Gallery Wendi Norris

Name

Gallery Wendi Norris

Legal name

Gallery Wendi Norris

Website

https://gallerywendinorris.com

Company type

Private

Founded year

2002

Operating status

Operating

Headcount range

1–10 employees

Ownership category

akta.pro rank

Product category

Art Gallery

NAICS

Art Dealers (459920)

akta.pro primary industry

Art Galleries & Exhibition Spaces (Commercial & Nonprofit) (THAJADAH)

Keywords

• Contemporary art gallery
• Women surrealism
• Art exhibition services
• Artist representation
• Fine art sales

Headquarters

HQ city

San Francisco

HQ country

United States

HQ region

North America

Offices3 records

Markets served

GTM type

B2B and B2C

Offering type

Services

Cost components

Personnel, Operations, Marketing or Sales, Others

Revenue model

1. Art Sales (Primary Market): Sales of works by living and contemporary artists represented by the gallery, including solo and group exhibitions at the gallery space and art fairs.
2. Art Sales (Secondary Market): Sales of works by historical artists including Leonora Carrington, Remedios Varo, Dorothea Tanning, and Alice Rahon. The gallery has facilitated museum acquisitions including MoMA's purchase of two Carringtons in 2019.
3. Institutional Commissions: Large-scale commissions for museums and institutions, such as Enrique Martínez Celaya's installation 'The Sextant' at the Wende Museum and María Magdalena Campos-Pons's work at the Obama Presidential Center.

Go-to-market motion2 records

Distribution channels4 records

Marketing channels6 records

Core offering

Gallery Wendi Norris is a contemporary art gallery based in San Francisco that represents and exhibits modern and contemporary artists, with a particular specialization in women surrealist artists. The gallery operates a primary location at 436 Jackson Street, an offsite exhibition program, and participates in major international art fairs. Founded in 2002, it facilitates art sales and acquisitions for collectors and institutions, publishes scholarly exhibition materials, and produces editorial video content.

Product overview

Gallery Wendi Norris is an art gallery based in San Francisco's Jackson Square neighborhood, offering a unified program centered on artist representation, exhibition curation, and art sales. The gallery specializes in historical Surrealist artists (particularly women Surrealists such as Leonora Carrington, Remedios Varo, Alice Rahon, Dorothea Tanning, and Wolfgang Paalen) alongside contemporary artists including Julio César Morales, Enrique Martínez Celaya, Peter Young, Marie Wilson, and others. The gallery operates from its headquarters at 436 Jackson Street and maintains an offsite program at locations including 529 West 20th Street in New York. Services include in-gallery exhibitions, participation in international art fairs (Frieze Masters, Art Basel Miami Beach, FOG Design+Art), gallery publications, video content production, and art sales to private and institutional collectors. In 2017, the gallery transitioned to a nomadic, decentralized model with smaller footprint space, staging exhibitions in vacant commercial spaces globally.

Differentiator

Problem solved

Functional benefit

Products and services

• Gallery Exhibitions Curated exhibitions at the gallery's primary 436 Jackson Street location in San Francisco, featuring works by represented contemporary artists and historically significant women surrealist artists. Designed for collectors, museums, and art enthusiasts visiting the gallery.
• Offsite Exhibition Program Curated exhibitions presented at offsite locations in San Francisco and beyond, extending the gallery's programming beyond its primary space and offering collectors and institutions access to works in varied contexts.
• Art Fair Representation Representation of the gallery's roster of artists at major international art fairs, providing global visibility and direct sales access to collectors and institutions worldwide.
• Art Sales and Acquisitions Brokered sales of artworks by represented artists to private collectors and museums, handling pricing, provenance, and transaction logistics.
• Gallery Publications Scholarly catalogs and printed materials produced in conjunction with gallery exhibitions, providing curatorial context and art-historical documentation for collectors, scholars, and institutions.
• Video Content Editorial video content produced to document exhibitions, artist interviews, and curatorial perspectives, distributed through the gallery's digital channels.

Quantifiable outcome

• MoMA acquired two Carrington works from the gallery in 2019; gallery artists featured at Venice Biennale and major international exhibitions
• +2 more outcomes

Named customers7 records

Segments4 records

Ideal customer profiles3 records

Technology focussed No

API detail

Has API

No

API docs

API detail

Core technology

AI maturity

App detail

Scale indicators4 records

Recent moves7 records

Expansion highlights5 records

Direct peers

• Pace Gallery: Operates in both primary and secondary markets for historically significant and contemporary artists, with multiple global locations including NYC and a scholarly publishing arm — directly comparable in business model and artist mix.
• James Cohan Gallery: Contemporary and historical program with international fair participation, scholarly publications, and NYC gallery footprint — comparable scale and curatorial mix.
• Tina Kim Gallery: Scholarly gallery with strong historical/contemporary program, international fair participation, and museum placement record — comparable in positioning and select artist mix (e.g., international, under-recognized historical figures).
• Marian Goodman Gallery: Closely comparable: scholarly, historically-grounded program with strong contemporary roster, major museum placements, and primary/secondary market activity. Same curatorial ethos and operating scale that Gallery Wendi Norris aspires to.
• Bortolami Gallery: NYC-based gallery representing established contemporary and historical artists with institutional engagement — similar operating scale and primary market profile.
• Galerie Lelong & Co. Historical and contemporary program with strong institutional partnerships, scholarly catalog publishing, and gallery presence in NYC and Paris — directly comparable in scope and academic positioning.
• Hauser & Wirth: International gallery combining historical and contemporary programs, museum-quality commissions, scholarly publications, and global art fair participation — overlapping model with broader footprint.
• Lévy Gorvy Dayan (LGDR): Active in blue-chip secondary market for historically significant artists with a strong advisory business; comparable primary/secondary mix and museum relationships to Gallery Wendi Norris.
• Kasmin Gallery: Mid-size gallery with established contemporary and historical artist programs, scholarly publications, and NYC presence — comparable scale and curatorial approach.

Broad incumbents

• David Zwirner: Mega-gallery with overlapping contemporary artist representation and secondary-market capabilities. Operates at a larger scale with broader international footprint but shares the curatorial-driven, museum-oriented model.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat4 records

Key risks6 records

Key highlights6 records

Customer concentration

• YouTubeyoutube.com/@gallerywendinorris7263
• Facebookfacebook.com/gallerywendinorris
• Instagraminstagram.com/gallerywendinorris
• Xx.com/GalleryWN
• LinkedInlinkedin.com/company/gallery-wendi-norris

Revenue estimate

Valuation estimate

Number of profiles

Profiles2 records

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Gallery Wendi Norris