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Screen Australia

Full company profile

uuid003w459

Namestring
Screen Australia
Legal namestring
Screen Australia
Company typeenum
Private
Founded yearint
2008
Descriptiontext

Screen Australia is the Australian Government's federal screen development agency, constituted in 2008 as a statutory authority through the merger of the Australian Film Commission, Film Finance Corporation Australia, and Film Australia. It operates under the Department of Infrastructure, Transport, Regional Development, Communications and the Arts, headquartered in Canberra (with a presence in Ultimo). Its mandate is to support the production, development, and international competitiveness of Australian screen content — narrative film and television, documentary, animation, short film, and games — through funding programs, co-production treaty administration, and market access initiatives. The agency does not produce commercial technology products; its core "products" are competitive funding rounds, structured programs such as the Narrative Content and Documentary funding streams, the new Market & Audience programs (Assets, Audience Testing, Channel Management), the Proper Loved Up First Nations initiative, the Digital Originals program, and the annual Drama Report industry research publication.

Screen Australia is funded through Australian Government appropriations rather than commercial revenue, and does not charge for its funding programs; grants are disbursed competitively to Australian filmmakers, production companies, and broadcasters. It administers or partners on production incentives including the Location Offset (raised to 30%) and Producer Offset, and convenes Official Co-production treaties with the UK, Canada, Ireland, New Zealand, and the Philippines. Its go-to-market is hybrid: competitive grant rounds (sales-led), convening of international co-productions (event-driven via programs like Play Now Melbourne and Partner with Australia UK), and strategic partnerships with Ausfilm, BFI, Film London, Pact, Telefilm Canada, FDCP, ABC, SBS, NITV, and state screen agencies. Senior leadership includes CEO Deirdre Brennan, inaugural Director of First Nations Strategy Rachel Perkins (commencing 2 March 2026), Head of Market & Audience Rakel Tansley, and Investment Manager Michelle Melky.

Short descriptiontext

Screen Australia is the Australian Government's federal statutory authority that funds and develops the national screen industry through competitive grants, co-production treaties (UK, Canada, Ireland, NZ, Philippines), and market access programs for filmmakers, production companies, and broadcasters.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
101–250
akta.pro rankint
HeadquartersUltimo, Australia
HQ citystring
Ultimo
HQ countrystring
Australia
HQ regionstring
Oceania
Markets served

Serves global market

Offices1 record

Each record includes

City, Country, Type, Description, Source

Keyword5 values
screen funding programs, government film grants, production incentives, co-production treaties, documentary funding
Industry3 codes
1Production Accounting & Business Affairs (Accounting, Legal Clearances)
CodeMPADAFAMPrimaryYes
2International TV Program Distribution (Sales/Output Deals)
CodeMPABAMADPrimaryNo
3Digital Development & ICT4D / GovTech Technical Assistance
CodeBPADAEALPrimaryNo
NAICS code2 codes
  • Motion Picture and Video Production512110
  • Motion Picture and Video Production51211
SIC code2 codes
  • Services-Allied To Motion Picture Production7819
  • Services-Motion Picture & Video Tape Production7812
Product category
Government Screen Funding Services
Social media profiles1 record
GTM motion3 records

Each record includes

Type, Description, Source

Revenue model1 record
1Government Funding Allocation
TypeProfessional Services
Description

Screen Australia operates as a statutory authority funded by the Australian Government. The agency allocates funds to support Australian screen production, rather than generating commercial revenue. The Drama Report 2024/25 shows $2.7 billion was spent on drama production in Australia, with Screen Australia facilitating a portion through its investment programs.

screenaustralia.gov.au
Marketing channels4 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels5 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components4 values
Personnel, Operations, Marketing or Sales, Others
GTM typeB2B
B2B
Offering typeServices
Services
Core offering1 text field

Screen Australia is a federal government statutory authority that provides competitive production funding and development support to Australian filmmakers, production companies, and broadcasters. It invests in narrative projects, documentaries, animated series, and feature films through funding programs, while administering production incentives (Location Offset at 30%, Producer Offset) and facilitating international co-productions under treaty frameworks with Canada, Ireland, New Zealand, UK, and the Philippines. The agency also supports market access through events like Play Now Melbourne for game developers and the Partner with Australia (UK) initiative.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 of 4 values shown
  • $2.7 billion in drama production expenditure in 2024/25
+3 more records
Product overview1 text field

Screen Australia is Australia's federal screen funding agency providing funding programs and strategic initiatives for the Australian screen industry. The agency offers multiple funding streams including Narrative Content funding ($20.4M for 91 projects), Documentary funding ($5.6M for 44 projects), Short Film Production funding with mentorship, and Market & Audience programs. The First Nations Department supports Indigenous storytelling through initiatives like Proper Loved Up, while the Digital Originals program nurtures diverse creators. The Drama Report provides industry research and analytics on production activity.

Product and service10 records
1Narrative Content Funding Program
CategoryFunding Program
Description

Competitive funding program providing investment to Australian narrative projects including animated series, shorts, feature films, and new productions in development. Includes support for short films paired with industry mentors.

2Documentary Funding Program
CategoryFunding Program
Description

Competitive funding program providing $5.6 million for 44 documentary projects across Australian broadcasters, streamers, and online platforms, supporting productions at development and production stages.

3Short Film Production Funding Program
CategoryFunding Program
Description

Funding program that pairs filmmakers with industry mentors, supporting emerging filmmakers through the first four short films under this program.

4Market & Audience Programs (Assets, Audience Testing, Channel Management)
CategoryFunding Program
Description

Three funding programs offering up to $45,000 for theatrical assets, $15,000 for audience testing, and $15,000 for channel management to support Australian film producers and distributors in reaching audiences.

5Proper Loved Up Initiative
CategoryFunding Program
Description

Romantic comedy program supporting mid-career First Nations producers with up to $152,500 per team, development workshops, and mentorship to shape First Nations love stories for screen.

6Digital Originals Program
CategoryFunding Program
Description

Program supporting ten Australian scripted projects targeting diverse creators with development workshops, aiming to develop projects for SBS On Demand and NITV.

7Location Offset Production Incentive
CategoryProduction Incentive
Description

Government production incentive offering 30% Location Offset for international productions filming in Australia, driving $1.3 billion in international production spending in 2024/25.

8Partner with Australia (UK) Initiative
CategoryMarket Access Program
Description

Three-day programme in London with roundtables, panel discussions, and networking creating pathways for co-development and co-production under the Australia-UK Official Co-productions treaty.

9Play Now Melbourne
CategoryMarket Access Program
Description

Australia's largest games market connecting Australian game developers with international publishers and investors through events.

10International Co-production Treaty Administration
CategoryCo-production Program
Description

Administration of official co-production treaties with Canada, Ireland, New Zealand, UK, and the Philippines, facilitating international co-productions.

Scale indicator11 records

Each record includes

Type, Value, Description, Source

Partnership12 partners
Strategic tierCoreTypeStrategic or Co-development Partner
Description

FDCP is the Philippine government's film agency and co-producer of 'First Light', marking the first co-production between the Philippines and Australia. The film explores corruption in religious and capitalist institutions in rural Philippines.

Strategic tierCoreTypeStrategic or Co-development Partner
Description

Victoria's screen development agency presenting Play Now Melbourne 2026 with assistance from Screen Australia. The event connects Australian game developers with international publishers and investors.

3National Indigenous Television (NITV)
Strategic tierCoreTypeStrategic or Co-development Partner
Description

NITV co-funded First Nations short films with $152,000 grants as part of the Proper Loved Up collection. Partnership supports diverse storytelling and emerging First Nations talent.

abc.net.au
Strategic tierMajorTypeStrategic or Co-development Partner
Description

BFI partnered with Screen Australia and Ausfilm on the Partner with Australia (UK) initiative to create pathways for co-development and co-production under the Australia-UK treaty.

Strategic tierMajorTypeStrategic or Co-development Partner
Description

Film London is a partner in the Partner with Australia (UK) initiative, contributing to roundtables, panel discussions, and networking sessions for UK-Australia creative partnerships.

Strategic tierMajorTypeStrategic or Co-development Partner
Description

UK producers' organization Pact partnered on the initiative to build commercial partnerships between Australian and UK screen industries.

Strategic tierCoreTypeStrategic or Co-development Partner
Description

Ausfilm co-announced the Partner with Australia (UK) initiative with Screen Australia, bringing Australian creatives and member businesses to London for the three-day programme.

Strategic tierMinorTypeStrategic or Co-development Partner
Description

Sandbox Films provided principal production funding for documentary Phenomena, executive produced by Radiolab's Jad Abumrad.

Strategic tierMinorTypeStrategic or Co-development Partner
Description

Mashup Pictures served as a production partner on documentary Phenomena alongside Screen Australia and VicScreen.

Strategic tierMajorTypeStrategic or Co-development Partner
Description

Telefilm Canada co-invested in Australian/Canadian co-productions as part of Screen Australia's funding slate.

11ABC
Strategic tierCoreTypeStrategic or Co-development Partner
Description

The Australian Broadcasting Corporation received $50 million funding boost and partners with Screen Australia on multiple productions including Proper Loved Up collection and various narrative projects.

12State Screen Agencies (NSW, Queensland, Territory, West)
Strategic tierCoreTypeStrategic or Co-development Partner
Description

Screen NSW, Screen Queensland, Screen Territory, and Screenwest provided additional support for Proper Loved Up initiative and various productions alongside Screen Australia.

abc.net.au
Recent move6 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight5 records

Each record includes

Type, Description

Peers10 records
TypeDirect peer
Description

UK lead body for film and the moving image, distributing National Lottery and government funding to UK productions and co-producing with international partners. Directly comparable as a national screen funding agency and an existing Screen Australia co-production treaty partner.

TypeDirect peer
Description

Canadian federal film funding agency that finances Canadian screen content, supports co-productions, and partners with international agencies — directly comparable to Screen Australia's federal funding mandate and co-production treaty operations (and is itself an existing Screen Australia partner).

TypeBroad incumbent
Description

UK organization supporting the creative industries including film and TV through funding, tax credit advocacy, and industry development. Comparable as a national creative-industries funding body, though with broader scope than Screen Australia.

TypeDirect peer
Description

Ireland's national screen agency providing funding for Irish film, television, and animation, with the Section 481 tax incentive. Comparable as a national funding agency with co-production treaty relationships and similar production offset tools.

TypeDirect peer
Description

New Zealand's national film development agency funding local productions and supporting co-productions, including with Australia. Directly comparable as a small national screen funding body operating co-production treaties and government incentives.

TypeBroad incumbent
Description

National information and advisory body representing German cinema internationally and supporting co-productions. Comparable in its role promoting national screen content and facilitating international co-productions.

TypeDirect peer
Description

Australian screen attraction agency facilitating international production in Australia and supporting the Location Offset program alongside Screen Australia. Closely related mandate of promoting Australian production and an existing Screen Australia partner.

TypeDirect peer
Description

Philippine national film agency funding local productions and co-productions, and a recent treaty partner of Screen Australia (with First Light). Comparable mandate and structure as a national government film funding body.

TypeBroad incumbent
Description

French national cinema regulatory and funding body overseeing film policy, tax credits, and support schemes. Comparable as a major national screen funding/regulatory authority, though broader in scope and larger in scale than Screen Australia.

TypeRegional player
Description

South Korean government agency supporting the Korean film industry through funding, policy, and promotion. Comparable in mandate as a national film funding and policy body, though operating primarily in a different regional market.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat4 records

Each record includes

Type, Details

Key risks6 records

Each record includes

Headline, Details, Source

Key highlights7 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers13 records

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment6 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile5 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
No
API detail
Has APIbool
No

Docs URL, Description

AI maturity
App detail

Has app

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles5 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

No data
No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment6 records

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Screen Australia

Government Screen Funding Servicesscreenaustralia.gov.au

Screen Australia is the Australian Government's federal statutory authority that funds and develops the national screen industry through competitive grants, co-production treaties (UK, Canada, Ireland, NZ, Philippines), and market access programs for filmmakers, production companies, and broadcasters.

What Screen Australia does

Screen Australia is the Australian Government's federal screen development agency, constituted in 2008 as a statutory authority through the merger of the Australian Film Commission, Film Finance Corporation Australia, and Film Australia. It operates under the Department of Infrastructure, Transport, Regional Development, Communications and the Arts, headquartered in Canberra (with a presence in Ultimo). Its mandate is to support the production, development, and international competitiveness of Australian screen content — narrative film and television, documentary, animation, short film, and games — through funding programs, co-production treaty administration, and market access initiatives. The agency does not produce commercial technology products; its core "products" are competitive funding rounds, structured programs such as the Narrative Content and Documentary funding streams, the new Market & Audience programs (Assets, Audience Testing, Channel Management), the Proper Loved Up First Nations initiative, the Digital Originals program, and the annual Drama Report industry research publication.

Screen Australia is funded through Australian Government appropriations rather than commercial revenue, and does not charge for its funding programs; grants are disbursed competitively to Australian filmmakers, production companies, and broadcasters. It administers or partners on production incentives including the Location Offset (raised to 30%) and Producer Offset, and convenes Official Co-production treaties with the UK, Canada, Ireland, New Zealand, and the Philippines. Its go-to-market is hybrid: competitive grant rounds (sales-led), convening of international co-productions (event-driven via programs like Play Now Melbourne and Partner with Australia UK), and strategic partnerships with Ausfilm, BFI, Film London, Pact, Telefilm Canada, FDCP, ABC, SBS, NITV, and state screen agencies. Senior leadership includes CEO Deirdre Brennan, inaugural Director of First Nations Strategy Rachel Perkins (commencing 2 March 2026), Head of Market & Audience Rakel Tansley, and Investment Manager Michelle Melky.

Screen Australia firmographics

Firmographics
Name
Screen Australia
Legal name
Screen Australia
Website
https://screenaustralia.gov.au
Company type
Private
Founded year
2008
Operating status
Operating
Headcount range
101–250 employees
Short description
Screen Australia is the Australian Government's federal statutory authority that funds and develops the national screen industry through competitive grants, co-production treaties (UK, Canada, Ireland, NZ, Philippines), and market access programs for filmmakers, production companies, and broadcasters.
Ownership category
akta.pro rank

Screen Australia industry classification

Industry
Product category
Government Screen Funding Services
NAICS
Motion Picture and Video Production (512110), Motion Picture and Video Production (51211)
SIC
Services-Allied To Motion Picture Production (7819), Services-Motion Picture & Video Tape Production (7812)
akta.pro primary industry
Production Accounting & Business Affairs (Accounting, Legal Clearances) (MPADAFAM)
akta.pro secondary industries
International TV Program Distribution (Sales/Output Deals) (MPABAMAD), Digital Development & ICT4D / GovTech Technical Assistance (BPADAEAL)

Keywords

  • Screen funding programs
  • Government film grants
  • Production incentives
  • Co-production treaties
  • Documentary funding

Where Screen Australia is headquartered

Location

Headquarters

HQ city
Ultimo
HQ country
Australia
HQ region
Oceania

Offices1 record

Markets served

Screen Australia business model

Business model
GTM type
B2B
Offering type
Services
Cost components
Personnel, Operations, Marketing or Sales, Others

Revenue model

  1. Government Funding Allocation: Screen Australia operates as a statutory authority funded by the Australian Government. The agency allocates funds to support Australian screen production, rather than generating commercial revenue. The Drama Report 2024/25 shows $2.7 billion was spent on drama production in Australia, with Screen Australia facilitating a portion through its investment programs.

Go-to-market motion3 records

Distribution channels5 records

Marketing channels4 records

Screen Australia product offering

Product offering

Core offering

Screen Australia is a federal government statutory authority that provides competitive production funding and development support to Australian filmmakers, production companies, and broadcasters. It invests in narrative projects, documentaries, animated series, and feature films through funding programs, while administering production incentives (Location Offset at 30%, Producer Offset) and facilitating international co-productions under treaty frameworks with Canada, Ireland, New Zealand, UK, and the Philippines. The agency also supports market access through events like Play Now Melbourne for game developers and the Partner with Australia (UK) initiative.

Product overview

Screen Australia is Australia's federal screen funding agency providing funding programs and strategic initiatives for the Australian screen industry. The agency offers multiple funding streams including Narrative Content funding ($20.4M for 91 projects), Documentary funding ($5.6M for 44 projects), Short Film Production funding with mentorship, and Market & Audience programs. The First Nations Department supports Indigenous storytelling through initiatives like Proper Loved Up, while the Digital Originals program nurtures diverse creators. The Drama Report provides industry research and analytics on production activity.

Differentiator

Problem solved

Functional benefit

Products and services

  • Narrative Content Funding Program Competitive funding program providing investment to Australian narrative projects including animated series, shorts, feature films, and new productions in development. Includes support for short films paired with industry mentors.
  • Documentary Funding Program Competitive funding program providing $5.6 million for 44 documentary projects across Australian broadcasters, streamers, and online platforms, supporting productions at development and production stages.
  • Short Film Production Funding Program Funding program that pairs filmmakers with industry mentors, supporting emerging filmmakers through the first four short films under this program.
  • Market & Audience Programs (Assets, Audience Testing, Channel Management) Three funding programs offering up to $45,000 for theatrical assets, $15,000 for audience testing, and $15,000 for channel management to support Australian film producers and distributors in reaching audiences.
  • Proper Loved Up Initiative Romantic comedy program supporting mid-career First Nations producers with up to $152,500 per team, development workshops, and mentorship to shape First Nations love stories for screen.
  • Digital Originals Program Program supporting ten Australian scripted projects targeting diverse creators with development workshops, aiming to develop projects for SBS On Demand and NITV.
  • Location Offset Production Incentive Government production incentive offering 30% Location Offset for international productions filming in Australia, driving $1.3 billion in international production spending in 2024/25.
  • Partner with Australia (UK) Initiative Three-day programme in London with roundtables, panel discussions, and networking creating pathways for co-development and co-production under the Australia-UK Official Co-productions treaty.
  • Play Now Melbourne Australia's largest games market connecting Australian game developers with international publishers and investors through events.
  • International Co-production Treaty Administration Administration of official co-production treaties with Canada, Ireland, New Zealand, UK, and the Philippines, facilitating international co-productions.

Quantifiable outcome

  • $2.7 billion in drama production expenditure in 2024/25
  • +3 more outcomes

Companies that use Screen Australia

Customer profile

Named customers13 records

Segments6 records

Ideal customer profiles5 records

Screen Australia technology and API

Technology

Technology focussed No

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Screen Australia partnerships and signals

Strategic signal

Partnerships

Twelve partnerships are on record, tiered core, major and minor.

  • Film Development Council of the Philippines (FDCP)coreStrategic or Co-development PartnerFDCP is the Philippine government's film agency and co-producer of 'First Light', marking the first co-production between the Philippines and Australia. The film explores corruption in religious and capitalist institutions in rural Philippines.
  • VicScreencoreStrategic or Co-development PartnerVictoria's screen development agency presenting Play Now Melbourne 2026 with assistance from Screen Australia. The event connects Australian game developers with international publishers and investors.
  • National Indigenous Television (NITV)coreStrategic or Co-development PartnerNITV co-funded First Nations short films with $152,000 grants as part of the Proper Loved Up collection. Partnership supports diverse storytelling and emerging First Nations talent.
  • British Film Institute (BFI)majorStrategic or Co-development PartnerBFI partnered with Screen Australia and Ausfilm on the Partner with Australia (UK) initiative to create pathways for co-development and co-production under the Australia-UK treaty.
  • Film LondonmajorStrategic or Co-development PartnerFilm London is a partner in the Partner with Australia (UK) initiative, contributing to roundtables, panel discussions, and networking sessions for UK-Australia creative partnerships.
  • Pact (UK)majorStrategic or Co-development PartnerUK producers' organization Pact partnered on the initiative to build commercial partnerships between Australian and UK screen industries.
  • AusfilmcoreStrategic or Co-development PartnerAusfilm co-announced the Partner with Australia (UK) initiative with Screen Australia, bringing Australian creatives and member businesses to London for the three-day programme.
  • Sandbox FilmsminorStrategic or Co-development PartnerSandbox Films provided principal production funding for documentary Phenomena, executive produced by Radiolab's Jad Abumrad.
  • Mashup PicturesminorStrategic or Co-development PartnerMashup Pictures served as a production partner on documentary Phenomena alongside Screen Australia and VicScreen.
  • Telefilm CanadamajorStrategic or Co-development PartnerTelefilm Canada co-invested in Australian/Canadian co-productions as part of Screen Australia's funding slate.
  • ABCcoreStrategic or Co-development PartnerThe Australian Broadcasting Corporation received $50 million funding boost and partners with Screen Australia on multiple productions including Proper Loved Up collection and various narrative projects.
  • State Screen Agencies (NSW, Queensland, Territory, West)coreStrategic or Co-development PartnerScreen NSW, Screen Queensland, Screen Territory, and Screenwest provided additional support for Proper Loved Up initiative and various productions alongside Screen Australia.

Scale indicators11 records

Recent moves6 records

Expansion highlights5 records

Screen Australia competitors and assessment

Company assessment

Direct peers

  • British Film Institute (BFI): UK lead body for film and the moving image, distributing National Lottery and government funding to UK productions and co-producing with international partners. Directly comparable as a national screen funding agency and an existing Screen Australia co-production treaty partner.
  • Telefilm Canada: Canadian federal film funding agency that finances Canadian screen content, supports co-productions, and partners with international agencies — directly comparable to Screen Australia's federal funding mandate and co-production treaty operations (and is itself an existing Screen Australia partner).
  • Screen Ireland (Fís Éireann): Ireland's national screen agency providing funding for Irish film, television, and animation, with the Section 481 tax incentive. Comparable as a national funding agency with co-production treaty relationships and similar production offset tools.
  • New Zealand Film Commission (NZFC): New Zealand's national film development agency funding local productions and supporting co-productions, including with Australia. Directly comparable as a small national screen funding body operating co-production treaties and government incentives.
  • Ausfilm: Australian screen attraction agency facilitating international production in Australia and supporting the Location Offset program alongside Screen Australia. Closely related mandate of promoting Australian production and an existing Screen Australia partner.
  • Film Development Council of the Philippines (FDCP): Philippine national film agency funding local productions and co-productions, and a recent treaty partner of Screen Australia (with First Light). Comparable mandate and structure as a national government film funding body.

Broad incumbents

  • Creative UK: UK organization supporting the creative industries including film and TV through funding, tax credit advocacy, and industry development. Comparable as a national creative-industries funding body, though with broader scope than Screen Australia.
  • German Films: National information and advisory body representing German cinema internationally and supporting co-productions. Comparable in its role promoting national screen content and facilitating international co-productions.
  • Centre national du cinéma (CNC): French national cinema regulatory and funding body overseeing film policy, tax credits, and support schemes. Comparable as a major national screen funding/regulatory authority, though broader in scope and larger in scale than Screen Australia.

Regional players

  • Korean Film Council (KOFIC): South Korean government agency supporting the Korean film industry through funding, policy, and promotion. Comparable in mandate as a national film funding and policy body, though operating primarily in a different regional market.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat4 records

Key risks6 records

Key highlights7 records

Customer concentration

Screen Australia social profiles

Digital presence

Screen Australia financial estimates

Financial estimate

Revenue estimate

Valuation estimate

Screen Australia leadership team

Management profile

Number of profiles

Profiles5 records

Screen Australia funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

Screen Australia M&A and investment

M&A and investment

M&A

Investments6 records

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Screen Australia

What does Screen Australia do?

Screen Australia is a federal government statutory authority that provides competitive production funding and development support to Australian filmmakers, production companies, and broadcasters. It invests in narrative projects, documentaries, animated series, and feature films through funding programs, while administering production incentives (Location Offset at 30%, Producer Offset) and facilitating international co-productions under treaty frameworks with Canada, Ireland, New Zealand, UK, and the Philippines. The agency also supports market access through events like Play Now Melbourne for game developers and the Partner with Australia (UK) initiative.

Is Screen Australia a public or private company?

Screen Australia is a private company. It is classified as state government owned and is currently operating.

When was Screen Australia founded?

Screen Australia was founded in 2008. It employs 101 to 250 people.

Where is Screen Australia based?

Screen Australia is headquartered in Ultimo, Australia, in the Oceania region.

How does Screen Australia make money?

One revenue line is on record: government Funding Allocation.

Who are Screen Australia's main competitors?

Direct peers on record are British Film Institute (BFI), Telefilm Canada, Screen Ireland (Fís Éireann), New Zealand Film Commission (NZFC), Ausfilm and Film Development Council of the Philippines (FDCP). Broad incumbents are Creative UK, German Films and Centre national du cinéma (CNC). Korean Film Council (KOFIC) is listed as a regional player.

Does Screen Australia have an API?

No public API is recorded for Screen Australia.

What industry is Screen Australia in?

Screen Australia's product category is Government Screen Funding Services. Its primary akta.pro industry code is MPADAFAM, Production Accounting & Business Affairs (Accounting, Legal Clearances), with a secondary code of MPABAMAD, International TV Program Distribution (Sales/Output Deals). Its NAICS code is 512110 and its SIC code is 7819.

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Live signals
Yahoo‘Furiosa’ Duo Alyla Browne & Elsa Pataky Lead Cast In ‘Chiquita’; Screen Australia, Umbrella & Essential Film Group Among PartnersAlyla Browne and Elsa Pataky are among the cast of Chiquita, an Australian feature set in endurance horse riding, which has started production in Byron Bay. The film, directed by Kiah Roache-Turner, is distributed by Umbrella for a 2027 summer school holiday release, with production investment from Screen Australia and international sales by Essential Film Group.TV Blackbox47 new projects receive $5.7m from SCREEN AUSTRALIAScreen Australia announced over $5.7 million in production and development funding for 47 documentary projects. The projects cover topics such as Bondi, climate change, disability, wildlife, and Australian culture, with support for both established and emerging teams.Mirage NewsNew Appointment To Arts BoardsThe Albanese Labor Government appointed three members to two arts boards: Barrie Cassidy and Linda Burney to the Museum of Australian Democracy, and Pallavi Sharda reappointed to Screen Australia, each for a 3-year term. The appointments bring experience from journalism, Indigenous politics, and screen industry.VarietyVenice-Selected ‘Agata the Writer,’ Starring Mia Wasikowska, Boarded by MMM Film Sales (EXCLUSIVE)French sales company MMM Film Sales has acquired the international rights to "Agata the Writer," starring Mia Wasikowska, which will premiere in competition at the Venice Film Festival in the Venice Days section. The Australian film, directed by Kuba Dorabialski and produced by Alex White, is funded by Screen Australia, Creative Australia and the Adelaide Film Festival Investment Fund.DeadlineInternational Insider: Australia's Attention BattleA Screen Australia study reveals that while 75% of Australians desire more local content, they struggle to find it and increasingly consume international or YouTube content. Concurrently, research by Owl & Co projects the vertical video sector will generate $150 billion in global revenue this year, driven largely by microdrama consumption.DeadlineScreen Australia Report Points To Fight For Attention Facing ProducersA Screen Australia report titled 'Screen Currency 2026' reveals that despite high consumer value placed on local content, only 60% of Australians spend less than 30% of their viewing time on it, highlighting significant discoverability challenges. The study notes the sector contributed over A$11 billion to the economy in 2023/24 but warns that younger audiences are shifting toward algorithms and global platforms like gaming and streaming. Screen Australia CEO Deidre Brennan emphasized that future success depends on improving audience relationships and competing effectively in global markets.TV BlackboxREPORT | Aussie audiences are losing the battle to find local TVScreen Australia's Screen Currency 2026 report reveals a significant gap between Australian audiences' desire for local content and their actual viewing habits, with only 36% finding it easy to access. The study highlights that while local screen stories foster national identity, the sector faces challenges in discoverability amidst global streaming competition. To address this, the report recommends improved audience engagement strategies and diversified revenue models to sustain the industry's $11 billion economic contribution.The Daily StarChattogram’s Arka Das making a mark in Australia | The Daily StarArka Das, originally from Chattogram, is gaining recognition in Australia's entertainment industry, having worked for over a decade as a writer, director, and actor. He has collaborated with notable figures such as Dev Patel in "Lion" and Brett Lee in "UNindian," and he continues to integrate his Bangladeshi heritage into his work. Currently, he is developing a feature film titled "Khana," focused on immigrant worker exploitation in Sydney, having received support from Film Australia and Screen NSW.Mirage NewsWA Filmmaker Secures Funding For Dark Comedy DebutWestern Australian filmmaker Richard Vilensky has been named the recipient of the West Coast Visions 2026 initiative, securing up to $1 million in production funding for his debut feature film 'Everyone's Having a Good Time But You', a dark comedy about a struggling furniture business owner. The funding, delivered by Screenwest with support from the Cook Labor Government and Lotterywest, is supplemented by a further $500,000 pre-committed by Screen Australia, bringing total production funding to $1.5 million. Production is scheduled to commence in Western Australia in mid-2027.WikipediaTreasure & Dirt: Difference between revisionsABC Television has released 'Treasure & Dirt', an Australian drama series produced by Easy Tiger based on Chris Hammer's novel, which premiered on 19 July 2026 on ABC iview. The series was filmed on location in Coober Pedy, South Australia, with production securing funding from Screen Australia and the South Australian Film Corporation, bringing over 100 jobs to the local economy. The plot centres on investigators probing a murder in a dying opal mining town.