AETA Audio Systems
AETA Audio Systems designs and manufactures professional audio and IP codecs for broadcast, spanning portable field codecs, rack-mounted studio codecs, control software, and managed services, sold globally through distributors to public, commercial, and sports broadcasters.
- Company typePrivate
- Founded1978
- HeadquartersLe Plessis-robinson, France
- Headcount11–50
- GTM typeB2B
- OfferingHardware or Manufacturing
What AETA Audio Systems does
AETA Audio Systems S.A.S. designs, manufactures, and supports professional audio and IP codecs for broadcast applications from its headquarters in Le Plessis-Robinson, France. The company was founded in 1978 and remains privately held as a French S.A.S. with share capital of €250,000, operating with a headcount of 11-50 employees. Its portfolio spans portable field codecs (ScoopyFlex, ScoopTeam, ScoopFone 5G/4G/IP/HD, eScoopFone), rack-mounted studio codecs (Scoop 6, MultiScoop, µScoop, ScoopFone 5G-R/4G-R/IP-R/HD-R), Windows control software (MyScoopTeam, MyScoopyFlex), and managed services (Remote Access, AETA SIP Server, STUN Server, equipment rental), covering everything from live field reporting to multi-channel studio contribution.
Technically, AETA's codecs implement Audio over IP (AoIP) compliant with EBU Tech3326 and support a wide protocol stack including SIP/SDP, AES67/Ravenna (with NMOS IS-04/IS-05), Audinate Dante (via Brooklyn-II), STUN, and SNMP. Audio compression covers Opus (with adaptive bitrate), AAC-LC/HE-AAC/AAC-LD/AAC-ELD, MPEG L2, G.711, G.722, and AMR-WB (HD Voice, 50-7000 Hz), with redundancy mechanisms such as Double Streaming and Bonding for mission-critical live broadcasts. Differentiating features include a cloud-based Remote Access service for monitoring and control over 4G/mobile, an embedded HTML server, and a proprietary SIP server offering availability SLAs from 99% to 99.99%.
The business model combines one-time hardware codec sales with recurring revenue from tiered support contracts (Basic, Bronze, Silver, Gold, Platinum), software/firmware updates, managed SIP and Remote Access services, and short-term equipment rentals. Go-to-market is delivered through a global distributor network spanning 50+ countries plus direct sales from the French headquarters, with named enterprise customers across public and commercial broadcasters and sports broadcasters (including Radio France, RTL, France Télévisions, beIN Sports, Sky Sports, ARD, NHK, NRK, and others). Engineering, manufacturing, and technical support are retained in Europe as a deliberate positioning choice.
AETA Audio Systems firmographics
Firmographics- Name
- AETA Audio Systems
- Legal name
- AETA Audio Systems S.A.S.
- Website
- https://aeta-audio.com
- Company type
- Private
- Founded year
- 1978
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- AETA Audio Systems designs and manufactures professional audio and IP codecs for broadcast, spanning portable field codecs, rack-mounted studio codecs, control software, and managed services, sold globally through distributors to public, commercial, and sports broadcasters.
- Ownership category
- akta.pro rank
AETA Audio Systems industry classification
Industry- Product category
- Professional Broadcast Audio Codecs
- NAICS
- Audio and Video Equipment Manufacturing (334310), Software Publishers (5132)
- SIC
- Computer Communications Equipment (3576)
- akta.pro primary industry
- Playout Infrastructure & Hardware (Servers, Storage, SDI/IP Gateways) (MPAHAKAJ)
Keywords
Where AETA Audio Systems is headquartered
LocationHeadquarters
- HQ city
- Le Plessis-robinson
- HQ country
- France
- HQ region
- Europe
Offices1 record
Markets served
AETA Audio Systems business model
Business model- GTM type
- B2B
- Offering type
- Hardware or Manufacturing
- Cost components
- Personnel, Technology or R&D, Supply Chain, Operations, Infrastructure, Marketing or Sales
Revenue model
- Hardware Codec Sales: Sale of professional audio codec hardware devices including portable field codecs, studio rack-mounted codecs, and commentator consoles. One-time hardware purchase model.
- Software Licenses and Updates: Firmware updates, software applications (MyScoopTeam, MyScoopyFlex), and licensing. Free critical updates for all customers; full evolutionary updates for support contract holders.
- Support Contracts: Tiered support contracts (Basic, Bronze, Silver, Gold, Platinum) providing different levels of technical assistance hours, firmware access, and response priorities.
- SIP Server Service: Hosted SIP server service for AoIP connections with service level availability guarantees (99% to 99.99% depending on tier).
- Equipment Rental: Short-term rental of codecs for temporary broadcast needs. Includes technical assistance during rental period.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| Other | Multi-year contract | 2-year warranty included with all products |
| Subscription | Annual | Basic Support Contract |
| Subscription | Annual | Bronze Support Contract |
| Subscription | Annual | Silver Support Contract |
| Subscription | Annual | Gold Support Contract |
| Subscription | Annual | Platinum Support Contract |
Go-to-market motion1 record
Distribution channels2 records
Marketing channels6 records
AETA Audio Systems product offering
Product offeringCore offering
AETA Audio Systems designs, manufactures, and sells professional audio and IP codecs for broadcast applications. Its product range covers portable field codecs for reporters (ScoopyFlex, ScoopTeam, ScoopFone 4G/5G series, eScoopFone) and rack-mounted studio codecs (Scoop 6, MultiScoop, µScoop), supporting encoding algorithms including Opus, AAC-LD/ELD, AMR-WB (HD Voice), and protocols such as SIP, AES67/Ravenna, and Dante. The offering is complemented by Windows control software (MyScoopTeam, MyScoopyFlex) and hosted services (Remote Access, AETA SIP Server, STUN Server).
Product overview
AETA Audio Systems provides professional audio codecs designed for broadcast applications, both in the field and in the studio. The product portfolio includes mobile codecs (ScoopyFlex, ScoopTeam, ScoopFone series, eScoopFone) for field reporters, and rack-mounted studio codecs (Scoop 6, MultiScoop, µScoop) for studio environments. The ecosystem is complemented by software applications (MyScoopTeam, MyScoopyFlex) for remote control, cloud-based Remote Access service for internet-based codec control, and SIP/STUN server services. Products support multiple audio encoding algorithms (Opus, AAC-LD, G722, AMR-WB/HD Voice, MPEG L2) and network interfaces (IP/Ethernet, mobile 4G/5G, ISDN, AES67/Ravenna, Dante). The company manufactures in Europe (France) and has been in operation since 1978.
Differentiator
Problem solved
Functional benefit
Products and services
- ScoopyFlex Revolutionary field reporting codec consisting of a mobile device and docking station for broadcast professionals needing live audio contribution from remote locations.
- ScoopTeam Dual IP codec with Ravenna AES67 interface, designed as a next-generation commentator console for sports broadcasts and live event commentary.
- ScoopFone 5G / ScoopFone 4G Mobile reporter companion codec supporting 5G and 4G cellular networks for live field broadcasting over mobile IP connections.
- ScoopFone IP IP-based phone codec for broadcast applications, enabling VoIP connectivity over IP networks for studio-to-field audio links.
- ScoopFone HD HD Voice phone codec supporting wideband speech (AMR-WB, 50–7000 Hz) and GSM for studio broadcast applications requiring high-quality voice transmission.
- eScoopFone Smartphone application that transforms mobile devices into portable codecs for broadcasters, enabling audio contribution directly from a phone.
- Scoop 6 Versatile rack-mounted codec with multiple network interfaces (IP, AES67/Ravenna, Dante, mobile) for studio environments and permanent broadcast infrastructure.
- MultiScoop Modular rack-mounted codec system with hot-swappable IP, ISDN, and AES67 modules supporting up to 16 simultaneous audio connections for high-density broadcast operations.
- µScoop (Micro Scoop) Compact micro codec designed for space-constrained broadcast installations where a small footprint is required.
- ScoopFone 5G-R / ScoopFone 4G-R Rack-mounted version of the ScoopFone 5G/4G mobile codec for permanent studio integration with cellular network support.
- ScoopFone IP-R Rack-mounted IP phone codec version designed for permanent broadcast studio installation and use.
- ScoopFone HD-R Rack-mount version of ScoopFone HD with 1/3RU form factor, supporting up to three units in a 1U 19-inch rack for HD Voice studio broadcast applications.
- MyScoopTeam Windows application for controlling ScoopTeam codec parameters remotely and in real time via Internet or LAN.
- MyScoopyFlex Windows application for controlling ScoopyFlex codec parameters remotely and in real time via Internet or LAN.
- Remote Access Cloud-based remote control service enabling real-time codec management via Internet, including 4G mobile networks, eliminating the need for on-site technicians.
- AETA SIP Server Hosted SIP server service for managing Audio over IP (AoIP) connections with availability SLAs ranging from 99% to 99.99% depending on tier.
- STUN Server Service STUN server service for NAT traversal to enable Audio over IP connections across network boundaries.
- Codec Equipment Rental Short-term rental service for AETA broadcast codecs, including technical assistance during the rental period for temporary broadcast needs.
Quantifiable outcome
- Codecs support HD Voice (AMR-WB/G.722.2) for wideband audio 50-7000 Hz vs standard narrowband 300-3400 Hz
Companies that use AETA Audio Systems
Customer profileNamed customers17 records
Segments3 records
Ideal customer profiles3 records
AETA Audio Systems technology and API
TechnologyTechnology focussed Yes
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Integration6 records
AI capability2 records
Feature8 records
AETA Audio Systems partnerships and signals
Strategic signalPartnerships
Seven partnerships are on record, tiered minor and regional.
- OVHminorWeb hosting provider for aeta-audio.com website.
- Vortex Communications LtdregionalUK distributor for AETA audio codecs. Located in London.
- SLG Broadcast AGregionalDistributor for Germany and Switzerland.
- Broadcast PartnersregionalDutch distributor for AETA codecs.
- Sonotechnique PJL IncregionalCanadian supplier of audio and video equipment.
- AGILE BroadcastregionalAustralian distributor.
- Streamworkz LLCregionalUS distributor covering New York area.
Scale indicators3 records
Recent moves6 records
Expansion highlights6 records
AETA Audio Systems competitors and assessment
Company assessmentDirect peers
- Tieline: Australia-based manufacturer of professional IP and ISDN audio codecs for radio and TV broadcasters (e.g., Merlin, Genie, Bridge-IT). Most direct head-to-head competitor to AETA in IP audio codec hardware for live remote broadcasting.
- Comrex: US maker of broadcast audio codecs (Opus, ACCESS, STAC VIP, LiveShot) targeting radio and TV remotes over IP and ISDN. Competitor in the same field-codec category with overlapping protocol support.
- Barix: Swiss specialist in Audio over IP hardware for broadcast, intercom, and paging. Sells IP audio codecs and AoIP endpoints (e.g., Exstreamer, Annuncicom) directly competitive with AETA's IP codec hardware.
- Mayah Communications: German manufacturer of professional IP audio codecs for radio broadcasters (e.g., IP Codec C450, C450pro). Direct European competitor in broadcast IP audio contribution.
- Glensound: UK designer/manufacturer of broadcast audio equipment including commentator codecs (e.g., AoIP Commentator) and Dante/AES67 networked audio devices. Competitor for sports-broadcast and commentary audio.
- Sonifex: UK manufacturer of professional broadcast audio equipment including AoIP commentator units (e.g., AVN-CU2) and audio interfaces. Direct peer in commentator codecs and broadcast audio hardware for European broadcasters.
Broad incumbents
- Telos Alliance: US leader in broadcast audio (Telos, Omnia, Axia, Linear Acoustic) with IP audio codecs (Z/IP, VX) plus consoles, processing, and AoIP infrastructure. Broad portfolio incumbent competing across AETA's addressable market.
- Wheatstone (Audioarts): US manufacturer of broadcast audio consoles and AoIP networking (WheatNet-IP). While not focused on field codecs, competes for studio IP-audio infrastructure budgets alongside AETA's rack-mounted codecs.
- Lawo: German provider of broadcast infrastructure including IP audio routing, consoles, and AoIP products (e.g., HOME, Power Core). Broad incumbent with deeper stack than AETA but overlapping in IP-audio networking.
- Riedel Communications: German maker of intercom, broadcast, and event-networking infrastructure (Artist, Bolero, MediorNet). Already an integration partner to AETA (ScoopTeam/Riedel Artist-1024) and adjacent incumbent in broadcast contribution workflows.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat5 records
Key risks6 records
Key highlights7 records
Customer concentration
AETA Audio Systems social profiles
Digital presenceAETA Audio Systems financial estimates
Financial estimateRevenue estimate
Valuation estimate
AETA Audio Systems leadership team
Management profileNumber of profiles
Profiles2 records
AETA Audio Systems funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
AETA Audio Systems M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about AETA Audio Systems
What does AETA Audio Systems do?
AETA Audio Systems designs, manufactures, and sells professional audio and IP codecs for broadcast applications. Its product range covers portable field codecs for reporters (ScoopyFlex, ScoopTeam, ScoopFone 4G/5G series, eScoopFone) and rack-mounted studio codecs (Scoop 6, MultiScoop, µScoop), supporting encoding algorithms including Opus, AAC-LD/ELD, AMR-WB (HD Voice), and protocols such as SIP, AES67/Ravenna, and Dante. The offering is complemented by Windows control software (MyScoopTeam, MyScoopyFlex) and hosted services (Remote Access, AETA SIP Server, STUN Server).
Is AETA Audio Systems a public or private company?
AETA Audio Systems is a private company. It is classified as unknown and is currently operating.
When was AETA Audio Systems founded?
AETA Audio Systems was founded in 1978. It employs 11 to 50 people.
Where is AETA Audio Systems based?
AETA Audio Systems is headquartered in Le Plessis-robinson, France, in the Europe region.
How does AETA Audio Systems make money?
Five revenue lines are on record. Hardware Codec Sales are the primary driver. The others are software Licenses and Updates, support Contracts, SIP Server Service and equipment Rental.
Who are AETA Audio Systems's main competitors?
Direct peers on record are Tieline, Comrex, Barix, Mayah Communications, Glensound and Sonifex. Broad incumbents are Telos Alliance, Wheatstone (Audioarts), Lawo and Riedel Communications.
Does AETA Audio Systems have an API?
No public API is recorded for AETA Audio Systems.
What industry is AETA Audio Systems in?
AETA Audio Systems's product category is Professional Broadcast Audio Codecs. Its primary akta.pro industry code is MPAHAKAJ, Playout Infrastructure & Hardware (Servers, Storage, SDI/IP Gateways). Its NAICS code is 334310 and its SIC code is 3576.