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Stage

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uuid000mm15

Namestring
Stage
Legal namestring
Stage Enterprises Ltd
Websiteurl
stage.tech
Company typeenum
Private
Founded yearint
2017
Descriptiontext

Stage Enterprises Ltd, trading as Stage, is a London-based B2B software company that operates a music data platform aimed at improving the accuracy, speed, and transparency of royalty payments to music creators. Founded in 2017 and headquartered at 47 Dean Street in Soho, the company sells its platform to digital service providers, record labels, and collection societies that need to exchange and reconcile music rights, usage, copyright, and recording data across organizational boundaries.

The core product, the Stage – Music Platform, is built on cloud and big data technologies and exposes out-of-the-box data pipelines for music-industry data exchange, validation, transformation, and analytics. It supports ingestion over SFTP, email, or API with automated validation and tagging, extensible user-defined rules, and integration with popular ML services and BI tools for reporting. Around these pipelines, Stage packages a library of music-industry components — Usage Reports, Usage Analytics, Usage Forecasts, Interested Parties Management, Party Matching, Share Pictures, Work Registrations, Repertoire Matching, Copyright Management, Recording Notifications, Recording Identification, and Crowdsourcing — that collectively cover the lifecycle of music rights and royalty data processing.

Stage generates revenue via a subscription/recurring model, selling direct to enterprise customers on a global basis; pricing is not publicly disclosed. The leadership team, including founder Phil Sant, brings prior operational experience at Apple Music, Universal, PPL, and PRS for Music, which supports the firm's domain credibility. The company remains privately held with no disclosed funding rounds, parent entities, or material M&A activity in the source data, and operates with 11–50 employees.

Short descriptiontext

Stage (Stage Enterprises Ltd) is a London-based B2B software company whose cloud-based music data platform helps digital service providers, record labels, and collection societies exchange, validate, and reconcile royalty and rights data to improve music creator payments.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
11–50
akta.pro rankint
HeadquartersLondon, United Kingdom
HQ citystring
London
HQ countrystring
United Kingdom
HQ regionstring
Europe
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
music data platform, royalty data pipelines, music rights management, music data exchange, royalty processing software
Industry3 codes
1Music Rights Administration & Royalty Processing (Admin, Accounting, Statements)
CodeMPAIAKADPrimaryYes
2Royalty Analytics, Forecasting & Valuation Services
CodeMPAIAKAGPrimaryNo
3Rights Data, Metadata, Identifier & Repertoire Management (ISWC/ISRC/IPI, Matching)
CodeMPAIAKAFPrimaryNo
NAICS code1 code
  • Sound Recording Industries5122
SIC code2 codes
  • Services-Computer Programming, Data Processing, Etc.7370
  • Services-Computer Processing & Data Preparation7374
Product category
Music Data Management Software
No data
Revenue model1 record
1Music Data Platform Services
TypeSubscription Recurring
Description

B2B platform providing data pipelines, processing, and analytics services to music industry organizations. Revenue likely generated through platform subscriptions or usage-based licensing for music royalty data management.

stage.tech
Marketing channels1 record

Each record includes

Title, Type, Stage, Description, Source

Distribution channels1 record

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components5 values
Technology or R&D, Personnel, Operations, Infrastructure, Marketing or Sales
GTM typeB2B
B2B
Offering typeSoftware
Software
Core offering1 text field

Stage builds a cloud-based music data platform that enables music industry organizations to exchange, validate, transform, and analyze music royalty and rights data through pre-built data pipelines and specialized music-industry components. It addresses inaccurate royalty calculations, delayed payments, and limited transparency in music royalty distribution by providing out-of-the-box support for data exchange (SFTP, email, API), processing, and analytics tailored to music rights and usage workflows.

Differentiator
Functional benefit
Problem solved
Product overview1 text field

Stage is a unified music data platform designed to transform royalty payment processes for creators. The core offering consists of the Stage – Music Platform, which provides data pipelines for exchanging and processing music industry data. The platform includes specialized Music Industry Components (Usage Reports, Usage Analytics, Usage Forecasts, Party Matching, Repertoire Matching, Copyright, Recording Notifications, Recording Identification, Crowdsourcing) and Music Data Pipelines for data exchange over SFTP, email or API with built-in validation, transformation and analytics capabilities. The platform is built on cloud and big data technologies.

Product and service3 records
1Stage – Music Platform
CategoryMusic Data Platform
Description

Unified music data platform that transforms royalty payment processes for creators by providing data pipelines and music-industry-specific components for exchange, validation, transformation, and analytics of music usage and rights data. Targeted at digital service providers, record labels, and collection societies.

2Music Data Pipelines
CategoryData Pipeline Software
Description

Pre-built data pipeline components enabling data exchange (over SFTP, email, or API with automated validation and tagging), extensible validation and transformation with user-defined rules, and analytics, dashboards, and reports in popular ML services and BI tools. Designed for music industry organizations needing to accelerate data projects.

3Music Industry Components
CategoryMusic Rights & Royalties Software Modules
Description

Ever-growing set of music-industry data formats, integrations, and interoperable components including Usage Reports, Usage Analytics, Usage Forecasts, Interested Parties, Party Matching, Share Pictures, Work Registrations, Repertoire Matching, Copyright, Recording Notifications, Recording Identification, and Crowdsourcing. Enables customers to assemble royalty and rights workflows from pre-built building blocks.

Scale indicator2 records

Each record includes

Type, Value, Description, Source

Recent move4 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight3 records

Each record includes

Type, Description

Peers10 records
TypeDirect peer
Description

Audible Magic provides music recognition, content identification, and rights management services to streaming platforms, broadcasters, and rights organizations. It is a directly comparable peer in recording identification and rights-data workflows.

TypeEmerging player
Description

Jaxsta operates a music credits database with royalty and rights-adjacent services. It is an emerging peer with partial overlap in music credits, rights metadata, and royalty-related data.

TypeBroad incumbent
Description

Kobalt offers music publishing administration, royalty collection, and neighboring-rights services at scale. Its publishing-administration and royalty-tech stack make it a broad incumbent peer against Stage's rights and royalty data platform.

TypeDirect peer
Description

BMAT provides music identification, matching, and rights-data services to broadcasters, DSPs, and rights organizations. Its overlap with Stage's Recording Identification, Repertoire Matching, and usage-report processing components makes it a directly comparable peer.

TypeDirect peer
Description

Audiam (now part of the SESAC/BMI family) focuses on music publishing administration and royalty collection for songwriters and independent publishers. It is a directly comparable peer in music rights administration and royalty processing workflows.

TypeDirect peer
Description

Songtrust is an independent music publishing administrator that handles global royalty collection, registrations, and payments for songwriters. It competes with Stage in music rights administration, work registrations, and royalty processing.

TypeDirect peer
Description

Music Reports Inc. operates a music rights and royalty infrastructure platform serving DSPs, labels, publishers, and CMOs. It is a direct competitor to Stage's music-data pipeline and rights-matching offerings across usage processing, repertoire identification, and royalty administration.

TypeBroad incumbent
Description

ICE Services provides pan-European collective licensing infrastructure for online music rights, processing usage data and distributing royalties. It is a broad incumbent peer in music rights data and royalty processing for major rights holders.

TypeBroad incumbent
Description

Vistex provides enterprise royalty and rights management software across media, music, publishing, and consumer products. Its broader scope and incumbent position make it a broad incumbent peer relative to Stage's music-specialized platform.

TypeBroad incumbent
Description

Gracenote (a Nielsen company) supplies music metadata, identification, and content data to platforms and rights holders. Its overlap with Stage's metadata, identification, and matching components makes it a broad incumbent peer in music data infrastructure.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses4 records

Each record includes

Headline, Details, Source

Competitive moat4 records

Each record includes

Type, Details

Key risks5 records

Each record includes

Headline, Details, Source

Key highlights6 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers1 record

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment1 record

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile1 record

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
Yes
API detail
Has APIbool
Yes

Docs URL, Description

AI maturity
App detail

Has app

Feature15 records

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles1 record

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Stage

Music Data Management Softwarestage.tech

Stage (Stage Enterprises Ltd) is a London-based B2B software company whose cloud-based music data platform helps digital service providers, record labels, and collection societies exchange, validate, and reconcile royalty and rights data to improve music creator payments.

What Stage does

Stage Enterprises Ltd, trading as Stage, is a London-based B2B software company that operates a music data platform aimed at improving the accuracy, speed, and transparency of royalty payments to music creators. Founded in 2017 and headquartered at 47 Dean Street in Soho, the company sells its platform to digital service providers, record labels, and collection societies that need to exchange and reconcile music rights, usage, copyright, and recording data across organizational boundaries.

The core product, the Stage – Music Platform, is built on cloud and big data technologies and exposes out-of-the-box data pipelines for music-industry data exchange, validation, transformation, and analytics. It supports ingestion over SFTP, email, or API with automated validation and tagging, extensible user-defined rules, and integration with popular ML services and BI tools for reporting. Around these pipelines, Stage packages a library of music-industry components — Usage Reports, Usage Analytics, Usage Forecasts, Interested Parties Management, Party Matching, Share Pictures, Work Registrations, Repertoire Matching, Copyright Management, Recording Notifications, Recording Identification, and Crowdsourcing — that collectively cover the lifecycle of music rights and royalty data processing.

Stage generates revenue via a subscription/recurring model, selling direct to enterprise customers on a global basis; pricing is not publicly disclosed. The leadership team, including founder Phil Sant, brings prior operational experience at Apple Music, Universal, PPL, and PRS for Music, which supports the firm's domain credibility. The company remains privately held with no disclosed funding rounds, parent entities, or material M&A activity in the source data, and operates with 11–50 employees.

Stage firmographics

Firmographics
Name
Stage
Legal name
Stage Enterprises Ltd
Website
https://stage.tech
Company type
Private
Founded year
2017
Operating status
Operating
Headcount range
11–50 employees
Short description
Stage (Stage Enterprises Ltd) is a London-based B2B software company whose cloud-based music data platform helps digital service providers, record labels, and collection societies exchange, validate, and reconcile royalty and rights data to improve music creator payments.
Ownership category
akta.pro rank

Stage industry classification

Industry
Product category
Music Data Management Software
NAICS
Sound Recording Industries (5122)
SIC
Services-Computer Programming, Data Processing, Etc. (7370), Services-Computer Processing & Data Preparation (7374)
akta.pro primary industry
Music Rights Administration & Royalty Processing (Admin, Accounting, Statements) (MPAIAKAD)
akta.pro secondary industries
Royalty Analytics, Forecasting & Valuation Services (MPAIAKAG), Rights Data, Metadata, Identifier & Repertoire Management (ISWC/ISRC/IPI, Matching) (MPAIAKAF)

Keywords

  • Music data platform
  • Royalty data pipelines
  • Music rights management
  • Music data exchange
  • Royalty processing software

Where Stage is headquartered

Location

Headquarters

HQ city
London
HQ country
United Kingdom
HQ region
Europe

Offices1 record

Markets served

Stage business model

Business model
GTM type
B2B
Offering type
Software
Cost components
Technology or R&D, Personnel, Operations, Infrastructure, Marketing or Sales

Revenue model

  1. Music Data Platform Services: B2B platform providing data pipelines, processing, and analytics services to music industry organizations. Revenue likely generated through platform subscriptions or usage-based licensing for music royalty data management.

Distribution channels1 record

Marketing channels1 record

Stage product offering

Product offering

Core offering

Stage builds a cloud-based music data platform that enables music industry organizations to exchange, validate, transform, and analyze music royalty and rights data through pre-built data pipelines and specialized music-industry components. It addresses inaccurate royalty calculations, delayed payments, and limited transparency in music royalty distribution by providing out-of-the-box support for data exchange (SFTP, email, API), processing, and analytics tailored to music rights and usage workflows.

Product overview

Stage is a unified music data platform designed to transform royalty payment processes for creators. The core offering consists of the Stage – Music Platform, which provides data pipelines for exchanging and processing music industry data. The platform includes specialized Music Industry Components (Usage Reports, Usage Analytics, Usage Forecasts, Party Matching, Repertoire Matching, Copyright, Recording Notifications, Recording Identification, Crowdsourcing) and Music Data Pipelines for data exchange over SFTP, email or API with built-in validation, transformation and analytics capabilities. The platform is built on cloud and big data technologies.

Differentiator

Problem solved

Functional benefit

Products and services

  • Stage – Music Platform Unified music data platform that transforms royalty payment processes for creators by providing data pipelines and music-industry-specific components for exchange, validation, transformation, and analytics of music usage and rights data. Targeted at digital service providers, record labels, and collection societies.
  • Music Data Pipelines Pre-built data pipeline components enabling data exchange (over SFTP, email, or API with automated validation and tagging), extensible validation and transformation with user-defined rules, and analytics, dashboards, and reports in popular ML services and BI tools. Designed for music industry organizations needing to accelerate data projects.
  • Music Industry Components Ever-growing set of music-industry data formats, integrations, and interoperable components including Usage Reports, Usage Analytics, Usage Forecasts, Interested Parties, Party Matching, Share Pictures, Work Registrations, Repertoire Matching, Copyright, Recording Notifications, Recording Identification, and Crowdsourcing. Enables customers to assemble royalty and rights workflows from pre-built building blocks.

Companies that use Stage

Customer profile

Named customers1 record

Segments1 record

Ideal customer profiles1 record

Stage technology and API

Technology

Technology focussed Yes

API detail

Has API
Yes
API docs
API detail

Core technology

AI maturity

App detail

Feature15 records

Stage partnerships and signals

Strategic signal

Scale indicators2 records

Recent moves4 records

Expansion highlights3 records

Stage competitors and assessment

Company assessment

Direct peers

  • Audible Magic: Audible Magic provides music recognition, content identification, and rights management services to streaming platforms, broadcasters, and rights organizations. It is a directly comparable peer in recording identification and rights-data workflows.
  • BMAT: BMAT provides music identification, matching, and rights-data services to broadcasters, DSPs, and rights organizations. Its overlap with Stage's Recording Identification, Repertoire Matching, and usage-report processing components makes it a directly comparable peer.
  • Audiam: Audiam (now part of the SESAC/BMI family) focuses on music publishing administration and royalty collection for songwriters and independent publishers. It is a directly comparable peer in music rights administration and royalty processing workflows.
  • Songtrust: Songtrust is an independent music publishing administrator that handles global royalty collection, registrations, and payments for songwriters. It competes with Stage in music rights administration, work registrations, and royalty processing.
  • Music Reports Inc. Music Reports Inc. operates a music rights and royalty infrastructure platform serving DSPs, labels, publishers, and CMOs. It is a direct competitor to Stage's music-data pipeline and rights-matching offerings across usage processing, repertoire identification, and royalty administration.

Emerging players

  • Jaxsta: Jaxsta operates a music credits database with royalty and rights-adjacent services. It is an emerging peer with partial overlap in music credits, rights metadata, and royalty-related data.

Broad incumbents

  • Kobalt Music Group: Kobalt offers music publishing administration, royalty collection, and neighboring-rights services at scale. Its publishing-administration and royalty-tech stack make it a broad incumbent peer against Stage's rights and royalty data platform.
  • ICE Services (International Copyright Enterprise): ICE Services provides pan-European collective licensing infrastructure for online music rights, processing usage data and distributing royalties. It is a broad incumbent peer in music rights data and royalty processing for major rights holders.
  • Vistex: Vistex provides enterprise royalty and rights management software across media, music, publishing, and consumer products. Its broader scope and incumbent position make it a broad incumbent peer relative to Stage's music-specialized platform.
  • Gracenote: Gracenote (a Nielsen company) supplies music metadata, identification, and content data to platforms and rights holders. Its overlap with Stage's metadata, identification, and matching components makes it a broad incumbent peer in music data infrastructure.

Market position

Strengths5 records

Weaknesses4 records

Competitive moat4 records

Key risks5 records

Key highlights6 records

Customer concentration

Stage financial estimates

Financial estimate

Revenue estimate

Valuation estimate

Stage leadership team

Management profile

Number of profiles

Profiles1 record

Stage funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

Stage M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Stage

What does Stage do?

Stage builds a cloud-based music data platform that enables music industry organizations to exchange, validate, transform, and analyze music royalty and rights data through pre-built data pipelines and specialized music-industry components. It addresses inaccurate royalty calculations, delayed payments, and limited transparency in music royalty distribution by providing out-of-the-box support for data exchange (SFTP, email, API), processing, and analytics tailored to music rights and usage workflows.

Is Stage a public or private company?

Stage is a private company. It is classified as founder individual operated bootstrapped and is currently operating.

When was Stage founded?

Stage was founded in 2017. It employs 11 to 50 people.

Where is Stage based?

Stage is headquartered in London, United Kingdom, in the Europe region.

How does Stage make money?

One revenue line is on record: music Data Platform Services.

Who are Stage's main competitors?

Direct peers on record are Audible Magic, BMAT, Audiam, Songtrust and Music Reports Inc.. Jaxsta is listed as an emerging player. Broad incumbents are Kobalt Music Group, ICE Services (International Copyright Enterprise), Vistex and Gracenote.

Does Stage have an API?

Yes. Stage offers API-based data exchange capabilities as part of its music data platform. The platform supports data exchange via API with automated validation and tagging. The API enables integration for exchanging and processing music industry data with built-in support for music industry formats.

What industry is Stage in?

Stage's product category is Music Data Management Software. Its primary akta.pro industry code is MPAIAKAD, Music Rights Administration & Royalty Processing (Admin, Accounting, Statements), with a secondary code of MPAIAKAG, Royalty Analytics, Forecasting & Valuation Services. Its NAICS code is 5122 and its SIC code is 7370.

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