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Cineverse

Full company profile

uuid004l2pq

Namestring
Cineverse
Legal namestring
Cineverse
Company typeenum
Public
Founded yearint
2011
Descriptiontext

Cineverse (NASDAQ: CNVS, formerly Cinedigm) operates as a next-generation entertainment studio that combines independent content distribution with proprietary streaming infrastructure. The company runs a portfolio of fan-channelized streaming services — Cineverse Streaming, Screambox, Fandor, Midnight Pulp, Dove Channel, Retro Crush, AsianCrush, JoySauce, Bloody Disgusting, plus niche channels including Yu-Gi-Oh! ARC-V and Dog Whisperer — distributing over 66,000 premium films, series, and podcasts to 35.5 million monthly unique viewers (management cites up to 80 million) and 1.5 million+ paying subscribers across self-serve apps on Roku, LG, Samsung, Vizio, Amazon Fire TV, Google TV/Android TV, Apple TV, iOS, and Android. Its owned media brand Bloody Disgusting (acquired 2023) anchors horror audience development and theatrical marketing, exemplified by Cineverse's distribution of the Terrifier franchise — Terrifier 3 became the highest-grossing unrated film in U.S. history.

Underpinning the consumer business is a proprietary technology stack led by Matchpoint, a SaaS suite (Dispatch for distribution, Blueprint for streaming app deployment, and Insights for performance and revenue analytics) developed primarily through the company's engineering and R&D office in Kolkata, India and now offered to third-party filmmakers, media companies, platforms, and OEMs. Adjacent technology products include cineSearch (AI-powered discovery), IndiCue (audience and distribution analytics), c360 (programmatic advertising network), and Giant Worldwide (acquired 2025, providing 24/7 mastering, localization, QC, and delivery services across New York, Burbank, Warsaw, and Kolkata).

Cineverse monetizes through seven identifiable streams: streaming subscriptions across its channel portfolio, advertising via c360 and direct channel integrations, theatrical distribution (Terrifier, Pan's Labyrinth, Return to Silent Hill, Air Bud Returns), content licensing of its catalog to global platforms, Matchpoint SaaS, podcast advertising through Bloody FM and the Cineverse Podcast Network, and merchandise sales through Walmart and Spencers. The company is headquartered in New York, listed on NASDAQ, has no controlling parent, and was founded in its current form in 2011 under Chairman & CEO Christopher J. McGurk.

Short descriptiontext

Cineverse (NASDAQ: CNVS) is a publicly traded entertainment studio that distributes 66,000+ films, series, and podcasts across fan-channelized streaming services (Cineverse, Screambox, Fandor, Bloody Disgusting, AsianCrush, Retro Crush, Dove Channel) and runs Matchpoint, a proprietary SaaS suite for streaming distribution, app deployment, and analytics offered to third-party media companies.

Operating statusenum
Operating
Ownership categoryenum
Headcount rangeband
251–500
akta.pro rankint
HeadquartersNew York, United States
HQ citystring
New York
HQ countrystring
United States
HQ regionstring
North America
Markets served

Serves global market

Offices4 records

Each record includes

City, Country, Type, Description, Source

Keyword5 values
video streaming services, streaming technology SaaS, theatrical film distribution, digital content licensing, programmatic advertising
Industry3 codes
1Live Streaming Aggregators & Multi-Platform Restreaming/Distribution Platforms
CodeMPACACAMPrimaryYes
2Partner Integrations & Distribution (App Stores, Channels, OEM/Carrier Bundles)
CodeMPAHAJAOPrimaryNo
3VFX Review, QC & Delivery (Client Review, Conform, Final Outputs)
CodeMPAHABALPrimaryNo
NAICS code3 codes
  • Motion Picture and Video Distribution512120
  • Motion Picture and Video Distribution51212
  • Media Streaming Distribution Services, Social Networks, and Other Media Networks and Content Providers516210
SIC code1 code
  • Services-Motion Picture & Video Tape Distribution7822
Product category
Video Streaming & Entertainment Technology
GTM motion3 records

Each record includes

Type, Description, Source

Revenue model7 records
1Streaming Subscriptions
TypeSubscription Recurring
Description

Cineverse operates multiple streaming channels and services including cineverse.com streaming, Screambox, Fandor, Dove Channel, Retro Crush, Asian Crush, and Yu-Gi-Oh! channels. The company reports over 1.5 million paying subscribers through proprietary brands and strategic partnerships.

cineverse.com
2Advertising Revenue
TypeAdvertising
Description

Programmatic advertising through c360 network and direct integrations across scalable network of fan channels. The company offers contextual advertising targeting specific fandoms.

cineverse.com
3Theatrical Distribution
TypeTransaction Fee
Description

Cineverse acquires and distributes theatrical releases including Terrifier franchise (highest-grossing unrated film in U.S. history), Pan's Labyrinth, Return to Silent Hill, and Air Bud Returns. The company has created a winning formula for independently financed horror movies.

cineverse.com
4Content Licensing
TypeLicensing Royalties
Description

Dynamic recent releases and catalog content licensed to audiences globally across platforms. The company distributes over 66,000 premium films, series, and podcasts through licensing deals.

cineverse.com
5Matchpoint SaaS Technology
TypeSubscription Recurring
Description

Award-winning proprietary streaming technology suite offered to third parties as SaaS solution supporting filmmakers, media companies, platforms and OEMs.

cineverse.com
6Podcast Network
TypeAdvertising
Description

Top-rated audio network featuring podcasts across horror, true crime, lifestyle and more including Murder in America and Mayfair Watcher Society. Includes BloodyFM Podcast Network.

cineverse.com
7Merchandise Sales
TypeTransaction Fee
Description

Curated merchandise and collectibles for brands like Bloody Disgusting sold through Walmart and Spencers.

cineverse.com
Marketing channels6 records

Each record includes

Title, Type, Stage, Description, Source

Distribution channels6 records

Each record includes

Title, Type, Scope, Target buyer, Description, Source

Cost components6 values
Personnel, Technology or R&D, Operations, Marketing or Sales, Infrastructure, Supply Chain
GTM typeB2B and B2C
B2B and B2C
Offering typeDigital Commerce or Conte…
Digital Commerce or Content
Brand1 of 7 records shown
1Bloody Disgusting
Description

The #1 voice in horror, internet's leading destination for horror news founded in 2001, viral marketing machine for horror content.

cineverse.com
+6 more records
Core offering1 text field

Cineverse is a next-generation entertainment studio that operates a multi-platform streaming service distributing over 66,000 premium films, series, and podcasts through fandom-focused channels, reaching 35.5 million unique monthly viewers. The company develops and licenses its proprietary Matchpoint streaming technology suite as a SaaS solution to third-party filmmakers, media companies, platforms and OEMs, and also provides end-to-end media services through its Giant Worldwide subsidiary and theatrical film distribution including the Terrifier franchise.

Differentiator
Functional benefit
Problem solved
Quantifiable outcome1 of 4 values shown
  • Over 35.5 million unique viewers monthly
+3 more records
Product overview1 text field

Cineverse is a next-generation entertainment studio that operates as a multi-platform technology and content company. The core offering includes Matchpoint, an award-winning proprietary streaming technology SaaS platform with modules for distribution (Dispatch), streaming app deployment (Blueprint), and analytics (Insights). Supporting the content business are Giant Worldwide (media services), IndiCue (analytics), and cineSearch (AI-powered search). Cineverse distributes over 66,000 premium films, series, and podcasts through its portfolio of fan-driven streaming channels including Cineverse Streaming, Screambox, Bloody Disgusting, Fandor, Midnight Pulp, Dove Channel, Retro Crush, AsianCrush, and JoySauce, reaching 35.5 million monthly unique viewers. The company also operates podcast networks (Cineverse Podcast Network and Bloody FM), and c360, a programmatic ad-tech platform.

Product and service16 records
1Matchpoint
CategoryStreaming Technology SaaS Platform
Description

Award-winning proprietary SaaS suite of streaming technology and AI tools that supports content management, packaging, and distribution for filmmakers, media companies, platforms, and OEMs.

2Giant Worldwide
CategoryMedia Services
Description

End-to-end media services provider supporting global distribution of film and television content, offering mastering, localization, quality control, and delivery operating 24/7 across facilities in New York, Burbank, Warsaw, and Kolkata.

3IndiCue
CategoryMedia Analytics Platform
Description

Media insights and analytics platform that aggregates and analyzes audience and distribution data to help distributors, platforms, and rights holders understand content performance across the global entertainment ecosystem.

4cineSearch
CategoryAI Search & Discovery
Description

AI-powered search and discovery tool for film and television that makes deciding what to watch as entertaining as the entertainment itself, providing personalized content recommendations.

5Cineverse Streaming
CategoryVideo Streaming Service
Description

Core streaming platform offering 66,000+ premium films, series, and podcasts to consumers across web, mobile, and connected TV apps, reaching 35.5 million monthly unique viewers.

6Screambox
CategoryVideo Streaming Channel (Horror)
Description

Horror-focused streaming channel and subscription service for horror enthusiasts.

7Fandor
CategoryVideo Streaming Channel (Independent Film)
Description

Independent film streaming channel featuring curated selections of independent cinema.

8Midnight Pulp
CategoryVideo Streaming Channel (Cult/Pulp)
Description

Genre streaming channel featuring cult and pulp content for genre enthusiasts.

9Dove Channel
CategoryVideo Streaming Channel (Family/Faith)
Description

Family-friendly streaming channel offering faith-based and family-appropriate content.

10Retro Crush
CategoryVideo Streaming Channel (Retro/Classic)
Description

Nostalgia-focused streaming channel featuring classic and retro content for audiences seeking vintage programming.

11AsianCrush
CategoryVideo Streaming Channel (Asian Cinema)
Description

Asian cinema and entertainment streaming channel dedicated to Asian films and series.

12JoySauce
CategoryVideo Streaming Channel (Asian-American Lifestyle)
Description

Asian-American lifestyle and entertainment streaming content destination serving the Asian-American audience.

13Cineverse Podcast Network
CategoryPodcast Network
Description

Top-rated audio network featuring podcasts across horror, true crime, lifestyle, and more, including titles such as Murder in America and Mayfair Watcher Society.

14Bloody FM
CategoryPodcast Network (Horror)
Description

Horror-focused podcast network featuring true crime, travel casts, and horror content.

15c360 Programmatic Audience Network
CategoryProgrammatic Advertising Network
Description

Next-gen premium programmatic advertising network and ad-tech platform that allows brands to target and reach key fandoms wherever they watch content, with direct integrations across Cineverse's scalable network of fan channels.

16Bloody Disgusting
CategoryHorror Media Brand / News
Description

Internet's leading destination for horror news, founded in 2001, quoted by box office hits and recognized by filmmakers and talent across Hollywood, operating as a viral marketing machine for horror content.

Scale indicator8 records

Each record includes

Type, Value, Description, Source

Partnership1 partner
Strategic tierCoreTypeStrategic or Co-development Partner
Description

Cineverse acquired Giant Worldwide, a global media services provider operating 24/7 across New York, Burbank, Warsaw, and Kolkata. Giant provides end-to-end media services supporting global distribution of film and television content with expertise in mastering, localization, quality control, and delivery.

Recent move6 records

Each record includes

Date, Type, Title, Description, Source

Expansion highlight7 records

Each record includes

Type, Description

Peers10 records
TypeEmerging player
Description

Video player and streaming technology provider serving publishers and media companies; comparable SaaS profile to Matchpoint's film/TV content management and distribution stack.

TypeDirect peer
Description

Independent content distributor and FAST channel operator licensing a large film/TV catalog to ad-supported platforms; mirrors Cineverse's content-licensing and channel-distribution business model.

TypeDirect peer
Description

Independent film and TV distributor with physical (DVD/Blu-ray) and digital channels including horror-adjacent properties; directly comparable to Cineverse's niche content distribution and fandom-channel streaming approach.

TypeDirect peer
Description

Fox-owned free ad-supported streaming service (FAST) offering a large library of films and series across niche channels; mirrors Cineverse's streaming aggregation and ad-supported revenue model head-to-head.

TypeBroad incumbent
Description

Smart-TV OEM with integrated FAST service WatchFree+; competes as both an OEM distribution partner for Cineverse and a FAST-content aggregator competing for streaming viewership and ad budgets.

TypeDirect peer
Description

Public small-cap entertainment company operating ad-supported streaming (Crackle), content distribution, and emerging tech initiatives — a comparable publicly traded, multi-revenue-stream entertainment peer to Cineverse.

TypeBroad incumbent
Description

Smart-TV and streaming-device platform that also runs The Roku Channel, a major FAST/AVOD aggregator. Competes with Cineverse both as a distributor (rival app-store) and as a content aggregator.

TypeEmerging player
Description

Developer-focused video infrastructure platform providing APIs for streaming, playback, and analytics; comparable technology stack to Matchpoint's CMS/insights offering to media companies and OEMs.

TypeDirect peer
Description

Paramount-owned FAST platform with hundreds of curated linear channels; competes directly with Cineverse's Screambox, Fandor, Retro Crush, and AsianCrush channels in the niche-aggregation streaming category.

TypeBroad incumbent
Description

Independent studio with the Starz streaming service and theatrical distribution — competes in both theatrical acquisition/release (like Cineverse's Terrifier/Pan's Labyrinth slate) and premium streaming subscriptions.

Market position
Strengths5 records

Each record includes

Headline, Details, Source

Weaknesses5 records

Each record includes

Headline, Details, Source

Competitive moat6 records

Each record includes

Type, Details

Key risks6 records

Each record includes

Headline, Details, Source

Key highlights7 records

Each record includes

Headline, Details, Source

Customer concentration

Classification, Details

Named customers11 records

Each record includes

Name, Industry, Type, Use case, Source, UUID

Segment5 records

Each record includes

Title, Type, Primary, Description, Pain point addressed, Use case, Source

Ideal customer profile3 records

Each record includes

Profile, Firmographic size, Sales motion, Sales cycle length, Buying structure, Purchase trigger, Buyer persona, Geography, Industry vertical, Primary use case, Description, Pain points, Evidence proof points, Target buyer

Technology focused
Yes
API detail
Has APIbool
No

Docs URL, Description

Integration10 records

Each record includes

Title, Type, Description, Source

AI capability6 records

Each record includes

Type, Description, Source

AI maturity
App detail

Has app

Feature5 records

Each record includes

Title, Differentiator, Description, Source

Core technology
Revenue estimate
Valuation estimate
Number of profiles
Profiles9 records

Each record includes

Name, Designation, Designation category, Overview, Profile commentary, Source

Subsidiaries6 records

Each record includes

Name, Acquired on, Relationship type, Type, Business focus

No data
Funding overview

Funding stage, Last funding date, Total funding USD

Funding rounds

Each record includes

Round, Amount USD, Date, Pre money valuation, Total investors, Investors, News

Investors

Each record includes

Name, Type, Date of entry, Rounds participated, Website

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

M&A

Each record includes

Name, Acquisition type, Announced date, Completed date, Status, Website, News

Investment

Each record includes

Name, Round, Announced date, Lead investor, Website, News

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Cineverse

Video Streaming & Entertainment Technologyhome.cineverse.com

Cineverse (NASDAQ: CNVS) is a publicly traded entertainment studio that distributes 66,000+ films, series, and podcasts across fan-channelized streaming services (Cineverse, Screambox, Fandor, Bloody Disgusting, AsianCrush, Retro Crush, Dove Channel) and runs Matchpoint, a proprietary SaaS suite for streaming distribution, app deployment, and analytics offered to third-party media companies.

What Cineverse does

Cineverse (NASDAQ: CNVS, formerly Cinedigm) operates as a next-generation entertainment studio that combines independent content distribution with proprietary streaming infrastructure. The company runs a portfolio of fan-channelized streaming services — Cineverse Streaming, Screambox, Fandor, Midnight Pulp, Dove Channel, Retro Crush, AsianCrush, JoySauce, Bloody Disgusting, plus niche channels including Yu-Gi-Oh! ARC-V and Dog Whisperer — distributing over 66,000 premium films, series, and podcasts to 35.5 million monthly unique viewers (management cites up to 80 million) and 1.5 million+ paying subscribers across self-serve apps on Roku, LG, Samsung, Vizio, Amazon Fire TV, Google TV/Android TV, Apple TV, iOS, and Android. Its owned media brand Bloody Disgusting (acquired 2023) anchors horror audience development and theatrical marketing, exemplified by Cineverse's distribution of the Terrifier franchise — Terrifier 3 became the highest-grossing unrated film in U.S. history.

Underpinning the consumer business is a proprietary technology stack led by Matchpoint, a SaaS suite (Dispatch for distribution, Blueprint for streaming app deployment, and Insights for performance and revenue analytics) developed primarily through the company's engineering and R&D office in Kolkata, India and now offered to third-party filmmakers, media companies, platforms, and OEMs. Adjacent technology products include cineSearch (AI-powered discovery), IndiCue (audience and distribution analytics), c360 (programmatic advertising network), and Giant Worldwide (acquired 2025, providing 24/7 mastering, localization, QC, and delivery services across New York, Burbank, Warsaw, and Kolkata).

Cineverse monetizes through seven identifiable streams: streaming subscriptions across its channel portfolio, advertising via c360 and direct channel integrations, theatrical distribution (Terrifier, Pan's Labyrinth, Return to Silent Hill, Air Bud Returns), content licensing of its catalog to global platforms, Matchpoint SaaS, podcast advertising through Bloody FM and the Cineverse Podcast Network, and merchandise sales through Walmart and Spencers. The company is headquartered in New York, listed on NASDAQ, has no controlling parent, and was founded in its current form in 2011 under Chairman & CEO Christopher J. McGurk.

Cineverse firmographics

Firmographics
Name
Cineverse
Legal name
Cineverse
Website
https://home.cineverse.com
Company type
Public
Founded year
2011
Operating status
Operating
Headcount range
251–500 employees
Short description
Cineverse (NASDAQ: CNVS) is a publicly traded entertainment studio that distributes 66,000+ films, series, and podcasts across fan-channelized streaming services (Cineverse, Screambox, Fandor, Bloody Disgusting, AsianCrush, Retro Crush, Dove Channel) and runs Matchpoint, a proprietary SaaS suite for streaming distribution, app deployment, and analytics offered to third-party media companies.
Ownership category
akta.pro rank

Cineverse industry classification

Industry
Product category
Video Streaming & Entertainment Technology
NAICS
Motion Picture and Video Distribution (512120), Motion Picture and Video Distribution (51212), Media Streaming Distribution Services, Social Networks, and Other Media Networks and Content Providers (516210)
SIC
Services-Motion Picture & Video Tape Distribution (7822)
akta.pro primary industry
Live Streaming Aggregators & Multi-Platform Restreaming/Distribution Platforms (MPACACAM)
akta.pro secondary industries
Partner Integrations & Distribution (App Stores, Channels, OEM/Carrier Bundles) (MPAHAJAO), VFX Review, QC & Delivery (Client Review, Conform, Final Outputs) (MPAHABAL)

Keywords

  • Video streaming services
  • Streaming technology SaaS
  • Theatrical film distribution
  • Digital content licensing
  • Programmatic advertising

Where Cineverse is headquartered

Location

Headquarters

HQ city
New York
HQ country
United States
HQ region
North America

Offices4 records

Markets served

Cineverse business model

Business model
GTM type
B2B and B2C
Offering type
Digital Commerce or Content
Cost components
Personnel, Technology or R&D, Operations, Marketing or Sales, Infrastructure, Supply Chain

Revenue model

  1. Streaming Subscriptions: Cineverse operates multiple streaming channels and services including cineverse.com streaming, Screambox, Fandor, Dove Channel, Retro Crush, Asian Crush, and Yu-Gi-Oh! channels. The company reports over 1.5 million paying subscribers through proprietary brands and strategic partnerships.
  2. Advertising Revenue: Programmatic advertising through c360 network and direct integrations across scalable network of fan channels. The company offers contextual advertising targeting specific fandoms.
  3. Theatrical Distribution: Cineverse acquires and distributes theatrical releases including Terrifier franchise (highest-grossing unrated film in U.S. history), Pan's Labyrinth, Return to Silent Hill, and Air Bud Returns. The company has created a winning formula for independently financed horror movies.
  4. Content Licensing: Dynamic recent releases and catalog content licensed to audiences globally across platforms. The company distributes over 66,000 premium films, series, and podcasts through licensing deals.
  5. Matchpoint SaaS Technology: Award-winning proprietary streaming technology suite offered to third parties as SaaS solution supporting filmmakers, media companies, platforms and OEMs.
  6. Podcast Network: Top-rated audio network featuring podcasts across horror, true crime, lifestyle and more including Murder in America and Mayfair Watcher Society. Includes BloodyFM Podcast Network.
  7. Merchandise Sales: Curated merchandise and collectibles for brands like Bloody Disgusting sold through Walmart and Spencers.

Go-to-market motion3 records

Distribution channels6 records

Marketing channels6 records

Cineverse product offering

Product offering

Core offering

Cineverse is a next-generation entertainment studio that operates a multi-platform streaming service distributing over 66,000 premium films, series, and podcasts through fandom-focused channels, reaching 35.5 million unique monthly viewers. The company develops and licenses its proprietary Matchpoint streaming technology suite as a SaaS solution to third-party filmmakers, media companies, platforms and OEMs, and also provides end-to-end media services through its Giant Worldwide subsidiary and theatrical film distribution including the Terrifier franchise.

Product overview

Cineverse is a next-generation entertainment studio that operates as a multi-platform technology and content company. The core offering includes Matchpoint, an award-winning proprietary streaming technology SaaS platform with modules for distribution (Dispatch), streaming app deployment (Blueprint), and analytics (Insights). Supporting the content business are Giant Worldwide (media services), IndiCue (analytics), and cineSearch (AI-powered search). Cineverse distributes over 66,000 premium films, series, and podcasts through its portfolio of fan-driven streaming channels including Cineverse Streaming, Screambox, Bloody Disgusting, Fandor, Midnight Pulp, Dove Channel, Retro Crush, AsianCrush, and JoySauce, reaching 35.5 million monthly unique viewers. The company also operates podcast networks (Cineverse Podcast Network and Bloody FM), and c360, a programmatic ad-tech platform.

Differentiator

Problem solved

Functional benefit

Brands

  • Bloody Disgusting: The #1 voice in horror, internet's leading destination for horror news founded in 2001, viral marketing machine for horror content.
  • Matchpoint
  • Giant Worldwide
  • IndiCue
  • cineSearch
  • c360
  • BloodyFM

Products and services

  • Matchpoint Award-winning proprietary SaaS suite of streaming technology and AI tools that supports content management, packaging, and distribution for filmmakers, media companies, platforms, and OEMs.
  • Giant Worldwide End-to-end media services provider supporting global distribution of film and television content, offering mastering, localization, quality control, and delivery operating 24/7 across facilities in New York, Burbank, Warsaw, and Kolkata.
  • IndiCue Media insights and analytics platform that aggregates and analyzes audience and distribution data to help distributors, platforms, and rights holders understand content performance across the global entertainment ecosystem.
  • cineSearch AI-powered search and discovery tool for film and television that makes deciding what to watch as entertaining as the entertainment itself, providing personalized content recommendations.
  • Cineverse Streaming Core streaming platform offering 66,000+ premium films, series, and podcasts to consumers across web, mobile, and connected TV apps, reaching 35.5 million monthly unique viewers.
  • Screambox Horror-focused streaming channel and subscription service for horror enthusiasts.
  • Fandor Independent film streaming channel featuring curated selections of independent cinema.
  • Midnight Pulp Genre streaming channel featuring cult and pulp content for genre enthusiasts.
  • Dove Channel Family-friendly streaming channel offering faith-based and family-appropriate content.
  • Retro Crush Nostalgia-focused streaming channel featuring classic and retro content for audiences seeking vintage programming.
  • AsianCrush Asian cinema and entertainment streaming channel dedicated to Asian films and series.
  • JoySauce Asian-American lifestyle and entertainment streaming content destination serving the Asian-American audience.
  • Cineverse Podcast Network Top-rated audio network featuring podcasts across horror, true crime, lifestyle, and more, including titles such as Murder in America and Mayfair Watcher Society.
  • Bloody FM Horror-focused podcast network featuring true crime, travel casts, and horror content.
  • c360 Programmatic Audience Network Next-gen premium programmatic advertising network and ad-tech platform that allows brands to target and reach key fandoms wherever they watch content, with direct integrations across Cineverse's scalable network of fan channels.
  • Bloody Disgusting Internet's leading destination for horror news, founded in 2001, quoted by box office hits and recognized by filmmakers and talent across Hollywood, operating as a viral marketing machine for horror content.

Quantifiable outcome

  • Over 35.5 million unique viewers monthly
  • +3 more outcomes

Companies that use Cineverse

Customer profile

Named customers11 records

Segments5 records

Ideal customer profiles3 records

Cineverse technology and API

Technology

Technology focussed Yes

API detail

Has API
No
API docs
API detail

Core technology

AI maturity

App detail

Integration10 records

AI capability6 records

Feature5 records

Cineverse partnerships and signals

Strategic signal

Partnerships

One partnership is on record.

  • Giant WorldwidecoreStrategic or Co-development PartnerCineverse acquired Giant Worldwide, a global media services provider operating 24/7 across New York, Burbank, Warsaw, and Kolkata. Giant provides end-to-end media services supporting global distribution of film and television content with expertise in mastering, localization, quality control, and delivery.

Scale indicators8 records

Recent moves6 records

Expansion highlights7 records

Cineverse competitors and assessment

Company assessment

Emerging players

  • JW Player: Video player and streaming technology provider serving publishers and media companies; comparable SaaS profile to Matchpoint's film/TV content management and distribution stack.
  • Mux: Developer-focused video infrastructure platform providing APIs for streaming, playback, and analytics; comparable technology stack to Matchpoint's CMS/insights offering to media companies and OEMs.

Direct peers

  • FilmRise: Independent content distributor and FAST channel operator licensing a large film/TV catalog to ad-supported platforms; mirrors Cineverse's content-licensing and channel-distribution business model.
  • Shout! Factory: Independent film and TV distributor with physical (DVD/Blu-ray) and digital channels including horror-adjacent properties; directly comparable to Cineverse's niche content distribution and fandom-channel streaming approach.
  • Tubi: Fox-owned free ad-supported streaming service (FAST) offering a large library of films and series across niche channels; mirrors Cineverse's streaming aggregation and ad-supported revenue model head-to-head.
  • Crackle Plus (Chicken Soup for the Soul Entertainment): Public small-cap entertainment company operating ad-supported streaming (Crackle), content distribution, and emerging tech initiatives — a comparable publicly traded, multi-revenue-stream entertainment peer to Cineverse.
  • Pluto TV: Paramount-owned FAST platform with hundreds of curated linear channels; competes directly with Cineverse's Screambox, Fandor, Retro Crush, and AsianCrush channels in the niche-aggregation streaming category.

Broad incumbents

  • VIZIO (WatchFree+): Smart-TV OEM with integrated FAST service WatchFree+; competes as both an OEM distribution partner for Cineverse and a FAST-content aggregator competing for streaming viewership and ad budgets.
  • Roku (The Roku Channel): Smart-TV and streaming-device platform that also runs The Roku Channel, a major FAST/AVOD aggregator. Competes with Cineverse both as a distributor (rival app-store) and as a content aggregator.
  • Lionsgate: Independent studio with the Starz streaming service and theatrical distribution — competes in both theatrical acquisition/release (like Cineverse's Terrifier/Pan's Labyrinth slate) and premium streaming subscriptions.

Market position

Strengths5 records

Weaknesses5 records

Competitive moat6 records

Key risks6 records

Key highlights7 records

Customer concentration

Cineverse social profiles

Digital presence

Cineverse financial estimates

Financial estimate

Revenue estimate

Valuation estimate

Cineverse leadership team

Management profile

Number of profiles

Profiles9 records

Cineverse subsidiaries and ownership

Company hierarchy

Subsidiaries6 records

Cineverse funding detail

Funding detail

Funding overview

Funding rounds

Investors

Funding detail is available on the Subscription and Enterprise plan.Contact sales →

Cineverse M&A and investment

M&A and investment

M&A

Investments

M&A and investment is available on the Subscription and Enterprise plan.Contact sales →

Frequently asked questions about Cineverse

What does Cineverse do?

Cineverse is a next-generation entertainment studio that operates a multi-platform streaming service distributing over 66,000 premium films, series, and podcasts through fandom-focused channels, reaching 35.5 million unique monthly viewers. The company develops and licenses its proprietary Matchpoint streaming technology suite as a SaaS solution to third-party filmmakers, media companies, platforms and OEMs, and also provides end-to-end media services through its Giant Worldwide subsidiary and theatrical film distribution including the Terrifier franchise.

Is Cineverse a public or private company?

Cineverse is a public company. It is classified as public and is currently operating.

When was Cineverse founded?

Cineverse was founded in 2011. It employs 251 to 500 people.

Where is Cineverse based?

Cineverse is headquartered in New York, United States, in the North America region.

How does Cineverse make money?

Seven revenue lines are on record. Streaming Subscriptions are the primary driver. The others are advertising Revenue, theatrical Distribution, content Licensing, matchpoint SaaS Technology, podcast Network and merchandise Sales.

Who are Cineverse's main competitors?

Emerging players on record are JW Player and Mux. Direct peers are FilmRise, Shout! Factory, Tubi, Crackle Plus (Chicken Soup for the Soul Entertainment) and Pluto TV. Broad incumbents are VIZIO (WatchFree+), Roku (The Roku Channel) and Lionsgate.

Does Cineverse have an API?

No public API is recorded for Cineverse.

What industry is Cineverse in?

Cineverse's product category is Video Streaming & Entertainment Technology. Its primary akta.pro industry code is MPACACAM, Live Streaming Aggregators & Multi-Platform Restreaming/Distribution Platforms, with a secondary code of MPAHAJAO, Partner Integrations & Distribution (App Stores, Channels, OEM/Carrier Bundles). Its NAICS code is 512120 and its SIC code is 7822.

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Yahoo'Pan's Labyrinth' at 20: 'I wanted to see the kid win,' says Guillermo del ToroGuillermo del Toro's 'Pan's Labyrinth' is celebrating its 20th anniversary with a new 4K restoration in 2D and 3D, premiering in theaters on Friday. The film, set during the Spanish Civil War, won three Academy Awards and was Del Toro's last Spanish-language feature. Cineverse is marketing the bilingual release to reach Latino audiences.Deadline'Eugene the Marine': Scott Glenn, Jim Gaffigan Movie Acquired by CineverseCineverse acquired domestic rights to the horror film 'Eugene the Marine,' starring Scott Glenn, Jim Gaffigan, and Annette O'Toole. The Hank Bedford-directed movie, shot on Super 16mm, is planned for a theatrical release in select cities later this year.AInvestCineverse’s Automation Timelines and Synergy Projections Clash in 2027 Q1 Earnings CallCineverse reported Q1 revenue of $30.6 million, representing a 175% year-over-year increase, while projecting fiscal 2027 revenue between $115 million and $120 million. The company achieved over $13 million in annual cost savings through workforce reductions and is expanding its Vaudeo ad tech platform to migrate podcast advertising to connected TV. Management highlighted strong viewership growth and strategic theatrical releases, though the report notes inconsistencies in automation timelines and synergy projections compared to previous quarters.Stock TitanCineverse Partners With LG for Bob Ross Art CollectionLG Electronics and Cineverse (Nasdaq: CNVS) have announced that the Bob Ross Gallery Collection is now available on the LG Gallery+ platform, allowing LG Art TV users to display Bob Ross's iconic paintings on their screens. The partnership also includes the Bob Ross Channel (LG Channel 588), featuring nearly 400 episodes of 'The Joy of Painting,' which has become one of Cineverse's top FAST channels. LG Gallery+ provides access to over 5,000 pieces of artwork from classical and contemporary artists, with a three-month free trial for the premium version.Bloody Disgusting!‘Pan’s Labyrinth’ 20th Anniversary Trailer Heralds Return of Guillermo del Toro’s Dark Fantasy to TheatersCineverse and Fathom Entertainment are partnering to re-release Guillermo del Toro’s 'Pan’s Labyrinth' in theaters nationwide on October 9, 2026, for the film's 20th anniversary. The re-release will feature 4K presentations with 3D and HDR versions overseen by director Guillermo del Toro. Tickets go on sale online on September 9.Bloody Disgusting!‘Pan’s Legacy’ – Share Your ‘Pan’s Labyrinth’ Memories Ahead of 20th Anniversary Re-Release!Cineverse and Fathom Entertainment are collaborating to re-release Guillermo del Toro’s 'Pan’s Labyrinth' in theaters on October 9, 2026, for the film's 20th anniversary. The re-release will feature 4K presentations with 3D and premium HDR options overseen by the director. Cineverse is also launching a fan engagement campaign inviting audiences to share their memories of the film.AP News20 years after a 22-minute ovation, Guillermo del Toro and ‘Pan’s Labyrinth’ return to CannesDirector Guillermo del Toro returned to the Cannes Film Festival to screen a restoration of his 2006 film 'Pan's Labyrinth,' marking the movie's 20th anniversary. Cineverse and Fathom Entertainment are collaborating to rerelease the film in theaters on October 9, coinciding with the festival event. The screening highlights the enduring legacy of the production, which overcame significant financial and logistical challenges during its initial creation.AijournCineverse Names Sean McCabe CFOCineverse announced that Sean McCabe will join as CFO effective April 20, 2026, marking his return to the company where he previously served as VP and corporate controller in 2023 and 2024. McCabe joins from Freestar, an ad-tech company, where he led accounting and finance teams and played key roles in M&A, treasury, and capital structure optimization. He succeeds Mark Lindsey and will oversee global finance, accounting, capital markets, strategy, and cost-streaming initiatives as Cineverse integrates recent acquisitions including Giant Worldwide and IndiCue.Bloody Disgusting!‘Pan’s Labyrinth’ Returns to Theaters in 4K & 3D for the 20th Anniversary This October!Cineverse and Fathom Entertainment have partnered to re-release Guillermo del Toro’s 'Pan’s Labyrinth' in 4K and 3D for its 20th anniversary, with nationwide theatrical release scheduled for October 9, 2026. The special engagement features premium large format viewing options created by SDFX Studios and overseen by the director. This announcement was made ahead of CinemaCon as part of Cineverse's promotion of its upcoming 2026 titles.Icon Vs. IconGuillermo del Toro’s “Pan’s Labyrinth” Returns to Theaters for a 20th Anniversary CelebrationCineverse has partnered with Fathom Entertainment to re-release Guillermo del Toro’s “Pan’s Labyrinth” in theaters for its 20th anniversary on October 9, 2026. The special engagement will feature the film in 4K, 3D, and HDR formats, with visual effects provided by SDFX Studios under the director's supervision.