Live Viewing Japan
Live Viewing Japan distributes live and delayed broadcasts of concerts, Takarazuka performances, K-pop, anime events, and Korean musicals to partner cinemas across Japan and 10+ countries, with online streaming and co-produced IP.
- Company typePrivate
- Founded2011
- HeadquartersTokyo, Japan
- Headcount11–50
- GTM typeB2C
- OfferingServices
What Live Viewing Japan does
Live Viewing Japan Inc., founded in 2011 and headquartered in Tokyo, is a privately held live content distribution platform that broadcasts concerts, theatrical performances, anime events, K-pop concerts, Korean musicals, and sports to partner cinema chains across all 47 Japanese prefectures and 10+ countries internationally (Hong Kong, Taiwan, Thailand, South Korea, Singapore, Malaysia, Indonesia, Australia). The company distributes through two primary channels: (1) live and delayed cinema screenings at partner chains including TOHO Cinemas, Aeon Cinema, MCL (Hong Kong), Vie Show (Taiwan), and CGV (South Korea), with localized subtitles in Chinese, Thai, and Korean; and (2) online live streaming and archive replay via GLOBE CODING, bilibili, and Streaming+. Revenue is generated from cinema ticket sales (typically ¥2,500–¥5,700 per ticket), streaming PPV/archive access, merchandise sold at cinema venues, and IP co-production/licensing royalties from upstream involvement in anime and stage productions such as Baki, Healer Girl, Ensemble Stars!! DREAM LIVE, and Demon Slayer stage adaptations.
The company has extended vertically beyond pure distribution. It operates two wholly-owned subsidiaries — Apollo Bay (artist and voice actor management) and Launch Vehicle (in-house music label) — and holds a Singapore-based entity, LIVE VIEWING ENTERTAINMENT Pte. Ltd., which serves as the Southeast Asia distribution hub. Pricing varies by event type and seat category, with standard tickets in the ¥3,500–¥5,000 range and premium seats (Premier Sheet, Premier Box, CLASS S) reaching ¥5,300–¥6,100 at select venues. The customer base splits between enterprise B2B content licensors (Takarazuka Creative Arts, SM Entertainment Japan, SEGA, Demon Slayer Stage Production Committee, Korea Musical Company) and long-tail consumer ticket buyers served through Ticket Pia, Loppi, KKTIX, Interpark, and cinema box offices. As of the input data, no funding rounds, M&A events, or revenue figures are disclosed, and the company operates with 11–50 employees.
Live Viewing Japan firmographics
Firmographics- Name
- Live Viewing Japan
- Legal name
- Live Viewing Japan Inc.
- Website
- https://liveviewing.jp
- Company type
- Private
- Founded year
- 2011
- Operating status
- Operating
- Headcount range
- 11–50 employees
- Short description
- Live Viewing Japan distributes live and delayed broadcasts of concerts, Takarazuka performances, K-pop, anime events, and Korean musicals to partner cinemas across Japan and 10+ countries, with online streaming and co-produced IP.
- Ownership category
- akta.pro rank
Live Viewing Japan industry classification
Industry- Product category
- Live Event Distribution Services
- NAICS
- Motion Picture and Video Exhibition (51213), Motion Picture Theaters (except Drive-Ins) (512131)
- SIC
- Services-Motion Picture Theaters (7830), Services-Allied To Motion Picture Distribution (7829)
- akta.pro primary industry
- Alternative Content Exhibition (Live Broadcasts, Concert Films, Sports, Opera) (MPADAKAG)
- akta.pro secondary industry
- Broadcast/Recording for Live Events (OB, Multicam, Livestream Capture) (MPAGAKAI)
Keywords
Where Live Viewing Japan is headquartered
LocationHeadquarters
- HQ city
- Tokyo
- HQ country
- Japan
- HQ region
- Asia
Markets served
Live Viewing Japan business model
Business model- GTM type
- B2C
- Offering type
- Services
- Cost components
- Operations, Personnel, Marketing or Sales, Technology or R&D, Infrastructure
Revenue model
- Cinema Ticket Sales (Live Viewing): Revenue is generated through the sale of tickets to live and delayed cinema screenings of performances. Ticket prices range from ¥2,500 to ¥5,700 depending on seat category and event type. Sales are facilitated through Ticket Pia, Loppi, cinema websites, and at-the-door box office sales.
- Online Streaming Subscriptions/Pay-Per-View: Revenue from live streaming events directly to consumers via platforms such as GLOBE CODING, bilibili, and Streaming+, with optional paid archive/replay viewing periods.
- Goods and Merchandise Sales: Sale of official merchandise, programs, and collectibles at cinema venues and online for specific events such as Takarazuka Revue live broadcasts, Korean Musical ON SCREEN screenings, and K-pop fan conventions.
- Anime/Stage Production and IP Management: Live Viewing Japan co-produces and invests in anime, stage plays, and live events (e.g., Ensemble Stars!! DREAM LIVE, Healer Girl, Bocchi the Rock!), participating in IP revenue through production involvement, cross-media expansion, and merchandise licensing.
Pricing tiers
| Model | Billing | Price |
|---|---|---|
| Unit Pricing | One time/ perpetual license | Standard All-Seat Assigned Ticket |
| Unit Pricing | One time/ perpetual license | Premium/Special Seat (Select Cinemas) |
| Unit Pricing | One time/ perpetual license | Demon Slayer Stage Live Viewing |
| Unit Pricing | One time/ perpetual license | Korean Musical ON SCREEN General Admission |
| Unit Pricing | One time/ perpetual license | Takarazuka Snow Troupe 'Poe no Ichizoku' Live Viewing |
| Unit Pricing | One time/ perpetual license | SUPER JUNIOR 83z Live Viewing |
Go-to-market motion3 records
Distribution channels4 records
Marketing channels7 records
Live Viewing Japan product offering
Product offeringCore offering
Live Viewing Japan distributes and broadcasts live concerts, theater performances, anime events, K-pop concerts, musicals, and sports events to partner movie theater chains across Japan and internationally, with simultaneous online live streaming. The company acquires rights to live performances and other content, then arranges cinema screenings and streaming delivery so audiences can experience events they cannot attend in person.
Product overview
Live Viewing Japan is a unified live viewing platform that distributes concerts, theater performances (including Takarazuka Revue), anime events, K-pop concerts, musicals, sports events, and stage greetings to cinemas across Japan and internationally (including Hong Kong, Taiwan, Singapore, Korea, Australia, and Southeast Asia). The platform operates alongside two subsidiaries: Apollo Bay (artist management for voice actors and singers) and Launch Vehicle (music label). The company also produces anime, stage plays, and events as part of its IP expansion strategy, with content spanning music, theater, 2.5-dimensional productions, anime, voice acting, musicals, films, documentaries, K-POP, sports, kids entertainment, and comedy.
Differentiator
Problem solved
Functional benefit
Brands
- Apollo Bay: A voice actor and artist management brand under Live Viewing Japan
- Launch Vehicle
Products and services
- Live Cinema Broadcasting Service A distribution service that broadcasts live performances (concerts, theater, anime events, K-pop, musicals, sports) from concert halls and theaters to partner movie theater chains in Japan and internationally, enabling audiences to attend events on large screens with cinema-grade sound.
- Online Live Streaming
- Anime, Stage, and Event Production Cross-media content production including co-production of anime, stage plays, and live events such as Ensemble Stars!! DREAM LIVE, Healer Girl, Baki, Migi to Dali, Futsal Boys!!!!!, and Akudama Drive stage, with participation in IP revenue through production, merchandise, and cross-media expansion.
- Apollo Bay (Artist Management) Artist management subsidiary of Live Viewing Japan handling voice actors and singers, supporting talent discovery and development for the group's entertainment content.
- Launch Vehicle (Music Label) In-house music label subsidiary of Live Viewing Japan for producing and distributing music releases associated with the company's entertainment content.
Quantifiable outcome
- Korean Musical ON SCREEN encore vote attracted 7,167 total votes, demonstrating strong fan engagement and demand for continued screenings
Companies that use Live Viewing Japan
Customer profileNamed customers6 records
Segments3 records
Ideal customer profiles3 records
Live Viewing Japan technology and API
TechnologyTechnology focussed No
API detail
- Has API
- No
- API docs
- API detail
Core technology
AI maturity
App detail
Feature3 records
Live Viewing Japan partnerships and signals
Strategic signalPartnerships
16 partnerships are on record, tiered core and minor.
- TV Asahi (テレビ朝日)coreTV Asahi serves as an organizer for Yuzuru Hanyu's 'REALIVE' ICE STORY project special cinema screenings, contributing to the planning and promotion of the event alongside Live Viewing Japan.
- CIC (Japan)coreCIC is listed as an organizer for the Yuzuru Hanyu 'REALIVE' ICE STORY project, collaborating with Live Viewing Japan on event planning and execution for the special cinema screening.
- teamSiriuscoreteamSirius is an organizer for the Yuzuru Hanyu 'REALIVE' ICE STORY project, working with Live Viewing Japan on the special cinema screening event.
- KHB (Kansai Television Broadcasting)coreKHB (Kansai Television Broadcasting) is an organizer for the Yuzuru Hanyu 'REALIVE' ICE STORY project, collaborating on the cinema screening event in the Kansai region.
- Takarazuka Creative Arts (宝塚クリエイティブアーツ)coreTakarazuka Creative Arts is the planning and production entity for Takarazuka Revue live broadcasts, while Live Viewing Japan handles distribution to cinemas. This is a long-standing co-production partnership for the live broadcast of Takarazuka Revue performances.
- Ticket Pia (チケットぴあ)coreTicket Pia is the primary ticketing platform for Live Viewing Japan events, handling advance lottery and general ticket sales for Takarazuka Revue live broadcasts and other events.
- LIVE VIEWING ENTERTAINMENT Pte. Ltd.coreLIVE VIEWING ENTERTAINMENT Pte. Ltd. serves as the overseas distribution partner for Live Viewing Japan in Southeast Asia, co-distributing events such as the Takarazuka Revue Star Troupe 'Boys Over Flowers II' live viewing to cinemas in Hong Kong, Taiwan, and Thailand.
- MCL Cinemas (Hong Kong)coreMCL Cinemas is a key cinema partner in Hong Kong for Live Viewing Japan's overseas distribution, hosting multiple events including Takarazuka Revue broadcasts, Ensemble Stars!! DREAM LIVE, and Kessoku Band concerts.
- Vie Show Cinemas (Taiwan)coreVie Show Cinemas is a major cinema chain partner in Taiwan, distributing Live Viewing Japan content including Takarazuka Revue performances, Ensemble Stars!! events, and Kessoku Band concerts to Taiwanese audiences.
- CGV (South Korea)coreCGV is a cinema chain partner in South Korea distributing Live Viewing Japan content including Ensemble Stars!! DREAM LIVE events, Kessoku Band concerts, and other Japanese entertainment broadcasts.
- GLOBE CODINGcoreGLOBE CODING is the primary streaming platform used by Live Viewing Japan for live streaming and archive replay of events, supporting global and regional streaming distribution.
- bilibilicorebilibili serves as a streaming partner for Live Viewing Japan in China, distributing live and replay streams of events including Ensemble Stars!! DREAM LIVE, HYDE Orchestra Concert, and Kaz 'CODE LOVE' online concerts.
- Apollo Bay (アポロンベイ)minorApollo Bay is an artist management subsidiary of Live Viewing Japan, focused on discovering and developing talent in voice acting and singing. It operates as an affiliated entity rather than a commercial partnership.
- Launch VehicleminorLaunch Vehicle is a music label operated by Live Viewing Japan, functioning as an in-house record label for music releases associated with the company's entertainment content.
- SM Entertainment JapancoreSM Entertainment Japan is the organizer and promoter of SUPER JUNIOR 83z FAN-CON TOUR IN JAPAN, with Live Viewing Japan handling the cinema live viewing distribution of the final concert to theaters across Japan.
- TOHO CinemascoreTOHO Cinemas is a major cinema chain partner across Japan, hosting a wide range of Live Viewing Japan events including Takarazuka Revue broadcasts, Demon Slayer stage plays, and K-pop fan conventions.
Scale indicators5 records
Recent moves6 records
Expansion highlights5 records
Live Viewing Japan competitors and assessment
Company assessmentDirect peers
- CJ CGV: Korea's largest cinema chain (also a Live Viewing Japan partner for Korean anime/Ensemble Stars screenings) and a content/production arm (CJ ENM). Competes in cinema live-event distribution across Asia and is vertically integrated into content production, much like Live Viewing Japan's owned ecosystem.
- BY Experience: U.S. distributor specializing in broadcasting performing arts, cultural exhibitions, and documentaries to cinemas (e.g., Royal Ballet, Tutankhamun exhibitions). Closely comparable event-cinema curation and international distribution model.
- Metropolitan Opera Live in HD: The Met's internationally distributed cinema series broadcasting live Saturday matinee opera to theaters in 70+ countries. Direct analogue as an institutional premium-arts content owner using live cinema as its global distribution channel.
- Fathom Events: U.S.-based leading distributor of live and recorded events (opera, ballet, theater, concerts, sports) to movie theater chains across North America. Operates the same cinema-as-live-event venue model as Live Viewing Japan across the Pacific.
- NicoNico Douga (Dwango/Kadokawa): Japan's largest user-generated live video platform that regularly streams concerts, anime events, and stage productions (including Takarazuka and Vocaloid festivals) with synchronized commentary. Competes directly for Japanese fans' live-stream viewing time and rights to the same domestic IP.
- ABEMA (CyberAgent): Major Japan-based OTT platform that increasingly streams live concerts, anime events, and stage content to a Japanese audience. Provides Live Viewing Japan with direct streaming-side competition for the same live-entertainment rights and consumers.
- Pathé Live: European distributor of opera and ballet (including Royal Opera House productions) live to cinemas globally. Closely comparable as a long-running cinema live-broadcast content distributor serving premium performing arts IP.
- National Theatre Live (NT Live): UK-based National Theatre initiative that broadcasts live and 'as live' stage productions to cinemas worldwide, including in Japan. Operates the same theater-to-cinema live distribution framework targeting international audiences.
Broad incumbents
- SKY Perfect JSAT: Japan's leading satellite pay-TV operator carrying premium channels (including music, idol, and anime channels) and live broadcasts of concerts and events. Overlaps with Live Viewing Japan's live-content distribution, particularly for the at-home audience.
- Toho Cinemas: Japan's largest cinema chain and a core Live Viewing Japan partner hosting Takarazuka, Demon Slayer, and K-pop live broadcasts. A broader incumbent with its own alternative-content curation that could in theory compete or substitute for Live Viewing Japan at scale.
Market position
Strengths5 records
Weaknesses5 records
Competitive moat4 records
Key risks7 records
Key highlights7 records
Customer concentration
Live Viewing Japan social profiles
Digital presenceLive Viewing Japan financial estimates
Financial estimateRevenue estimate
Valuation estimate
Live Viewing Japan leadership team
Management profileNumber of profiles
Live Viewing Japan subsidiaries and ownership
Company hierarchySubsidiaries3 records
Live Viewing Japan funding detail
Funding detailFunding overview
Funding rounds
Investors
Funding detail is available on the Subscription and Enterprise plan.Contact sales →
Live Viewing Japan M&A and investment
M&A and investmentM&A
Investments
M&A and investment is available on the Subscription and Enterprise plan.Contact sales →
Frequently asked questions about Live Viewing Japan
What does Live Viewing Japan do?
Live Viewing Japan distributes and broadcasts live concerts, theater performances, anime events, K-pop concerts, musicals, and sports events to partner movie theater chains across Japan and internationally, with simultaneous online live streaming. The company acquires rights to live performances and other content, then arranges cinema screenings and streaming delivery so audiences can experience events they cannot attend in person.
Is Live Viewing Japan a public or private company?
Live Viewing Japan is a private company. It is classified as founder individual operated bootstrapped and is currently operating.
When was Live Viewing Japan founded?
Live Viewing Japan was founded in 2011. It employs 11 to 50 people.
Where is Live Viewing Japan based?
Live Viewing Japan is headquartered in Tokyo, Japan, in the Asia region.
How does Live Viewing Japan make money?
Four revenue lines are on record. Cinema Ticket Sales (Live Viewing) is the primary driver. The others are online Streaming Subscriptions/Pay-Per-View, goods and Merchandise Sales and anime/Stage Production and IP Management.
Who are Live Viewing Japan's main competitors?
Direct peers on record are CJ CGV, BY Experience, Metropolitan Opera Live in HD, Fathom Events, NicoNico Douga (Dwango/Kadokawa), ABEMA (CyberAgent), Pathé Live and National Theatre Live (NT Live). Broad incumbents are SKY Perfect JSAT and Toho Cinemas.
Does Live Viewing Japan have an API?
No public API is recorded for Live Viewing Japan.
What industry is Live Viewing Japan in?
Live Viewing Japan's product category is Live Event Distribution Services. Its primary akta.pro industry code is MPADAKAG, Alternative Content Exhibition (Live Broadcasts, Concert Films, Sports, Opera), with a secondary code of MPAGAKAI, Broadcast/Recording for Live Events (OB, Multicam, Livestream Capture). Its NAICS code is 51213 and its SIC code is 7830.