 2026 Forum's foyer activity 'Pan-African Cultural Legacies: Activating the Archive,' which drew on the latest issue of the publication and traced Pan-African convenings through a living counter-archive format.
  • Strauss & Co.lead sponsor (2024)GTM or Marketing PartnerStrauss & Co. was a Content Partner and sponsor for the 2024 Forum, presenting the panel 'What Should We Celebrate Now? Reimagining African Modernism' alongside African Art Dialogues and Africa No Filter, with Executive Chairperson Frank Kilbourn as a speaker.

Scale indicators3 records

Recent moves6 records

Expansion highlights5 records

African Art in Venice Forum competitors and assessment

Company assessment

Broad incumbents

  • Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA): The largest museum of contemporary African art in the world, based in Cape Town. Comparable as a leading institutional voice in African contemporary art discourse, though operating as a permanent collecting institution rather than a biennial discursive platform.
  • La Biennale di Venezia: The Venice Biennale is the parent event around which AAVF is programmatically scheduled. It is a much larger, broader incumbent organization that defines the cultural moment AAVF responds to, and it sets the audience pipeline AAVF draws from each edition.
  • European Cultural Centre (Venice): Venice-based cultural institution that runs its own multi-venue exhibition programs during the Biennale and is already an AAVF co-presenter for the 1922 Revisited live arts program. Comparable as a Venice-based Biennale-adjacent cultural platform, though focused on visual art exhibitions rather than African-art-specific discourse.
  • Smithsonian National Museum of African Art: The Smithsonian's U.S.-based museum dedicated to the collection, conservation, and study of African art, and AAVF's 2026 Lead Sponsor. Comparable as a major institutional player shaping the discourse on African art globally, but as a permanent museum rather than a periodic discursive forum.

Direct peers

  • AKAA (Also Known As Africa): Paris-based art fair focused on contemporary African art and design, also known as AKAA. Comparable to AAVF in target audience and curatorial focus on African contemporary practice, but operates commercially and annually in Paris rather than biennially and as a free discursive platform in Venice.
  • 1-54 Contemporary African Art Fair: The leading international art fair dedicated to contemporary African art, with editions in Marrakech, New York, London, and Paris. Directly comparable to AAVF in its focus on African and diaspora contemporary art, audience (collectors, curators, galleries), and role as a platform — though operating as a commercial fair rather than a non-commercial discursive forum.
  • Art X Lagos: West Africa's first international art fair, held annually in Lagos with a focus on contemporary African art. Comparable in audience (collectors, curators, institutions) and subject matter, though rooted in Lagos and operating commercially rather than as a Venice-based discursive forum.
  • Cape Town Art Fair: Africa's largest art fair, held annually in Cape Town with strong focus on contemporary African art and strong ties to the same institutional and collector community AAVF cultivates. Operates commercially and annually rather than biennially and free.
  • Dak'Art Biennale: The Dakar Biennale, the longest-running African contemporary art biennial. Comparable as a periodic, Africa-focused, international contemporary art platform with curatorial and discursive programming, though anchored in Senegal rather than Venice and with a much larger institutional footprint.

Emerging players

  • The Africa Institute (Sharjah): Gulf-based interdisciplinary research and arts institute focused on African and African-diasporic studies, programming exhibitions, talks, and scholarly work. Comparable in its discursive, research-driven approach to African art and culture, though Gulf-anchored rather than Venice-anchored.

Market position

Strengths4 records

Weaknesses4 records

Competitive moat4 records

Key risks5 records

Key highlights6 records

Customer concentration

African Art in Venice Forum social profiles

Digital presence

African Art in Venice Forum financial estimates

Financial estimate

Revenue estimate

Valuation estimate

African Art in Venice Forum leadership team

Management profile

Number of profiles

Profiles4 records

African Art in Venice Forum funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

African Art in Venice Forum M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about African Art in Venice Forum

What does African Art in Venice Forum do?

The African Art in Venice Forum (AAVF) is a free, public discursive platform presented biennially in Venice during the opening week of the Venice Biennale. It convenes artists, curators, writers, and cultural practitioners from Africa and its diasporas for talks, panel discussions, workshops, networking, and foyer activities centered on contemporary African art. All sessions are live-streamed via a digital platform and archived on YouTube, and the program is supplemented by a parallel live arts program and a network of international screening sites.

Is African Art in Venice Forum a public or private company?

African Art in Venice Forum is a private company. It is classified as nonprofit foundation owned and is currently operating.

When was African Art in Venice Forum founded?

African Art in Venice Forum was founded in 2017. It employs 1 to 10 people.

Where is African Art in Venice Forum based?

African Art in Venice Forum is headquartered in Venice, Italy, in the Europe region.

How does African Art in Venice Forum make money?

One revenue line is on record: donations and Grants.

Who are African Art in Venice Forum's main competitors?

Broad incumbents on record are Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), La Biennale di Venezia, European Cultural Centre (Venice) and Smithsonian National Museum of African Art. Direct peers are AKAA (Also Known As Africa), 1-54 Contemporary African Art Fair, Art X Lagos, Cape Town Art Fair and Dak'Art Biennale. The Africa Institute (Sharjah) is listed as an emerging player.

Does African Art in Venice Forum have an API?

No public API is recorded for African Art in Venice Forum.

What industry is African Art in Venice Forum in?

African Art in Venice Forum's product category is Cultural Discourse Forums. Its primary akta.pro industry code is BPAMABAC, Interest-Based Communities & Forums, with a secondary code of MPAGAGAK, Executive Summits & Invitation-Only Forums.

Unlock the full company data

50 free credits on sign-up, no credit card required.

Contact sales
Live signals
EIN Presswire'1922 Revisited' Live Arts Program Announced for 61st Venice Biennale, Preview Week, 5-9 May 2026Third Space Art Foundation announced '1922 Revisited,' a live arts program for the 61st Venice Biennale preview week, May 5-9, 2026. The program features performances, a screening, and a panel discussion by ten artists, engaging the 1922 African sculpture exhibition's colonial archive.GlobeNewswireTsedaye Makonnen to Present “Waves of Ash” at 2026 Venice BiennaleTsedaye Makonnen will present the performance Waves of Ash at the 2026 Venice Biennale during preview week, created with Jermay Michael Gabriel. The work, an installation of burned wood and textiles, explores migration and memory, and is part of the 1922 Revisited program.GlobeNewswireruby onyinyechi amanze to Present “The Dash” in “1922 Revisited” at Venice Biennale 2026Third Space Art Foundation will present artist ruby onyinyechi amanze's performance "The Dash" as part of the "1922 Revisited" live arts program during the Venice Biennale preview week from May 5–9, 2026. The one-hour durational performance, created in collaboration with Wura-Natasha Ogunji, features two performers moving in slow motion while the audience serves as collective timekeepers. The program is presented in collaboration with the African Art in Venice Forum and the European Cultural Centre, engaging themes of spatial interaction, duration, and collective awareness.GlobeNewswire“1922 Revisited” Live Arts Program Brings Together International Artists for Venice Biennale 2026Third Space Art Foundation has announced the full program for "1922 Revisited," a live arts initiative to be presented during the Venice Biennale preview week from May 5–9, 2026, curated by Dr. Janine A. Sytsma. The program brings together artists from Africa and its diasporas to engage with the 1922 Biennale exhibition through a multi-day, multi-site series of performances across Venice. The initiative is presented in collaboration with the African Art in Venice Forum and the European Cultural Centre, with a companion publication titled Harmonies of Repair also in development.GlobeNewswire1922 Revisited Returns to a Pivotal Moment in Venice Biennale HistoryThird Space Art Foundation will present 1922 Revisited, a live arts program during the Venice Biennale preview week (May 5–9, 2026), curated by Dr. Janine A. Sytsma and featuring artists from Africa and its diasporas engaging with the historical 1922 Biennale through contemporary performance. The program unfolds across multiple sites in Venice, working with fragmentary archival material to create new forms of encounter around memory, embodiment, and decolonial inquiry. A companion publication titled Harmonies of Repair is also in development alongside partnerships with the African Art in Venice Forum and European Cultural Centre.